{"id":22778,"date":"2023-10-03T12:52:36","date_gmt":"2023-10-03T10:52:36","guid":{"rendered":"https:\/\/mucciaccia.com\/?p=22778"},"modified":"2025-11-09T14:41:11","modified_gmt":"2025-11-09T13:41:11","slug":"angelica-romeo","status":"publish","type":"post","link":"https:\/\/mucciaccia.com\/it\/angelica-romeo\/","title":{"rendered":"Angelica Romeo"},"content":{"rendered":"

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PANORAMICA<\/a>\u00a0 \u00a0OPERE<\/a>\u00a0 \u00a0MOSTRE<\/a>\u00a0 \u00a0PUBBLICAZIONI<\/a><\/p>\n

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Angelica Romeo \u00e8 nata a Roma nel 1970, dove vive e lavora. Nel 1991 si diploma presso la scuola di restauro Colalucci e a seguito inizia la sua carriera artistica. Incline a un irruento dinamismo che fa della materia e del colore gli elementi funzionali alla resa incondizionata di una personale espressivit\u00e0, le sue opere appaiono fortemente gestuali.<\/p>\n

Debutta nel 2009 presso la Galleria Romberg con la mostra\u00a0Azioni, Contrazioni, Rivelazioni<\/em>, a cura di Gianluca Marziani. Partecipa a diverse collettive tra cui:\u00a0Smart Made in Italy\u00a0<\/em>patrocinata dall\u2019Ambasciata d\u2019Italia nel Principato di Monaco e\u00a0Arte senza frontiere<\/em>\u00a0presso Palazzo Colonna di Roma.<\/p>\n

La sua cifra stilistica \u00e8 nell\u2019esito formale di un rabdomantico polimaterico di marca astratta, con l\u2019eco di un\u2019ispirazione naturalistica. Il suo intento \u00e8 quello di raggiungere con il segno un risultato formale, il cui stile presenta un apparente casualit\u00e0 del gesto e la sua presenza fisica che agisce nel tempo sulla tela hanno una funzione creatrice e caratterizzante.<\/p>\n

Nel 2011 si tiene la sua seconda personale dal titolo\u00a0De Aqua<\/em>\u00a0e nel 2014 presenta il progetto\u00a0Vinyle<\/em>. Nel 2015 espone alla mostra\u00a0Arte in circolo<\/em>, a cura di Gianluca Marziani e Giulia Abate e nel 2017 partecipa alla mostra\u00a0Presenze, Assenze<\/em>\u00a0alla Galleria d\u2019arte Eitch Borromini di Roma. A maggio 2018 Angelica Romeo partecipa insieme a Brigita Huemer alla doppia personale\u00a0EMOTIVA<\/em>,\u00a0presso la Mucciaccia Contemporary di Roma con la curatela di Cesare Biasini Selvaggi.<\/p>\n

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Selezione mostre personali<\/h3>\n

2011<\/p>\n

De Aqua<\/em>, a cura di Gianluca Marziani, Acquaniene Club, Roma<\/p>\n

2009<\/p>\n

Azioni, Contrazioni, Rivelazioni<\/em>, a cura di Gianluca Marziani, Galleria Romberg Arte Contemporanea, Roma<\/p>\n

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Selezione mostre collettive<\/h3>\n
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2018<\/p>\n

Ricordi Futuri 4.0- Cosa c\u2019\u00e8 in fondo al binario<\/em>, a cura di Ermanno Tedeschi, Memoriale della Shoah, Milano<\/p>\n

Unforgettable childhood<\/em>, a cura di Ermanno Tedeschi, Ex Ospedale di San Rocco, Matera<\/p>\n

EMOTIVA<\/em>, Brigita Huemer \u2013 Angelica Romeo, a cura di Cesare Biasini Selvaggi<\/p>\n

2017<\/p>\n

Presenze assenze<\/em>, a cura di Sveva Manfredi Zavaglia, Galleria d\u2019arte Eitch Borromini, Roma<\/p>\n

2016<\/p>\n

L\u2019arte per ricostruire. Artisti per Amatrice<\/em>, asta benefica a sostegno del progetto \u201cSorriso per AAA- Accumoli, Amatrice e Arquata del Tronto\u201d, Galleria Mucciaccia, Roma<\/p>\n

Distretto arte<\/em>, Guido Reni District, Roma<\/p>\n

2015<\/p>\n

Baculus<\/em>, a cura di Emanuele De Donno e Franco Troiani, Museo Palazzo Collicola, Spoleto<\/p>\n

Smart Made in Italy<\/em>, Monaco Yachting Club, Monaco<\/p>\n

Arte in circolo<\/em>, a cura di Gianluca Marziani e Giulia Abate<\/p>\n

2014<\/p>\n

Art Carpet, Vinyle<\/em>, a cura della Galleria Mucciaccia, The First Hotel, Roma<\/p>\n

2012<\/p>\n

Fabula in art<\/em>, San Salvatore in Lauro, Roma<\/p>\n

2010<\/p>\n

Stop all\u2019abuso sulla donna<\/em>, Museo delle mura Aureliane, Roma<\/p>\n

Arte senza frontiere<\/em>, Palazzo Colonna, Roma<\/p>\n<\/div>\n<\/div>\n

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Collezioni pubbliche<\/h3>\n

Fidelity Investments, Boston and London, Londra
Arts Council Collection, Hayward Gallery, Londra
Goldman Sachs Collection, Londra
Kupferstichkabinett of the National Gallery of Berlin, Berlin
Royal Bank of Scotland Group Art Collection, Londra
San Diego Museum of Contemporary Art, San Diego, USA
The Government Art Collection, Londra<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ module_id=”works” _builder_version=”4.19.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”60px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”hyperlink-color-image” _builder_version=”4.19.2″ _module_preset=”default” header_2_font_size=”18px” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” header_2_font_size_tablet=”18px” header_2_font_size_phone=”18px” header_2_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n

OPERE<\/h2>\n

[\/et_pb_text][et_pb_divider color=”#c9c9c9″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”0px||||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/10\/Angelica-Romeo-In-Finito-80x80cm-tecnica-mista-su-tela-2018-Copia.jpg” alt=”Angelica Romeo, In-Finito, 2018, fabrics, acrylic and mixed media on canvas, 80×80 cm” title_text=”Angelica Romeo, In-Finito, 2018, fabrics, acrylic and mixed media on canvas, 80×80 cm” url=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/10\/Angelica-Romeo-In-Finito-80x80cm-tecnica-mista-su-tela-2018-Copia.jpg” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.27)” align=”center” _builder_version=”4.22.2″ _module_preset=”default” height=”220px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” scroll_fade_enable=”on” motion_trigger_start=”top” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.22.2″ _module_preset=”default” text_font_size=”9px” text_orientation=”center” custom_margin=”-10px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”]<\/p>\n

Angelica Romeo, In-Finito<\/em>, 2018, tessuti, acrilico e tecniche miste, 80×80 cm<\/span><\/p>\n

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Angelica Romeo, Sipario<\/em>, 2018, tessuti, acrilico e tecniche miste, 90×90 cm<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|on” module_id=”exhibitions” _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”60px||0px||false|false” disabled=”on” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”hyperlink-color-image” _builder_version=”4.19.4″ _module_preset=”default” header_2_font_size=”18px” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” header_2_font_size_tablet=”18px” header_2_font_size_phone=”18px” header_2_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n

MOSTRE<\/h2>\n

[\/et_pb_text][et_pb_divider color=”#c9c9c9″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|on” _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” disabled=”on” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_3,1_3,1_3″ make_equal=”on” _builder_version=”4.19.4″ _module_preset=”default” width=”100%” custom_margin=”0px||||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.19.4″ _module_preset=”default” custom_padding=”||80px||false|false” link_option_url=”https:\/\/mucciaccia.com\/it\/art-wonders-of-the-xx-century\/” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2018\/09\/Nicola-De-Maria-Regno-dei-fiori-1985-tecnica-mista-su-tela-100-x-80.jpg” alt=”Nicola De Maria, Regno dei fiori, 1985, tecnica mista su tela, 100 x 80″ title_text=”Nicola De Maria, Regno dei fiori, 1985, tecnica mista su tela, 100 x 80″ align=”center” _builder_version=”4.19.4″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”]<\/p>\n

ART WONDERS OF THE XX CENTURY<\/h4>\n

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2018<\/p>\n

LONDON<\/h6>\n

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ITALIAN PASSION FROM 1956<\/h4>\n

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2017<\/p>\n

LONDON<\/h6>\n

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HARMONIES AND DISCREPANCIES
Paths in the Italian art between the twentieth and the twenty-first century<\/h4>\n

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2020<\/p>\n

SINGAPORE<\/h6>\n

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MILKY WAY.
The Luminous Galaxy of the 20th Century<\/h4>\n

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2020<\/p>\n

SINGAPORE<\/h6>\n

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CHEF D\u2019OEUVRE
Artist between XX and XXI centuries<\/h4>\n

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2020<\/p>\n

LONDON<\/h6>\n

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PUBBLICAZIONI<\/h2>\n

[\/et_pb_text][et_pb_divider color=”#c9c9c9″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ make_equal=”on” _builder_version=”4.19.3″ _module_preset=”default” width=”100%” custom_margin=”0px||||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.19.3″ _module_preset=”default” custom_padding=”||80px||false|false” link_option_url=”https:\/\/mucciaccia.com\/it\/prodotto\/carla-accardi-catalogo-mostra-senza-passato\/” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2017\/07\/CAccardi-EC.jpg” alt=”Carla Accardi Exhibition Catalogue” title_text=”Accardi Exhibition Catalogue” align=”center” _builder_version=”4.19.2″ _module_preset=”default” module_alignment=”center” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.19.2″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”]<\/p>\n

Carla Accardi \u2013 Senza passato<\/h4>\n

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Catalogo della mostra a cura di Fabrizio D\u2019amico<\/span>
Pubblicato da Carlo cambi Editore<\/span>
2017<\/span><\/p>\n

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Artisti<\/a><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

PANORAMICA\u00a0 \u00a0OPERE\u00a0 \u00a0MOSTRE\u00a0 \u00a0PUBBLICAZIONIAngelica Romeo \u00e8 nata a Roma nel 1970, dove vive e lavora. Nel 1991 si diploma presso la scuola di restauro Colalucci e a seguito inizia la sua carriera artistica. Incline a un irruento dinamismo che fa della materia e del colore gli elementi funzionali alla resa incondizionata di una personale espressivit\u00e0, […]<\/p>\n","protected":false},"author":8,"featured_media":22781,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"

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Born in 1924 in Trapani, Italy; dies in 2014 in Rome, Italy.<\/p>\r\n

After\u00a0her studies at the Accademia delle Belle Arti in Florence, she moves to Rome in 1946. Together with her future husband, Antonio Sanfilippo, they found Forma 1 in 1947, with also Turcato, Attardi, Perilli, Dorazio and Guerrini. The Group considers the geometric lines\u00a0as pure form toward abstraction and formalism, rejecting any link of continuity with the Italian painting of the last twenty years. After\u00a0the group Forma 1 breaks-up in 1951, Accardi continues her abstract, but concrete, research until 1952 and from 1954 she starts painting in black and white \u2013 the Negativi<\/i>. In\u00a01961, she reintroduces colours in her compositions, obtaining also optical effects. Accardi joins the Continuit\u00e0 Group, and prepares solo exhibitions\u00a0in\u00a0New York and\u00a0London. In\u00a0the 1970s,\u00a0she works with glazes on terracotta tiles and paints repeated geometric patterns on sicofoil,\u00a0transparent plastic instead of canvas. Using large sheets, she completes a series of works that investigate the relationship with the environment: Tenda<\/i> and Tripla tenda <\/i>for Galleria Editalia of Rome and for Venice Biennale 1976, Ambiente\/Arte Section. She participates at Venice Biennale in 1948, 1964, 1976, 1978, 1993 and in 1988 she is given a personal room. In the 1980s, Accardi returns to two-dimensional with the sequences of the Parentesi<\/i> and Capricci<\/i>. She exhibits in solo and group exhibitions abroad.\u00a0In 1996, Accardi is\u00a0named Accademico di Brera in Milan and in 1997 she receives the Cavaliere di Gran Croce.<\/p>\r\n\u00a0\r\n\r\n<\/div>\r\n\u00a0\r\n

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