[et_pb_section fb_built=”1″ admin_label=”Artist new head” _builder_version=”4.19.4″ _module_preset=”default” custom_margin=”0px||||false|false” custom_padding=”0px||40px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_2,1_2″ module_id=”overview” _builder_version=”4.19.4″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text content_tablet=”<\/p>\n
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ROME | GALLERIA MUCCIACCIA<\/p>\n
[\/et_pb_text][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” module_alignment=”left” custom_margin=”0px||0px||false|false” custom_padding=”0px|0px|0px|10px|false|false” custom_css_main_element=”display: inline-block;” global_colors_info=”{}”][\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.19.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.22.2″ _module_preset=”default” text_text_color=”#000000″ text_font_size=”12px” link_text_color=”#939393″ text_orientation=”center” text_text_color_tablet=”#000000″ text_text_color_phone=”#000000″ text_text_color_last_edited=”on|desktop” text_letter_spacing_tablet=”2px” text_letter_spacing_phone=”0px” text_letter_spacing_last_edited=”on|desktop” link_font_tablet=”” link_font_phone=”” link_font_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n
OVERVIEW<\/a>\u00a0 \u00a0INSTALLATION VIEWS<\/a> \u00a0\u00a0PUBLICATIONS<\/a>\u00a0<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.19.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”2_5,3_5″ use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.19.4″ _module_preset=”default” width=”100%” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.19.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9mZWF0dXJlZF9pbWFnZSIsInNldHRpbmdzIjp7fX0=@” show_in_lightbox=”on” align=”center” _builder_version=”4.19.4″ _dynamic_attributes=”src” _module_preset=”default” height=”160px” global_colors_info=”{}”][\/et_pb_image][et_pb_text disabled_on=”off|off|off” _builder_version=”4.19.4″ _module_preset=”default” text_font_size=”9px” text_orientation=”center” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”]<\/p>\n Georges Mathieu, 1965,\u00a0Potenc\u00e9 Contre-Potenc\u00e9<\/em>, Oil on canvas cm. 97×195<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.19.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_text quote_border_color=”#e2e2e2″ _builder_version=”4.19.4″ _module_preset=”default” text_text_color=”#999999″ text_line_height=”2.2em” quote_font=”||on||||||” quote_text_color=”#494949″ custom_padding=”||40px||false|false” custom_padding_tablet=”40px||40px||false|false” custom_padding_phone=”||40px||false|false” custom_padding_last_edited=”on|desktop” text_font_size_tablet=”” text_font_size_phone=”14px” text_font_size_last_edited=”on|phone” text_line_height_tablet=”2.2em” text_line_height_phone=”1.6em” text_line_height_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n Gallery Mucciaccia inaugurates its new headquarters Wednesday, 18th December with Georges Mathieu\u00a0from 1952 to 1986 exhibition vernissage, curated by Dominique Stella. [\/et_pb_text][et_pb_text module_id=”info” _builder_version=”4.19.4″ _module_preset=”default” custom_padding=”10px||||false|false” border_width_top=”1px” border_color_top=”#cecece” locked=”off” global_colors_info=”{}”]<\/p>\n Location<\/span> [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ module_id=”publications” _builder_version=”4.19.4″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”60px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”hyperlink-color-image” _builder_version=”4.19.4″ _module_preset=”default” header_2_font_size=”18px” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” header_2_font_size_tablet=”18px” header_2_font_size_phone=”18px” 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custom_padding__hover=”|||”][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Georges Mathieu1952 \u2013 1986ROME | GALLERIA MUCCIACCIAOVERVIEW\u00a0 \u00a0INSTALLATION VIEWS \u00a0\u00a0PUBLICATIONS\u00a0Georges Mathieu, 1965,\u00a0Potenc\u00e9 Contre-Potenc\u00e9, Oil on canvas cm. 97x195Gallery Mucciaccia inaugurates its new headquarters Wednesday, 18th December with Georges Mathieu\u00a0from 1952 to 1986 exhibition vernissage, curated by Dominique Stella.On display about 40 significant works by the French inventor of the Abstraction Lyrique, illustrating exhaustively the artistic […]<\/p>\n","protected":false},"author":8,"featured_media":5041,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"Gallery Mucciaccia inaugurates its new headquarters Wednesday, 18th December with Georges Mathieu\u00a0from 1952 to 1986 exhibition vernissage, curated by Dominique Stella.\r\nOn display about 40 significant works by the French inventor of the Abstraction Lyrique<\/em>, illustrating exhaustively the artistic career of Georges Mathieu (1921-2012) between 1954 and 1986, thirty years that represents the milestones of his creative language. The artist after founding the movement of Abstraction Lyrique<\/em> in 1947 turned his research towards a more explosive gestures, in the 60s, with a style more and more dynamic which is expressed in large canvases executed in the immediacy of performance; he has repeatedly said: \"My painting is the painting of energy, fever, excitement, of life.\" In this regard, the curator Dominique Stella says: \"No one before him had been carried by a similar momentum from such spontaneity, such theatricality in the creation of paintings whose strength comes from movement and also the speed of execution.\"\r\nIn his poetic sign precedes meaning and becomes the connection between the unconscious and the real world: it is perceived in engorgement clandestin Petit<\/em> (1956), a work of poignant symbolism. The gesture of Mathieu, seemingly uncontrolled, translates the size of profound thought and complex that reflects and explores the past and present art history, painting on and on own experience. The artist, a participant in the cultural reality and contemporary politics, is very attracted by history, especially the Middle Ages, as seen in the work Potenc\u00e9, Contre-Potenc\u00e9<\/em> (1965) that characterizes the heraldic period of the artist, where he studied weapons and arms that he translates in metaphorical signs. The same applies to the canvas Le Bassin de l'Ile d'Amour ou Adelbert Comte de Namur<\/em> (1962), which evokes a character of the Middle Ages. The work is representative of a time of transition of the artistic career of Mathieu between minimalism and explosive language, in fact, the composition embodies harmony and at the same time a force impetuous.[:]","_et_gb_content_width":"","footnotes":""},"categories":[156],"tags":[],"class_list":["post-6344","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rome-past-exhibitions-archive"],"acf":[],"_links":{"self":[{"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/posts\/6344","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/comments?post=6344"}],"version-history":[{"count":0,"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/posts\/6344\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/media\/5041"}],"wp:attachment":[{"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/media?parent=6344"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/categories?post=6344"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/tags?post=6344"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
On display about 40 significant works by the French inventor of the Abstraction Lyrique<\/em>, illustrating exhaustively the artistic career of Georges Mathieu (1921-2012) between 1954 and 1986, thirty years that represents the milestones of his creative language. The artist after founding the movement of Abstraction Lyrique<\/em> in 1947 turned his research towards a more explosive gestures, in the 60s, with a style more and more dynamic which is expressed in large canvases executed in the immediacy of performance; he has repeatedly said: “My painting is the painting of energy, fever, excitement, of life.” In this regard, the curator Dominique Stella says: “No one before him had been carried by a similar momentum from such spontaneity, such theatricality in the creation of paintings whose strength comes from movement and also the speed of execution.”
In his poetic sign precedes meaning and becomes the connection between the unconscious and the real world: it is perceived in engorgement clandestin Petit<\/em> (1956), a work of poignant symbolism. The gesture of Mathieu, seemingly uncontrolled, translates the size of profound thought and complex that reflects and explores the past and present art history, painting on and on own experience. The artist, a participant in the cultural reality and contemporary politics, is very attracted by history, especially the Middle Ages, as seen in the work Potenc\u00e9, Contre-Potenc\u00e9<\/em> (1965) that characterizes the heraldic period of the artist, where he studied weapons and arms that he translates in metaphorical signs. The same applies to the canvas Le Bassin de l’Ile d’Amour ou Adelbert Comte de Namur<\/em> (1962), which evokes a character of the Middle Ages. The work is representative of a time of transition of the artistic career of Mathieu between minimalism and explosive language, in fact, the composition embodies harmony and at the same time a force impetuous.[:]<\/p>\n
Largo della Fontanella Borghese, 89<\/span>
00186 \u2013 Rome<\/span>
+39 06 69923801<\/span>
roma@galleriamucciaccia.it<\/span><\/p>\nPUBLICATIONS<\/h2>\n
Published by Carlo Cambi Editore<\/span>
2014<\/span><\/p>\nPast Exhibitions<\/h2>\n
Address<\/h6>\n
ROME | Galleria Mucciaccia<\/span><\/a><\/strong><\/h6>\n
Cap 00186 \u2013 Roma
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Fax +39 06.69200634
roma@galleriamucciaccia.it<\/p>\nAddress<\/h6>\n
ROME | Galleria Mucciaccia<\/span><\/a><\/strong><\/h6>\n
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Fax +39 06.69200634
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