{"id":12487,"date":"2006-11-23T21:06:22","date_gmt":"2006-11-23T20:06:22","guid":{"rendered":"https:\/\/mucciaccia.com\/giorgio-de-chirico-exhibition\/"},"modified":"2024-03-14T12:49:20","modified_gmt":"2024-03-14T11:49:20","slug":"giorgio-de-chirico-exhibition","status":"publish","type":"post","link":"https:\/\/mucciaccia.com\/it\/giorgio-de-chirico-exhibition\/","title":{"rendered":"Giorgio de Chirico"},"content":{"rendered":"

[et_pb_section fb_built=”1″ admin_label=”Artist new head” _builder_version=”4.19.4″ _module_preset=”default” custom_margin=”0px||||false|false” custom_padding=”0px||40px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_2,1_2″ module_id=”overview” _builder_version=”4.19.4″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text content_tablet=”<\/p>\n

ALLEGORY OF CARITAS
(An Act of Love)<\/h1>\n

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ALLEGORY OF CARITAS
(An Act of Love)<\/h1>\n

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GIORGIO DE CHIRICO<\/h1>\n

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ROMA | GALLERIA MUCCIACCIA<\/p>\n

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23 novembre 2006 – 28 gennaio 2007<\/p>\n

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PANORAMICA<\/a>\u00a0 \u00a0INSTALLAZIONI<\/a>\u00a0\u00a0PUBBLICAZIONI<\/a><\/p>\n

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De Chirico, Piazza 50, 50×70<\/p>\n

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Si apre a Roma, il giorno 23 Novembre 2006 (fino al 28 Gennaio 2007) con l\u2019illustre patrocinio della Regione Lazio, della Provincia di Roma e del Comune di Roma, la mostra di Giorgio de Chirico. Tra gli sponsor, il quotidiano\u00a0Libero\u00a0<\/em>diretto da Vittorio Feltri ed il\u00a0Riformista,<\/em>\u00a0diretto da Paolo Franchi,\u00a0Spedart<\/em>\u00a0e\u00a0Fata Assicurazioni<\/em>. Il catalogo propone una prefazione di Ottaviano Del Turco, il testo critico \u00e8 curato da Paolo Baldacci, edizioni Mucciaccia. L\u2019evento avr\u00e0 luogo presso la Galleria Mucciaccia, Piazza d\u2019Ara Coeli 16, Attraverso 38 dipinti ad olio, dagli anni \u201920 agli anni \u201970 sar\u00e0 possibile percorrere pi\u00f9 di un aspetto dell\u2019arte del famoso maestro, sempre orientata dall\u2019amore per la favola e il mito e sempre governata dall\u2019imperativo metafisico: sottrarre le cose al loro aspetto logico e spostarle, spiazzandole, in una sede diversa. Dalla rappresentazione depurata e spettrale che cerca di cogliere il mistero delle cose, allo spostamento vero e proprio di immagini dalle loro sedi naturali e logiche in luoghi imprevisti, al travestimento anacronistico per mezzo di una materia pittorica di gusto rococ\u00f2, de Chirico \u00e8 sempre un artista che stupisce e disorienta, un\u00a0d\u00e9paysagiste<\/em>, come lo aveva definito Jean Cocteau. E non tradisce mai il suo spirito romantico di lettore appassionato di poemi e di spettatore d\u2019opera. Il mondo interiore di de Chirico si dipana davanti ai nostri occhi attraverso le fantasmagorie metafisiche delle piazze, dei manichini e degli interni e si scioglie poi nelle nostalgiche visioni delle spiagge dell\u2019antica Grecia popolate di cavalli e figure mitiche. Nella bella materia pittorica del periodo barocco viene imprigionato l\u2019aspetto surreale del mondo e armato di questa maestria l\u2019artista si abbandona a rievocazioni liriche e mitiche di emozionante livello, come nel quadro che raffigura lo scontro tra Ettore e Achille sotto le mura di Troia, un capolavoro nel quale non possiamo non avvertire l\u2019altissimo livello di emozione e di partecipazione dell\u2019artista di fronte alla favola. Da vecchio de Chirico forse non riviveva cos\u00ec intensamente le emozioni che lo avevano portato a dar vita a una delle pi\u00f9 grandi testimonianze artistiche del XX secolo, e infatti nulla pu\u00f2 mai ripetersi allo stesso modo, ma lo spirito suo non era certo profondamente cambiato, si era piuttosto disteso in visioni meno angosciose e pi\u00f9 ingenue e romantiche. Seduto al cavalletto si immaginava come un cavaliere al galoppo nella foresta o come un antico eroe in battaglia e le sue nuove visioni metafisiche parodiavano le antiche con una non immemore sapienza da vecchio giocoliere sempre capace di animare le sue inquietanti e colorate furberie.<\/p>\n

(Paolo Baldacci)<\/p>\n

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Location<\/span>
Largo della Fontanella Borghese, 89<\/span>
00186 \u2013 Rome<\/span>
+39 06 69923801<\/span>
roma@galleriamucciaccia.it<\/span><\/p>\n

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PUBBLICAZIONI<\/h2>\n

[\/et_pb_text][et_pb_divider color=”#c9c9c9″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.19.4″ _module_preset=”default” custom_padding=”0px|0px|0px|0px|false|false” link_option_url=”https:\/\/mucciaccia.com\/it\/prodotto\/giorgio-de-chirico-catalogo-della-mostra-monografica-a-cura-di-massimiliano-mucciaccia\/” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2015\/07\/IMG_4871-e1486595268778.jpg” alt=”Giorgio de CHIRICO \u2013 MONOGRAPHIC CATALOGUE” title_text=”GDC-Monographic” _builder_version=”4.19.4″ _module_preset=”default” module_alignment=”center” height=”400px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text quote_border_color=”#e2e2e2″ _builder_version=”4.19.4″ _module_preset=”default” text_text_color=”#999999″ text_line_height=”2.2em” quote_font=”||on||||||” quote_text_color=”#494949″ custom_padding=”||40px||false|false” custom_padding_tablet=”40px||40px||false|false” custom_padding_phone=”||40px||false|false” custom_padding_last_edited=”on|desktop” text_font_size_tablet=”” text_font_size_phone=”14px” text_font_size_last_edited=”on|phone” text_line_height_tablet=”2.2em” text_line_height_phone=”1.6em” text_line_height_last_edited=”on|phone” locked=”off” global_colors_info=”{}”]<\/p>\n

Catalogo della mostra, a cura di Massimiliano Mucciaccia, saggi di Ottaviano del Turco e Paolo Baldacci<\/span>
Pubblicato da Carlo Cambi Editore<\/span>
2006<\/span><\/p>\n

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Mostre precedenti<\/h2>\n

[\/et_pb_text][et_pb_divider _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][et_pb_blog fullwidth=”off” posts_number=”40″ include_categories=”156″ show_author=”off” show_date=”off” show_categories=”off” show_excerpt=”off” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.32)” module_class=”et_blog_grid_equal_height” _builder_version=”4.16″ _module_preset=”default” header_level=”h3″ header_font=”|600|||||||” header_text_align=”justify” header_text_color=”#545454″ header_font_size=”14px” text_orientation=”center” max_width_tablet=”600px” max_width_phone=”600px” max_width_last_edited=”on|phone” module_alignment=”center” header_font_size_tablet=”14px” header_font_size_phone=”14px” header_font_size_last_edited=”on|phone” module_alignment_tablet=”center” module_alignment_phone=”center” module_alignment_last_edited=”on|tablet” border_width_all=”0px” border_style_all_image=”none” global_colors_info=”{}”][\/et_pb_blog][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Footer” _builder_version=”4.16″ background_size=”initial” background_repeat=”repeat-y” custom_padding=”0px|||||” saved_tabs=”all” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ use_custom_gutter=”on” gutter_width=”2″ _builder_version=”4.16″ border_width_top=”2px” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text content_last_edited=”off|desktop” module_class=”hyperlink-color” _builder_version=”4.24.0″ text_font=”||||||||” text_font_size=”12px” text_line_height=”2em” link_font=”||||on|||rgba(0,0,0,0)|” link_text_color=”#666666″ header_font=”||||||||” header_text_align=”left” header_3_font=”|700||on|||||” header_3_font_size=”12px” header_3_letter_spacing=”5px” header_3_line_height=”1.8em” max_width_tablet=”70%” max_width_last_edited=”off|phone” link_font_tablet=”” link_font_phone=”” link_font_last_edited=”on|desktop” header_3_font_size_tablet=”” header_3_font_size_phone=”” header_3_font_size_last_edited=”on|desktop” locked=”off” global_colors_info=”{}” content__hover_enabled=”off|desktop” content__hover=”<\/p>\n

Informazioni<\/h3>\n

GALLERIA MUCCIACCIA | ROMA<\/a><\/strong>
Largo della Fontanella Borghese, 89<\/span>
Cap 00186 \u2013 Roma<\/span>
Tel. +39 06.69923801<\/span>
Fax +39 06.69200634<\/span>
roma@galleriamucciaccia.it<\/span><\/p>\n

“]<\/p>\n

Informazioni<\/h3>\n

GALLERIA MUCCIACCIA | ROMA<\/a><\/strong>
Largo della Fontanella Borghese, 89<\/span>
Cap 00186 \u2013 Roma<\/span>
Tel. +39 06.69923801<\/span>
Fax +39 06.69200634<\/span>
roma@mucciaccia.com<\/span><\/p>\n

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Orari di apertura<\/h3>\n

Luned\u00ec – Sabato: 10:00 19:30
Domenica chiusi<\/p>\n

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Social<\/h3>\n

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GIORGIO DE CHIRICOROMA | GALLERIA MUCCIACCIA23 novembre 2006 – 28 gennaio 2007PANORAMICA\u00a0 \u00a0INSTALLAZIONI\u00a0\u00a0PUBBLICAZIONIDe Chirico, Piazza 50, 50x70Si apre a Roma, il giorno 23 Novembre 2006 (fino al 28 Gennaio 2007) con l\u2019illustre patrocinio della Regione Lazio, della Provincia di Roma e del Comune di Roma, la mostra di Giorgio de Chirico. Tra gli sponsor, il […]<\/p>\n","protected":false},"author":8,"featured_media":12488,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"It opens in Rome on November 23, 2006 (until January 28, 2007) with the illustrious sponsorship of the Lazio Region, of the Rome Province\u00a0 and the City of Rome, the exhibition of Giorgio de Chirico. Among the sponsors, the newspaper Libero directed by Vittorio Feltri and Il Riformista, directed by Paolo Franchi, Spedart and Fata Assicurazioni. The catalogue features a preface by Ottaviano Del Turco, the critical text is edited by Paolo Baldacci, for Mucciaccia editions. The event will take place at Galleria Mucciaccia, Piazza d'Ara Coeli, 16. Through 38 oil paintings from the 20's to the 70'sit's possible to go through more than one aspect of the art of the famous master, always oriented by the love story and the myth and always governed by the imperative metaphysical stealing things and moving them to their logical aspect. de Chirico is always an artist which amazes and confuses, a d\u00e9paysagiste, as Jean Cocteau called him. He never betrays his romantic spirit of passionate reader of poems and opera viewer. The inner world of de Chirico unfolds in front of our eyes through the phantasmagoric metaphysical squares, mannequins and interior and then melts in the nostalgic visions of ancient Greek beaches populated by horses and mythical figures. In the beautiful pictorial material of the Baroque period it is imprisoned the surreal appearance of the world and armed with this skill the artist indulges in lyrical evocations of mythical and emotional level, as in the painting of the battle between Hector and Achilles under the walls of Troy , a masterpiece in which we can not fail to perceive the high level of emotion and participation of the artist in front of the fairy tale. The senior de Chirico perhaps doesn\u2019t relive the emotions that led him to create one of the greatest artistic treasures of the twentieth century, and indeed nothing can ever happen again in the same way, but his spirit was not profoundly changed. Sitting at his easel he imagined himself as a horseman galloping in the forest or like an ancient hero in battle and his new metaphysical views parodied the old with a non immemorial wisdom from old juggler always able to animate his disturbing and colorful cunning.[:]","_et_gb_content_width":"","footnotes":""},"categories":[233],"tags":[],"class_list":["post-12487","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mostre-precedenti-roma-archivio"],"acf":[],"_links":{"self":[{"href":"https:\/\/mucciaccia.com\/it\/wp-json\/wp\/v2\/posts\/12487","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mucciaccia.com\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mucciaccia.com\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mucciaccia.com\/it\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/mucciaccia.com\/it\/wp-json\/wp\/v2\/comments?post=12487"}],"version-history":[{"count":0,"href":"https:\/\/mucciaccia.com\/it\/wp-json\/wp\/v2\/posts\/12487\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mucciaccia.com\/it\/wp-json\/wp\/v2\/media\/12488"}],"wp:attachment":[{"href":"https:\/\/mucciaccia.com\/it\/wp-json\/wp\/v2\/media?parent=12487"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mucciaccia.com\/it\/wp-json\/wp\/v2\/categories?post=12487"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mucciaccia.com\/it\/wp-json\/wp\/v2\/tags?post=12487"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}