[et_pb_section fb_built=”1″ admin_label=”Artist new head” _builder_version=”4.19.4″ _module_preset=”default” custom_margin=”0px||||false|false” custom_padding=”0px||40px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_2,1_2″ module_id=”overview” _builder_version=”4.19.4″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text content_tablet=”<\/p>\n
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ROME | GALLERIA MUCCIACCIA<\/p>\n
[\/et_pb_text][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” module_alignment=”left” custom_margin=”0px||0px||false|false” custom_padding=”0px|0px|0px|10px|false|false” custom_css_main_element=”display: inline-block;” global_colors_info=”{}”]<\/p>\n
9 October 2009 – 15 January 2010<\/p>\n
[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.19.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.24.0″ _module_preset=”default” text_text_color=”#000000″ text_font_size=”12px” link_text_color=”#939393″ text_orientation=”center” hover_enabled=”0″ text_text_color_tablet=”#000000″ text_text_color_phone=”#000000″ text_text_color_last_edited=”on|desktop” text_letter_spacing_tablet=”2px” text_letter_spacing_phone=”0px” text_letter_spacing_last_edited=”on|desktop” link_font_tablet=”” link_font_phone=”” link_font_last_edited=”on|desktop” global_colors_info=”{}” disabled_on=”on|on|on” disabled=”on” sticky_enabled=”0″]<\/p>\n
OVERVIEW<\/a>\u00a0 \u00a0INSTALLATION VIEWS<\/a> \u00a0\u00a0PUBLICATIONS<\/a><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.19.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”2_5,3_5″ use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.19.4″ _module_preset=”default” width=”100%” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.19.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9mZWF0dXJlZF9pbWFnZSIsInNldHRpbmdzIjp7fX0=@” show_in_lightbox=”on” align=”center” _builder_version=”4.19.4″ _dynamic_attributes=”src” _module_preset=”default” height=”260px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.19.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_text quote_border_color=”#e2e2e2″ _builder_version=”4.19.4″ _module_preset=”default” text_text_color=”#999999″ text_line_height=”2.2em” quote_font=”||on||||||” quote_text_color=”#494949″ custom_padding=”||40px||false|false” custom_padding_tablet=”40px||40px||false|false” custom_padding_phone=”||40px||false|false” custom_padding_last_edited=”on|desktop” text_font_size_tablet=”” text_font_size_phone=”14px” text_font_size_last_edited=”on|phone” text_line_height_tablet=”2.2em” text_line_height_phone=”1.6em” text_line_height_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n From 9th October 2009 to 15th January 2010, Galleria Mucciaccia presents, for the first time in Rome, the retrospective of Jacques Villegl\u00e9 intitled \u201cRoman Holiday\u201d, curated by Dominique Stella. On display 75 works,\u00a0d\u00e9collages d\u2019affiches<\/em>, that the artist has created since the Sixties until today. Five paintings also feature recent work of the artist, or the Signs Socio-Political language with which he proposes an anarchist and at the same time poetic vision of the world. These canvases link the exhibition at the opening of the wall that Villegl\u00e9, at the event in Rome, realized according to the technique of Segni Socio-Political M\u00e9diath\u00e8que at the Cultural Center Saint Louis de France. The wall will be inaugurated Saturday, October 10, 2009. Jacques Villegl\u00e9 is one of the leaders of Affichistes. This movement, which was also attended by Raymond Hains, Fran\u00e7ois Dufr\u00eane and Mimmo Rotella, has developed, after the war, a post-cubist art practice that has resulted in a great change of the pictorial language. Recovering media advertising he reworks them with the intention of an angry gesture, denial and contesting the painterly gesture. Villegl\u00e9 was born in Quimper, in Brittany, in 1926. In 1945, at the Academy of Fine Arts of Rennes, meets Breton Raymond Hains and they become friends and this friendship will be decisive for the career of both. Villegl\u00e9 soon moved to Paris where he finds his friend Hains, and where he meets Colette Allendy. It will be in the gallery Colette Allendy that, ten years later, in 1957, will take place the first retrospective of the torn posters of Hains and Villegl\u00e9. The first experiments of Villegl\u00e9 date back to the late Forties, when, along with Hains, they teared posters. In April of 1960, in Milan, Pierre Restany writes the first manifesto of the New Realism and organized an exhibition at the Galleria Apollinaire, Bapt\u00eame of the appropriation, which sanctions the state of affairs that he had realized at the time of the Paris Biennale , observing the works of Klein (in his time monochrome), Tinguely, Hains, Dufr\u00eane and Villegl\u00e9. At the initial group is added at a later time even Arman. Six months later, on October 27, at the home of Yves Klein, there will be the signing of the founding declaration of the expanded group of New Realists. Villegl\u00e9, fiercely devoted to respect \u201cthe collective and anonymous creator\u201d that leads to the gradual emergence of a torn posters, a result of accumulated gestures and the passage of time, has always defended and claimed this anonymity, refusing, for their constitutive logic, to sign the works. The invention of the Torn Anonymous, in February of 1959, responds to this concept, which even his fellow adhere but less radicaly. Villegl\u00e9, since then, begins a work of urban archeology, of classification of images taken around, following a selection criterion according to which he establishes the idea that wants to develop. He calls this idea the storytelling: a way to talk about his age that he explores since 1965. His work of urban archeology becomes systematic and he, since then, embarks on a veritable archive of the language of the streets, directing his production according to themes dear to him. He concluded his round of \u201crobbery\u201d in 2001 with the latest posters of the Atelier d\u2019Aquitaine. It is the beginning of a new thematic series dedicated to amplified music, Techno. With this series of posters announcing the concerts of the bands touring in the province, Villegl\u00e9 builds bridges between disciplines and also between different generations. \u201cOne of my ambitions is to be the active witness of a humanity full of contradictions. It is the unnamed road that acts on the reflections of the dominant culture. \u201c. Full exposure a comprehensive catalog, published by Shin editions, with texts by Dominique Stella and Laurence Bertrand Dorleac.<\/p>\n [\/et_pb_text][et_pb_text module_id=”info” _builder_version=”4.19.4″ _module_preset=”default” custom_padding=”10px||||false|false” border_width_top=”1px” border_color_top=”#cecece” locked=”off” global_colors_info=”{}”]<\/p>\n Curated by Dominique Stella<\/span><\/p>\n Location [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|on” admin_label=”Header” _builder_version=”4.19.4″ background_enable_image=”off” background_size=”initial” background_repeat=”repeat” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” disabled=”on” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” use_custom_width=”on” width_unit=”off” custom_width_percent=”100%” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.19.4″ text_font=”||||||||” header_font=”|||on|||||” header_text_align=”center” header_font_size=”57px” header_line_height=”1.3em” header_2_font=”|500|||||||” header_2_text_align=”center” header_2_font_size=”30px” header_2_line_height=”1.3em” header_3_font=”|700||on|||||” header_3_text_align=”center” header_3_text_color=”rgba(0,0,0,0.35)” header_3_font_size=”12px” header_3_letter_spacing=”5px” header_3_line_height=”2em” header_6_text_align=”center” transform_translate_linked=”off” max_width=”700px” module_alignment=”center” header_font_size_tablet=”28px” header_font_size_phone=”28px” header_font_size_last_edited=”on|desktop” header_2_font_size_tablet=”26px” header_2_font_size_phone=”26px” header_2_font_size_last_edited=”on|tablet” header_3_letter_spacing_tablet=”0px” header_3_letter_spacing_phone=”0px” header_3_letter_spacing_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n <\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2021\/10\/Invito-Villegle-Vacanze-Romane-2009.jpg” alt=”Invito Villegl\u00e9 – Vacanze Romane, 2009″ title_text=”Invito Villegl\u00e9 – Vacanze Romane, 2009″ show_in_lightbox=”on” align=”center” _builder_version=”4.16″ _module_preset=”default” height=”400px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n From 9th October 2009 to 15th January 2010, Galleria Mucciaccia presents, for the first time in Rome, the retrospective of Jacques Villegl\u00e9 intitled \u201cRoman Holiday\u201d, curated by Dominique Stella. On display 75 works,\u00a0d\u00e9collages d\u2019affiches<\/em>, that the artist has created since the Sixties until today. Five paintings also feature recent work of the artist, or the Signs Socio-Political language with which he proposes an anarchist and at the same time poetic vision of the world. These canvases link the exhibition at the opening of the wall that Villegl\u00e9, at the event in Rome, realized according to the technique of Segni Socio-Political M\u00e9diath\u00e8que at the Cultural Center Saint Louis de France. The wall will be inaugurated Saturday, October 10, 2009. Jacques Villegl\u00e9 is one of the leaders of Affichistes. This movement, which was also attended by Raymond Hains, Fran\u00e7ois Dufr\u00eane and Mimmo Rotella, has developed, after the war, a post-cubist art practice that has resulted in a great change of the pictorial language. Recovering media advertising he reworks them with the intention of an angry gesture, denial and contesting the painterly gesture. Villegl\u00e9 was born in Quimper, in Brittany, in 1926. In 1945, at the Academy of Fine Arts of Rennes, meets Breton Raymond Hains and they become friends and this friendship will be decisive for the career of both. Villegl\u00e9 soon moved to Paris where he finds his friend Hains, and where he meets Colette Allendy. It will be in the gallery Colette Allendy that, ten years later, in 1957, will take place the first retrospective of the torn posters of Hains and Villegl\u00e9. The first experiments of Villegl\u00e9 date back to the late Forties, when, along with Hains, they teared posters. In April of 1960, in Milan, Pierre Restany writes the first manifesto of the New Realism and organized an exhibition at the Galleria Apollinaire, Bapt\u00eame of the appropriation, which sanctions the state of affairs that he had realized at the time of the Paris Biennale , observing the works of Klein (in his time monochrome), Tinguely, Hains, Dufr\u00eane and Villegl\u00e9. At the initial group is added at a later time even Arman. Six months later, on October 27, at the home of Yves Klein, there will be the signing of the founding declaration of the expanded group of New Realists. Villegl\u00e9, fiercely devoted to respect \u201cthe collective and anonymous creator\u201d that leads to the gradual emergence of a torn posters, a result of accumulated gestures and the passage of time, has always defended and claimed this anonymity, refusing, for their constitutive logic, to sign the works. The invention of the Torn Anonymous, in February of 1959, responds to this concept, which even his fellow adhere but less radicaly. Villegl\u00e9, since then, begins a work of urban archeology, of classification of images taken around, following a selection criterion according to which he establishes the idea that wants to develop. He calls this idea the storytelling: a way to talk about his age that he explores since 1965. His work of urban archeology becomes systematic and he, since then, embarks on a veritable archive of the language of the streets, directing his production according to themes dear to him. He concluded his round of \u201crobbery\u201d in 2001 with the latest posters of the Atelier d\u2019Aquitaine. It is the beginning of a new thematic series dedicated to amplified music, Techno. With this series of posters announcing the concerts of the bands touring in the province, Villegl\u00e9 builds bridges between disciplines and also between different generations. \u201cOne of my ambitions is to be the active witness of a humanity full of contradictions. It is the unnamed road that acts on the reflections of the dominant culture. \u201c. Full exposure a comprehensive catalog, published by Shin editions, with texts by Dominique Stella and Laurence Bertrand Dorleac.<\/p>\n [\/et_pb_text][et_pb_divider _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n Curated by Dominique Stella<\/span><\/p>\n Location [\/et_pb_text][et_pb_divider _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ module_id=”installation_views” _builder_version=”4.19.4″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”60px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”hyperlink-color-image” _builder_version=”4.19.4″ _module_preset=”default” header_2_font_size=”18px” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” header_2_font_size_tablet=”18px” header_2_font_size_phone=”18px” header_2_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_divider color=”#c9c9c9″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2021\/10\/villegle-issy-les-moulinaux.jpg” alt=”villegl\u00e8 – issy les moulinaux” title_text=”villegl\u00e8 – issy les moulinaux” show_in_lightbox=”on” align=”center” _builder_version=”4.16″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font_size=”9px” text_orientation=”center” custom_margin=”-10px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”]<\/p>\n Jacques Villegl\u00e8 – Issy les moulinaux<\/em><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2015\/06\/2191.jpg” alt=”Jacques Villegl\u00e9 – Vacanze Romane” title_text=”Jacques Villegl\u00e9 – Vacanze Romane” show_in_lightbox=”on” align=”center” _builder_version=”4.16″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font_size=”9px” text_orientation=”center” custom_margin=”-10px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”]<\/p>\n Jacques Villegl\u00e9, Vacanze Romane<\/em><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ module_id=”publications” _builder_version=”4.19.4″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”60px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”hyperlink-color-image” _builder_version=”4.19.4″ _module_preset=”default” header_2_font_size=”18px” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” header_2_font_size_tablet=”18px” header_2_font_size_phone=”18px” header_2_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_divider color=”#c9c9c9″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.19.4″ _module_preset=”default” link_option_url=”https:\/\/mucciaccia.com\/product\/jacques-villegle-catalogo-della-mostra-vacanze-romane\/” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2015\/05\/IMG_9729-e1486595764205.jpg” alt=”JACQUES VILLEGLE\u2019” title_text=”JV-Vacanze Romane Catalogue” _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text quote_border_color=”#e2e2e2″ _builder_version=”4.19.4″ _module_preset=”default” text_text_color=”#999999″ text_line_height=”2.2em” quote_font=”||on||||||” quote_text_color=”#494949″ custom_padding=”||40px||false|false” custom_padding_tablet=”40px||40px||false|false” custom_padding_phone=”||40px||false|false” custom_padding_last_edited=”on|desktop” text_font_size_tablet=”” text_font_size_phone=”14px” text_font_size_last_edited=”on|phone” text_line_height_tablet=”2.2em” text_line_height_phone=”1.6em” text_line_height_last_edited=”on|phone” locked=”off” global_colors_info=”{}”]<\/p>\n Exhibition Catalogue, curated by Dominique Stella and Laurence Bertrand Dorleac<\/span> [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|on” admin_label=”Header” module_id=”past_exhibitions” _builder_version=”4.22.2″ custom_margin=”0px||0px||false|false” custom_padding=”60px||0px||false|false” disabled=”on” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ use_custom_width=”on” width_unit=”off” custom_width_percent=”100%” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text module_class=”hyperlink-color-image” _builder_version=”4.19.4″ _module_preset=”default” header_2_font=”|||on|||||” header_2_font_size=”18px” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” header_2_font_size_tablet=”18px” header_2_font_size_phone=”18px” header_2_font_size_last_edited=”on|desktop” locked=”off” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_divider color=”#c9c9c9″ _builder_version=”4.19.4″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_divider][et_pb_blog fullwidth=”off” posts_number=”40″ include_categories=”156″ show_author=”off” show_date=”off” show_categories=”off” show_excerpt=”off” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.32)” module_class=”et_blog_grid_equal_height” _builder_version=”4.19.4″ _module_preset=”default” header_level=”h3″ header_font=”|600|||||||” header_text_align=”justify” header_text_color=”#545454″ header_font_size=”14px” text_orientation=”center” max_width_tablet=”600px” max_width_phone=”600px” max_width_last_edited=”on|phone” module_alignment=”center” header_font_size_tablet=”14px” header_font_size_phone=”14px” header_font_size_last_edited=”on|phone” module_alignment_tablet=”center” module_alignment_phone=”center” 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On display 75 works,\u00a0d\u00e9collages d\u2019affiches, that the artist has created since […]<\/p>\n","protected":false},"author":8,"featured_media":14937,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"From 9th October 2009 to 15th January 2010, Galleria Mucciaccia presents, for the first time in Rome, the retrospective of Jacques Villegl\u00e9 intitled \"Roman Holiday\", curated by Dominique Stella. On display 75 works, d\u00e9collages d\u2019affiches<\/em>, that the artist has created since the Sixties until today. Five paintings also feature recent work of the artist, or the Signs Socio-Political language with which he proposes an anarchist and at the same time poetic vision of the world. These canvases link the exhibition at the opening of the wall that Villegl\u00e9, at the event in Rome, realized according to the technique of Segni Socio-Political M\u00e9diath\u00e8que at the Cultural Center Saint Louis de France. The wall will be inaugurated Saturday, October 10, 2009. Jacques Villegl\u00e9 is one of the leaders of Affichistes. This movement, which was also attended by Raymond Hains, Fran\u00e7ois Dufr\u00eane and Mimmo Rotella, has developed, after the war, a post-cubist art practice that has resulted in a great change of the pictorial language. Recovering media advertising he reworks them with the intention of an angry gesture, denial and contesting the painterly gesture. Villegl\u00e9 was born in Quimper, in Brittany, in 1926. In 1945, at the Academy of Fine Arts of Rennes, meets Breton Raymond Hains and they become friends and this friendship will be decisive for the career of both. Villegl\u00e9 soon moved to Paris where he finds his friend Hains, and where he meets Colette Allendy. It will be in the gallery Colette Allendy that, ten years later, in 1957, will take place the first retrospective of the torn posters of Hains and Villegl\u00e9. The first experiments of Villegl\u00e9 date back to the late Forties, when, along with Hains, they teared posters. In April of 1960, in Milan, Pierre Restany writes the first manifesto of the New Realism and organized an exhibition at the Galleria Apollinaire, Bapt\u00eame of the appropriation, which sanctions the state of affairs that he had realized at the time of the Paris Biennale , observing the works of Klein (in his time monochrome), Tinguely, Hains, Dufr\u00eane and Villegl\u00e9. At the initial group is added at a later time even Arman. Six months later, on October 27, at the home of Yves Klein, there will be the signing of the founding declaration of the expanded group of New Realists. Villegl\u00e9, fiercely devoted to respect \"the collective and anonymous creator\" that leads to the gradual emergence of a torn posters, a result of accumulated gestures and the passage of time, has always defended and claimed this anonymity, refusing, for their constitutive logic, to sign the works. The invention of the Torn Anonymous, in February of 1959, responds to this concept, which even his fellow adhere but less radicaly. Villegl\u00e9, since then, begins a work of urban archeology, of classification of images taken around, following a selection criterion according to which he establishes the idea that wants to develop. He calls this idea the storytelling: a way to talk about his age that he explores since 1965. His work of urban archeology becomes systematic and he, since then, embarks on a veritable archive of the language of the streets, directing his production according to themes dear to him. He concluded his round of \"robbery\" in 2001 with the latest posters of the Atelier d'Aquitaine. It is the beginning of a new thematic series dedicated to amplified music, Techno. With this series of posters announcing the concerts of the bands touring in the province, Villegl\u00e9 builds bridges between disciplines and also between different generations. \"One of my ambitions is to be the active witness of a humanity full of contradictions. It is the unnamed road that acts on the reflections of the dominant culture. \". Full exposure a comprehensive catalog, published by Shin editions, with texts by Dominique Stella and Laurence Bertrand Dorleac.[:]","_et_gb_content_width":"","footnotes":""},"categories":[156],"tags":[],"class_list":["post-6360","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rome-past-exhibitions-archive"],"acf":[],"_links":{"self":[{"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/posts\/6360","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/comments?post=6360"}],"version-history":[{"count":0,"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/posts\/6360\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/media\/14937"}],"wp:attachment":[{"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/media?parent=6360"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/categories?post=6360"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/tags?post=6360"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Piazza d\u2019Ara Coeli 16,
00186 Roma<\/p>\nVacanze Romane<\/h1>\n
Jacques Villegl\u00e9<\/h2>\n
<\/h2>\n
Mucciaccia Gallery Rome<\/h3>\n
<\/h6>\n
Piazza d\u2019Ara Coeli 16,
00186 Roma<\/p>\nWORKS<\/h2>\n
PUBLICATIONS<\/h2>\n
Published by Carlo Cambi Editore<\/span>
2009<\/span><\/p>\nPast Exhibitions<\/h2>\n
Address<\/h6>\n
ROME | Galleria Mucciaccia<\/span><\/a><\/strong><\/h6>\n
Cap 00186 \u2013 Roma
Tel. +39 06.69923801
Fax +39 06.69200634
roma@galleriamucciaccia.it<\/p>\nAddress<\/h6>\n
ROME | Galleria Mucciaccia<\/span><\/a><\/strong><\/h6>\n
Cap 00186 \u2013 Roma
Tel. +39 06.69923801
Fax +39 06.69200634
roma@mucciaccia.com<\/span><\/p>\nOpening Hours<\/h6>\n
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