Ezgi Güneştekin | Life Is Good
ROMA | MUCCIACCIA GALLERY
Opening 27 marzo 2026
28 marzo – 25 maggio 2026
Dal 28 marzo al 25 maggio 2026, Mucciaccia Gallery presenta a Roma, negli spazi di via Laurina 31, Life Is Good, prima mostra personale in Italia dell’artista Ezgi Güneştekin, figlia dell’artista Ahmet Güneştekin, mecenate dell’arte turca e fondatore della Güneştekin Art Refinery, che oggi ha sede in Turchia, a Istanbul e Urla, e in Italia, a Venezia.
INSTALLATION VIEWS
Installation View
Courtesy Mucciaccia Gallery,
ph. Dino Scumaci
Installation View
Courtesy Mucciaccia Gallery,
ph. Dino Scumaci
Installation View
Courtesy Mucciaccia Gallery,
ph. Dino Scumaci
Installation View
Courtesy Mucciaccia Gallery,
ph. Dino Scumaci
Installation View
Courtesy Mucciaccia Gallery,
ph. Dino Scumaci
Installation View
Courtesy Mucciaccia Gallery,
ph. Dino Scumaci
OPERE
Maybe I’m Overthinking, 2024,
Acrylic and Marker on Canvas,
130×130 cm
Hidden Screams, 2024,
Acrylic and Marker on Canvas,
130 cm
Faceless Truth, 2026,
Acrylic and Marker on Canvas,
100×100 cm
Everybody Knows, 2026,
Acrylic and Marker on Canvas,
100×100 cm
Around Me, 2026,
Acrylic and Marker on Canvas,
100 cm
After the Silence, 2026,
Acrylic and Marker on Canvas,
100×100 cm
Unsaid, 2026,
Acrylic and Marker on Canvas,
150×60 cm
Unreleased, 2026,
Acrylic and Marker on Canvas,
150×60 cm
Unfelt, 2026,
Acrylic and Marker on Canvas,
150×60 cm
Unbound, 2025,
Acrylic and Marker on Canvas,
150 cm
They Scream, I Rise, 2025,
Acrylic and Marker on Canvas,
100×100 cm
The Legend’s Silence, 2025,
Acrylic and Marker on Canvas,
100×100 cm
Piece of Heaven, 2026,
Acrylic and Marker on Canvas,
120×220 cm
Out of Control, 2021,
Acyrlic, Oil and Marker on Canvas, 100×100 cm
One More Round, 2025,
Acrylic and Marker on Canvas,
100×100 cm
No Surprises, 2026,
Acrylic and Marker on Canvas,
100×100 cm
No Fear No Limits, 2025,
Acrylic and Marker on Canvas,
130×130 cm
Maybe I’m Pessimistic, 2024,
Acyrlic and Marker on Canvas,
130×130 cm
PUBBLICAZIONI
Catalogo della mostra
pubblicato da Silvana Editoriale
