[et_pb_section fb_built=”1″ admin_label=”Artist new head” _builder_version=”4.19.4″ _module_preset=”default” custom_margin=”0px||||false|false” custom_padding=”0px||40px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_2,1_2″ module_id=”overview” _builder_version=”4.19.4″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text content_tablet=”<\/p>\n
” content_phone=”<\/p>\n
” content_last_edited=”on|desktop” _builder_version=”4.19.4″ _module_preset=”default” header_font=”|700||on|||||” header_text_color=”#5b5b5b” header_font_size=”26px” header_2_font_size=”18px” custom_margin=”0px||0px||false|false” custom_padding=”0px|20px|20px||false|false” custom_padding_tablet=”0px|20px|20px||false|false” custom_padding_phone=”0px|20px|20px||false|false” custom_padding_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n
[\/et_pb_text][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” module_alignment=”left” custom_margin=”0px||0px||false|false” custom_padding=”0px|4px|0px|4px|false|false” custom_css_main_element=”display: inline-block;” global_colors_info=”{}”]<\/p>\n
SINGAPORE | MUCCIACCIA GALLERY<\/p>\n
[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.19.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.22.2″ _module_preset=”default” text_text_color=”#000000″ text_font_size=”12px” link_text_color=”#939393″ text_orientation=”center” hover_enabled=”0″ text_text_color_tablet=”#000000″ text_text_color_phone=”#000000″ text_text_color_last_edited=”on|desktop” text_letter_spacing_tablet=”2px” text_letter_spacing_phone=”0px” text_letter_spacing_last_edited=”on|desktop” link_font_tablet=”” link_font_phone=”” link_font_last_edited=”on|desktop” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n
OVERVIEW<\/a>\u00a0 \u00a0INSTALLATION VIEWS<\/a> \u00a0\u00a0PUBLICATIONS<\/a><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.19.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”2_5,3_5″ use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.19.4″ _module_preset=”default” width=”100%” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.19.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9mZWF0dXJlZF9pbWFnZSIsInNldHRpbmdzIjp7fX0=@” show_in_lightbox=”on” align=”center” _builder_version=”4.19.4″ _dynamic_attributes=”src” _module_preset=”default” height=”260px” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font_size=”9px” text_orientation=”center” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” locked=”off” global_colors_info=”{}”]<\/p>\n Dorazio, Tenax<\/em>, 1979 cm 165×130<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.19.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_text quote_border_color=”#e2e2e2″ _builder_version=”4.19.4″ _module_preset=”default” text_text_color=”#999999″ text_line_height=”2.2em” quote_font=”||on||||||” quote_text_color=”#494949″ custom_padding=”||40px||false|false” custom_padding_tablet=”40px||40px||false|false” custom_padding_phone=”||40px||false|false” custom_padding_last_edited=”on|desktop” text_font_size_tablet=”” text_font_size_phone=”14px” text_font_size_last_edited=”on|phone” text_line_height_tablet=”2.2em” text_line_height_phone=”1.6em” text_line_height_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n From ancient to contemporary, from simple to complex, or from light to dark, nowadays art is expressed through multiform languages that often seem conflicting. The dichotomy between past and present is the main theme of the exhibition that features a group of contemporary Italian artists whose works are in the most important art collections worldwide. Excluding deliberately subdivisions in genres or trends, priority is given to the discrepancies, in an exhibition where the pure and light rigorousness of Agostino Bonalumi shaped canvas, is opposed to “L’Ego Map” of Matteo Negri, an iron surface chrome that is shaped as the famous brick with which children play; where the icy and spiritual figures of Oliviero Rainaldi can accompany the overbearing terrestrial matter of Francesca Leone and the poetic oil painting \u201cSalon de Musique\u201d (2015) of Piero Pizzi Cannella and also the rarefied atmosphere of the perfect paintings of Marco Tirelli. A duality which is also found placing side by side the works with those of Mauro Di Silvestre that with his “East village girl” (2011) represents an intimate, dreamlike, timeless world, or the rational and colorful vision of “Tenax” (1979) painted by Piero Dorazio. This would seem to negate the emotional and expressive paintings of Mario Schifano, as well as Cristiano Pintaldi\u2019s pixeled paintings, which chooses television or photographic shots with a long and complex technique. Images become symbols with which the artist shows us the two sides of our everyday reality: on one hand the virtual on the other the concrete. The exhibition is also the occasion to show the works of the photographer-artist Claudio Abate whose shots are also the witness of unrepeatable installations of his artist friends \u2013 \u201cFreccia Laser\u201d (1988) of Maurizio Mochetti and \u201cBelive\u201d of Kendell Geer (2002) \u2013 and the recent surface \u201cNel cerchio giallo\u201d (2008) of Alberto Biasi, whose name is inextricably linked to the optical-kinetic art. Moreover, Carla Accardi\u2019s sophisticated forms in the two papers \u201cVerde rosso\u201d (1997) and \u201cViolarancio\u201d (2005) and the recent pop portraits of Maurizio Savini, realized at the beginning of the year with a technique that he invented, encaustic of chewing gum on board. With this material, ephemeral and perishable, as the reality in which we live, the artist relates with childhood.<\/p>\n Exhibition of works by:<\/strong><\/p>\n Claudio Abate, Carla Accardi, Agostino Bonalumi, Enrico Castellani, Mauro Di Silvestre, Piero Dorazio, Francesca Leone, Matteo Negri, Cristiano Pintaldi, Mimmo Paladino, Piero Pizzi Cannella, Oliviero Rainaldi, Maurizio Savini, Mario Schifano, Marco Tirelli.<\/p>\n [\/et_pb_text][et_pb_text module_id=”info” _builder_version=”4.19.4″ _module_preset=”default” custom_padding=”10px||||false|false” border_width_top=”1px” border_color_top=”#cecece” locked=”off” global_colors_info=”{}”]<\/p>\n Dates: Ongoing until\u00a0 31st August 2020<\/span> [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|on” admin_label=”Header” _builder_version=”4.19.4″ background_enable_image=”off” background_size=”initial” background_repeat=”repeat” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” disabled=”on” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” use_custom_width=”on” width_unit=”off” custom_width_percent=”100%” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font=”||||||||” header_font=”|||on|||||” header_text_align=”center” header_font_size=”57px” header_line_height=”1.3em” header_2_font=”|500|||||||” header_2_text_align=”center” header_2_font_size=”30px” header_2_line_height=”1.3em” header_3_font=”|700||on|||||” header_3_text_align=”center” header_3_text_color=”rgba(0,0,0,0.35)” header_3_font_size=”12px” header_3_letter_spacing=”5px” header_3_line_height=”2em” header_6_text_align=”center” transform_translate_linked=”off” max_width=”700px” module_alignment=”center” header_font_size_tablet=”28px” header_font_size_phone=”28px” header_font_size_last_edited=”on|desktop” header_2_font_size_tablet=”26px” header_2_font_size_phone=”26px” header_2_font_size_last_edited=”on|tablet” header_3_letter_spacing_tablet=”0px” header_3_letter_spacing_phone=”0px” header_3_letter_spacing_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n <\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2015\/05\/ridim.-Dorazio-Tenax-1979-cm-165×130.jpg” alt=”Dorazio Tenax, 1979 cm 165×130″ title_text=”ridim. Dorazio Tenax, 1979 cm 165×130″ show_in_lightbox=”on” align=”center” _builder_version=”4.16″ _module_preset=”default” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font_size=”9px” text_orientation=”center” custom_margin=”-10px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”]<\/p>\n Dorazio, Tenax<\/em>, 1979 cm 165×130<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n From ancient to contemporary, from simple to complex, or from light to dark, nowadays art is expressed through multiform languages that often seem conflicting. The dichotomy between past and present is the main theme of the exhibition that features a group of contemporary Italian artists whose works are in the most important art collections worldwide. Excluding deliberately subdivisions in genres or trends, priority is given to the discrepancies, in an exhibition where the pure and light rigorousness of Agostino Bonalumi shaped canvas, is opposed to “L’Ego Map” of Matteo Negri, an iron surface chrome that is shaped as the famous brick with which children play; where the icy and spiritual figures of Oliviero Rainaldi can accompany the overbearing terrestrial matter of Francesca Leone and the poetic oil painting \u201cSalon de Musique\u201d (2015) of Piero Pizzi Cannella and also the rarefied atmosphere of the perfect paintings of Marco Tirelli. A duality which is also found placing side by side the works with those of Mauro Di Silvestre that with his “East village girl” (2011) represents an intimate, dreamlike, timeless world, or the rational and colorful vision of “Tenax” (1979) painted by Piero Dorazio. This would seem to negate the emotional and expressive paintings of Mario Schifano, as well as Cristiano Pintaldi\u2019s pixeled paintings, which chooses television or photographic shots with a long and complex technique. Images become symbols with which the artist shows us the two sides of our everyday reality: on one hand the virtual on the other the concrete. The exhibition is also the occasion to show the works of the photographer-artist Claudio Abate whose shots are also the witness of unrepeatable installations of his artist friends \u2013 \u201cFreccia Laser\u201d (1988) of Maurizio Mochetti and \u201cBelive\u201d of Kendell Geer (2002) \u2013 and the recent surface \u201cNel cerchio giallo\u201d (2008) of Alberto Biasi, whose name is inextricably linked to the optical-kinetic art. Moreover, Carla Accardi\u2019s sophisticated forms in the two papers \u201cVerde rosso\u201d (1997) and \u201cViolarancio\u201d (2005) and the recent pop portraits of Maurizio Savini, realized at the beginning of the year with a technique that he invented, encaustic of chewing gum on board. With this material, ephemeral and perishable, as the reality in which we live, the artist relates with childhood.<\/p>\n Exhibition of works by:<\/strong><\/p>\n Claudio Abate, Carla Accardi, Agostino Bonalumi, Enrico Castellani, Mauro Di Silvestre, Piero Dorazio, Francesca Leone, Matteo Negri, Cristiano Pintaldi, Mimmo Paladino, Piero Pizzi Cannella, Oliviero Rainaldi, Maurizio Savini, Mario Schifano, Marco Tirelli.<\/p>\n [\/et_pb_text][et_pb_divider _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n Dates: Ongoing until\u00a0 31st August 2020<\/span> [\/et_pb_text][et_pb_divider _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|on” admin_label=”Header” module_id=”past_exhibitions” _builder_version=”4.22.2″ custom_margin=”0px||0px||false|false” custom_padding=”60px||0px||false|false” hover_enabled=”0″ locked=”off” global_colors_info=”{}” disabled=”on” sticky_enabled=”0″][et_pb_row _builder_version=”4.16″ use_custom_width=”on” width_unit=”off” custom_width_percent=”100%” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text module_class=”hyperlink-color-image” _builder_version=”4.19.4″ _module_preset=”default” header_2_font=”|||on|||||” header_2_font_size=”18px” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” header_2_font_size_tablet=”18px” header_2_font_size_phone=”18px” header_2_font_size_last_edited=”on|desktop” locked=”off” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_divider color=”#c9c9c9″ _builder_version=”4.19.4″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_divider][et_pb_blog fullwidth=”off” posts_number=”40″ include_categories=”157″ show_author=”off” show_date=”off” show_categories=”off” show_excerpt=”off” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.32)” module_class=”et_blog_grid_equal_height” _builder_version=”4.19.4″ _module_preset=”default” header_level=”h3″ header_font=”|600|||||||” header_text_align=”justify” header_text_color=”#545454″ header_font_size=”14px” text_orientation=”center” max_width_tablet=”600px” max_width_phone=”600px” max_width_last_edited=”on|phone” module_alignment=”center” header_font_size_tablet=”14px” header_font_size_phone=”14px” header_font_size_last_edited=”on|phone” module_alignment_tablet=”center” module_alignment_phone=”center” module_alignment_last_edited=”on|tablet” border_width_all=”0px” border_style_all_image=”none” global_colors_info=”{}”][\/et_pb_blog][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Footer” _builder_version=”4.16″ background_size=”initial” background_repeat=”repeat-y” custom_padding=”0px|||||” saved_tabs=”all” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ use_custom_gutter=”on” gutter_width=”2″ _builder_version=”4.16″ border_width_top=”2px” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text content_last_edited=”off|desktop” module_class=”hyperlink-color” _builder_version=”4.19.2″ text_font=”||||||||” text_font_size=”12px” text_line_height=”2em” link_font=”||||on|||rgba(0,0,0,0)|” link_text_color=”#666666″ header_font=”||||||||” header_text_align=”left” header_3_font=”|700||on|||||” header_3_font_size=”12px” header_3_letter_spacing=”5px” header_3_line_height=”1.8em” max_width_tablet=”70%” max_width_last_edited=”off|phone” link_font_tablet=”” link_font_phone=”” link_font_last_edited=”on|desktop” header_3_font_size_tablet=”” header_3_font_size_phone=”” header_3_font_size_last_edited=”on|desktop” locked=”off” global_colors_info=”{}” content__hover_enabled=”on|hover” content__hover=”<\/p>\n
Curated by\u00a0<\/span>
Location
Blk 6 Lock Road #02-10 Gillman Barracks
Singapore 108934
Tel. +65 6694 3777
Fax +65 66942819
singapore@mucciaccia.com
<\/span><\/p>\nHARMONIES and DISCREPANCIES.<\/h1>\n
Paths in the Italian art between the twentieth and the twenty-first century<\/h2>\n
<\/h2>\n
Mucciaccia Gallery SINGAPORE<\/h3>\n
\u00a0<\/h6>\n
Curated by\u00a0<\/span>
Location
Blk 6 Lock Road #02-10 Gillman Barracks
Singapore 108934
Tel. +65 6694 3777
Fax +65 66942819
singapore@mucciaccia.com
<\/span><\/p>\nPast Exhibitions<\/h2>\n
Address<\/h3>\n