{"id":5934,"date":"2016-12-07T20:47:59","date_gmt":"2016-12-07T19:47:59","guid":{"rendered":"http:\/\/www.partnersandmucciaccia.net\/?p=5934"},"modified":"2024-02-28T22:16:10","modified_gmt":"2024-02-28T22:16:10","slug":"jacques-villegle","status":"publish","type":"post","link":"https:\/\/mucciaccia.com\/en\/jacques-villegle\/","title":{"rendered":"Jacques Villegl\u00e9"},"content":{"rendered":"

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OVERVIEW<\/a>\u00a0 \u00a0WORKS<\/a>\u00a0 \u00a0EXHIBITIONS<\/a>\u00a0 \u00a0PUBLICATIONS<\/a><\/p>\n

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Born in 1926 in Quimper, France. Lives and works in Paris.
In 1944 he enrols at the Ecole des Beaux-Arts in Rennes with Raymond Hains, with whom he collaborates until 1954. He moves to the Ecole Nationale Sup\u00e9rieure et d\u2019Architecture and, in 1947, to the Ecole des Beaux-Arts in Nantes. In the summer of 1948 in Saint-Malo he begins his first experiments with art objects collected in the street, such as wire, which becomes: \u201cdrawing in space gravitating around a formal structure\u201d. In February 1949, he creates the first torn poster Ach Alma Manetro. Paris by now becomes a source of materials through which he can implement his reflection on reality. He approaches the movement Lettriste creating, with his friend Hains, the Ultra Lettrism, and in 1953 publishes Hep\u00e9rile Eclat\u00e9, a phonetic poem by Camille Bryen, which was made unreadable when read through strips of grooved glass made by Hains. In 1954, Hains and Villegl\u00e9 tighten friendship with Fran\u00e7ois Dufr\u00eane with whom, in 1957, they have their first exhibition at the gallery Colette Allendy. The three artists, who will also become friends with Arman and Mimmo Rotella, meet during the Festival of Avant-Garde in Paris. In 1960 Pierre Restany writes the first manifesto of the New Realism and, in October, the founding declaration of the group, composed of thirteen members within which Hains, Dufr\u00eane and Villegl\u00e9 constitute the subgroup Affichiste, is signed. Over the years, Villegl\u00e9 has several exhibitions, including those dedicated to the torn posters at Staatgalerie in Stuttgart and the Centre Georges Pompidou in Paris. In 1997 Villegl\u00e8 creates Atelier d\u2019Aquitanie, a collective action through which he performs with his assistants in the streets of the city stealing the necessary to carry out his role, a gesture of appropriation that becomes a public performance in different cities.<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.19.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9mZWF0dXJlZF9pbWFnZSIsInNldHRpbmdzIjp7fX0=@” align=”center” _builder_version=”4.19.2″ _dynamic_attributes=”src” _module_preset=”default” height=”350px” filter_saturate=”0%” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ module_id=”works” _builder_version=”4.19.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”60px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”hyperlink-color-image” _builder_version=”4.19.2″ _module_preset=”default” header_2_font_size=”18px” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” header_2_font_size_tablet=”18px” header_2_font_size_phone=”18px” header_2_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n

WORKS<\/h2>\n

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Jaques Villegl\u00e9 5, rue de Turbigo<\/em> – 1976 – d\u00e9collage on board – cm 77×44<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2020\/09\/22The-Hunt22oil-on-canvas-2020109×21022-1-1536×1024-1.jpg” alt=”Frank Holliday, The Hunt” title_text=”22The-Hunt22oil-on-canvas-2020109×21022-1-1536×1024″ show_in_lightbox=”on” use_overlay=”on” force_fullwidth=”on” disabled_on=”on|on|on” _builder_version=”4.16″ _module_preset=”default” height=”300px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” scroll_fade_enable=”on” motion_trigger_start=”top” disabled=”on” global_colors_info=”{}”][\/et_pb_image][et_pb_text disabled_on=”on|on|on” _builder_version=”4.16″ _module_preset=”default” text_font_size=”9px” text_orientation=”center” custom_margin=”-10px||||false|false” custom_padding=”0px||||false|false” disabled=”on” global_colors_info=”{}”]<\/p>\n

Frank Holliday, The Hunt<\/em>, oil on canvas<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ module_id=”exhibitions” _builder_version=”4.19.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”60px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”hyperlink-color-image” _builder_version=”4.19.2″ _module_preset=”default” header_2_font_size=”18px” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” header_2_font_size_tablet=”18px” header_2_font_size_phone=”18px” header_2_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n

EXHIBITIONS<\/h2>\n

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RETROSPECTIVE<\/h4>\n

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2019<\/p>\n

SINGAPORE<\/h6>\n

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VACANZE ROMANE<\/h4>\n

[\/et_pb_text][et_pb_text _builder_version=”4.19.2″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px|0px|false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”]<\/p>\n

2009<\/p>\n

ROME<\/h6>\n

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MILKY WAY.
The Luminous Galaxy of the 20th Century<\/h4>\n

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2020<\/p>\n

SINGAPORE<\/h6>\n

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PUBLICATIONS<\/h2>\n

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Jaques Villegl\u00e9 Retrospective<\/h4>\n

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Exhibition Catalogue, curated by Dominique Stella
Published by Carlo Cambi Editore
2015<\/p>\n

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Jacques Villegl\u00e9 \u2013 VACANZE ROMANE<\/h4>\n

[\/et_pb_text][et_pb_text _builder_version=”4.19.2″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”1.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px|0px|false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”]<\/p>\n

Exhibition Catalogue, curated by Dominique Stella and Laurence Bertrand Dorleac<\/span>
Published by Carlo Cambi Editore<\/span>
2009<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.19.2″ _module_preset=”default” custom_padding=”||80px||false|false” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.19.2″ _module_preset=”default” custom_padding=”||80px||false|false” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_divider color=”#c9c9c9″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_divider][et_pb_text module_class=”hyperlink-color-image” _builder_version=”4.19.2″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

Artists Index<\/a><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

OVERVIEW\u00a0 \u00a0WORKS\u00a0 \u00a0EXHIBITIONS\u00a0 \u00a0PUBLICATIONSBorn in 1926 in Quimper, France. Lives and works in Paris.In 1944 he enrols at the Ecole des Beaux-Arts in Rennes with Raymond Hains, with whom he collaborates until 1954. He moves to the Ecole Nationale Sup\u00e9rieure et d\u2019Architecture and, in 1947, to the Ecole des Beaux-Arts in Nantes. In the summer […]<\/p>\n","protected":false},"author":8,"featured_media":4761,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[151],"tags":[],"class_list":["post-5934","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-contemporary"],"acf":[],"_links":{"self":[{"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/posts\/5934","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/comments?post=5934"}],"version-history":[{"count":0,"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/posts\/5934\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/media\/4761"}],"wp:attachment":[{"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/media?parent=5934"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/categories?post=5934"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/tags?post=5934"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}