[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.19.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.24.2″ _module_preset=”default” text_text_color=”#000000″ text_font_size=”12px” link_text_color=”#939393″ text_orientation=”center” hover_enabled=”0″ text_text_color_tablet=”#000000″ text_text_color_phone=”#000000″ text_text_color_last_edited=”on|desktop” text_letter_spacing_tablet=”2px” text_letter_spacing_phone=”0px” text_letter_spacing_last_edited=”on|desktop” link_font_tablet=”” link_font_phone=”” link_font_last_edited=”on|desktop” global_colors_info=”{}” disabled_on=”on|on|on” disabled=”on” sticky_enabled=”0″]<\/p>\n
OVERVIEW<\/a>\u00a0 \u00a0INSTALLATION VIEWS<\/a> \u00a0\u00a0PUBLICATIONS<\/a><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.19.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”2_5,3_5″ use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.19.4″ _module_preset=”default” width=”100%” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.19.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9mZWF0dXJlZF9pbWFnZSIsInNldHRpbmdzIjp7fX0=@” show_in_lightbox=”on” align=”center” _builder_version=”4.19.4″ _dynamic_attributes=”src” _module_preset=”default” height=”260px” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font_size=”9px” text_orientation=”center” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” locked=”off” global_colors_info=”{}”]<\/p>\n Enrico Castellani, White Surface<\/em>, 1977, [\/et_pb_text][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.19.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_text quote_border_color=”#e2e2e2″ _builder_version=”4.19.4″ _module_preset=”default” text_text_color=”#999999″ text_line_height=”2.2em” quote_font=”||on||||||” quote_text_color=”#494949″ custom_padding=”||40px||false|false” custom_padding_tablet=”40px||40px||false|false” custom_padding_phone=”||40px||false|false” custom_padding_last_edited=”on|desktop” text_font_size_tablet=”” text_font_size_phone=”14px” text_font_size_last_edited=”on|phone” text_line_height_tablet=”2.2em” text_line_height_phone=”1.6em” text_line_height_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n PRESS\u00a0RELEASE<\/p>\n Partners & Mucciaccia Gallery at 45 Dover Street \u2013 London, will inaugurate their new venture next Thursday, 6 October 2016, at 5 pm with an exhibition dedicated to the entity of time \u201cOramai e\u2019 tempo: Anselmo, Castellani, Nagasawa\u201d. The event, curated by Bruno Cor\u00e0, examines the work of three contemporary artists, pioneers of significant linguistic and aesthetic developments, who have characterised the art from the sixties up until the present day.<\/p>\n Observing the artistic journey of each one of them, one discovers numerous different approaches to their oeuvres in which the dimension of time seems central to the conception and realisation of their works.<\/p>\n For Giovanni Anselmo, the temporal element is revealed in his first work My Shadow into Infinity from the Top of Stromboli at Dawn, August 16, 1965 to then reappear constantly at the center of important works like his For an Engraving of Indefinite Thousands of Years, 1969 or Three Hundred Million Years, 1969, and up until the installation As the Earth Rotates, 2016 bearing the \u201cpresent tense\u201d in the title of the work on display .<\/p>\n Nonetheless, for Enrico Castellani time is the essential element shown with a rhythmic protrusion that sensitises to infinity its surfaces through intro\u2014estroflections of the canvas. Thus his Wall of Time, 1968, continues to be emblematic.<\/p>\n For Hidetoshi Nagasawa, finally, temporality is revealed in numerous works that affirm its invisibility whilst allowing its perception, like Watch, 1968, Time Zero, 1992, Crossing in Time, 1993, and Boat, 1980-81, which carries a living and growing tree.<\/p>\n The extraordinary presence of the oeuvres of these artists, besides being a unique opportunity to contemplate their work, is also the base of the current research on the notion of time in art elaborated by Bruno Cor\u00e0 in his essay published for the occasion in the exhibition catalogue, and which he developed starting from the poetic intuition of \u201cBy Now\u201d by Emilio Villa.<\/p>\n [\/et_pb_text][et_pb_text module_id=”info” _builder_version=”4.19.4″ _module_preset=”default” custom_padding=”10px||||false|false” border_width_top=”1px” border_color_top=”#cecece” locked=”off” global_colors_info=”{}”]<\/p>\n Dates:\u00a0 7 October \u2013 15 December 2016<\/span><\/p>\n Curated by: Bruno Cor\u00e0<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|on” admin_label=”Header” _builder_version=”4.19.4″ background_enable_image=”off” background_size=”initial” background_repeat=”repeat” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” disabled=”on” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” use_custom_width=”on” width_unit=”off” custom_width_percent=”100%” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font=”||||||||” header_font=”|||on|||||” header_text_align=”center” header_font_size=”57px” header_line_height=”1.3em” header_2_font=”|500|||||||” header_2_text_align=”center” header_2_font_size=”30px” header_2_line_height=”1.3em” header_3_font=”|700||on|||||” header_3_text_align=”center” header_3_text_color=”rgba(0,0,0,0.35)” header_3_font_size=”12px” header_3_letter_spacing=”5px” header_3_line_height=”2em” header_6_text_align=”center” transform_translate_linked=”off” max_width=”700px” module_alignment=”center” header_font_size_tablet=”28px” header_font_size_phone=”28px” header_font_size_last_edited=”on|desktop” header_2_font_size_tablet=”26px” header_2_font_size_phone=”26px” header_2_font_size_last_edited=”on|tablet” header_3_letter_spacing_tablet=”0px” header_3_letter_spacing_phone=”0px” header_3_letter_spacing_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n <\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2016\/10\/castellani-per-sito-e1481455731722.jpg” alt=”Castellani – White Surgace” title_text=”Enrico Castellani, White Surface, 1977, Acrylic on shaped canvas, 90 x 100 cm” show_in_lightbox=”on” _builder_version=”4.16″ _module_preset=”default” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font_size=”9px” text_orientation=”center” custom_margin=”-10px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”]<\/p>\n Enrico Castellani, White Surface<\/em>, 1977, [\/et_pb_text][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n PRESS\u00a0RELEASE<\/p>\n Partners & Mucciaccia Gallery at 45 Dover Street \u2013 London, will inaugurate their new venture next Thursday, 6 October 2016, at 5 pm with an exhibition dedicated to the entity of time \u201cOramai e\u2019 tempo: Anselmo, Castellani, Nagasawa\u201d. The event, curated by Bruno Cor\u00e0, examines the work of three contemporary artists, pioneers of significant linguistic and aesthetic developments, who have characterised the art from the sixties up until the present day.<\/p>\n Observing the artistic journey of each one of them, one discovers numerous different approaches to their oeuvres in which the dimension of time seems central to the conception and realisation of their works.<\/p>\n For Giovanni Anselmo, the temporal element is revealed in his first work My Shadow into Infinity from the Top of Stromboli at Dawn, August 16, 1965 to then reappear constantly at the center of important works like his For an Engraving of Indefinite Thousands of Years, 1969 or Three Hundred Million Years, 1969, and up until the installation As the Earth Rotates, 2016 bearing the \u201cpresent tense\u201d in the title of the work on display .<\/p>\n Nonetheless, for Enrico Castellani time is the essential element shown with a rhythmic protrusion that sensitises to infinity its surfaces through intro\u2014estroflections of the canvas. Thus his Wall of Time, 1968, continues to be emblematic.<\/p>\n For Hidetoshi Nagasawa, finally, temporality is revealed in numerous works that affirm its invisibility whilst allowing its perception, like Watch, 1968, Time Zero, 1992, Crossing in Time, 1993, and Boat, 1980-81, which carries a living and growing tree.<\/p>\n The extraordinary presence of the oeuvres of these artists, besides being a unique opportunity to contemplate their work, is also the base of the current research on the notion of time in art elaborated by Bruno Cor\u00e0 in his essay published for the occasion in the exhibition catalogue, and which he developed starting from the poetic intuition of \u201cBy Now\u201d by Emilio Villa.<\/p>\n [\/et_pb_text][et_pb_divider _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” custom_padding=”0px|||||” global_colors_info=”{}”]<\/p>\n Dates:\u00a0 7 October \u2013 15 December 2016<\/span><\/p>\n Curated by: Bruno Cor\u00e0<\/span><\/p>\n [\/et_pb_text][et_pb_divider _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ module_id=”installation_views” _builder_version=”4.19.4″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”60px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”hyperlink-color-image” _builder_version=”4.19.4″ _module_preset=”default” header_2_font_size=”18px” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” header_2_font_size_tablet=”18px” header_2_font_size_phone=”18px” header_2_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_divider color=”#c9c9c9″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2022\/12\/installation_ormaitempo_london_3.jpg” alt=”Installation, Ormai \u00e8 tempo, Mucciaccia Gallery London” title_text=”installation_ormaitempo_london_3″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.19)” align=”center” _builder_version=”4.19.3″ _module_preset=”default” height=”250px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2022\/12\/installation_ormaitempo_london_2.jpg” alt=”Installation, Ormai \u00e8 tempo, Mucciaccia Gallery London” title_text=”installation_ormaitempo_london_2″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.19)” align=”center” _builder_version=”4.19.3″ _module_preset=”default” height=”250px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2022\/12\/installation_ormaitempo_london_1.jpg” alt=”Installation, Ormai \u00e8 tempo, Mucciaccia Gallery London” title_text=”installation_ormaitempo_london_1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.19)” align=”center” _builder_version=”4.19.3″ _module_preset=”default” height=”250px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|on” _builder_version=”4.19.3″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” disabled=”on” global_colors_info=”{}”][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2017\/01\/anselmo.jpg” alt=”Castellani Exhibition” title_text=”Castellani Exhibition” show_in_lightbox=”on” align=”center” _builder_version=”4.16″ _module_preset=”default” height=”250px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font_size=”9px” text_orientation=”center” custom_margin=”-10px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”]<\/p>\n Castellani Exhibition<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2017\/01\/nagasawa.jpg” alt=”Nagasawa” title_text=”Nagasawa” show_in_lightbox=”on” align=”center” _builder_version=”4.16″ _module_preset=”default” height=”250px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font_size=”9px” text_orientation=”center” custom_margin=”-10px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”]<\/p>\n Nagasawa<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|on” admin_label=”Header” _builder_version=”4.16″ background_enable_image=”off” background_size=”initial” background_repeat=”repeat” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” disabled=”on” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ use_custom_width=”on” width_unit=”off” custom_width_percent=”100%” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font=”||||||||” header_font=”||||||||” header_2_font=”|500|||||||” header_2_font_size=”40px” header_3_font=”|700||on|||||” header_3_text_color=”rgba(0,0,0,0.35)” header_3_font_size=”12px” header_3_letter_spacing=”5px” header_3_line_height=”2em” transform_translate_linked=”off” text_orientation=”center” max_width=”700px” module_alignment=”center” scroll_scaling_enable=”on” header_2_font_size_tablet=”40px” header_2_font_size_phone=”26px” header_2_font_size_last_edited=”on|desktop” text_text_align=”center” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n Born in 1957 in Greensboro, North Carolina. Lives and works in New York.<\/span> [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|on” admin_label=”Header” module_id=”past_exhibitions” _builder_version=”4.22.2″ custom_margin=”0px||0px||false|false” custom_padding=”60px||0px||false|false” disabled=”on” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ use_custom_width=”on” width_unit=”off” custom_width_percent=”100%” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text module_class=”hyperlink-color-image” _builder_version=”4.19.4″ _module_preset=”default” header_2_font=”|||on|||||” header_2_font_size=”18px” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” header_2_font_size_tablet=”18px” header_2_font_size_phone=”18px” header_2_font_size_last_edited=”on|desktop” locked=”off” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_divider color=”#c9c9c9″ _builder_version=”4.19.4″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_divider][et_pb_blog fullwidth=”off” posts_number=”40″ include_categories=”217″ show_author=”off” show_date=”off” show_categories=”off” show_excerpt=”off” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.32)” module_class=”et_blog_grid_equal_height” _builder_version=”4.19.4″ _module_preset=”default” header_level=”h3″ header_font=”|600|||||||” header_text_align=”justify” header_text_color=”#545454″ header_font_size=”14px” text_orientation=”center” max_width_tablet=”600px” max_width_phone=”600px” max_width_last_edited=”on|phone” module_alignment=”center” header_font_size_tablet=”14px” header_font_size_phone=”14px” header_font_size_last_edited=”on|phone” module_alignment_tablet=”center” module_alignment_phone=”center” module_alignment_last_edited=”on|tablet” border_width_all=”0px” border_style_all_image=”none” global_colors_info=”{}”][\/et_pb_blog][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Footer” _builder_version=”4.16″ background_size=”initial” background_repeat=”repeat-y” custom_padding=”0px|||||” saved_tabs=”all” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ use_custom_gutter=”on” gutter_width=”2″ _builder_version=”4.16″ border_width_top=”2px” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.19.4″ text_font=”||||||||” text_font_size=”12px” text_line_height=”2em” link_font=”||||||||” link_text_color=”#666666″ header_font=”||||||||” header_text_align=”left” header_3_font=”|700||on|||||” header_3_font_size=”12px” header_3_letter_spacing=”5px” header_3_line_height=”1.8em” max_width_tablet=”70%” max_width_last_edited=”off|phone” header_3_font_size_tablet=”” header_3_font_size_phone=”” header_3_font_size_last_edited=”on|desktop” locked=”off” global_colors_info=”{}” content__hover_enabled=”off|desktop”]<\/p>\n
Acrylic on shaped canvas, 90 x 100 cm<\/span><\/p>\nOramai \u00e8 tempo<\/h1>\n
Anselmo, Castellani, Nagasawa<\/h2>\n
Mucciaccia Gallery LONDON<\/h3>\n
Past Exhibitions<\/span><\/h6>\n
Acrylic on shaped canvas, 90 x 100 cm<\/span><\/p>\nPHOTO GALLERY<\/h2>\n
About the artist<\/h2>\n
Holliday began as a student at the San Francisco Art Institute and later went on to perfect his techniques at The New York Studio School and The School of Visual Arts in New York. A Painter and performance artist connected to the Neo Abstract and Neo Expressionist Movement, Holliday reaches fame in New York during the 1970s and 1980s, is often associated with the East Village art scene and the Club 57.<\/span>
In the early years of his career as an artist, he worked closely with Andy Warhol, Keith Haring, Ann Magnuson and Kenny Scharf.<\/span>
Frank Holliday has exhibited with the Kenny Schacter and Tony Shafrazi Galleries and has solo exhibitions at Debs & Co., Tom Cugliani Gallery, The Kitchen, GAL Gallery, and Mucciaccia Gallery Singapore.<\/span>
He participates in numerous group exhibitions at prestigious New York spaces such as The Arts Club, Derek Eller, White Columns, Sandra Gering Gallery, Amy Lipton Gallery, Elizabeth Dee, Barbara Toll Fine Art, Lennon Weinberg, PS1, and the Club 57 with Keith Haring.<\/span>
His work receives critical acclaim and is the subject of reviews written by Holland Cotter and Stephen Westfall in Art in America, Gluek Grace and Ken Johnson for The New York Times, and Bill Arning for the Village Voice.<\/span>
Holliday is included in the Heiner Friedrich collection as well as numerous important private collections worldwide in the United States, Europe, Japan, Australia and Mexico.<\/span>
His works are also found in prestigious museum collections such as Moma New York; The Weatherspoon Museum at The University of North Carolina at Greensboro; The Museum Frederick Russe of Stockholm; the Miniature Museum of Amsterdam.<\/span>
He is awarded the National Endowment for the Arts in 1986, the Gottlieb Foundation Fellowship in 2010, the Pollock Krasner Foundation Fellowship in 2010 and the John Simon Guggenheim Memorial Foundation in 2015.<\/span>
His most recent exhibitions include\u00a0<\/span>Frank Holliday<\/em>, Museo Bilotti, Vila Borghese, Rome, Italy (2019) and\u00a0<\/span>Club 57: Film, Performance, and Art in the East Village, 1978\u20131983<\/em>, MoMa in New York (2017-2018).<\/span><\/p>\nMOSTRE PRECEDENTI<\/h2>\n
Indirizzo<\/h3>\n
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