[et_pb_section fb_built=”1″ _builder_version=”4.22.2″ _module_preset=”default” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_2,1_2″ module_id=”overview” _builder_version=”4.19.4″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text content_tablet=”<\/p>\n
” content_last_edited=”off|desktop” _builder_version=”4.27.4″ _module_preset=”default” header_font=”|700||on|||||” header_text_color=”#5b5b5b” header_font_size=”26px” header_2_font_size=”18px” custom_margin=”0px||0px||false|false” custom_padding=”0px|20px|20px||false|false” custom_padding_tablet=”0px|20px|20px||false|false” custom_padding_phone=”0px|20px|20px||false|false” custom_padding_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n
[\/et_pb_text][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” module_alignment=”left” custom_margin=”0px||0px||false|false” custom_padding=”0px|4px|0px|4px|false|false” custom_css_main_element=”display: inline-block;” global_colors_info=”{}”]<\/p>\n
ROMA | MUCCIACCIA GALLERY PROJECT<\/p>\n
[\/et_pb_text][et_pb_text disabled_on=”off|off|off” _builder_version=”4.27.4″ _module_preset=”default” module_alignment=”left” custom_margin=”0px||0px||false|false” custom_padding=”0px|0px|0px|4px|false|false” hover_enabled=”0″ custom_css_main_element=”display: inline-block;” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n
Opening 13 dicembre 2024 ore 18.00
14 dicembre 2024 – 14 febbraio 2025<\/p>\n
[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.19.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_text disabled_on=”on|on|on” _builder_version=”4.27.0″ _module_preset=”default” text_text_color=”#000000″ text_font_size=”12px” link_text_color=”#939393″ text_orientation=”center” text_text_color_tablet=”#000000″ text_text_color_phone=”#000000″ text_text_color_last_edited=”on|desktop” text_letter_spacing_tablet=”2px” text_letter_spacing_phone=”0px” text_letter_spacing_last_edited=”on|desktop” link_font_tablet=”” link_font_phone=”” link_font_last_edited=”on|desktop” disabled=”on” locked=”off” global_colors_info=”{}”]<\/p>\n
PANORAMICA<\/a>\u00a0 \u00a0INSTALLAZIONI<\/a>\u00a0\u00a0PUBBLICAZIONI<\/a>\u00a0 \u00a0OPERE<\/a><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9mZWF0dXJlZF9pbWFnZSIsInNldHRpbmdzIjp7fX0=@” show_in_lightbox=”on” align=”center” _builder_version=”4.27.4″ _dynamic_attributes=”src” _module_preset=”default” width=”100%” width_tablet=”100%” width_phone=”100%” width_last_edited=”on|phone” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_text quote_border_color=”#e2e2e2″ disabled_on=”on|on|on” _builder_version=”4.27.4″ _module_preset=”default” text_text_color=”#999999″ text_line_height=”2.2em” quote_font=”||on||||||” quote_text_color=”#494949″ custom_padding=”||40px||false|false” custom_padding_tablet=”40px||40px||false|false” custom_padding_phone=”||40px||false|false” custom_padding_last_edited=”on|desktop” text_font_size_tablet=”” text_font_size_phone=”14px” text_font_size_last_edited=”on|phone” text_line_height_tablet=”2.2em” text_line_height_phone=”1.6em” text_line_height_last_edited=”on|phone” disabled=”on” global_colors_info=”{}”]<\/p>\n Coming soon<\/p>\n [\/et_pb_text][et_pb_button button_url=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2024\/12\/CS-Life-Is-but-a-Day_13-dicembre-31-gennaio.pdf” url_new_window=”on” button_text=”Comunicato Stampa PDF” disabled_on=”off|off|off” _builder_version=”4.27.4″ _module_preset=”default” custom_button=”on” button_text_size=”16px” button_text_color=”#999999″ custom_margin=”||20px||false|false” custom_padding=”||||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”off|off|off” _builder_version=”4.27.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.19.4″ _module_preset=”default” width=”100%” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.19.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_text quote_border_color=”#e2e2e2″ disabled_on=”on|on|on” _builder_version=”4.27.2″ _module_preset=”default” text_text_color=”#999999″ text_line_height=”2.2em” quote_font=”||on||||||” quote_text_color=”#494949″ custom_padding=”||40px||false|false” custom_padding_tablet=”40px||40px||false|false” custom_padding_phone=”||40px||false|false” custom_padding_last_edited=”on|desktop” text_font_size_tablet=”” text_font_size_phone=”14px” text_font_size_last_edited=”on|phone” text_line_height_tablet=”2.2em” text_line_height_phone=”1.6em” text_line_height_last_edited=”on|phone” disabled=”on” global_colors_info=”{}”]<\/p>\n In mostra presso Mucciaccia Gallery Project quindici nuove opere dell’artista PRIEST. La mostra “Manufracture” durer\u00e0 fino al 30 novembre 2024. L’artista afferma che “Il mio passaggio dai graffiti al mondo dell\u2019arte non \u00e8 stato esattamente un\u2019evoluzione naturale; \u00e8 stato piuttosto caotico ed imprevisto. Nel 2010 ho iniziato a realizzare graffiti illegalmente in Nuova Zelanda. Arriviamo al 2019, anno in cui mi \u00e8 stata offerta una mostra in una piccola galleria di Melbourne: la mia prima personale, Toys. La mostra esplorava l\u2019avidit\u00e0 aziendale, la nostalgia dell\u2019infanzia, l\u2019assurdit\u00e0 generale dell\u2019et\u00e0 adulta e l\u2019umorismo nero. Oggi mi ritrovo ancora ad esplorare profondamente gli stessi temi; non sapevo che la mia prima mostra avrebbe definito il mio stile artistico cos\u00ec rapidamente. Questi dipinti recenti sono profondamente focalizzati sulla ricerca di un equilibrio negli elementi utilizzati per definire il mio lavoro”.<\/p>\n [\/et_pb_text][et_pb_button button_url=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/09\/CS_eng_Touching_the_Sky.pdf” url_new_window=”on” button_text=”Press Release PDF” disabled_on=”on|on|on” _builder_version=”4.22.2″ _module_preset=”default” custom_button=”on” button_text_size=”16px” button_text_color=”#999999″ custom_margin=”||20px||false|false” custom_padding=”||||false|false” disabled=”on” global_colors_info=”{}”][\/et_pb_button][et_pb_text disabled_on=”on|on|on” module_id=”info” _builder_version=”4.22.2″ _module_preset=”default” custom_padding=”10px||||false|false” border_width_top=”1px” border_color_top=”#cecece” disabled=”on” locked=”off” global_colors_info=”{}”]<\/p>\n INFORMATION: Exhibition Press Office:<\/strong> [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row disabled_on=”off|off|off” _builder_version=”4.27.4″ _module_preset=”default” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”hyperlink-color-image” _builder_version=”4.27.4″ _module_preset=”default” header_2_font_size=”18px” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” header_2_font_size_tablet=”18px” header_2_font_size_phone=”18px” header_2_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_divider color=”#c9c9c9″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ disabled_on=”off|off|off” _builder_version=”4.27.4″ _module_preset=”default” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2024\/12\/Life-is-but-a-Day-Installation-View-1-scaled.webp” alt=”PRIEST Installation View – Mucciaccia Gallery Project” title_text=”Life is but a Day – Installation View (1)” show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.19)” _builder_version=”4.27.4″ _module_preset=”default” height=”220px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text disabled_on=”on|on|on” _builder_version=”4.27.0″ _module_preset=”default” text_font_size=”12px” text_line_height=”1.3em” disabled=”on” locked=”off” global_colors_info=”{}”]<\/p>\n Ph. Monkeys Video Lab [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2024\/12\/Life-is-but-a-Day-Installation-View-2-scaled.webp” alt=”PRIEST Installation View – Mucciaccia Gallery Project” title_text=”Life is but a Day – Installation View (2)” show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.19)” _builder_version=”4.27.4″ _module_preset=”default” height=”220px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text disabled_on=”on|on|on” _builder_version=”4.27.0″ _module_preset=”default” text_font_size=”12px” text_line_height=”1.3em” disabled=”on” locked=”off” global_colors_info=”{}”]<\/p>\n Ph. Monkeys Video Lab [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2024\/12\/Life-is-but-a-Day-Installation-View-3-scaled.webp” alt=”PRIEST Installation View – Mucciaccia Gallery Project” title_text=”Life is but a Day – Installation View (3)” show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.19)” _builder_version=”4.27.4″ _module_preset=”default” height=”220px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text disabled_on=”on|on|on” _builder_version=”4.27.0″ _module_preset=”default” text_font_size=”12px” text_line_height=”1.3em” disabled=”on” locked=”off” global_colors_info=”{}”]<\/p>\n Ph. Monkeys Video Lab [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row disabled_on=”off|off|off” _builder_version=”4.27.4″ _module_preset=”default” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”hyperlink-color-image” _builder_version=”4.27.2″ _module_preset=”default” header_2_font_size=”18px” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” header_2_font_size_tablet=”18px” header_2_font_size_phone=”18px” header_2_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_divider color=”#c9c9c9″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ disabled_on=”off|off|off” _builder_version=”4.27.4″ _module_preset=”default” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2024\/12\/Charlie-Davoli__anatomy_of_a_continuous_stilness-scaled.webp” alt=”Charlie Davoli Charlie Davoli<\/strong> [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2024\/12\/Charlie-Davoli__room_of_impossibilities-scaled.webp” alt=”Charlie Davoli Room of impossibilities, 2024 Carta fotografica Canson Baryta Prestige, 340gr su supporto Dibond 3mm 90 x 63 cm Edition of 5″ title_text=”Charlie Davoli__room_of_impossibilities” show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.19)” module_class=”photoworks” _builder_version=”4.27.4″ _module_preset=”default” height=”220px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” text_font_size=”12px” text_line_height=”1.3em” global_colors_info=”{}”]<\/p>\n Charlie Davoli<\/strong> [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2024\/12\/Charlie-Davoli__the_future_is_now_only_longer-scaled.webp” alt=”Charlie Davoli The future is now, only longer, 2024 Carta fotografica Canson Baryta Prestige, 340gr su supporto Dibond 3mm 150 x 105 cm Edition of 3″ title_text=”Charlie Davoli__the_future_is_now_only_longer” show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.19)” module_class=”photoworks” _builder_version=”4.27.4″ _module_preset=”default” height=”220px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” text_font_size=”12px” text_line_height=”1.3em” global_colors_info=”{}”]<\/p>\n Charlie Davoli<\/strong> [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ disabled_on=”off|off|off” _builder_version=”4.27.4″ _module_preset=”default” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2024\/12\/Elisa-Zadi-Cardo-Reverso-I-2024-iolio-pigmento-e-pastello-su-tessuto-cm-120×100-alta-scaled.webp” alt=”Elisa Zadi Cardo Reverso I, 2024 Olio, pigmento e pastello su tessuto 120 x 100 cm” title_text=”Elisa Zadi, Cardo Reverso I, 2024, iolio, pigmento e pastello su tessuto, cm 120×100-alta” show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.19)” module_class=”photoworks” _builder_version=”4.27.4″ _module_preset=”default” height=”220px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” text_font_size=”12px” text_line_height=”1.3em” global_colors_info=”{}”]<\/p>\n Elisa Zadi<\/strong> [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2024\/12\/Elisa-Zadi-Fiori-di-cardo-e-Zinnia-2024-olio-pigmento-e-pastello-su-tessuto-cm-120×100-alta-scaled.webp” alt=”Elisa Zadi Fiori di Cardo e Zinnia, 2024 Olio e pigmento e pastello su tessuto 120 x 100 cm” title_text=”Elisa Zadi, Fiori di cardo e Zinnia, 2024, olio, pigmento e pastello su tessuto, cm 120×100-alta” show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.19)” module_class=”photoworks” _builder_version=”4.27.4″ _module_preset=”default” height=”220px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” text_font_size=”12px” text_line_height=”1.3em” global_colors_info=”{}”]<\/p>\n Elisa Zadi<\/strong> [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2024\/12\/Elisa-Zadi-Giglio-di-Fuoco-2024-olio-e-pigmento-su-tessuto-cm-55×50-alta-scaled.webp” alt=”Elisa Zadi Giglio di Fuoco, 2024 Olio e pigmento su tessuto 55 x 50 cm” title_text=”Elisa Zadi, Giglio di Fuoco, 2024, olio e pigmento su tessuto, cm 55×50-alta” show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.19)” module_class=”photoworks” _builder_version=”4.27.4″ _module_preset=”default” height=”220px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” text_font_size=”12px” text_line_height=”1.3em” global_colors_info=”{}”]<\/p>\n Elisa Zadi<\/strong> [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ disabled_on=”on|on|on” _builder_version=”4.27.2″ _module_preset=”default” disabled=”on” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2024\/09\/Auto-Moai-It-Is-Like-a-Blade-scaled.webp” alt=”AUTOMOAI It is like a blade, 2022 Oil on canvas 72.7 \u00d7 60.6 cm” title_text=”AUTOMOAI It is like a blade, 2022 Oil on canvas 72.7 \u00d7 60.6 cm” url=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2024\/09\/Auto-Moai-It-Is-Like-a-Blade-scaled.webp” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.19)” module_class=”photoworks” _builder_version=”4.27.0″ _module_preset=”default” height=”220px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” text_font_size=”12px” text_line_height=”1.3em” global_colors_info=”{}”]<\/p>\n AUTOMOAI [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2024\/09\/The-bathroom.webp” alt=”AUTOMOAI The bathroom, 2023 Oil on canvas 80.3 x 60.6 cm” title_text=”AUTOMOAI The bathroom, 2023 Oil on canvas 80.3 x 60.6 cm” url=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2024\/09\/The-bathroom.webp” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.19)” module_class=”photoworks” _builder_version=”4.27.0″ _module_preset=”default” height=”220px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” text_font_size=”12px” text_line_height=”1.3em” global_colors_info=”{}”]<\/p>\n AUTOMOAI [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2024\/09\/Body-Based-Memories-2.webp” alt=”AUTOMOAI Body Based Memories 2, 2023 Oil on canvas 80.3 x 60.6 cm” title_text=”AUTOMOAI Body Based Memories 2, 2023 Oil on canvas 80.3 x 60.6 cm” url=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2024\/09\/Body-Based-Memories-2.webp” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.19)” module_class=”photoworks” _builder_version=”4.27.0″ _module_preset=”default” height=”220px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” text_font_size=”12px” text_line_height=”1.3em” global_colors_info=”{}”]<\/p>\n AUTOMOAI [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2024\/09\/Le-Seoul-Hotel.webp” alt=”AUTOMOAI Le seoul hotel, 2023 Oil on canvas 91 x 72.7 cm” title_text=”AUTOMOAI Le seoul hotel, 2023 Oil on canvas 91 x 72.7 cm” url=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2024\/09\/Le-Seoul-Hotel.webp” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.19)” module_class=”photoworks” _builder_version=”4.27.0″ _module_preset=”default” height=”220px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” text_font_size=”12px” text_line_height=”1.3em” global_colors_info=”{}”]<\/p>\n AUTOMOAI [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ use_custom_gutter=”on” gutter_width=”1″ disabled_on=”on|on|on” _builder_version=”4.22.2″ _module_preset=”default” width=”100%” disabled=”on” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.19.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9mZWF0dXJlZF9pbWFnZSIsInNldHRpbmdzIjp7fX0=@” show_in_lightbox=”on” align=”center” disabled_on=”on|on|on” _builder_version=”4.21.0″ _dynamic_attributes=”src” _module_preset=”default” width=”80%” height=”260px” disabled=”on” global_colors_info=”{}”][\/et_pb_image][et_pb_text disabled_on=”on|on|on” _builder_version=”4.19.5″ _module_preset=”default” text_font_size=”9px” text_orientation=”center” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” disabled=”on” locked=”off” global_colors_info=”{}”]<\/p>\n Jan Fabre, A spiritual space, 2022<\/em>, [\/et_pb_text][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.19.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_text quote_border_color=”#e2e2e2″ _builder_version=”4.22.2″ _module_preset=”default” text_text_color=”#999999″ text_line_height=”2.2em” quote_font=”||on||||||” quote_text_color=”#494949″ custom_padding=”||40px||false|false” custom_padding_tablet=”40px||40px||false|false” custom_padding_phone=”||40px||false|false” custom_padding_last_edited=”on|desktop” text_font_size_tablet=”” text_font_size_phone=”14px” text_font_size_last_edited=”on|phone” text_line_height_tablet=”2.2em” text_line_height_phone=”1.6em” text_line_height_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n Opening soon From October 5 to November 12, 2023, Mucciaccia Gallery <\/strong>presents in its location in Rome, via Laurina 31, the work of two female artists with African descent, rising stars on the international scene,\u00a0 Tiffanie Delune<\/strong> (Paris, France, 1988) and Sola Olulode <\/strong>(London, UK, 1996), who are exposing together for the first time in the exhibition Touching the Sky<\/em><\/strong>, curated by Catherine Loewe.<\/p>\n This exhibition marks the beginning of a new path for Mucciaccia Contemporary, which, under the name Project<\/em><\/strong> and the artistic direction of Giulia Abate<\/strong> aims at devoting itself to the search for new proposals, by organizing unprecedented exhibitions of artists in both the location of via Laurina in Rome and in the other locations of Mucciaccia Gallery in London and Singapore.<\/p>\n The exhibition title takes its inspiration from the song \u201cFeel so High\u201d,\u00a0a ballad by the British singer Des\u2019ree, taken from her debut album Mind Adventures<\/em> (1992), a hymn to happiness and the joy of life, themes underlying the selection of the works presented, which suggest a spiritual yearning to achieve one’s dreams and bliss.<\/p>\n The dialogue between Tiffanie Delune and Sola Olulode<\/strong> is expressed through the juxtaposition of works that resonate with that soaring feeling which characterizes moments of pure joy and freedom: drawing on ideas of memory, love, passion and compassion, the two artists have embarked on a journey of self-discovery and self-affirmation that reflects their personal identities.<\/p>\n Their art pieces refer to their African heritage, mingled with influences from the Western art canon, and are flooded with vivid and layered colours.\u00a0In their distinctive ways, Delune and Olulode celebrate the universal story of womanhood, sharing deeply instinctive and nurturing qualities.<\/p>\n Tiffanie Delune, <\/strong>a self-taught artist of French, Belgo-Congolese heritage, who lives in Lisbon, in her works embarks on a sort of wondering wandering, weaving apparitions in dreams and travel recollections with symbols of her mixed-race family, hints of femininity and flux of spirituality, as one can see from the six works on display<\/strong>. Navigating between her shadow self and the one full of light, movement and energy, Tiffanie is interested in the magic of storytelling, creating multi-layered pieces on cotton canvas, loose linen and smaller pieces of paper, playing with the scale, she longs for textures and meanings, by using acrylic, pastels, papercuts, spray paint, glitter and threads.<\/p>\n Sola Olulode<\/strong>, a British Nigerian artist living and working in London, uses tender images to celebrate Black identity, womanhood and non-binary people. The artist uses gestural brushwork, indigo dye, wax, oil bar, impasto in monochromatic schemes in blue, green or yellow. In the exhibition, there are nine works<\/strong> which speak strongly of her Nigerian heritage, while centering the representation and visibility of Black Queer lived experiences.<\/p>\n Artists Delune and Olulode represent a new generation articulating what it means to be a black woman and artist in the 21st century, rejecting the tendency for reductive categorisation that revolves around the trauma of racial violence or stereotypes of black femininity, choosing instead an intentional life that leans into the realms of playfulness, dreams and joy.<\/p>\n Their works exude hope, carrying a sense of catharsis around personal struggles and the complexities of identity. This uplifting approach is a case of subtle activism reclaiming beauty, healing and fulfilment where this might previously have been absent or obscured.<\/p>\n The exhibition will be accompanied by a fully illustrated catalogue<\/strong>, with contributing texts by Alayo Akinkugbe, art historian and founder of Instagram platform @ABlackHistoryOfArt, and the curator Catherine Loewe.<\/p>\n Biographical notes<\/u><\/p>\n Tiffanie Delune (1988)<\/strong> is an artist of French, Belgo-Congolese heritage, who lives in Lisbon. Recent exhibitions include: There\u2019s Gold on The Palms of My Hands, Gallery 1957, Accra, Ghana, 2023;\u00a0 See me Flowing, Band of Vices, Los Angeles, CA, USA, 2022; There\u2019s Gasoline In My Heart, Foreign Agent, Lausanne, Switzerland, 2022; Seeds Of Light, curated by Katherine Finerty, Ed Cross Fine Art, London, 2020. Her work is held in the permanent collections of the Foundation Gandur pour l’Art in Geneva, Switzerland, the Alexandra Cohen Presbytarian Hospital for Women and Newborns in New York and The Women’s Art Collection of the Murray Edwards College at Cambridge University, UK.<\/p>\n Sola Olulode (1996)<\/strong> is a British Nigerian artist living and working in London. She received a BA in Fine Art Painting from the University of Brighton in 2018. Recent exhibitions include:\u00a0Burning Like the Star That Showed Us to Our Love, Ed Cross, London, 2023; Reverie, Dada Gallery, Lagos, 2023;\u00a0To Be Held, Carl Freedman Gallery, Margate, 2023;\u00a0You\u2019re My Sweetie, My Sugar curated by Alayo Akinkugbe x Awita at JW Anderson, London, 2022; Could You Be Love, Sapar Contemporary, New York, 2022;\u00a0Summer Show #1, Ed Cross, London, 2022;\u00a0Bold Black British, Christie\u2019s, curated by Aindrea Emelife, London, 2021;\u00a0St\u00e4ying Alive, Berntson Bhattacharjee, Sweden, 2021;\u00a0Victoria Miro x Out Collective, Vortic, 2021; An Infinity of Traces, Lisson Gallery, London, 2021 and\u00a0Blacklisted: An Indefinite Revolution, Alice Black, London, 2020.<\/p>\n <\/p>\n Rome, September 2023<\/p>\n [\/et_pb_text][et_pb_button button_url=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/09\/CS_eng_Touching_the_Sky.pdf” url_new_window=”on” button_text=”Press Release PDF” _builder_version=”4.22.2″ _module_preset=”default” custom_button=”on” button_text_size=”16px” button_text_color=”#999999″ custom_margin=”||20px||false|false” custom_padding=”||||false|false” global_colors_info=”{}”][\/et_pb_button][et_pb_text module_id=”info” _builder_version=”4.22.2″ _module_preset=”default” custom_padding=”10px||||false|false” border_width_top=”1px” border_color_top=”#cecece” locked=”off” global_colors_info=”{}”]<\/p>\n INFORMATION: Exhibition Press Office:<\/strong> [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Life Is but a Day | Charlie Davoli & Elisa Zadi \u00a0ROMA | MUCCIACCIA GALLERY PROJECTOpening 13 dicembre 2024 ore 18.0014 dicembre 2024 – 14 febbraio 2025PANORAMICA\u00a0 \u00a0INSTALLAZIONI\u00a0\u00a0PUBBLICAZIONI\u00a0 \u00a0OPEREComing soonIn mostra presso Mucciaccia Gallery Project quindici nuove opere dell’artista PRIEST. La mostra “Manufracture” durer\u00e0 fino al 30 novembre 2024. L’artista afferma che “Il mio passaggio […]<\/p>\n","protected":false},"author":8,"featured_media":26948,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[278],"tags":[],"class_list":["post-26950","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mostre-precedenti-mucciaccia-gallery-roma"],"acf":[],"_links":{"self":[{"href":"https:\/\/mucciaccia.com\/it\/wp-json\/wp\/v2\/posts\/26950","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mucciaccia.com\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mucciaccia.com\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mucciaccia.com\/it\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/mucciaccia.com\/it\/wp-json\/wp\/v2\/comments?post=26950"}],"version-history":[{"count":0,"href":"https:\/\/mucciaccia.com\/it\/wp-json\/wp\/v2\/posts\/26950\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mucciaccia.com\/it\/wp-json\/wp\/v2\/media\/26948"}],"wp:attachment":[{"href":"https:\/\/mucciaccia.com\/it\/wp-json\/wp\/v2\/media?parent=26950"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mucciaccia.com\/it\/wp-json\/wp\/v2\/categories?post=26950"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mucciaccia.com\/it\/wp-json\/wp\/v2\/tags?post=26950"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
<\/strong>Exhibition: Touching the Sky | Tiffanie Delune & Sola Olulode
<\/em>Curator: Catherine Loewe
Venue: Mucciaccia Project, Rome, Via Laurina 31
Opening: Wednesday October 04, 2023 | 6 p.m.
Open to the public: October 05 – November 12, 2023
Opening hours: Monday – Friday, 10.30 a.m. \u2013\u00a0 7 p.m.; Saturday, 11.00 a.m. \u2013 7 p.m.; Sunday closed
+ 39 06 79 78 36 47 | info@mucciaccia.com | mucciaccia.com<\/p>\n
Maria Bonmassar | +39 335 490311 | ufficiostampa@mariabonmassar.com<\/p>\nINSTALLAZIONI<\/h2>\n
\u00a9\u00a0Emma Talbot
Courtesy of Mucciaccia Gallery Project<\/p>\n
\u00a9\u00a0Emma Talbot
Courtesy of Mucciaccia Gallery Project<\/p>\n
\u00a9\u00a0Emma Talbot
Courtesy of Mucciaccia Gallery Project<\/p>\nOPERE<\/h2>\n
\nAnatomy of a continuous stillness, 2024
\nCarta fotografica Canson Baryta Prestige, 340gr su supporto Dibond 3mm
\n90 x 63 cm
\nEdition of 5″ title_text=”Charlie Davoli__anatomy_of_a_continuous_stilness” show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.19)” module_class=”photoworks” _builder_version=”4.27.4″ _module_preset=”default” height=”220px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” text_font_size=”12px” text_line_height=”1.3em” global_colors_info=”{}”]<\/p>\n
Anatomy of a continuous stillness<\/em>, 2024
Carta fotografica Canson Baryta Prestige, 340gr su supporto Dibond 3mm
90 x 63 cm
Edition of 5<\/p>\n
Room of impossibilities<\/em>, 2024
Carta fotografica Canson Baryta Prestige, 340gr su supporto Dibond 3mm
90 x 63 cm
Edition of 5<\/p>\n
The future is now, only longer<\/em>, 2024
Carta fotografica Canson Baryta Prestige, 340gr su supporto Dibond 3mm
150 x 105 cm
Edition of 3<\/p>\n
Cardo Reverso I<\/em>, 2024
Olio, pigmento e pastello su tessuto
120 x 100 cm<\/p>\n
Fiori di Cardo e Zinnia<\/em>, 2024
Olio e pigmento e pastello su tessuto
120 x 100 cm<\/p>\n
Giglio di Fuoco<\/em>, 2024
Olio e pigmento su tessuto
55 x 50 cm<\/p>\n
It is like a blade<\/em>, 2022
Oil on canvas
72.7 \u00d7 60.6 cm<\/p>\n
The bathroom<\/em>, 2023
Oil on canvas
80.3 x 60.6 cm<\/p>\n
Body Based Memories 2<\/em>, 2023\u00a0
Oil on canvas
80.3 x 60.6 cm<\/p>\n
Le seoul hotel<\/em>, 2023
Oil on canvas
91 x 72.7 cm<\/p>\n
deep precious coral, pigment, polymers, 76,5 x 40,5 x 13 cm<\/p>\n
Wednesday 4 October 2023, from 18.00 to 20.00<\/p>\n
<\/strong>Exhibition: Touching the Sky | Tiffanie Delune & Sola Olulode
<\/em>Curator: Catherine Loewe
Venue: Mucciaccia Project, Rome, Via Laurina 31
Opening: Wednesday October 04, 2023 | 6 p.m.
Open to the public: October 05 – November 12, 2023
Opening hours: Monday – Friday, 10.30 a.m. \u2013\u00a0 7 p.m.; Saturday, 11.00 a.m. \u2013 7 p.m.; Sunday closed
+ 39 06 79 78 36 47 | info@mucciaccia.com | mucciaccia.com<\/p>\n
Maria Bonmassar | +39 335 490311 | ufficiostampa@mariabonmassar.com<\/p>\n