[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.19.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_2,1_2″ use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.19.2″ _module_preset=”default” width=”100%” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.19.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” text_text_color=”#999999″ text_line_height=”2.2em” custom_padding=”||40px||false|false” custom_padding_tablet=”||40px||false|false” custom_padding_phone=”||40px||false|false” custom_padding_last_edited=”on|desktop” hover_enabled=”0″ text_font_size_tablet=”” text_font_size_phone=”14px” text_font_size_last_edited=”on|phone” text_line_height_tablet=”2.2em” text_line_height_phone=”1.4em” text_line_height_last_edited=”on|phone” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n
Tom Sanford \u00e8 nato nel 1975 a Bronxville (New York, Usa). Ha conseguito un BA alla Columbia University, quindi un MFA all\u2019Hunter College. Vive e lavora nel quartiere di Harlem a New York.<\/p>\n
La sua ricerca e i suo punti di riferimento derivano da un\u00a0melting pot\u00a0<\/em>di fonti, dal Rinascimento al secolo d\u2019oro olandese, dai dipinti dei salotti ottocenteschi alla Pop Art e al Surrealismo-Pop, \ufb01no alla gra\ufb01ca dei fumetti politici, dei cartelloni pubblicitari, dei giornali scandalistici e degli articoli presenti nelle stazioni di servizio americane.<\/p>\n I suoi temi sono nature morte e ritratti, ma si focalizza anche su soggetti contemporanei. Le sue nature morte rappresentano soprattutto lattine o bottiglie di birra, ma anche cartoni di pizza e superalcolici. Le sue \ufb01gure umane, invece, passano in rassegna un\u2019umanit\u00e0 varia, con i cattivi e le vittime, le tragedie e i trion\ufb01 della societ\u00e0 contemporanea.<\/p>\n L\u2019artista trae ispirazione dal mondo attuale:<\/em>\u00a0\u00abMi interessa la storia, ma lavoro in un periodo post-storico. Io faccio dei dipinti sui tempi in cui vivo -afferma Tom Sanford-I media sono la mia musa, dipingo alla luce del mio computer. Vorrei avere il tempo di dipingere pi\u00f9 cose, ma l\u2019arte \u00e8 lenta e il mondo \u00e8 veloce\u00bb.<\/em><\/p>\n Le sue opere sono in musei e gallerie di tutto il mondo e ha esposto in mostre personali alla Gallery Poulsen (Copenhagen), Kravets Wehby Gallery (NYC), Galleri SE (Bergen), Gitler & ___ (NYC), Leo Koenig Inc. (NYC), Galleri Faurschou (Copenhagen), BravinLee Programs (NYC), Gallery ZIdane (Lussemburgo) tra le altre, e in numerose mostre collettive. Tom Sanford fa parte del movimento artistico Aftermodernism fondato dal collezionista Hubert Neumann. Nell\u2019ottobre del 2020 espone alla Mucciaccia Contemporary di Roma nella mostra\u00a0Aftermodernism Chapter 2 Benjamin Edwards Tom Sanford<\/em>\u00a0a cura di Cesare Biasini Selvaggi.<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.19.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9mZWF0dXJlZF9pbWFnZSIsInNldHRpbmdzIjp7fX0=@” align=”center” _builder_version=”4.19.2″ _dynamic_attributes=”src” _module_preset=”default” height=”350px” filter_saturate=”0%” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”][et_pb_row _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.22.2″ _module_preset=”default” text_text_color=”#999999″ text_line_height=”2.2em” header_3_text_color=”#919191″ custom_padding=”||40px||false|false” custom_padding_tablet=”||40px||false|false” custom_padding_phone=”||40px||false|false” custom_padding_last_edited=”on|desktop” text_font_size_tablet=”” text_font_size_phone=”14px” text_font_size_last_edited=”on|phone” text_line_height_tablet=”2.2em” text_line_height_phone=”1.4em” text_line_height_last_edited=”on|phone” border_width_bottom=”1px” border_color_bottom=”#dbdbdb” global_colors_info=”{}”]<\/p>\n 2017<\/p>\n Birds of America,\u00a0EXPLORATIONS OF AUDUBON: THE PAINTINGS OF LARRY RIVERS AND OTHERS, 101\/Exhibit, Los Angeles, California.<\/p>\n 2016<\/p>\n The Election Collection, Gallerie s.e, Bergen, Norway.<\/p>\n The Oasis, Gitler&___, Harlem, USA.<\/p>\n Poulsen\u2019s Fifteen, Gallery Poulsen, Copenhagen, Denmark.<\/p>\n The Four Sons, Gitler&____, Harlem, USA.<\/p>\n Sensorium,\u00a0Kravets\/Wehby Gallery, NYC.<\/p>\n 2015<\/p>\n The Hunt of the Unicorn, Gitler&_______, Harlem, USA.<\/p>\n The Copenhagen Interpretation (part 2), Gallery Poulsen, Copenhagen, Denmark<\/p>\n The Copenhagen Interpretation, The Lodge Gallery, NYC<\/p>\n 2014<\/p>\n Natural Enemies, curated by Elizabeth Saperstein, Pelham Art Center, New York.<\/p>\n Exquisite Corpse, curated by Amir H. Fallah, Mass Gallery, Austin, TX.<\/p>\n Django, curated by Rene Holm, Galleri Franz Pedersen, Denmark.<\/p>\n 2013<\/p>\n Seveth-Inning Stretch, curated by Carlo McCormick & Eric Firestone, Eric Firestone Gallery, East Hampton, NY.<\/p>\n Aftermodernism, curated by Hubert Neumann, The Nassau County Museum of Art, Long Island, NY.<\/p>\n Hello Nasty, curated by Chris Bors, Cindy Rucker Gallery, NYC.<\/p>\n The Wild Bunch, Gallery Poulsen, Copenhagen, Denmark.<\/p>\n Die Wunderkammer, curated by Keith Schweitzer and Jason Patrick Voegele,\u00a0The Lodge, NYC.<\/p>\n Weird World, (with Don Porcello & Toru Ishii),\u00a0ISE Cultural Foundation, NYC.<\/p>\n 2012<\/p>\n How Much Do I Owe You?, curated by Manon Slome & No Longer Empty, LIC NYC.<\/p>\n About Face, curated by Daniel Weinberg, ACME gallery, Los Angeles.<\/p>\n Double Dirty Dozen, Frieght + Volume Gallery, New York City<\/p>\n It\u2019s Hard to Leave When You Can\u2019t Find the Door, LaMontagne Gallery, Boston.<\/p>\n Disorder, Kravets\/Wehby Gallery, New York City.<\/p>\n Come and Get It!, Herdershot Gallery, New York City<\/p>\n The Wicked Twins: Fame and Notoriety, Paul Robeson Galleries, Rutgers University, Newark, New Jersey.<\/p>\n Drawn To You, Gallery Poulsen, Copenhagen, Denmark.<\/p>\n Good Intentions, Hezi Cohen Gallery, Tel Aviv, Israel.<\/p>\n MIE: A Portrait by 35 Artists, Curated by Nick Lawrence and Mie Iwatsuki, Frieght +Volume, New York City<\/p>\n 2011<\/p>\n From Where You Just Arrived, organized by Ryan Schneider & Jonas Wood, Pepin Moore, Los Angeles.<\/p>\n Die Like You Really Mean It, curated by Frank Webster & Paul Brainard, Allegra LaViola Gallery, NYC.<\/p>\n MAKE Skateboards, curated by Scott Ogden, i-20 Gallery, NYC.<\/p>\n Bitches Brew (New Art from New York 2), Gallery Poulsen, Copenhagen, Denmark.<\/p>\n SICK!\u00a0curated by Meghan Carleton and Max Wolf,\u00a0Misc., NYC.<\/p>\n Pornucopia, Allegra LaViola Gallery, NYC<\/p>\n Battle of the Brush, curated by Alex Glauber, Bryant Park, NYC<\/p>\n 2010<\/p>\n Xmas Show, Gallery Poulsen, Copenhagen, Denmark.<\/p>\n Three Amigos: Tom Sanford, Eric White & Nicola Verlota, Galleri S.E., Bergen, Norway.<\/p>\n RUN AND TELL THAT!: New Work from New York, curated by Eric Gleason and David Prince, SUart Galleries, Syracuse University, NY. (online catalog here)<\/p>\n The Incomplete \u2013 Paris, curated by Hubert Neumann, GALERIE JEAN-LUC+TAKAKO RICHARD, Paris, France. (catalog available here)<\/p>\n 50 Ways to Keep Your Lover, Galleri S.E., Bergen, Norway.<\/p>\n BIG PICTURE, Priska C. Juschka Fine Art, New York, NY.<\/p>\n Irascible Assholes, Gallery Poulsen, Copenhagen, Denmark<\/p>\n Currents \u2013 Benjamin Edwards, Jessica Jackson Hutchins & Tom Sanford, Nassau County Museum of Art, Long Island, NY.<\/p>\n BUSHWICK SCHLACHT\u00a0curated by Guillermo Creus.<\/p>\n The Antidote,\u00a0Claire Oliver Fine Art, NYC.<\/p>\n Never Can Say Goodbye,\u00a0Tower Record\/No Longer Empty, NY.<\/p>\n 2009<\/p>\n TOO BIG TO FAIL,\u00a0NADA\/LaMontagne Gallery, 375 Flatbush, Brooklyn<\/p>\n No Longer Empty 3,\u00a0The Invisible Dog, Brooklyn, NY 2008<\/p>\n In Your Face, Buia Gallery, New York, NY 2007<\/p>\n No New Tale To Tell\u2026.,31 GRAND, Brooklyn, NY 2006<\/p>\n Reflections (20 Year Anniversary), Galleri Faurschou, Copenhagen, Denmark 2005<\/p>\n Star-Star: Toward the Center of Attention,\u00a0Contemporary Arts Center, Cincinnati, OH 2004<\/p>\n The Beautiful Ones, 31 GRAND, Brooklyn, NY 2002<\/p>\n Derivative\u00a0(curated by Sarah Rosenbaum), Bingo Hall, Brooklyn, NY 2001<\/p>\n EyeSaw, Ledeco Gallery, Tokyo, Japan<\/p>\n 1999<\/p>\n Size Matters,\u00a0Gale Gates et al., Brooklyn, NY 1998<\/p>\n Surfing the Surface, dfn Gallery NYC<\/p>\n<\/div>\n<\/div>\n [\/et_pb_text][et_pb_text _builder_version=”4.22.2″ _module_preset=”default” text_text_color=”#999999″ text_line_height=”2.2em” header_3_text_color=”#919191″ custom_padding=”||40px||false|false” custom_padding_tablet=”||40px||false|false” custom_padding_phone=”||40px||false|false” custom_padding_last_edited=”on|desktop” text_font_size_tablet=”” text_font_size_phone=”14px” text_font_size_last_edited=”on|phone” text_line_height_tablet=”2.2em” text_line_height_phone=”1.4em” text_line_height_last_edited=”on|phone” border_width_bottom=”1px” border_color_bottom=”#dbdbdb” global_colors_info=”{}”]<\/p>\n 2020<\/p>\n Aftermoderism Chapter 2, Benjamin Edwards and Tom Sanford<\/em>, a cura di Cesare Biasini Selvaggi. Mucciaccia Contemporary, Roma, Italia.<\/p>\n 2018<\/p>\n Have you seen this Man?, Gitler &____, Harlem, USA<\/p>\n Triad (with James Busby and Christian Schumann), Neumann Wolfson Art, NY, NY<\/p>\n 2017<\/p>\n Greetings From Harlem, The Palm Tree Gallery, London, England.<\/p>\n 2015<\/p>\n What\u2019s Good in the \u2018Hood, Gitler&____, Harlem, USA.<\/p>\n The Rape of the Masters, Gallerie s.e, Bergen, Norway.<\/p>\n 2014<\/p>\n The Lifes of the Artists, Gallery Poulsen, Copenhagen, Denmark<\/p>\n 2013<\/p>\n Caf\u00e9 des Artistes, Kravets\/Wehby Gallery, NYC.<\/p>\n 2012<\/p>\n 100 Little Deaths, BravinLee Programs, NYC.<\/p>\n The Saints of the Lower East Side, Curated by Keith Schweitzer, ArtUp, FABnyc, New York, NY.<\/p>\n 2011<\/p>\n CLASH, Curated by Erna Hecey, Gallery Zidoun, Luxembourg<\/p>\n The Decline of Western Civilization (part 3), Gallery Poulsen, Copenhagen, Denmark.<\/p>\n POWHIDA, collaboration with William Powhida, Marlborough Chelsea, New York, NY.<\/p>\n 2008<\/p>\n Mr. Hangover\u00a0Leo Koenig Inc., New York, NY<\/p>\n 2007<\/p>\n Bad Religion,\u00a0Galleri Faurschou, Copenhagen, Denmark<\/p>\n 2006<\/p>\n I will Fukn Rob Your White Ass,\u00a0Leo Koenig Inc., NY<\/p>\n 2005<\/p>\n The Life and Times of TomPAC,\u00a0Galleri Faurschou, Copenhagen, Denmark<\/p>\n 2004<\/p>\n TomPAC, Western Projects, Los Angeles, CA<\/p>\n 2003<\/p>\n Bling, 31 Grand, Brooklyn NY<\/p>\n Keepin\u2019 it Gangsta, Keepin\u2019 it Global, Tomoya Saito Gallery, Tokyo, \u00a0Japan<\/p>\n<\/div>\n<\/div>\n [\/et_pb_text][et_pb_text _builder_version=”4.24.2″ _module_preset=”default” text_text_color=”#999999″ text_line_height=”2.2em” header_3_text_color=”#919191″ custom_padding=”||40px||false|false” custom_padding_tablet=”||40px||false|false” custom_padding_phone=”||40px||false|false” custom_padding_last_edited=”on|desktop” text_font_size_tablet=”” text_font_size_phone=”14px” text_font_size_last_edited=”on|phone” text_line_height_tablet=”2.2em” text_line_height_phone=”1.4em” text_line_height_last_edited=”on|phone” border_color_bottom=”#dbdbdb” global_colors_info=”{}”]<\/p>\n Fidelity Investments, Boston and London, Londra [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ module_id=”works” _builder_version=”4.19.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”60px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”hyperlink-color-image” _builder_version=”4.19.2″ _module_preset=”default” header_2_font_size=”18px” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” header_2_font_size_tablet=”18px” header_2_font_size_phone=”18px” header_2_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_divider color=”#c9c9c9″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.24.2″ _module_preset=”default” custom_margin=”0px||||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/10\/Tom-Sanford-A-Bird-in-the-Hand-is-Beats-Two-in-the-Hole-2017-acrilico-su-tela-100.5-x-149.5-cm-scaled-1.jpeg” alt=”Tom Sanford, A Bird in the Hand is Beats Two in the Hole, 2017, acrylic on canvas, 100.5×149.5 cm” title_text=”Tom Sanford, A Bird in the Hand is Beats Two in the Hole, 2017, acrylic on canvas, 100.5×149.5 cm” url=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/10\/Tom-Sanford-A-Bird-in-the-Hand-is-Beats-Two-in-the-Hole-2017-acrilico-su-tela-100.5-x-149.5-cm-scaled-1.jpeg” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.27)” align=”center” _builder_version=”4.22.2″ _module_preset=”default” height=”220px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” scroll_fade_enable=”on” motion_trigger_start=”top” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.22.2″ _module_preset=”default” text_font_size=”9px” text_orientation=”center” custom_margin=”-10px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”]<\/p>\n Tom Sanford, A Bird in the Hand is Beats Two in the Hole<\/em>, 2017, acrilico su tela, 100.5×149.5 cm<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/10\/Tom-Sanford-Uptown-Local-2018-2019-acrilico-su-tela-180-\u00d7-180-\u00d7-4-cm-scaled-1.jpeg” alt=”Tom Sanford, Uptown Local, 2018-2019, acrylic on canvas, 180\u00d7180\u00d74 cm” title_text=”Tom Sanford, Uptown Local, 2018-2019, acrylic on canvas, 180\u00d7180\u00d74 cm” url=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/10\/Tom-Sanford-Uptown-Local-2018-2019-acrilico-su-tela-180-\u00d7-180-\u00d7-4-cm-scaled-1.jpeg” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.27)” align=”center” _builder_version=”4.22.2″ _module_preset=”default” height=”220px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” scroll_fade_enable=”on” motion_trigger_start=”top” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.22.2″ _module_preset=”default” text_font_size=”9px” text_orientation=”center” custom_margin=”-10px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”]<\/p>\n Tom Sanford, Uptown Local<\/em>, 2018-2019, acrilico su tela, 180\u00d7180\u00d74 cm<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”0px||||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|on” module_id=”exhibitions” _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”60px||0px||false|false” disabled=”on” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”hyperlink-color-image” _builder_version=”4.19.4″ _module_preset=”default” header_2_font_size=”18px” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” header_2_font_size_tablet=”18px” header_2_font_size_phone=”18px” header_2_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_divider color=”#c9c9c9″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|on” _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” disabled=”on” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_3,1_3,1_3″ make_equal=”on” _builder_version=”4.19.4″ _module_preset=”default” width=”100%” custom_margin=”0px||||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.19.4″ _module_preset=”default” custom_padding=”||80px||false|false” link_option_url=”https:\/\/mucciaccia.com\/it\/art-wonders-of-the-xx-century\/” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2018\/09\/Nicola-De-Maria-Regno-dei-fiori-1985-tecnica-mista-su-tela-100-x-80.jpg” alt=”Nicola De Maria, Regno dei fiori, 1985, tecnica mista su tela, 100 x 80″ title_text=”Nicola De Maria, Regno dei fiori, 1985, tecnica mista su tela, 100 x 80″ align=”center” _builder_version=”4.19.4″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px|0px|false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”]<\/p>\n 2018<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.19.4″ _module_preset=”default” custom_padding=”||80px||false|false” link_option_url=”https:\/\/mucciaccia.com\/it\/italian-passion-1956\/” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2017\/10\/Piero-Manzoni-Achrome-1958-Kaolin-on-painted-canvas-55-x-40-cm.jpg” alt=”Piero Manzoni, Achrome, 1958, Kaolin on painted canvas, 55 x 40 cm” title_text=”Piero Manzoni, Achrome, 1958, Kaolin on painted canvas, 55 x 40 cm” align=”center” _builder_version=”4.19.4″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px|0px|false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”]<\/p>\n 2017<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.19.4″ _module_preset=”default” custom_padding=”||80px||false|false” link_option_url=”https:\/\/mucciaccia.com\/it\/harmonies-and-discrepancies-paths-in-the-italian-art-between-the-twentieth-and-the-twenty-first-century\/” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2015\/06\/Dorazio-Tenax-1979-cm-165×130.jpg” alt=”Piero-Dorazio Tenax – 1979 – olio su tela – cm-165×130″ title_text=”Piero Dorazio – Tenax” align=”center” _builder_version=”4.19.4″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px|0px|false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”]<\/p>\n 2020<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|on” _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” disabled=”on” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_3,1_3,1_3″ make_equal=”on” _builder_version=”4.19.4″ _module_preset=”default” width=”100%” custom_margin=”0px||||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.19.4″ _module_preset=”default” custom_padding=”||80px||false|false” link_option_url=”https:\/\/mucciaccia.com\/it\/milky-way-the-luminous-galaxy-of-the-20th-century\/” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2015\/06\/piccolissima-per-CS-capri-certosa-jpg.jpg” alt=”VIA LATTEA. La Galassia Luminosa del Novecento” title_text=”via-lattea” align=”center” _builder_version=”4.19.4″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px|0px|false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”]<\/p>\n 2020<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.19.4″ _module_preset=”default” custom_padding=”||80px||false|false” link_option_url=”https:\/\/mucciaccia.com\/it\/chef-doeuvre-artist-between-xx-and-xxi-centuries\/” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2015\/06\/cm-120x-120-2015.jpg” alt=”Cristiano Pintaldi – galleriamucciaccia.com” title_text=”Cristiano Pintaldi, untitled, cm 120×120, 2015″ align=”center” _builder_version=”4.19.4″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px|0px|false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”]<\/p>\n 2020<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.19.4″ _module_preset=”default” custom_padding=”||80px||false|false” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|on” module_id=”publications” _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”60px||0px||false|false” disabled=”on” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”hyperlink-color-image” _builder_version=”4.19.2″ _module_preset=”default” header_2_font_size=”18px” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” header_2_font_size_tablet=”18px” header_2_font_size_phone=”18px” header_2_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_divider color=”#c9c9c9″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ make_equal=”on” _builder_version=”4.19.3″ _module_preset=”default” width=”100%” custom_margin=”0px||||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.19.3″ _module_preset=”default” custom_padding=”||80px||false|false” link_option_url=”https:\/\/mucciaccia.com\/it\/prodotto\/carla-accardi-catalogo-mostra-senza-passato\/” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2017\/07\/CAccardi-EC.jpg” alt=”Carla Accardi Exhibition Catalogue” title_text=”Accardi Exhibition Catalogue” align=”center” _builder_version=”4.19.2″ _module_preset=”default” module_alignment=”center” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.19.2″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.19.3″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”1.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px|0px|false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”]<\/p>\n Catalogo della mostra a cura di Fabrizio D\u2019amico<\/span> [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.19.2″ _module_preset=”default” custom_padding=”||80px||false|false” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.19.2″ _module_preset=”default” custom_padding=”||80px||false|false” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.19.2″ _module_preset=”default” custom_padding=”||80px||false|false” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_divider color=”#c9c9c9″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_divider][et_pb_text module_class=”hyperlink-color-image” _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”]<\/p>\nSelezione mostre personali<\/h2>\n<\/div>\n<\/div>\n
Low Blow: And Other Species of Confusion,\u00a0Stux Gallery, New York, NY
Summer Exhibition, Marlborough Gallery, New York, NY
Luxus \u2013 Ruhe \u2013 Wollust. Arbeiten auf Papier, Galerie Michael Schultz, Berlin<\/p>\n
The Main Event, Schroeder Romero, New York, NY
Leisure Suite (curated by Martin Basher), Neiman Center, Columbia University, New York, NY
Accrochage, Galleri Faurschou, Copenhagen, Denmark<\/p>\n
The Incomplete (curated by Hubert Neumann), Chelsea Art Museum, New York, NY
Heroes\u2026Like us?, Palazzo delle Arti, Napoli, Italy
Dangerous Beauty, Chelsea Art Museum, New York, NY<\/p>\n
Celebrity, Sixtyseven Gallery, New York, NY<\/p>\n
Self Preservation Society, Leo Koenig Inc., NYC
Leaving Cockaigne, Leo Koenig Inc., NYC<\/p>\n
Rowdy Remix, ATM Gallery, New York, NY
Super Salon,\u00a0Samson Projects, Boston, MA<\/p>\n
Enough About Me (curated by Deborah Kass),\u00a0Momenta, Brooklyn, NY<\/p>\n
The Road Show (curated by Mike Wiess), dfn Gallery, NYC<\/p>\nSelezione mostre collettive<\/h2>\n<\/div>\n<\/div>\n
Collezioni pubbliche<\/h3>\n
Arts Council Collection, Hayward Gallery, Londra
Goldman Sachs Collection, Londra
Kupferstichkabinett of the National Gallery of Berlin, Berlin
Royal Bank of Scotland Group Art Collection, Londra
San Diego Museum of Contemporary Art, San Diego, USA
The Government Art Collection, Londra<\/p>\nOPERE<\/h2>\n
MOSTRE<\/h2>\n
ART WONDERS OF THE XX CENTURY<\/h4>\n
LONDON<\/h6>\n
ITALIAN PASSION FROM 1956<\/h4>\n
LONDON<\/h6>\n
HARMONIES AND DISCREPANCIES
Paths in the Italian art between the twentieth and the twenty-first century<\/h4>\nSINGAPORE<\/h6>\n
MILKY WAY.
The Luminous Galaxy of the 20th Century<\/h4>\nSINGAPORE<\/h6>\n
CHEF D\u2019OEUVRE
Artist between XX and XXI centuries<\/h4>\nLONDON<\/h6>\n
PUBBLICAZIONI<\/h2>\n
Carla Accardi \u2013 Senza passato<\/h4>\n
Pubblicato da Carlo cambi Editore<\/span>
2017<\/span><\/p>\n
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