{"id":21760,"date":"2021-11-05T18:24:58","date_gmt":"2021-11-05T18:24:58","guid":{"rendered":"https:\/\/mucciaccia.com\/?p=21760"},"modified":"2025-11-09T14:50:02","modified_gmt":"2025-11-09T13:50:02","slug":"chiamata-alle-arti-2021","status":"publish","type":"post","link":"https:\/\/mucciaccia.com\/it\/chiamata-alle-arti-2021\/","title":{"rendered":"CHIAMATA ALLE ARTI | 2021"},"content":{"rendered":"

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CHIAMATA ALLE ARTI | 2021<\/h1>\n

Valerio Cavallaro | Raimondo Coppola | Ketty Gobbo | Tammaro Menale | Piervincenzo Nocera | Anastasia Norenko | Ottavia Pompei | Antonio Salzano | Patrizio Volpini<\/h2>\n

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ROMA | MUCCIACCIA PROJECT<\/p>\n

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28 settembre \u2013 6 novembre 2021<\/p>\n

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PANORAMICA<\/a>\u00a0 \u00a0INSTALLAZIONI<\/a>\u00a0\u00a0PUBBLICAZIONI<\/a>\u00a0 \u00a0OPERE<\/a><\/p>\n

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Jan Fabre, A spiritual space, 2022<\/em>,
deep precious coral, pigment, polymers, 76,5 x 40,5 x 13 cm<\/p>\n

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Mucciaccia Contemporary\u00a0\u00e8 lieta di presentare la mostra collettiva\u00a0Chiamata alle Arti | 2021<\/em>, nata con la collaborazione delle\u00a0Accademie di Belle Arti di Napoli, Roma e Venezia. Il progetto \u00e8 la prima edizione di una serie che si terr\u00e0 con cadenza annuale, ed \u00e8 dedicato agli studenti iscritti almeno all\u2019ultimo anno del triennio o frequentanti il biennio presso le istituzioni accademiche italiane, con l’intento\u00a0di dare visibilit\u00e0 alla loro creativit\u00e0 artistica. In questo primo momento di confronto sono state coinvolte le\u00a0Accademie di Belle Arti di Napoli, Roma e Venezia, a cui appartengono rispettivamente gli studenti:\u00a0Raimondo Coppola, Tammaro Menale, Piervincenzo Nocera, Antonio Salzano e Valerio Cavallaro, Anastasia Norenko, Ottavia Pompei, Patrizio Volpini\u00a0ed\u00a0infine\u00a0Ketty Gobbo.\u00a0L\u2019obbiettivo del progetto \u00e8 quello di coinvolgere le Accademie di Belle Arti disseminate su tutto territorio italiano, cos\u00ec che in occasione di questa prima edizione, ed in vista delle successive, volgiamo un invito verso le istituzioni, una vera\u00a0Chiamata alle arti<\/em>.<\/p>\n

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Il percorso \u00e8 vivace e ricco di\u00a0cortocircuiti visivi\u00a0che ci permettono di avere una\u00a0visione ampia\u00a0ed\u00a0eteroclita\u00a0sullo\u00a0stato sperimentale dell\u2019arte nascente\u00a0presso le\u00a0istituzioni accademiche. La mostra si sviluppa nello spazio espositivo conducendo lo spettatore a riflettere su questioni ampie, quali: problematiche ambientali, comportamenti della societ\u00e0 attuale, ma pur sempre volgendo lo sguardo alle tradizioni di una geografia popolare a cui gli studenti appartengono. Il percorso si fa portavoce anche di una nota pi\u00f9 lirica ed intima, che in alcuni casi vede l\u2019artista confrontarsi con gli estremi della propria esistenza o con iconografie desunte dai classici soggetti della storia dell\u2019arte occidentale. Ultimo elemento \u00e8 la\u00a0sperimentazione, indagata da alcuni artisti con l\u2019uso di materiali extra pittorici, derivati dalla contemporanea vita cittadina o altrimenti poveri come la terracotta e la juta, sino all\u2019indagine di tecniche disegnative inedite che rivelano il tentativo di studiare la forma geometrica che approda verso aspetti surreali. La mostra sar\u00e0 accompagnata da un catalogo edito dalla\u00a0Mucciaccia Contemporary Edizioni\u00a0che raccoglie i contributi critici dei docenti accademici, inoltre, il giorno inaugurale saranno presenti alcuni studenti delle rispettive accademie.<\/p>\n

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Valerio Cavallaro (Eboli, SA, 1998)\u00a0| Accademia di Belle Arti di Roma
L\u2019artista ragiona sulla tecnica pittorica e disegnativa discostandosi dalle regole accademiche del disegno diligentemente eseguito. Piuttosto, egli si concentra sull\u2019aspetto costruttivo e prospettico delle figure nell\u2019ambiente. In questo modo le linee spezzate, che caratterizzano le opere in mostra, tendono ad indagare lo spazio ed i suoi limiti. Egli volgendo l\u2019attenzione verso l’incompiutezza rivela anche il sottile aspetto esistenziale delle figure ritratte, come il tema della doppia personalit\u00e0, che sembra essere figlia di una magia alchemica.<\/p>\n

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Raimondo Coppola (Napoli, 1997) | Accademia di Belle Arti di Napoli
Le opere hanno un carattere fortemente sperimentale, l\u2019artista utilizza materiali tratti dalla natura, ma anche oggetti desunti dal mondo contemporaneo, come materiali di scarto e plastiche.\u00a0 Apparentemente distaccati da ogni tipo di emotivit\u00e0, l\u2019artista tocca concetti quali problematiche ambientali e sociali. Le luci nell\u2019opera video, sono espressive delle tensioni dello stato d\u2019animo umano, mentre l\u2019installazione con l\u2019albero di fico \u00e8 una sublimazione che rappresenta una riflessione sul nostro attuale ecosistema ambientale.<\/p>\n

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Ketty Gobbo (Treviso, 1999) | Accademia di Belle Arti di Venezia
Nelle sculture di Ketty Gobbo si incontrano passato e presente: le opere sono state realizzate traendo ispirazione dell\u2019antica tecnica della ceramica vascolare, ma al contempo, intendono essere una riflessione sul mondo contemporaneo. Sulle superfici sono riportati disegni grafici di simboli ed oggetti tratti dalla vita quotidiana, un invito a riflettere sulle tematiche del consumo e sull\u2019ossessione che si cela nell\u2019idea della felicit\u00e0 del guadagno e dell\u2019acquisto.<\/p>\n

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Tammaro Menale (Aversa, CE, 1995) | Accademia di Belle Arti di Napoli
L\u2019artista riflette sul valore dei frammenti desunti dalla nostra quotidianit\u00e0. Egli esegue collage con materiali di residuali e sculture installative con oggetti ritrovati, come nel caso delle bottiglie di vetro contenenti passata di pomodoro, simbolo di una tradizione popolare cara alla cultura partenopea. Nell\u2019accostamento atipico dei frammenti figurativi, i collage sono testimonianza di una realt\u00e0 frammentata il cui abbinamento, alcune volte dissacratorio, tende a stimolare lo spettatore sul loro significato.<\/p>\n

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Piervincenzo Nocera\u00a0(Nocera Inferiore, SA, 1997) | Accademia di Belle Arti di Napoli
Lavora sul tema del ritratto e sulla figura secondo un inventario muto, cos\u00ec che gli sguardi sensuali e profondi delle donne contemporanee da lui raffigurate, tendono ad essere sinonimo di una corrosione del senso di benessere e sicurezza che la contemporanea societ\u00e0 cerca di infondere. Nelle opere in mostra le colorazioni predilette sono due, il blu ed il rosso, una scala cromatica che tende a voler esprimere la sfera emotiva dei personaggi e delle ambientazioni raccontante.<\/p>\n

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Anastasia Norenko (Zolotonosha, Ucraina, 1994) | Accademia di Belle Arti di Roma
Lavora utilizzando materiali extra pittorici, come cartelloni stradali tratti dalla citt\u00e0 di Roma. Utilizza iconografie tratte dalla storia dell\u2019arte, come il\u00a0Tondo Doni<\/em>\u00a0di Michelangelo e\u00a0Le tre grazie<\/em>\u00a0di Pieter Paul Rubens che vengono rivisitate in maniera ironica e dissacratoria, in questo modo l\u2019artista destituisce loro ogni iconicit\u00e0. Inoltre, l\u2019utilizzo di colorazioni vivace e squillanti tende a svelare l\u2019aspetto radicale di un linguaggio pittorico ecclettico, totalmente solitario e vorace.<\/p>\n

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Ottavia Pompei (San Benedetto del Tronto, AP, 1992) | Accademia di Belle Arti di Roma
Utilizza una particolare tecnica disegnativa eseguita con china e promarker su carta della pesantezza di 220 gr. La sua ricerca ha un carattere\u00a0epiteliale<\/em>: l\u2019artista indagando l\u2019aspetto della pelle umana traduce tale ricerca alla pratica disegnativa. Le figure sono frutto di rebus geometrici surreali ed impossibili, cos\u00ec prendono vite di strane creature met\u00e0 umane ed animali. Non vi sono sfumature, ma tratti disegnativi tenaci e nitidi, che definiscono figure all\u2019interno di incastri geometrici voluttuosi, cos\u00ec da creare una regola visiva fortemente prospettica e volutamente equilibrata.<\/p>\n

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Antonio Salzano (Avellino, 1995) | Accademia di Belle Arti di Napoli
Utilizzando materiali poveri come la terracotta, juta, egli esegue una riflessione disincanta ed ironica della realt\u00e0. Come in un rebus, i titoli delle opere ci conducono verso particolari giochi di parole legati al soggetto dell\u2019opera raffigurata. Le sculture in mostra riflettono la particolare attitudine dell\u2019artista a ragionare sulle tradizioni popolari della sua citt\u00e0 di origine, sulle problematiche ambientali come l\u2019inquinamento causato dai rifiuti ed anche sull\u2019aspetto consumistico della vita contemporanea.<\/p>\n

Patrizio Volpini (Fondi, LT, 1997) | Accademia di Belle Arti di Roma
L\u2019artista vive la pittura come uno stato di libert\u00e0 emotiva, le pennellate sono libere, flessuose pertanto, si dispongono sul particolare supporto in lamiera nel loro aspetto turgido. Tutte le opere in mostra hanno come supporto una lamina in ferro e sono caratterizzate da un piccolo formato che tende a comunicare l\u2019aspetto intimo delle scene rappresentate. L\u2019obbiettivo \u00e8 proprio quello di esprimere la semplicit\u00e0 quotidiana dell\u2019immaginario privato e domestico della vita dell\u2019artista.<\/p>\n

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Informazioni:\u00a0<\/p>\n<\/p>\n

Mostra: CHIAMATA ALLE ARTI | 2021
Artisti: Valerio Cavallaro \/ Raimondo Coppola \/ Ketty Gobbo \/ Tammaro Menale \/ Piervincenzo Nocera \/ Anastasia Norenko \/ Ottavia Pompei \/ Antonio Salzano \/ Patrizio Volpini
Sede: Mucciaccia Contemporary – Via di Monte Brianzo 86 00186 Roma, Italia
Inaugurazione: marted\u00ec 28 settembre 2021 | dalle 16.00 alle 20.00
L’inaugurazione si svolger\u00e0 nel rispetto delle norme per il contrasto del Covid 19
Apertura al pubblico: 28 settembre \u2013 6 novembre 2021<\/p>\n<\/p>\n

Orari di apertura:
Luned\u00ec 14.00 – 19.00 | dal marted\u00ec al sabato | 10.30 – 19.00<\/p>\n<\/p>\n

Per maggiori informazioni:\u00a0Tel +39 06 68309404 |\u00a0info@mucciacciacontemporary.com\u00a0| mucciacciacontemporary.com<\/p>\n

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INSTALLAZIONI<\/h2>\n

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PUBLICATIONS<\/h2>\n

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Catalogue essays by
Barbara De Coninck
Sara Liuzzi
Dimitri Ozerkov
Melania Rossi<\/p>\n

Published by SilvanaEditoriale
September 2022<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|on” admin_label=”Header” module_id=”past_exhibitions” _builder_version=”4.22.2″ custom_margin=”0px||0px||false|false” custom_padding=”60px||0px||false|false” disabled=”on” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ use_custom_width=”on” width_unit=”off” custom_width_percent=”100%” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text module_class=”hyperlink-color-image” _builder_version=”4.22.1″ _module_preset=”default” header_2_font=”|||on|||||” header_2_font_size=”18px” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” header_2_font_size_tablet=”18px” header_2_font_size_phone=”18px” header_2_font_size_last_edited=”on|desktop” locked=”off” global_colors_info=”{}”]<\/p>\n

PAST EXHIBITIONS<\/h2>\n

[\/et_pb_text][et_pb_divider color=”#c9c9c9″ _builder_version=”4.19.4″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_divider][et_pb_blog fullwidth=”off” posts_number=”40″ include_categories=”277″ show_author=”off” show_date=”off” show_categories=”off” show_excerpt=”off” _builder_version=”4.22.2″ _module_preset=”default” header_level=”h6″ header_text_align=”center” header_font_size=”11px” global_colors_info=”{}”][\/et_pb_blog][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|on” _builder_version=”4.19.4″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” disabled=”on” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2022\/12\/installation_jan_fabre_rm_1.jpg” alt=”Installation, Jan Fabre, Galleria Mucciaccia, Roma” title_text=”installation_jan_fabre_rm_1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.19)” align=”center” _builder_version=”4.19.3″ _module_preset=”default” height=”250px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2022\/12\/installation_jan_fabre_rm_2.jpg” alt=”Installation, Jan Fabre, Galleria Mucciaccia, Roma” title_text=”installation_jan_fabre_rm_2″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.19)” align=”center” _builder_version=”4.19.3″ _module_preset=”default” height=”250px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2022\/12\/installation_jan_fabre_rm_3.jpg” alt=”Installation, Jan Fabre, Galleria Mucciaccia, Roma” title_text=”installation_jan_fabre_rm_3″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.19)” align=”center” _builder_version=”4.19.3″ _module_preset=”default” height=”250px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|on” _builder_version=”4.16″ _module_preset=”default” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” disabled=”on” global_colors_info=”{}”][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2021\/05\/Annie_Morris_stack_2021.jpg” alt=”Annie Morris Stack 8, Ultramarine Blue, 2021″ title_text=”Annie Morris Stack 8, Ultramarine Blue, 2021″ show_in_lightbox=”on” align=”center” _builder_version=”4.16″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font_size=”9px” text_orientation=”center” custom_margin=”-10px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”]Annie Morris Stack 8<\/em>, Ultramarine Blue<\/em>, 2021, Foam core, pigment, concrete, steel, plaster, sand. Overall Height with base: 224cm; Overall Height without base: 217cm[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2021\/05\/Batchelor_colour-chart-58_credit-Lucy-Dawkins.jpg” alt=”David Batchelor Inter-Concreto 14, 2019″ title_text=”David Batchelor Inter-Concreto 14, 2019″ show_in_lightbox=”on” align=”center” _builder_version=”4.16″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font_size=”9px” text_orientation=”center” custom_margin=”-10px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”]David Batchelor Colour Chart 58 (red)<\/em>, 30.10.12, 2021, Gloss and matt paint on, Dibond, 240×190 cm, 94 1\/2 x 43 3\/4 in (Credit\u00a0 Lucy Dawkins)[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2021\/05\/Batchelor_inter-concreto-14_credit-Angus-Mill.jpg” alt=”David Batchelor Inter-Concreto 14, 2019″ title_text=”David Batchelor Inter-Concreto 14, 2019″ show_in_lightbox=”on” align=”center” disabled_on=”off|off|off” _builder_version=”4.16″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font_size=”9px” text_orientation=”center” custom_margin=”-10px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”]David Batchelor Inter-Concreto 14<\/em>, 2019, Acrylic and concrete, 99 x 21.3 x 6 cm, 39 x 8 3\/8 x 2 3\/8 in (credit Angus Mill)[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2021\/05\/Davenport-_Brilliant-Purple-Cobalt-Blue-After-Bonnard-2020.jpg” alt=”Ian Davenport, Cobalt Blue\/ Dioxazine Purple – Green, Hue (After Bonnard), 2020″ title_text=”Ian Davenport, Cobalt Blue\/ Dioxazine Purple – Green, Hue (After Bonnard), 2020″ show_in_lightbox=”on” align=”center” _builder_version=”4.16″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font_size=”9px” text_orientation=”center” custom_margin=”-10px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”]Ian Davenport, Cobalt Blue\/ Dioxazine Purple – Green, Hue (After Bonnard)<\/em>, 2020, Acrylic on aluminium mounted on aluminium panel, 162.7 x 132.3 cm, 64 1\/8 x 52 1\/8 in[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2021\/05\/Davenport_push_back_2021.jpg” alt=”Ian Davenport, Push Back, 2021″ title_text=”Ian Davenport, Push Back, 2021″ show_in_lightbox=”on” align=”center” _builder_version=”4.16″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font_size=”9px” text_orientation=”center” custom_margin=”-10px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”]Ian Davenport, Push Back<\/em>, 2021, Acrylic on aluminium mounted onto aluminium panel 60 x 50 cm, 23 5\/8 x 19 3\/4 in[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2021\/05\/Jim_Lambie_Zobop.jpg” alt=”Jim Lambie, Zobop (Colour-Chrome), 2019″ title_text=”Jim Lambie, Zobop (Colour-Chrome), 2019″ show_in_lightbox=”on” align=”center” disabled_on=”off|off|off” _builder_version=”4.16″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font_size=”9px” text_orientation=”center” custom_margin=”-10px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”]Jim Lambie, Zobop (Colour-Chrome)<\/em>, 2019
\nVinili chrome e colorati \/ Coloured and chrome vinyl. Dimensioni variabili \/ Variable dimensions. Edizione \/ Edition 2 di \/ of 3 plus 1 ap.[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2021\/05\/Fiona_Rae-_Abstract_14.jpg” alt=”Fiona Rae, Abstract 14, 2020″ title_text=”Fiona Rae, Abstract 14, 2020″ show_in_lightbox=”on” align=”center” _builder_version=”4.16″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font_size=”9px” text_orientation=”center” custom_margin=”-10px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”]Fiona Rae, Abstract 14<\/em>, 2020, Oil and acrylic on canvas, 213.4 x 175.3 cm[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2021\/05\/Fiona_Rae-_Abstract_15.jpg” alt=”Fiona Rae Abstract 15, 2020″ title_text=”Fiona Rae Abstract 15, 2020″ show_in_lightbox=”on” align=”center” _builder_version=”4.16″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font_size=”9px” text_orientation=”center” custom_margin=”-10px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”]Fiona Rae, Abstract 15<\/em>, 2020, Oil and acrylic on canvas,\u00a0213.5 x 175 cm, 84 x 69 in[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2021\/05\/Goetz_Figurine-in-The-Light_2016_70x55.jpg” alt=”Lothar G\u00f6tz, Figurine – In the light, 2016″ title_text=”Lothar G\u00f6tz, Figurine – In the light, 2016″ show_in_lightbox=”on” align=”center” disabled_on=”off|off|off” _builder_version=”4.16″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font_size=”9px” text_orientation=”center” custom_margin=”-10px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”]Lothar G\u00f6tz, Figurine – In the light<\/em>, 2016, Acrylic, pencil on linen, 70 x 55 x 3 cm, 27 1\/2 x 21 5\/8 x 1 1\/8 in[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2021\/05\/Goetz_wall.jpg” alt=”Goetz wall” title_text=”Goetz_wall” show_in_lightbox=”on” align=”center” _builder_version=”4.16″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font_size=”9px” text_orientation=”center” custom_margin=”-10px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”]Lothar G\u00f6tz, Beyond<\/em>, 2021, 315 x 475 cm, 124 1\/8 x 187 1\/8 in[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|on” admin_label=”Header” _builder_version=”4.19.4″ background_enable_image=”off” background_size=”initial” background_repeat=”repeat” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” disabled=”on” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ use_custom_width=”on” width_unit=”off” custom_width_percent=”100%” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font=”||||||||” header_font=”||||||||” header_2_font=”|500|||||||” header_2_font_size=”40px” header_3_font=”|700||on|||||” header_3_text_color=”rgba(0,0,0,0.35)” header_3_font_size=”12px” header_3_letter_spacing=”5px” header_3_line_height=”2em” transform_translate_linked=”off” text_orientation=”center” max_width=”700px” module_alignment=”center” scroll_scaling_enable=”on” header_2_font_size_tablet=”40px” header_2_font_size_phone=”26px” header_2_font_size_last_edited=”on|desktop” text_text_align=”center” global_colors_info=”{}”]<\/p>\n

Past Exhibitions<\/h2>\n

[\/et_pb_text][et_pb_divider _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][et_pb_blog fullwidth=”off” posts_number=”40″ include_categories=”278″ show_author=”off” show_date=”off” show_categories=”off” show_excerpt=”off” _builder_version=”4.22.2″ _module_preset=”default” header_level=”h6″ header_text_align=”center” header_font_size=”11px” global_colors_info=”{}”][\/et_pb_blog][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”off|off|off” module_id=”opere_works” _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”60px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”hyperlink-color-image” _builder_version=”4.22.2″ _module_preset=”default” header_2_font_size=”18px” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” header_2_font_size_tablet=”18px” header_2_font_size_phone=”18px” header_2_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n

OPERE<\/h2>\n

[\/et_pb_text][et_pb_divider color=”#c9c9c9″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”off|off|off” _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/09\/ketty-gobbo-consumo_3c_2021-terracotta-ingobbiata-44x21x15cm.jpg” alt=”Ketty Gobbo, Consumo 3, 2021, terracotta ingobbiata, 44x21x15 cm” title_text=”Ketty Gobbo, Consumo 3, 2021, terracotta ingobbiata, 44x21x15 cm” url=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/09\/ketty-gobbo-consumo_3c_2021-terracotta-ingobbiata-44x21x15cm.jpg” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.19)” align=”center” _builder_version=”4.22.2″ _module_preset=”default” height=”350px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

Ketty Gobbo, Consumo 3<\/em>, 2021, terracotta ingobbiata, 44x21x15 cm<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/09\/Ottavia-Pompei-Regina-di-cuori-2020-China-e-promarker-su-carta-220-gr-120-x-100-cm.jpg” alt=”Ottavia Pompei, Regina di cuori, 2020, china e promarker su carta 220 gr, 120×100 cm” title_text=”Ottavia Pompei, Regina di cuori, 2020, china e promarker su carta 220 gr, 120×100 cm” url=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/09\/Ottavia-Pompei-Regina-di-cuori-2020-China-e-promarker-su-carta-220-gr-120-x-100-cm.jpg” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.19)” align=”center” _builder_version=”4.22.2″ _module_preset=”default” height=”350px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

Ottavia Pompei, Regina di cuori<\/em>, 2020, china e promarker su carta 220 gr, 120×100 cm<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”off|off|off” _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/09\/Patrizio-Volpini-Narciso-e-Boccadoro-2020-Olio-su-metallo-50-x-35-cm-140-x-70-cm-250-pz.jpg” alt=”Patrizio Volpini, Narciso e Boccadoro, 2020, olio su metallo, 50×35 cm” title_text=”Patrizio Volpini, Narciso e Boccadoro, 2020, olio su metallo, 50×35 cm” url=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/09\/Patrizio-Volpini-Narciso-e-Boccadoro-2020-Olio-su-metallo-50-x-35-cm-140-x-70-cm-250-pz.jpg” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.19)” align=”center” _builder_version=”4.22.2″ _module_preset=”default” height=”350px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

Patrizio Volpini, Narciso e Boccadoro<\/em>, 2020, olio su metallo, 50×35 cm<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/09\/Piervincenzo-Nocera-Generazione-Fahrenheit-II-2021-tecnica-mista-acrilico-panpastel-su-tela-127-x-114-cm.jpg” alt=”Piervincenzo Nocera, Generazione Fahrenheit II, 2021, tecnica mista, acrilico, panpastel su tela, 127×114 cm” title_text=”Piervincenzo Nocera, Generazione Fahrenheit II, 2021, tecnica mista, acrilico, panpastel su tela, 127×114 cm” url=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/09\/Piervincenzo-Nocera-Generazione-Fahrenheit-II-2021-tecnica-mista-acrilico-panpastel-su-tela-127-x-114-cm.jpg” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.19)” align=”center” _builder_version=”4.22.2″ _module_preset=”default” height=”350px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

Piervincenzo Nocera, Generazione Fahrenheit II<\/em>, 2021, tecnica mista, acrilico, panpastel su tela, 127×114 cm<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”off|off|off” _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/09\/Raimondo-Coppola-Senza-scelta-2020-Albero-di-fico-plastica-110-x-140-x-40-cm.jpg” alt=”Raimondo Coppola, Senza scelta, 2020, albero di fico, plastica, 110x140x40 cm” title_text=”Raimondo Coppola, Senza scelta, 2020, albero di fico, plastica, 110x140x40 cm” url=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/09\/Raimondo-Coppola-Senza-scelta-2020-Albero-di-fico-plastica-110-x-140-x-40-cm.jpg” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.19)” align=”center” _builder_version=”4.22.2″ _module_preset=”default” height=”350px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

Raimondo Coppola, Senza scelta<\/em>, 2020, albero di fico, plastica, 110x140x40 cm<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/09\/tamarro-menale_the-end_collage-su-carta_30x35-cm_2018.jpg” alt=”Tamaro Menale, The End, 2018, collage su carta, 30×35 cm” title_text=”Tamaro Menale, The End, 2018, collage su carta, 30×35 cm” url=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/09\/tamarro-menale_the-end_collage-su-carta_30x35-cm_2018.jpg” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.19)” align=”center” _builder_version=”4.22.2″ _module_preset=”default” height=”350px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

Tamaro Menale, The End<\/em>, 2018, collage su carta, 30×35 cm<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”off|off|off” _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/09\/Valerio-Cavallaro-I-sogni-e-le-prostitute-2021-Carboncino-su-lino-grezzo-100-x-70-cm.jpg” alt=”Valerio Cavallaro, I sogni e le prostitute, 2021, carboncino su lino grezzo, 100×70 cm” title_text=”Valerio Cavallaro, I sogni e le prostitute, 2021, carboncino su lino grezzo, 100×70 cm” url=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/09\/Valerio-Cavallaro-I-sogni-e-le-prostitute-2021-Carboncino-su-lino-grezzo-100-x-70-cm.jpg” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.19)” align=”center” _builder_version=”4.22.2″ _module_preset=”default” height=”350px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

Valerio Cavallaro, I sogni e le prostitute<\/em>, 2021, carboncino su lino grezzo, 100×70 cm<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/09\/Anastasiya-Norenko-Autostrade-2021-Olio-su-metallo-90-x-135-cm-.jpg” alt=”Anastasia Norenko, Autostrade, 2021, olio su metallo, 135×90 cm” title_text=”Anastasia Norenko, Autostrade, 2021, olio su metallo, 135×90 cm” url=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/09\/Anastasiya-Norenko-Autostrade-2021-Olio-su-metallo-90-x-135-cm-.jpg” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.19)” align=”center” _builder_version=”4.22.2″ _module_preset=”default” height=”350px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

Anastasia Norenko, Autostrade<\/em>, 2021, olio su metallo, 135×90 cm<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”off|off|off” _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/09\/Antonio-Salzano-chiove-terraglia-bianca-terracotta-juta-2020-140×70-cm-250-pz.jpg” alt=”Antonio Salzano, Chiove, 2020, terraglia, bianca terracotta, juta, 140×70 cm” title_text=”Antonio Salzano, Chiove, 2020, terraglia, bianca terracotta, juta, 140×70 cm” url=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/09\/Antonio-Salzano-chiove-terraglia-bianca-terracotta-juta-2020-140×70-cm-250-pz.jpg” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.19)” align=”center” _builder_version=”4.22.2″ _module_preset=”default” height=”350px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

Antonio Salzano, Chiove<\/em>, 2020, terraglia, bianca terracotta, juta, 140×70 cm<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Footer” _builder_version=”4.16″ background_size=”initial” background_repeat=”repeat-y” custom_padding=”0px|||||” saved_tabs=”all” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ use_custom_gutter=”on” _builder_version=”4.19.4″ border_width_top=”1px” border_color_top=”#c9c9c9″ global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text content_last_edited=”off|desktop” module_class=”hyperlink-color” _builder_version=”4.22.2″ text_font=”||||||||” text_font_size=”12px” text_line_height=”2em” link_font=”||||on|||rgba(0,0,0,0)|” link_text_color=”#666666″ header_font=”||||||||” header_text_align=”left” header_3_font=”|700||on|||||” header_3_font_size=”12px” header_3_letter_spacing=”5px” header_3_line_height=”1.8em” header_6_font=”|700||on|||||” header_6_text_color=”#474747″ header_6_font_size=”12px” header_6_line_height=”1.8em” link_font_tablet=”” link_font_phone=”” link_font_last_edited=”on|desktop” header_3_font_size_tablet=”” header_3_font_size_phone=”” header_3_font_size_last_edited=”on|desktop” locked=”off” global_colors_info=”{}” content__hover_enabled=”off|desktop” content__hover=”<\/p>\n

Address<\/h6>\n
ROME | Galleria Mucciaccia<\/span><\/a><\/strong><\/h6>\n

Largo della Fontanella Borghese, 89
Cap 00186 \u2013 Roma
Tel. +39 06.69923801
Fax +39 06.69200634
roma@galleriamucciaccia.it<\/p>\n

“]<\/p>\n

Indirizzo<\/h6>\n
ROMA | MUCCIACCIA PROJECT<\/span><\/a><\/strong><\/h6>\n

Via Laurina, 31
00187 \u2013 Roma
Tel. +39 06.79783647<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text module_class=”hyperlink-color” _builder_version=”4.22.2″ text_font=”||||||||” text_font_size=”12px” text_line_height=”2em” link_font=”||||on|||rgba(0,0,0,0)|” link_text_color=”#666666″ header_font=”||||||||” header_text_align=”left” header_3_font=”|700||on|||||” header_3_font_size=”12px” header_3_letter_spacing=”5px” header_3_line_height=”1.8em” header_6_font=”|700||on|||||” header_6_text_color=”#474747″ header_6_font_size=”12px” header_6_line_height=”1.8em” link_font_tablet=”||||on|||rgba(0,0,0,0)|” link_font_phone=”||||on|||rgba(0,0,0,0)|” link_font_last_edited=”on|desktop” header_3_font_size_tablet=”” header_3_font_size_phone=”” header_3_font_size_last_edited=”on|desktop” locked=”off” global_colors_info=”{}”]<\/p>\n

Orari<\/h6>\n

Luned\u00ec – Venerd\u00ec: 10:30 am \u2013 7:30pm
Sabato: 11:00 am \u2013 7:00pm<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text module_class=”hyperlink-color” _builder_version=”4.19.4″ text_font=”||||||||” text_font_size=”12px” text_line_height=”2em” link_font=”||||on|||rgba(0,0,0,0)|” link_text_color=”#666666″ header_font=”||||||||” header_text_align=”left” header_3_font=”|700||on|||||” header_3_font_size=”12px” header_3_letter_spacing=”5px” header_3_line_height=”1.8em” header_6_font=”|700||on|||||” header_6_text_color=”#474747″ header_6_font_size=”12px” header_6_line_height=”1.8em” link_font_tablet=”||||on|||rgba(0,0,0,0)|” link_font_phone=”||||on|||rgba(0,0,0,0)|” link_font_last_edited=”on|desktop” header_3_font_size_tablet=”” header_3_font_size_phone=”” header_3_font_size_last_edited=”on|desktop” locked=”off” global_colors_info=”{}”]<\/p>\n

Follow<\/h6>\n

[\/et_pb_text][et_pb_social_media_follow _builder_version=”4.22.2″ custom_margin=”-20px|||-10px” custom_margin_tablet=”” custom_margin_phone=”-20px||” custom_margin_last_edited=”on|desktop” filter_invert=”100%” locked=”off” global_colors_info=”{}” icon_color__hover=”#e02b20″][et_pb_social_media_follow_network social_network=”facebook” url=”https:\/\/www.facebook.com\/mucciacciacontemporary\/” _builder_version=”4.22.2″ global_colors_info=”{}” follow_button=”off” url_new_window=”on”]facebook[\/et_pb_social_media_follow_network][et_pb_social_media_follow_network social_network=”instagram” url=”https:\/\/www.instagram.com\/mucciacciacontemporary\/” _builder_version=”4.22.2″ global_colors_info=”{}” follow_button=”off” url_new_window=”on”]instagram[\/et_pb_social_media_follow_network][\/et_pb_social_media_follow][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

CHIAMATA ALLE ARTI | 2021 Valerio Cavallaro | Raimondo Coppola | Ketty Gobbo | Tammaro Menale | Piervincenzo Nocera | Anastasia Norenko | Ottavia Pompei | Antonio Salzano | Patrizio VolpiniROMA | MUCCIACCIA PROJECT28 settembre \u2013 6 novembre 2021PANORAMICA\u00a0 \u00a0INSTALLAZIONI\u00a0\u00a0PUBBLICAZIONI\u00a0 \u00a0OPEREJan Fabre, A spiritual space, 2022,deep precious coral, pigment, polymers, 76,5 x 40,5 x 13 […]<\/p>\n","protected":false},"author":8,"featured_media":21764,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[278,277],"tags":[],"class_list":["post-21760","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mostre-precedenti-mucciaccia-gallery-roma","category-rome-past-exhibitions"],"acf":[],"_links":{"self":[{"href":"https:\/\/mucciaccia.com\/it\/wp-json\/wp\/v2\/posts\/21760","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mucciaccia.com\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mucciaccia.com\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mucciaccia.com\/it\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/mucciaccia.com\/it\/wp-json\/wp\/v2\/comments?post=21760"}],"version-history":[{"count":0,"href":"https:\/\/mucciaccia.com\/it\/wp-json\/wp\/v2\/posts\/21760\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mucciaccia.com\/it\/wp-json\/wp\/v2\/media\/21764"}],"wp:attachment":[{"href":"https:\/\/mucciaccia.com\/it\/wp-json\/wp\/v2\/media?parent=21760"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mucciaccia.com\/it\/wp-json\/wp\/v2\/categories?post=21760"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mucciaccia.com\/it\/wp-json\/wp\/v2\/tags?post=21760"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}