[et_pb_section fb_built=”1″ _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_row module_id=”overview” _builder_version=”4.19.4″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text content_tablet=”<\/p>\n
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ROME | MUCCIACCIA GALLERY PROJECT<\/p>\n
17 May – 8 August 2025<\/p>\n
[\/et_pb_text][et_pb_text disabled_on=”on|on|on” _builder_version=”4.27.4″ _module_preset=”default” module_alignment=”left” custom_margin=”0px||0px||false|false” custom_padding=”0px|0px|0px|0px|false|false” custom_css_main_element=”display: inline-block;” disabled=”on” global_colors_info=”{}”]<\/p>\n
Opening venerd\u00ec 16 maggio, ore 18.00
17 maggio – 12 luglio 2025<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9mZWF0dXJlZF9pbWFnZSIsInNldHRpbmdzIjp7fX0=@” show_in_lightbox=”on” _builder_version=”4.27.4″ _dynamic_attributes=”src” _module_preset=”default” width=”220px” width_tablet=”100%” width_phone=”100%” width_last_edited=”on|phone” max_width=”100%” module_alignment=”left” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_text quote_border_color=”#e2e2e2″ disabled_on=”off|off|off” _builder_version=”4.27.4″ _module_preset=”default” text_text_color=”#999999″ text_line_height=”2.2em” quote_font=”||on||||||” quote_text_color=”#494949″ custom_padding=”||40px||false|false” custom_padding_tablet=”40px||40px||false|false” custom_padding_phone=”||40px||false|false” custom_padding_last_edited=”on|desktop” hover_enabled=”0″ text_font_size_tablet=”” text_font_size_phone=”14px” text_font_size_last_edited=”on|phone” text_line_height_tablet=”2.2em” text_line_height_phone=”1.6em” text_line_height_last_edited=”on|phone” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n
Opening Friday, May 16 at 6 pm at Mucciaccia Gallery Project, “Shunga. Le pitture della primavera”, the solo exhibition by Piero Pizzi Cannella, curated by Giulia Abate, which brings together thirteen works by the great contemporary Italian master inspired by Japanese shunga. The exhibition will last until August 8, 2025.<\/p>\n
[\/et_pb_text][et_pb_button button_url=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2025\/05\/CS_PIZZI-CANNELLA-Shunga_08.05.25.pdf” url_new_window=”on” button_text=”Press Release” disabled_on=”off|off|off” _builder_version=”4.27.4″ _module_preset=”default” custom_button=”on” button_text_size=”16px” button_text_color=”#999999″ custom_margin=”||20px||false|false” custom_padding=”||||false|false” global_colors_info=”{}”][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.19.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.19.4″ _module_preset=”default” width=”100%” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.19.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_text quote_border_color=”#e2e2e2″ disabled_on=”on|on|on” _builder_version=”4.27.2″ _module_preset=”default” text_text_color=”#999999″ text_line_height=”2.2em” quote_font=”||on||||||” quote_text_color=”#494949″ custom_padding=”||40px||false|false” custom_padding_tablet=”40px||40px||false|false” custom_padding_phone=”||40px||false|false” custom_padding_last_edited=”on|desktop” text_font_size_tablet=”” text_font_size_phone=”14px” text_font_size_last_edited=”on|phone” text_line_height_tablet=”2.2em” text_line_height_phone=”1.6em” text_line_height_last_edited=”on|phone” disabled=”on” global_colors_info=”{}”]On view at Mucciaccia Gallery Project fifteen new works by artist PRIEST. The exhibition “Manufracture” will run until November 30, 2024. The artist states that “My shift from graffiti to the fine art world wasn\u2019t exactly a natural evolution; it was far more chaotic and unplanned. Back in 2010, I started painting graffiti illegally in New Zealand. Fast forward to 2019, and I found myself offered an exhibition in a small gallery in Melbourne with my first solo show, Toys. The show explored corporate greed, childhood nostalgia, the general absurdity of adulthood, and dark humor. Today I find myself still deeply exploring the same themes, I was unaware that my first show would define my art style so quickly. This current body of paintings is deeply focused on finding balance in the elements used to define my work”.[\/et_pb_text][et_pb_text disabled_on=”on|on|on” module_id=”info” _builder_version=”4.22.2″ _module_preset=”default” custom_padding=”10px||||false|false” border_width_top=”1px” border_color_top=”#cecece” disabled=”on” locked=”off” global_colors_info=”{}”]INFORMATION: Exhibition Press Office:<\/strong> [\/et_pb_text][et_pb_divider color=”#c9c9c9″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ disabled_on=”off|off|off” _builder_version=”4.27.4″ _module_preset=”default” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2025\/10\/2025_05_16_Mucciaccia-Gallery_Pizzi-Cannella_-1.webp” alt=”Shunga Installation View” title_text=”Shunga Installation View” show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.19)” _builder_version=”4.27.4″ _module_preset=”default” height=”220px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text disabled_on=”off|off|off” _builder_version=”4.27.4″ _module_preset=”default” text_font_size=”12px” text_line_height=”1.3em” locked=”off” global_colors_info=”{}”]<\/p>\n Shunga. Le pitture della primavera, 2025 [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2025\/10\/2025_05_16_Mucciaccia-Gallery_Pizzi-Cannella_-12.webp” alt=”Shunga Installation View” title_text=”Shunga Installation View” show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.19)” _builder_version=”4.27.4″ _module_preset=”default” height=”220px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text disabled_on=”off|off|off” _builder_version=”4.27.4″ _module_preset=”default” text_font_size=”12px” text_line_height=”1.3em” locked=”off” global_colors_info=”{}”]<\/p>\n Shunga. Le pitture della primavera, 2025 [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][et_pb_row disabled_on=”off|off|off” _builder_version=”4.27.4″ _module_preset=”default” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”hyperlink-color-image” _builder_version=”4.23″ _module_preset=”default” header_2_font_size=”18px” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” header_2_font_size_tablet=”18px” header_2_font_size_phone=”18px” header_2_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_divider color=”#c9c9c9″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ disabled_on=”off|off|off” _builder_version=”4.27.4″ _module_preset=”default” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2025\/10\/Piero-Pizzi-Cannella-Due-amanti-2009-10-tecnica-mista-su-carta-130-x-90-cm.webp” alt=”Piero Pizzi Cannella, Due amanti, 2009-10, tecnica mista su carta, 130 x 90 cm” title_text=”Piero Pizzi Cannella, Due amanti, 2009-10, tecnica mista su carta, 130 x 90 cm” show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.19)” module_class=”photoworks” _builder_version=”4.27.4″ _module_preset=”default” height=”220px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” text_font_size=”12px” text_line_height=”1.3em” global_colors_info=”{}”]<\/p>\n Piero Pizzi Cannella<\/strong> [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2025\/10\/Piero-Pizzi-Cannella-Gli-amanti-a-becco-duccello-2009-10-tecnica-mista-su-carta-130-x-90-cm.webp” alt=”Piero Pizzi Cannella, Gli amanti a becco d’uccello, 2009-10, tecnica mista su carta, 130 x 90 cm” title_text=”Piero Pizzi Cannella, Gli amanti a becco d’uccello, 2009-10, tecnica mista su carta, 130 x 90 cm” show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.19)” module_class=”photoworks” _builder_version=”4.27.4″ _module_preset=”default” height=”220px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” text_font_size=”12px” text_line_height=”1.3em” global_colors_info=”{}”]<\/p>\n Piero Pizzi Cannella<\/strong> [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2025\/10\/Piero-Pizzi-Cannella-Gli-amanti-il-giorno-e-la-notte-2009-10-tecnica-mista-su-carta-130-x-90-cm.webp” alt=”Piero Pizzi Cannella, Gli amanti, il giorno e la notte, 2009-10, tecnica mista su carta, 130 x 90 cm” title_text=”Piero Pizzi Cannella, Gli amanti, il giorno e la notte, 2009-10, tecnica mista su carta, 130 x 90 cm” show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.19)” module_class=”photoworks” _builder_version=”4.27.4″ _module_preset=”default” height=”220px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” text_font_size=”12px” text_line_height=”1.3em” global_colors_info=”{}”]<\/p>\n Piero Pizzi Cannella<\/strong> [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2025\/10\/Piero-Pizzi-Cannella-Senza-titolo-2009-10-tecnica-mista-su-carta-130-x-90-cm.webp” alt=”Piero Pizzi Cannella, Senza titolo, 2009-10, tecnica mista su carta, 130 x 90 cm” title_text=”Piero Pizzi Cannella, Senza titolo, 2009-10, tecnica mista su carta, 130 x 90 cm” show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.19)” module_class=”photoworks” _builder_version=”4.27.4″ _module_preset=”default” height=”220px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” text_font_size=”12px” text_line_height=”1.3em” global_colors_info=”{}”]<\/p>\n Piero Pizzi Cannella<\/strong> [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row disabled_on=”off|off|off” _builder_version=”4.27.4″ _module_preset=”default” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”hyperlink-color-image” _builder_version=”4.27.4″ _module_preset=”default” header_2_font_size=”18px” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” header_2_font_size_tablet=”18px” header_2_font_size_phone=”18px” header_2_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_divider color=”#c9c9c9″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ disabled_on=”off|off|off” _builder_version=”4.27.4″ _module_preset=”default” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2025\/10\/Catalogue-PPC-shunga.webp” alt=”Shunga, Exhibition’s Catalogue” title_text=”Catalogue – PPC shunga” module_class=”photoworks” _builder_version=”4.27.4″ _module_preset=”default” height=”220px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” text_font_size=”12px” text_line_height=”1.3em” global_colors_info=”{}”]<\/p>\n Exhibition Catalogue<\/strong> [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ use_custom_gutter=”on” gutter_width=”1″ disabled_on=”on|on|on” _builder_version=”4.22.2″ _module_preset=”default” width=”100%” disabled=”on” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.19.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9mZWF0dXJlZF9pbWFnZSIsInNldHRpbmdzIjp7fX0=@” show_in_lightbox=”on” align=”center” disabled_on=”on|on|on” _builder_version=”4.21.0″ _dynamic_attributes=”src” _module_preset=”default” width=”80%” height=”260px” disabled=”on” global_colors_info=”{}”][\/et_pb_image][et_pb_text disabled_on=”on|on|on” _builder_version=”4.19.5″ _module_preset=”default” text_font_size=”9px” text_orientation=”center” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” disabled=”on” locked=”off” global_colors_info=”{}”]Jan Fabre, A spiritual space, 2022<\/em>, From October 5 to November 12, 2023, Mucciaccia Gallery <\/strong>presents in its location in Rome, via Laurina 31, the work of two female artists with African descent, rising stars on the international scene,\u00a0 Tiffanie Delune<\/strong> (Paris, France, 1988) and Sola Olulode <\/strong>(London, UK, 1996), who are exposing together for the first time in the exhibition Touching the Sky<\/em><\/strong>, curated by Catherine Loewe.<\/p>\n This exhibition marks the beginning of a new path for Mucciaccia Contemporary, which, under the name Project<\/em><\/strong> and the artistic direction of Giulia Abate<\/strong> aims at devoting itself to the search for new proposals, by organizing unprecedented exhibitions of artists in both the location of via Laurina in Rome and in the other locations of Mucciaccia Gallery in London and Singapore.<\/p>\n The exhibition title takes its inspiration from the song \u201cFeel so High\u201d,\u00a0a ballad by the British singer Des\u2019ree, taken from her debut album Mind Adventures<\/em> (1992), a hymn to happiness and the joy of life, themes underlying the selection of the works presented, which suggest a spiritual yearning to achieve one’s dreams and bliss.<\/p>\n The dialogue between Tiffanie Delune and Sola Olulode<\/strong> is expressed through the juxtaposition of works that resonate with that soaring feeling which characterizes moments of pure joy and freedom: drawing on ideas of memory, love, passion and compassion, the two artists have embarked on a journey of self-discovery and self-affirmation that reflects their personal identities.<\/p>\n Their art pieces refer to their African heritage, mingled with influences from the Western art canon, and are flooded with vivid and layered colours.\u00a0In their distinctive ways, Delune and Olulode celebrate the universal story of womanhood, sharing deeply instinctive and nurturing qualities.<\/p>\n Tiffanie Delune, <\/strong>a self-taught artist of French, Belgo-Congolese heritage, who lives in Lisbon, in her works embarks on a sort of wondering wandering, weaving apparitions in dreams and travel recollections with symbols of her mixed-race family, hints of femininity and flux of spirituality, as one can see from the six works on display<\/strong>. Navigating between her shadow self and the one full of light, movement and energy, Tiffanie is interested in the magic of storytelling, creating multi-layered pieces on cotton canvas, loose linen and smaller pieces of paper, playing with the scale, she longs for textures and meanings, by using acrylic, pastels, papercuts, spray paint, glitter and threads.<\/p>\n Sola Olulode<\/strong>, a British Nigerian artist living and working in London, uses tender images to celebrate Black identity, womanhood and non-binary people. The artist uses gestural brushwork, indigo dye, wax, oil bar, impasto in monochromatic schemes in blue, green or yellow. In the exhibition, there are nine works<\/strong> which speak strongly of her Nigerian heritage, while centering the representation and visibility of Black Queer lived experiences.<\/p>\n Artists Delune and Olulode represent a new generation articulating what it means to be a black woman and artist in the 21st century, rejecting the tendency for reductive categorisation that revolves around the trauma of racial violence or stereotypes of black femininity, choosing instead an intentional life that leans into the realms of playfulness, dreams and joy.<\/p>\n Their works exude hope, carrying a sense of catharsis around personal struggles and the complexities of identity. This uplifting approach is a case of subtle activism reclaiming beauty, healing and fulfilment where this might previously have been absent or obscured.<\/p>\n The exhibition will be accompanied by a fully illustrated catalogue<\/strong>, with contributing texts by Alayo Akinkugbe, art historian and founder of Instagram platform @ABlackHistoryOfArt, and the curator Catherine Loewe.<\/p>\n Biographical notes<\/u><\/p>\n Tiffanie Delune (1988)<\/strong> is an artist of French, Belgo-Congolese heritage, who lives in Lisbon. Recent exhibitions include: There\u2019s Gold on The Palms of My Hands, Gallery 1957, Accra, Ghana, 2023;\u00a0 See me Flowing, Band of Vices, Los Angeles, CA, USA, 2022; There\u2019s Gasoline In My Heart, Foreign Agent, Lausanne, Switzerland, 2022; Seeds Of Light, curated by Katherine Finerty, Ed Cross Fine Art, London, 2020. Her work is held in the permanent collections of the Foundation Gandur pour l’Art in Geneva, Switzerland, the Alexandra Cohen Presbytarian Hospital for Women and Newborns in New York and The Women’s Art Collection of the Murray Edwards College at Cambridge University, UK.<\/p>\n Sola Olulode (1996)<\/strong> is a British Nigerian artist living and working in London. She received a BA in Fine Art Painting from the University of Brighton in 2018. Recent exhibitions include:\u00a0Burning Like the Star That Showed Us to Our Love, Ed Cross, London, 2023; Reverie, Dada Gallery, Lagos, 2023;\u00a0To Be Held, Carl Freedman Gallery, Margate, 2023;\u00a0You\u2019re My Sweetie, My Sugar curated by Alayo Akinkugbe x Awita at JW Anderson, London, 2022; Could You Be Love, Sapar Contemporary, New York, 2022;\u00a0Summer Show #1, Ed Cross, London, 2022;\u00a0Bold Black British, Christie\u2019s, curated by Aindrea Emelife, London, 2021;\u00a0St\u00e4ying Alive, Berntson Bhattacharjee, Sweden, 2021;\u00a0Victoria Miro x Out Collective, Vortic, 2021; An Infinity of Traces, Lisson Gallery, London, 2021 and\u00a0Blacklisted: An Indefinite Revolution, Alice Black, London, 2020.<\/p>\n <\/p>\n Rome, September 2023[\/et_pb_text][et_pb_button button_url=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/09\/CS_eng_Touching_the_Sky.pdf” url_new_window=”on” button_text=”Press Release PDF” _builder_version=”4.22.2″ _module_preset=”default” custom_button=”on” button_text_size=”16px” button_text_color=”#999999″ custom_margin=”||20px||false|false” custom_padding=”||||false|false” global_colors_info=”{}”][\/et_pb_button][et_pb_text module_id=”info” _builder_version=”4.22.2″ _module_preset=”default” custom_padding=”10px||||false|false” border_width_top=”1px” border_color_top=”#cecece” locked=”off” global_colors_info=”{}”]INFORMATION: Exhibition Press Office:<\/strong> Piero Pizzi CannellaShunga. Le pitture della primaveraROME | MUCCIACCIA GALLERY PROJECT 17 May – 8 August 2025Opening venerd\u00ec 16 maggio, ore 18.0017 maggio – 12 luglio 2025Opening Friday, May 16 at 6 pm at Mucciaccia Gallery Project, “Shunga. Le pitture della primavera”, the solo exhibition by Piero Pizzi Cannella, curated by Giulia Abate, which brings […]<\/p>\n","protected":false},"author":8,"featured_media":27556,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":" Dates will be announced soon<\/p> Mucciaccia Contemporary is proud to exhibit in Rome for the first time new works by Japanese artist Auto Moai. Auto Moai is an artist working in Japan with the theme \u201canonymity\u201d. The artist depicts faceless individuals to portray the invisible, unspoken connections that bind people to each other. She depicts the relationships between people who are connected to each other, however not perceptible.<\/p>","_et_gb_content_width":"","footnotes":""},"categories":[278,277],"tags":[],"class_list":["post-27554","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mostre-precedenti-mucciaccia-gallery-roma","category-rome-past-exhibitions"],"acf":[],"_links":{"self":[{"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/posts\/27554","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/comments?post=27554"}],"version-history":[{"count":0,"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/posts\/27554\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/media\/27556"}],"wp:attachment":[{"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/media?parent=27554"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/categories?post=27554"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/tags?post=27554"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n<\/strong>Exhibition: Touching the Sky | Tiffanie Delune & Sola Olulode
\n<\/em>Curator: Catherine Loewe
\nVenue: Mucciaccia Project, Rome, Via Laurina 31
\nOpening: Wednesday October 04, 2023 | 6 p.m.
\nOpen to the public: October 05 – November 12, 2023
\nOpening hours: Monday – Friday, 10.30 a.m. \u2013\u00a0 7 p.m.; Saturday, 11.00 a.m. \u2013 7 p.m.; Sunday closed
\n+ 39 06 79 78 36 47 | info@mucciaccia.com | mucciaccia.com<\/p>\n
\nMaria Bonmassar | +39 335 490311 | ufficiostampa@mariabonmassar.com[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row disabled_on=”off|off|off” _builder_version=”4.27.4″ _module_preset=”default” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”hyperlink-color-image” _builder_version=”4.25.0″ _module_preset=”default” header_2_font_size=”18px” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” header_2_font_size_tablet=”18px” header_2_font_size_phone=”18px” header_2_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\nINSTALLATION VIEWS<\/h2>\n
Installation view Mucciaccia Gallery Project, Roma<\/em><\/p>\n
Installation view Mucciaccia Gallery Project, Roma<\/em><\/p>\nWORKS<\/h2>\n
Due amanti<\/em>, 2009-10
mixed media on paper
130 x 90 cm<\/p>\n
Gli amanti a becco d’uccello<\/em>, 2009-10
mixed media on paper
130 x 90 cm<\/p>\n
Gli amanti, il giorno e la notte<\/em>, 2009-10
mixed media on paper
130 x 90 cm<\/p>\n
Senza titolo, 2009-10
mixed media on paper
130 x 90 cm<\/p>\nCATALOGUE<\/h2>\n
published by Silvana Editoriale<\/p>\n
\ndeep precious coral, pigment, polymers, 76,5 x 40,5 x 13 cm[\/et_pb_text][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.19.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_text quote_border_color=”#e2e2e2″ _builder_version=”4.22.2″ _module_preset=”default” text_text_color=”#999999″ text_line_height=”2.2em” quote_font=”||on||||||” quote_text_color=”#494949″ custom_padding=”||40px||false|false” custom_padding_tablet=”40px||40px||false|false” custom_padding_phone=”||40px||false|false” custom_padding_last_edited=”on|desktop” text_font_size_tablet=”” text_font_size_phone=”14px” text_font_size_last_edited=”on|phone” text_line_height_tablet=”2.2em” text_line_height_phone=”1.6em” text_line_height_last_edited=”on|phone” global_colors_info=”{}”]Opening soon
\nWednesday 4 October 2023, from 18.00 to 20.00<\/p>\n
\n<\/strong>Exhibition: Touching the Sky | Tiffanie Delune & Sola Olulode
\n<\/em>Curator: Catherine Loewe
\nVenue: Mucciaccia Project, Rome, Via Laurina 31
\nOpening: Wednesday October 04, 2023 | 6 p.m.
\nOpen to the public: October 05 – November 12, 2023
\nOpening hours: Monday – Friday, 10.30 a.m. \u2013\u00a0 7 p.m.; Saturday, 11.00 a.m. \u2013 7 p.m.; Sunday closed
\n+ 39 06 79 78 36 47 | info@mucciaccia.com | mucciaccia.com<\/p>\n
\nMaria Bonmassar | +39 335 490311 | ufficiostampa@mariabonmassar.com[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"