{"id":14905,"date":"2018-05-21T22:31:18","date_gmt":"2018-05-21T21:31:18","guid":{"rendered":"https:\/\/mucciaccia.com\/?p=14905"},"modified":"2024-02-15T14:55:44","modified_gmt":"2024-02-15T14:55:44","slug":"richard-patterson-ged-quinn-mostra-2018-roma","status":"publish","type":"post","link":"https:\/\/mucciaccia.com\/it\/richard-patterson-ged-quinn-mostra-2018-roma\/","title":{"rendered":"Richard Patterson | Ged Quinn"},"content":{"rendered":"

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Richard Patterson | Ged Quinn<\/h1>\n

a cura di Catherine Loewe<\/p>\n

” content_phone=”<\/p>\n

Richard Patterson | Ged Quinn<\/h1>\n

a cura di Catherine Loewe<\/p>\n

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Richard Patterson | Ged Quinn<\/h1>\n

\u00a0a cura di Catherine Loewe<\/p>\n

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ROME | GALLERIA MUCCIACCIA<\/p>\n

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24 maggio – 14 luglio 2018<\/p>\n

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PANORAMICA<\/a>\u00a0 \u00a0INSTALLAZIONI<\/a>\u00a0\u00a0PUBBLICAZIONI<\/a><\/p>\n

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Gioved\u00ec 24 maggio 2018, alle ore 18.30, la Galleria Mucciaccia \u00e8 lieta di presentare un\u2019inedita raccolta di lavori di due noti artisti britannici, Richard Patterson e Ged Quinn, per la prima volta insieme a Roma, in una mostra curata da Catherine Loewe.
Nati entrambi nel 1963 nel Regno Unito, Patterson e Quinn si affermano alla fine degli anni Ottanta, quando l’arte britannica ottiene un riconoscimento internazionale. Questo periodo rappresenta un cambiamento di paradigma, caratterizzato dalla prevalenza di un\u2019arte concettuale capace di distaccarsi dalle convenzioni della dottrina post-modernista e dalle gerarchie stabilite del mondo dell\u2019arte.
Il lavoro di Patterson e Quinn si radica in questo ambiente. Tramite interessanti processi artistici e una minuziosa ricerca di materiali, ciascuno a proprio modo, elabora un personale linguaggio mediante il quale esplora le infinite sfumature del mezzo pittorico.
I complessi dipinti a pi\u00f9 strati di Richard Patterson si inseriscono nella grande tradizione dell’arte europea e americana, con forti allusioni culturali al pop, a film, riviste, musica e pubblicit\u00e0. Le sue opere possono essere viste come maschere o schermi, che nascondono una meditazione malinconica sulla nostra contemporaneit\u00e0. L\u2019artista utilizza consapevolmente, mescolando insieme, tecniche, generi e media: autoritratti, ready-made, fotografia e virtuosistica pittura foto realistica.
Ged Quinn lavora meticolosamente e con straordinaria abilit\u00e0 tecnica. Sotto la mano dell’artista, il paesaggio pastorale e la natura morta si trasformano dal familiare al fantastico. L\u2019influenza tra elementi tratti dalla storia culturale occidentale, dalla mitologia, dalla filosofia e dell’immaginazione, coinvolgono lo spettatore conducendolo verso nuovi mondi.
Dopo oltre trent’anni di percorso artistico, Patterson e Quinn affinano la loro visione creativa e la loro brillante tecnica, creando distintive interpretazioni che riflettono una profonda consapevolezza personale e culturale. Entrambi impiegano una moltitudine di forme, idiomi e generi, i cui elementi disparati e contraddittori, sebbene potrebbero apparire ad un primo sguardo casuali, mostrano in realt\u00e0 il frutto di un\u2019 accurata ricerca.
La mostra intesse un dialogo avvincente tra i due artisti, una dialettica tra figurazione e astrazione, passato e presente, realt\u00e0 e finzione, cultura sacra e profana.
La mostra \u00e8 accompagnata da un catalogo edito da Carlo Cambi Editore con testi di David Elliott e Toby Kamps.<\/p>\n

Richard Patterson<\/strong> \u00e8 nato nel Regno Unito nel 1963 e si \u00e8 laureato al Goldsmiths College nel 1986. Ha partecipato a Freeze di Damien Hirst, Surrey Docks, Londra (1988); cos\u00ec come a Sensation: Young British Artists della Saatchi Collection, Royal Academy of Arts, Londra; Hamburger Bahnhof – Museum f\u00fcr Gegenwart, Berlino, Germania; Brooklyn Museum of Art, New York, USA (1997-00). Altre importanti mostre includono The Rowan Collection: Contemporary British & Irish Art, Irish Museum of Modern Art, Dublino, Irlanda (2002); Dipinti, Kunstmuseum Wolfsburg, Germania (2003); Nexus Texas, Contemporary Arts Museum di Houston, Texas, USA (2007) e Attention to Detail, a cura di Chuck Close, alla FLAG Art Foundation, New York, USA. Tra le mostre personali ricordiamo quelle tenute alla Anthony d’Offay Gallery di Londra (1997); James Cohan Gallery, New York, USA (1999 e 2002); Dallas Museum of Art, Dallas, Texas, USA (2000), Timothy Taylor Gallery, Londra (2005, 2008 e 2013); e la Goss-Michael Foundation, Dallas, USA (2009).<\/p>\n

Ged Quinn<\/strong> \u00e8 nato nel 1963 a Liverpool, nel Regno Unito. Negli anni Ottanta e Novanta, Quinn ha studiato alla Ruskin School of Drawing di Oxford; Slade School of Fine Art, Londra; Kunstakademie, D\u00fcsseldorf, Germania; e Rijksakademie, Amsterdam, Paesi Bassi. Recenti mostre personali includono Rose, Cherry, Iron Rust, Flamingo (2017), Pearl Lam Galleries, Hong Kong, Cina; Ged Quinn (2014), Stephen Friedman Gallery, Londra, Regno Unito; Ged Quinn (2013-14) New Art Gallery Walsall, West Midlands, Regno Unito; e FOCUS: Ged Quinn (2012), Museum of Modern Art di Fort Worth, Texas, USA. Notevoli mostre collettive comprendono Synthetic Landscapes: Revisione del paesaggio ideale (2017), Meadow Arts e Shrewsbury Museum and Art Gallery, Weston Park, Shifnal, Regno Unito; CLASSICIT\u00c0: arte antica, oggetti contemporanei (2015), Breese Little, Londra, Regno Unito; Somos Libres II (2014), Pinacoteca Giovanni e Marella Agnelli, Torino, Italia; Looking at the View (2013), Tate Britain, Londra, Regno Unito; The Endless Rennaissance (2012), Bass Museum of Art, Miami, USA.<\/p>\n

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Richard Patterson | Ged Quinn
<\/strong>A cura di Catherine Loewe<\/p>\n

24 maggio – 14 luglio 2018<\/p>\n

Inaugurazione gioved\u00ec 20 maggio 2021 dalle ore 16
L’inaugurazione si svolger\u00e0 nel rispetto delle norme per il contrasto del Covid 19<\/p>\n

Roma, Galleria Mucciaccia
Largo della Fontanella di Borghese 89<\/p>\n

Orari di apertura
Da luned\u00ec a sabato ore 10.00 \u2013 19.30
Domenica chiuso<\/p>\n

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INSTALLAZIONI<\/h2>\n

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Ged Quinn, <\/strong>Plane, Plane, Plank, Nameless bridge<\/em>, 2017, Oli on linen, 200 x 380 cm, 78 3\/4 x 149 5\/8 in<\/div>\n

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About the artist<\/h2>\n

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Born in 1957 in Greensboro, North Carolina. Lives and works in New York.<\/span>
Holliday began as a student at the San Francisco Art Institute and later went on to perfect his techniques at The New York Studio School and The School of Visual Arts in New York. A Painter and performance artist connected to the Neo Abstract and Neo Expressionist Movement, Holliday reaches fame in New York during the 1970s and 1980s, is often associated with the East Village art scene and the Club 57.<\/span>
In the early years of his career as an artist, he worked closely with Andy Warhol, Keith Haring, Ann Magnuson and Kenny Scharf.<\/span>
Frank Holliday has exhibited with the Kenny Schacter and Tony Shafrazi Galleries and has solo exhibitions at Debs & Co., Tom Cugliani Gallery, The Kitchen, GAL Gallery, and Mucciaccia Gallery Singapore.<\/span>
He participates in numerous group exhibitions at prestigious New York spaces such as The Arts Club, Derek Eller, White Columns, Sandra Gering Gallery, Amy Lipton Gallery, Elizabeth Dee, Barbara Toll Fine Art, Lennon Weinberg, PS1, and the Club 57 with Keith Haring.<\/span>
His work receives critical acclaim and is the subject of reviews written by Holland Cotter and Stephen Westfall in Art in America, Gluek Grace and Ken Johnson for The New York Times, and Bill Arning for the Village Voice.<\/span>
Holliday is included in the Heiner Friedrich collection as well as numerous important private collections worldwide in the United States, Europe, Japan, Australia and Mexico.<\/span>
His works are also found in prestigious museum collections such as Moma New York; The Weatherspoon Museum at The University of North Carolina at Greensboro; The Museum Frederick Russe of Stockholm; the Miniature Museum of Amsterdam.<\/span>
He is awarded the National Endowment for the Arts in 1986, the Gottlieb Foundation Fellowship in 2010, the Pollock Krasner Foundation Fellowship in 2010 and the John Simon Guggenheim Memorial Foundation in 2015.<\/span>
His most recent exhibitions include\u00a0<\/span>Frank Holliday<\/em>, Museo Bilotti, Vila Borghese, Rome, Italy (2019) and\u00a0<\/span>Club 57: Film, Performance, and Art in the East Village, 1978\u20131983<\/em>, MoMa in New York (2017-2018).<\/span><\/p>\n

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PUBBLICAZIONI<\/h2>\n

[\/et_pb_text][et_pb_divider color=”#c9c9c9″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.19.4″ _module_preset=”default” link_option_url=”https:\/\/mucciaccia.com\/it\/prodotto\/ged-quinn-patterson\/” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2018\/05\/patterson-quinn-gmucciaccia.jpg” alt=”patterson – quinn – Galleria Mucciaccia Rome” title_text=”patterson-quinn-gmucciaccia” _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text quote_border_color=”#e2e2e2″ _builder_version=”4.19.4″ _module_preset=”default” text_text_color=”#999999″ text_line_height=”2.2em” quote_font=”||on||||||” quote_text_color=”#494949″ custom_padding=”||40px||false|false” custom_padding_tablet=”40px||40px||false|false” custom_padding_phone=”||40px||false|false” custom_padding_last_edited=”on|desktop” text_font_size_tablet=”” text_font_size_phone=”14px” text_font_size_last_edited=”on|phone” text_line_height_tablet=”2.2em” text_line_height_phone=”1.6em” text_line_height_last_edited=”on|phone” locked=”off” global_colors_info=”{}”]<\/p>\n

Catalogo della mostra, a cura di Catherine Loewe, saggio di David Elliott and Toby Kamps<\/span>
Pubblicato da Carlo Cambi Editore<\/span>
2018<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|on” admin_label=”Header” _builder_version=”4.22.2″ background_enable_image=”off” background_size=”initial” background_repeat=”repeat” custom_margin=”0px||||false|false” custom_padding=”60px||||false|false” disabled=”on” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ use_custom_width=”on” width_unit=”off” custom_width_percent=”100%” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.19.4″ text_font=”||||||||” header_font=”||||||||” header_2_font=”|500|||||||” header_2_text_align=”left” header_2_font_size=”23px” header_3_font=”|700||on|||||” header_3_text_color=”rgba(0,0,0,0.35)” header_3_font_size=”12px” header_3_letter_spacing=”5px” header_3_line_height=”2em” transform_translate_linked=”off” text_orientation=”center” module_alignment=”center” hover_transition_duration=”0ms” header_2_font_size_tablet=”23px” header_2_font_size_phone=”16px” header_2_font_size_last_edited=”on|tablet” text_text_align=”center” global_colors_info=”{}”]<\/p>\n

Mostre precedenti<\/h2>\n

[\/et_pb_text][et_pb_divider _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][et_pb_blog fullwidth=”off” posts_number=”40″ include_categories=”156″ show_author=”off” show_date=”off” show_categories=”off” show_excerpt=”off” show_pagination=”off” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.32)” module_class=”et_blog_grid_equal_height” _builder_version=”4.16″ _module_preset=”default” header_level=”h3″ header_font=”|600|||||||” header_text_align=”justify” header_text_color=”#545454″ header_font_size=”14px” text_orientation=”center” max_width_tablet=”600px” max_width_phone=”600px” max_width_last_edited=”on|phone” module_alignment=”center” header_font_size_tablet=”14px” header_font_size_phone=”14px” header_font_size_last_edited=”on|phone” module_alignment_tablet=”center” module_alignment_phone=”center” module_alignment_last_edited=”on|tablet” border_width_all=”0px” border_style_all_image=”none” global_colors_info=”{}”][\/et_pb_blog][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Footer” _builder_version=”4.16″ background_size=”initial” background_repeat=”repeat-y” custom_padding=”0px|||||” saved_tabs=”all” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ use_custom_gutter=”on” gutter_width=”2″ _builder_version=”4.16″ border_width_top=”2px” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text content_last_edited=”off|desktop” module_class=”hyperlink-color” _builder_version=”4.24.0″ text_font=”||||||||” text_font_size=”12px” text_line_height=”2em” link_font=”||||on|||rgba(0,0,0,0)|” link_text_color=”#666666″ header_font=”||||||||” header_text_align=”left” header_3_font=”|700||on|||||” header_3_font_size=”12px” header_3_letter_spacing=”5px” header_3_line_height=”1.8em” max_width_tablet=”70%” max_width_last_edited=”off|phone” hover_enabled=”0″ link_font_tablet=”” link_font_phone=”” link_font_last_edited=”on|desktop” header_3_font_size_tablet=”” header_3_font_size_phone=”” header_3_font_size_last_edited=”on|desktop” locked=”off” global_colors_info=”{}” content__hover_enabled=”off|desktop” content__hover=”<\/p>\n

Informazioni<\/h3>\n

GALLERIA MUCCIACCIA | ROMA<\/a><\/strong>
Largo della Fontanella Borghese, 89<\/span>
Cap 00186 \u2013 Roma<\/span>
Tel. +39 06.69923801<\/span>
Fax +39 06.69200634<\/span>
roma@galleriamucciaccia.it<\/span><\/p>\n

” sticky_enabled=”0″]<\/p>\n

Informazioni<\/h3>\n

GALLERIA MUCCIACCIA | ROMA<\/a><\/strong>
Largo della Fontanella Borghese, 89<\/span>
Cap 00186 \u2013 Roma<\/span>
Tel. +39 06.69923801<\/span>
Fax +39 06.69200634<\/span>
roma@mucciaccia.com<\/span><\/p>\n

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Orari di apertura<\/h3>\n

Luned\u00ec – Sabato: 10:00 19:30
Domenica chiusi<\/p>\n

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Social<\/h3>\n

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Subscribe<\/h3>\n

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Richard Patterson | Ged Quinn \u00a0a cura di Catherine LoeweROME | GALLERIA MUCCIACCIA24 maggio – 14 luglio 2018PANORAMICA\u00a0 \u00a0INSTALLAZIONI\u00a0\u00a0PUBBLICAZIONIGioved\u00ec 24 maggio 2018, alle ore 18.30, la Galleria Mucciaccia \u00e8 lieta di presentare un\u2019inedita raccolta di lavori di due noti artisti britannici, Richard Patterson e Ged Quinn, per la prima volta insieme a Roma, in una […]<\/p>\n","protected":false},"author":8,"featured_media":14910,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[233],"tags":[],"class_list":["post-14905","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mostre-precedenti-roma-archivio"],"acf":[],"_links":{"self":[{"href":"https:\/\/mucciaccia.com\/it\/wp-json\/wp\/v2\/posts\/14905","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mucciaccia.com\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mucciaccia.com\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mucciaccia.com\/it\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/mucciaccia.com\/it\/wp-json\/wp\/v2\/comments?post=14905"}],"version-history":[{"count":0,"href":"https:\/\/mucciaccia.com\/it\/wp-json\/wp\/v2\/posts\/14905\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mucciaccia.com\/it\/wp-json\/wp\/v2\/media\/14910"}],"wp:attachment":[{"href":"https:\/\/mucciaccia.com\/it\/wp-json\/wp\/v2\/media?parent=14905"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mucciaccia.com\/it\/wp-json\/wp\/v2\/categories?post=14905"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mucciaccia.com\/it\/wp-json\/wp\/v2\/tags?post=14905"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}