{"id":6336,"date":"2014-12-03T20:00:32","date_gmt":"2014-12-03T19:00:32","guid":{"rendered":"http:\/\/www.partnersandmucciaccia.net\/?p=6336"},"modified":"2023-10-10T15:36:40","modified_gmt":"2023-10-10T14:36:40","slug":"jacques-villegle-retrospective","status":"publish","type":"post","link":"https:\/\/mucciaccia.com\/en\/jacques-villegle-retrospective\/","title":{"rendered":"Jacques Villegl\u00e9. Retrospective"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;Artist new head&#8221; _builder_version=&#8221;4.19.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_padding=&#8221;0px||40px||false|false&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row column_structure=&#8221;1_2,1_2&#8243; module_id=&#8221;overview&#8221; _builder_version=&#8221;4.19.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.19.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text content_tablet=&#8221;<\/p>\n<h1>ALLEGORY OF CARITAS<br \/>(An Act of Love)<\/h1>\n<p>&#8221; content_phone=&#8221;<\/p>\n<h1>ALLEGORY OF CARITAS<br \/>(An Act of Love)<\/h1>\n<p>&#8221; content_last_edited=&#8221;on|desktop&#8221; _builder_version=&#8221;4.19.4&#8243; _module_preset=&#8221;default&#8221; header_font=&#8221;|700||on|||||&#8221; header_text_color=&#8221;#5b5b5b&#8221; header_font_size=&#8221;26px&#8221; header_2_font_size=&#8221;18px&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px|20px|20px||false|false&#8221; custom_padding_tablet=&#8221;0px|20px|20px||false|false&#8221; custom_padding_phone=&#8221;0px|20px|20px||false|false&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h1>Jacques Villegl\u00e9 <br \/>Retrospective<\/h1>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.19.4&#8243; _module_preset=&#8221;default&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px|4px|0px|4px|false|false&#8221; custom_css_main_element=&#8221;display: inline-block;&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>SINGAPORE | MUCCIACCIA GALLERY<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.19.4&#8243; _module_preset=&#8221;default&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px|0px|0px|10px|false|false&#8221; custom_css_main_element=&#8221;display: inline-block;&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.19.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.22.2&#8243; _module_preset=&#8221;default&#8221; text_text_color=&#8221;#000000&#8243; text_font_size=&#8221;12px&#8221; link_text_color=&#8221;#939393&#8243; text_orientation=&#8221;center&#8221; hover_enabled=&#8221;0&#8243; text_text_color_tablet=&#8221;#000000&#8243; text_text_color_phone=&#8221;#000000&#8243; text_text_color_last_edited=&#8221;on|desktop&#8221; text_letter_spacing_tablet=&#8221;2px&#8221; text_letter_spacing_phone=&#8221;0px&#8221; text_letter_spacing_last_edited=&#8221;on|desktop&#8221; link_font_tablet=&#8221;&#8221; link_font_phone=&#8221;&#8221; link_font_last_edited=&#8221;on|desktop&#8221; global_colors_info=&#8221;{}&#8221; disabled_on=&#8221;on|on|on&#8221; disabled=&#8221;on&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p><a href=\"#overview\">OVERVIEW<\/a>\u00a0 \u00a0<a href=\"#installation_views\">INSTALLATION VIEWS<\/a> \u00a0\u00a0<a href=\"#publications\">PUBLICATIONS<\/a><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.19.2&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row column_structure=&#8221;2_5,3_5&#8243; use_custom_gutter=&#8221;on&#8221; gutter_width=&#8221;1&#8243; _builder_version=&#8221;4.19.4&#8243; _module_preset=&#8221;default&#8221; width=&#8221;100%&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;2_5&#8243; _builder_version=&#8221;4.19.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9mZWF0dXJlZF9pbWFnZSIsInNldHRpbmdzIjp7fX0=@&#8221; show_in_lightbox=&#8221;on&#8221; align=&#8221;center&#8221; _builder_version=&#8221;4.19.4&#8243; _dynamic_attributes=&#8221;src&#8221; _module_preset=&#8221;default&#8221; height=&#8221;260px&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.19.4&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;9px&#8221; text_orientation=&#8221;center&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_padding=&#8221;0px||||false|false&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Jaques Villegl\u00e8, <em>Quai des Celestins<\/em>, 1965 , cm. 111,8&#215;130,3<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;3_5&#8243; _builder_version=&#8221;4.19.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text quote_border_color=&#8221;#e2e2e2&#8243; _builder_version=&#8221;4.19.4&#8243; _module_preset=&#8221;default&#8221; text_text_color=&#8221;#999999&#8243; text_line_height=&#8221;2.2em&#8221; quote_font=&#8221;||on||||||&#8221; quote_text_color=&#8221;#494949&#8243; custom_padding=&#8221;||40px||false|false&#8221; custom_padding_tablet=&#8221;40px||40px||false|false&#8221; custom_padding_phone=&#8221;||40px||false|false&#8221; custom_padding_last_edited=&#8221;on|desktop&#8221; text_font_size_tablet=&#8221;&#8221; text_font_size_phone=&#8221;14px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; text_line_height_tablet=&#8221;2.2em&#8221; text_line_height_phone=&#8221;1.6em&#8221; text_line_height_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: justify;\">Jacques Villegl\u00e9 is the most important living French artist. His works are exhibited at MoMa (New York), Tate Gallery (London), Centre Pompidou (Paris), and in the biggest museums all over the world, from Germany to Argentina, from Israel to Venezuela and more. In 2008 the Mus\u00e9e National d\u2019Art Moderne at the Centre Pompidou consecrates his work with an important retrospective. Currently his works are exhibited at Mus\u00e9e Tinguely in Basel and soon at Schirn Kunsthalle of Frankfurt. The Jacques Villegl\u00e9\u2019s exhibition at Partners&amp;Mucciaccia Gallery in Singapore, presents the <em>Nouveau R\u00e9aliste <\/em>artist\u2019s work, through a retrospective made by more than 50 artworks, from the \u201cd\u00e9collages d\u2019affiches\u201d of the Sixties, to the last ripped posters realized in the 2000, including also recent works elaborated with his socio-politics signs technique. The exhibition highlights the innovative nature of the \u201crecycling techniques\u201d , the artist\u2019s favourite ones, that allowed him to understand the world by an anarchic and poetic point of view. He stoles from the urban culture a piece of living matter, and gives it back to us in the form of a canvas. These works established an extremely different and original language. In 1949 Jacques Villegl\u00e9, with his friend Raymond Hains, invented the <em>d\u00e9collage<\/em>: the appropriation of ripped posters. In Paris, both had the idea of take hold of this ordinary matter. Starting from that moment, Jacques Villegl\u00e9 takes over the posters as a predator does with his prey. The artist chooses an object to rip for several reasons: the matter, the subject, the image, the chromatisms. After a quick individuation, Jacques Villegl\u00e9 sets the artwork mentally. The gesture of appropriation, serving the gaze, is quick and even violent. Jaques captures, steals what the eye notices, than he tosses on his plunder. In 1961, his work is identify into the <em>Nouveaux R\u00e9alistes <\/em>movement. For everybody, Villegl\u00e9 is a <em>Nouveau R\u00e9aliste<\/em> artist, rather an <em>affichist<\/em>, a term which characterizes the use of a matter posted up as a creative vehicle, has Raymond Hains, Fran\u00e7ois Dufr\u00eane and Mimmo Rotella also did. History classify him for that crucial encounter; also the historians mentioned that moment as the essential one for the artist career. His belonging in<em> affichistes<\/em> group represents the base of his adventure, mixed with the story of the <em>Nouveau R\u00e9alisme<\/em> movement, in which he participate in a decisive way. There\u2019s a Jacques Villegl\u00e9 before the affichistes (1948-1960, when he starts working with Raymond Hains); a Jacque Villegl\u00e9 into the<em> Nouveaux R\u00e9alistes<\/em> group (1960-1968) and a Jaques Villegl\u00e9 independent and free, focus on a research made by himself, built starting from the ripped posters took over time from the streets of Paris, Buenos Aires and many other place. Villegl\u00e9 is witness of an urban art which never deny and which allowed him to realize a clear work around specific themes, always introducing new interpretation of the time. Jacques Villegl\u00e9 has been carrying on catching posters until the years 2000, but with a new technique called \u201csocio-politics signs\u201d. This technique allows him to explain the world through a personal language that transfigures the ordinary reality in an odd and colourful novel about the world. Jacques Mah\u00e9 de la Villegl\u00e9, lives and works in Paris. He\u2019s born in Quimper (Finist\u00e8re, France) on 1926. His favourite city is Saint-Malo. Despite his international fame, he\u2019s kind, willing, often moody when he starts to tell his artistic and human adventure. Villegl\u00e9 is a man of memory and culture, who loves recall his important encounter of the past, with the most important personalities from the Fifties to nowadays. This radical, avant-gard mentor, already consecrated after his retrospective at Centre Pompidou, pursues his happiness with deep lucidity. He\u2019s the only French artist to whom the New York MoMA dedicates an exhibition. He\u2019s great in his personal way, discreet and reserved\u2026he is Villegl\u00e9.<\/p>\n<p style=\"text-align: justify;\">The exhibition will take place in presence of the artist.<\/p>\n<p>[\/et_pb_text][et_pb_button button_url=&#8221;https:\/\/mucciaccia.com\/jacques-villegle-retrospective-media-coverage\/&#8221; button_text=&#8221;Press&#8221; _builder_version=&#8221;4.22.2&#8243; _module_preset=&#8221;default&#8221; custom_button=&#8221;on&#8221; button_text_color=&#8221;#919191&#8243; button_bg_color=&#8221;#FFFFFF&#8221; button_border_color=&#8221;#919191&#8243; hover_enabled=&#8221;0&#8243; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;][\/et_pb_button][et_pb_text module_id=&#8221;info&#8221; _builder_version=&#8221;4.22.2&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;10px||||false|false&#8221; hover_enabled=&#8221;0&#8243; border_width_top=&#8221;1px&#8221; border_color_top=&#8221;#cecece&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221; disabled_on=&#8221;on|on|on&#8221; disabled=&#8221;on&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p><strong>Venue:<\/strong>\u00a0Mucciaccia Gallery, Singapore<br \/><strong>Opening:\u00a0<\/strong>Thursday, September 26, 2019, at 6 pm<br \/><strong>Information:<\/strong>\u00a0T. +65 6694-3777 | <a href=\"mailto:info@mucciaccia.com\">info@mucciaccia.com<\/a>\u00a0<strong>|<\/strong>\u00a0www.mucciaccia.com<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; disabled_on=&#8221;on|on|on&#8221; admin_label=&#8221;Header&#8221; _builder_version=&#8221;4.19.4&#8243; background_enable_image=&#8221;off&#8221; background_size=&#8221;initial&#8221; background_repeat=&#8221;repeat&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_padding=&#8221;0px||||false|false&#8221; disabled=&#8221;on&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.16&#8243; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; use_custom_width=&#8221;on&#8221; width_unit=&#8221;off&#8221; custom_width_percent=&#8221;100%&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;|||on|||||&#8221; header_text_align=&#8221;center&#8221; header_font_size=&#8221;47px&#8221; header_line_height=&#8221;1.3em&#8221; header_2_font=&#8221;|500|||||||&#8221; header_2_text_align=&#8221;center&#8221; header_2_font_size=&#8221;30px&#8221; header_2_line_height=&#8221;1.3em&#8221; header_3_font=&#8221;|700||on|||||&#8221; header_3_text_align=&#8221;center&#8221; header_3_text_color=&#8221;rgba(0,0,0,0.35)&#8221; header_3_font_size=&#8221;12px&#8221; header_3_letter_spacing=&#8221;5px&#8221; header_3_line_height=&#8221;2em&#8221; header_6_text_align=&#8221;center&#8221; transform_translate_linked=&#8221;off&#8221; max_width=&#8221;700px&#8221; module_alignment=&#8221;center&#8221; header_font_size_tablet=&#8221;28px&#8221; header_font_size_phone=&#8221;28px&#8221; header_font_size_last_edited=&#8221;on|desktop&#8221; header_2_font_size_tablet=&#8221;26px&#8221; header_2_font_size_phone=&#8221;26px&#8221; header_2_font_size_last_edited=&#8221;on|tablet&#8221; header_3_letter_spacing_tablet=&#8221;0px&#8221; header_3_letter_spacing_phone=&#8221;0px&#8221; header_3_letter_spacing_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h1>Jacques Villegl\u00e9. Retrospective<\/h1>\n<h2><\/h2>\n<h3>Mucciaccia Gallery SINGAPORE<\/h3>\n<h6><\/h6>\n<p>&nbsp;<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;2_5,3_5&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_padding=&#8221;0px||||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;2_5&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/mucciaccia.com\/wp-content\/uploads\/2015\/05\/piccola-per-cs-1965-Quai-des-Celestins-cm.-1118&#215;1303.jpg&#8221; alt=&#8221;Jaques Villegl\u00e8 1965 Quai des Celestins, cm. 111,8&#215;130,3&#8243; title_text=&#8221;Jaques Villegl\u00e8 &#8211; Quai des Celestins&#8221; show_in_lightbox=&#8221;on&#8221; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_padding=&#8221;0px||||false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.19.4&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;9px&#8221; text_orientation=&#8221;center&#8221; custom_margin=&#8221;-10px||||false|false&#8221; custom_padding=&#8221;0px||||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Jaques Villegl\u00e8, <em>Quai des Celestins<\/em>, 1965 , cm. 111,8&#215;130,3<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;3_5&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.19.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: justify;\">Jacques Villegl\u00e9 is the most important living French artist. His works are exhibited at MoMa (New York), Tate Gallery (London), Centre Pompidou (Paris), and in the biggest museums all over the world, from Germany to Argentina, from Israel to Venezuela and more. In 2008 the Mus\u00e9e National d\u2019Art Moderne at the Centre Pompidou consecrates his work with an important retrospective. Currently his works are exhibited at Mus\u00e9e Tinguely in Basel and soon at Schirn Kunsthalle of Frankfurt. The Jacques Villegl\u00e9\u2019s exhibition at Partners&amp;Mucciaccia Gallery in Singapore, presents the <em>Nouveau R\u00e9aliste <\/em>artist\u2019s work, through a retrospective made by more than 50 artworks, from the \u201cd\u00e9collages d\u2019affiches\u201d of the Sixties, to the last ripped posters realized in the 2000, including also recent works elaborated with his socio-politics signs technique. The exhibition highlights the innovative nature of the \u201crecycling techniques\u201d , the artist\u2019s favourite ones, that allowed him to understand the world by an anarchic and poetic point of view. He stoles from the urban culture a piece of living matter, and gives it back to us in the form of a canvas. These works established an extremely different and original language. In 1949 Jacques Villegl\u00e9, with his friend Raymond Hains, invented the <em>d\u00e9collage<\/em>: the appropriation of ripped posters. In Paris, both had the idea of take hold of this ordinary matter. Starting from that moment, Jacques Villegl\u00e9 takes over the posters as a predator does with his prey. The artist chooses an object to rip for several reasons: the matter, the subject, the image, the chromatisms. After a quick individuation, Jacques Villegl\u00e9 sets the artwork mentally. The gesture of appropriation, serving the gaze, is quick and even violent. Jaques captures, steals what the eye notices, than he tosses on his plunder. In 1961, his work is identify into the <em>Nouveaux R\u00e9alistes <\/em>movement. For everybody, Villegl\u00e9 is a <em>Nouveau R\u00e9aliste<\/em> artist, rather an <em>affichist<\/em>, a term which characterizes the use of a matter posted up as a creative vehicle, has Raymond Hains, Fran\u00e7ois Dufr\u00eane and Mimmo Rotella also did. History classify him for that crucial encounter; also the historians mentioned that moment as the essential one for the artist career. His belonging in<em> affichistes<\/em> group represents the base of his adventure, mixed with the story of the <em>Nouveau R\u00e9alisme<\/em> movement, in which he participate in a decisive way. There\u2019s a Jacques Villegl\u00e9 before the affichistes (1948-1960, when he starts working with Raymond Hains); a Jacque Villegl\u00e9 into the<em> Nouveaux R\u00e9alistes<\/em> group (1960-1968) and a Jaques Villegl\u00e9 independent and free, focus on a research made by himself, built starting from the ripped posters took over time from the streets of Paris, Buenos Aires and many other place. Villegl\u00e9 is witness of an urban art which never deny and which allowed him to realize a clear work around specific themes, always introducing new interpretation of the time. Jacques Villegl\u00e9 has been carrying on catching posters until the years 2000, but with a new technique called \u201csocio-politics signs\u201d. This technique allows him to explain the world through a personal language that transfigures the ordinary reality in an odd and colourful novel about the world. Jacques Mah\u00e9 de la Villegl\u00e9, lives and works in Paris. He\u2019s born in Quimper (Finist\u00e8re, France) on 1926. His favourite city is Saint-Malo. Despite his international fame, he\u2019s kind, willing, often moody when he starts to tell his artistic and human adventure. Villegl\u00e9 is a man of memory and culture, who loves recall his important encounter of the past, with the most important personalities from the Fifties to nowadays. This radical, avant-gard mentor, already consecrated after his retrospective at Centre Pompidou, pursues his happiness with deep lucidity. He\u2019s the only French artist to whom the New York MoMA dedicates an exhibition. He\u2019s great in his personal way, discreet and reserved\u2026he is Villegl\u00e9.<\/p>\n<p style=\"text-align: justify;\">The exhibition will take place in presence of the artist.<\/p>\n<p>[\/et_pb_text][et_pb_divider _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.19.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><strong>Venue:<\/strong>\u00a0Mucciaccia Gallery, Singapore<br \/><strong>Opening:\u00a0<\/strong>Thursday, September 26, 2019, at 6 pm<br \/><strong>Information:<\/strong>\u00a0T. +65 6694-3777 | <a href=\"mailto:info@mucciaccia.com\">info@mucciaccia.com<\/a>\u00a0<strong>|<\/strong>\u00a0www.mucciaccia.com<\/p>\n<p>[\/et_pb_text][et_pb_divider _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; disabled_on=&#8221;on|on|on&#8221; admin_label=&#8221;Header&#8221; module_id=&#8221;past_exhibitions&#8221; _builder_version=&#8221;4.22.2&#8243; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;60px||0px||false|false&#8221; disabled=&#8221;on&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.16&#8243; use_custom_width=&#8221;on&#8221; width_unit=&#8221;off&#8221; custom_width_percent=&#8221;100%&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text module_class=&#8221;hyperlink-color-image&#8221; _builder_version=&#8221;4.19.4&#8243; _module_preset=&#8221;default&#8221; header_2_font=&#8221;|||on|||||&#8221; header_2_font_size=&#8221;18px&#8221; custom_margin=&#8221;||0px||false|false&#8221; custom_padding=&#8221;||0px||false|false&#8221; 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_module_preset=&#8221;default&#8221; header_level=&#8221;h3&#8243; header_font=&#8221;|600|||||||&#8221; header_text_align=&#8221;justify&#8221; header_text_color=&#8221;#545454&#8243; header_font_size=&#8221;14px&#8221; text_orientation=&#8221;center&#8221; max_width_tablet=&#8221;600px&#8221; max_width_phone=&#8221;600px&#8221; max_width_last_edited=&#8221;on|phone&#8221; module_alignment=&#8221;center&#8221; header_font_size_tablet=&#8221;14px&#8221; header_font_size_phone=&#8221;14px&#8221; header_font_size_last_edited=&#8221;on|phone&#8221; module_alignment_tablet=&#8221;center&#8221; module_alignment_phone=&#8221;center&#8221; module_alignment_last_edited=&#8221;on|tablet&#8221; border_width_all=&#8221;0px&#8221; border_style_all_image=&#8221;none&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_blog][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;Footer&#8221; _builder_version=&#8221;4.16&#8243; background_size=&#8221;initial&#8221; background_repeat=&#8221;repeat-y&#8221; custom_padding=&#8221;0px|||||&#8221; saved_tabs=&#8221;all&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row column_structure=&#8221;1_4,1_4,1_4,1_4&#8243; use_custom_gutter=&#8221;on&#8221; gutter_width=&#8221;2&#8243; _builder_version=&#8221;4.16&#8243; border_width_top=&#8221;2px&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text content_last_edited=&#8221;off|desktop&#8221; module_class=&#8221;hyperlink-color&#8221; _builder_version=&#8221;4.19.2&#8243; text_font=&#8221;||||||||&#8221; text_font_size=&#8221;12px&#8221; text_line_height=&#8221;2em&#8221; link_font=&#8221;||||on|||rgba(0,0,0,0)|&#8221; link_text_color=&#8221;#666666&#8243; header_font=&#8221;||||||||&#8221; header_text_align=&#8221;left&#8221; header_3_font=&#8221;|700||on|||||&#8221; header_3_font_size=&#8221;12px&#8221; header_3_letter_spacing=&#8221;5px&#8221; header_3_line_height=&#8221;1.8em&#8221; max_width_tablet=&#8221;70%&#8221; max_width_last_edited=&#8221;off|phone&#8221; link_font_tablet=&#8221;&#8221; link_font_phone=&#8221;&#8221; link_font_last_edited=&#8221;on|desktop&#8221; header_3_font_size_tablet=&#8221;&#8221; header_3_font_size_phone=&#8221;&#8221; header_3_font_size_last_edited=&#8221;on|desktop&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221; content__hover_enabled=&#8221;on|hover&#8221; content__hover=&#8221;<\/p>\n<h3>Address<\/h3>\n<p><strong><a href=%22https:\/\/mucciaccia.com\/mucciaccia-gallery-singapore\/%22 title=%22Mucciaccia Gallery Singapore%22>MUCCIACCIA GALLERY | SINGAPORE<\/a><\/strong><br \/><span>Blk 6 Lock Road #02-10 Gillman Barracks<\/span><br \/><span>Singapore 108934<\/span><br \/><span>Tel. +65 6694 3777<\/span><br \/><span>Fax +65 66942819<\/span><br \/><span>singapore@mucciaccia.com<\/span><\/p>\n<p>&#8220;]<\/p>\n<h3>Address<\/h3>\n<p><strong><a href=\"https:\/\/mucciaccia.com\/en\/archive-mucciaccia-gallery-singapore\/\" title=\"Mucciaccia Gallery Singapore\">MUCCIACCIA GALLERY | SINGAPORE<\/a><\/strong><br \/><span>Blk 6 Lock Road #02-10 Gillman Barracks<\/span><br \/><span>Singapore 108934<\/span><br \/><span>Tel. +65 6694 3777<\/span><br \/><span>Fax +65 66942819<\/span><br \/><span>singapore@mucciaccia.com<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; 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first_name_field=&#8221;off&#8221; last_name_field=&#8221;off&#8221; disabled_on=&#8221;on|on|on&#8221; _builder_version=&#8221;4.16&#8243; form_field_background_color=&#8221;#f3f3f4&#8243; form_field_custom_padding=&#8221;12px||12px||true&#8221; header_font=&#8221;|||on|||||&#8221; header_font_size=&#8221;14px&#8221; header_letter_spacing=&#8221;5px&#8221; header_line_height=&#8221;1.8em&#8221; form_field_font=&#8221;||||||||&#8221; form_field_font_size=&#8221;14px&#8221; use_background_color=&#8221;off&#8221; custom_button=&#8221;on&#8221; button_text_size=&#8221;14px&#8221; button_text_color=&#8221;#ffffff&#8221; button_bg_color=&#8221;#000000&#8243; button_border_width=&#8221;0px&#8221; button_border_radius=&#8221;0px&#8221; button_font=&#8221;|700|||||||&#8221; button_custom_padding=&#8221;12px||12px||true&#8221; background_layout=&#8221;light&#8221; custom_margin=&#8221;-39px||&#8221; border_radii_fields=&#8221;on|0px|0px|0px|0px&#8221; disabled=&#8221;on&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_signup][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jacques Villegl\u00e9 RetrospectiveSINGAPORE | MUCCIACCIA GALLERYOVERVIEW\u00a0 \u00a0INSTALLATION VIEWS \u00a0\u00a0PUBLICATIONSJaques Villegl\u00e8, Quai des Celestins, 1965 , cm. 111,8&#215;130,3Jacques Villegl\u00e9 is the most important living French artist. His works are exhibited at MoMa (New York), Tate Gallery (London), Centre Pompidou (Paris), and in the biggest museums all over the world, from Germany to Argentina, from Israel to [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":5092,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"<h1 style=\"text-align: justify;\">Jacques Villegl\u00e9. Retrospective<\/h1>\r\n<p style=\"text-align: justify;\">Jacques Villegl\u00e9 is the most important living French artist. His works are exhibited at MoMa (New York), Tate Gallery (London), Centre Pompidou (Paris), and in the biggest museums all over the world, from Germany to Argentina, from Israel to Venezuela and more. In 2008 the Mus\u00e9e National d\u2019Art Moderne at the Centre Pompidou consecrates his work with an important retrospective. Currently his works are exhibited at Mus\u00e9e Tinguely in Basel and soon at Schirn Kunsthalle of Frankfurt. The Jacques Villegl\u00e9\u2019s exhibition at Partners&Mucciaccia Gallery in Singapore, presents the <em>Nouveau R\u00e9aliste <\/em>artist\u2019s work, through a retrospective made by more than 50 artworks, from the \u201cd\u00e9collages d\u2019affiches\u201d of the Sixties, to the last ripped posters realized in the 2000, including also recent works elaborated with his socio-politics signs technique. The exhibition highlights the innovative nature of the \u201crecycling techniques\u201d , the artist\u2019s favourite ones, that allowed him to understand the world by an anarchic and poetic point of view. He stoles from the urban culture a piece of living matter, and gives it back to us in the form of a canvas. These works established an extremely different and original language. In 1949 Jacques Villegl\u00e9, with his friend Raymond Hains, invented the <em>d\u00e9collage<\/em>: the appropriation of ripped posters. In Paris, both had the idea of take hold of this ordinary matter. Starting from that moment, Jacques Villegl\u00e9 takes over the posters as a predator does with his prey. The artist chooses an object to rip for several reasons: the matter, the subject, the image, the chromatisms. After a quick individuation, Jacques Villegl\u00e9 sets the artwork mentally. The gesture of appropriation, serving the gaze, is quick and even violent. Jaques captures, steals what the eye notices, than he tosses on his plunder. In 1961, his work is identify into the <em>Nouveaux R\u00e9alistes <\/em>movement. For everybody, Villegl\u00e9 is a <em>Nouveau R\u00e9aliste<\/em> artist, rather an <em>affichist<\/em>, a term which characterizes the use of a matter posted up as a creative vehicle, has Raymond Hains, Fran\u00e7ois Dufr\u00eane and Mimmo Rotella also did. History classify him for that crucial encounter; also the historians mentioned that moment as the essential one for the artist career. His belonging in<em> affichistes<\/em> group represents the base of his adventure, mixed with the story of the <em>Nouveau R\u00e9alisme<\/em> movement, in which he participate in a decisive way. There\u2019s a Jacques Villegl\u00e9 before the affichistes (1948-1960, when he starts working with Raymond Hains); a Jacque Villegl\u00e9 into the<em> Nouveaux R\u00e9alistes<\/em> group (1960-1968) and a Jaques Villegl\u00e9 independent and free, focus on a research made by himself, built starting from the ripped posters took over time from the streets of Paris, Buenos Aires and many other place. Villegl\u00e9 is witness of an urban art which never deny and which allowed him to realize a clear work around specific themes, always introducing new interpretation of the time. Jacques Villegl\u00e9 has been carrying on catching posters until the years 2000, but with a new technique called \u201csocio-politics signs\u201d. This technique allows him to explain the world through a personal language that transfigures the ordinary reality in an odd and colourful novel about the world. Jacques Mah\u00e9 de la Villegl\u00e9, lives and works in Paris. He\u2019s born in Quimper (Finist\u00e8re, France) on 1926. His favourite city is Saint-Malo. Despite his international fame, he\u2019s kind, willing, often moody when he starts to tell his artistic and human adventure. Villegl\u00e9 is a man of memory and culture, who loves recall his important encounter of the past, with the most important personalities from the Fifties to nowadays. This radical, avant-gard mentor, already consecrated after his retrospective at Centre Pompidou, pursues his happiness with deep lucidity. He\u2019s the only French artist to whom the New York MoMA dedicates an exhibition. He\u2019s great in his personal way, discreet and reserved\u2026he is Villegl\u00e9.<\/p>\r\n<p style=\"text-align: justify;\">The exhibition will take place in presence of the artist.<\/p>\r\n\u00a0","_et_gb_content_width":"","footnotes":""},"categories":[157],"tags":[],"class_list":["post-6336","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-singapore"],"acf":[],"_links":{"self":[{"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/posts\/6336","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/comments?post=6336"}],"version-history":[{"count":0,"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/posts\/6336\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/media\/5092"}],"wp:attachment":[{"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/media?parent=6336"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/categories?post=6336"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/tags?post=6336"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}