{"id":23559,"date":"2023-10-18T16:24:17","date_gmt":"2023-10-18T14:24:17","guid":{"rendered":"https:\/\/mucciaccia.com\/?p=23559"},"modified":"2025-11-09T15:22:24","modified_gmt":"2025-11-09T14:22:24","slug":"with-love-peter-blake","status":"publish","type":"post","link":"https:\/\/mucciaccia.com\/en\/with-love-peter-blake\/","title":{"rendered":"WITH LOVE. PETER BLAKE"},"content":{"rendered":"

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Gallery Collection<\/h1>\n

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Gallery Collection<\/h1>\n

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WITH LOVE. PETER BLAKE<\/h1>\n

curated by Jonathan Watkins<\/p>\n

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ROME | MUCCIACCIA GALLERY<\/p>\n

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19 October \u2013 20 January 2024<\/p>\n

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Peter Blake
Joseph Cornell\u2019sHoliday \u2013 Italy, Rome. \u2018Street Market\u2019,
2018
Collage on paper<\/p>\n

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Dal 19 ottobre 2023 al 20 gennaio 2024 Mucciaccia Gallery presenta nella sua sede di Roma With Love, la mostra pi\u00f9 ampia e approfondita finora realizzata in Italia dell’acclamato artista britannico Peter Blake, pittore, scultore, disegnatore e stampatore, spesso definito \u201cil Padre della Pop-Art Britannica\u201d, a pi\u00f9 di quindici anni dalla sua partecipazione alla mostra Pop Art 1956\u20131968 che si \u00e8 tenuta nel 2007 alle Scuderie del Quirinale.<\/p>\n

La mostra, a cura di Jonathan Watkins \u2013 curatore, ex direttore della Ikon Gallery (Birmingham, UK), per la quale ha curato anche progetti al Castello di Rivoli di Torino, alla Biennale di Venezia e alla Tate di Londra \u2013 vuole ripercorrere la lunga carriera di Peter Blake, oggi novantunenne, con pi\u00f9 di 160 opere esposte, tecniche miste, collage su carta e su legno, tele e sculture, datate dal 1956 al 2023.<\/p>\n

Il titolo dell\u2019esposizione, With Love. Peter Blake, pone l\u2019accento sul profondo affetto dell\u2019artista verso i soggetti umani, sia che appartengano al mondo del jet set che agli strati sociali pi\u00f9 poveri, ai quali \u00e8 legato per la propria storia familiare.<\/p>\n

Peter Blake (1932) \u00e8 nato a Dartford, nel Kent; nelle sue opere inizia presto ad utilizzare immagini tratte dalla pubblicit\u00e0, dall’intrattenimento, dalle music hall, per trarne dei collage.\u00a0 Tra i pi\u00f9 noti lavori sono le copertine di album musicali, come ad esempio quella di Sgt. Pepper’s Lonely Hearts Club Band (1967) dei Beatles, ideata con la moglie Jann Haworth, in occasione della quale l\u2019artista ha allestito un vero e proprio set fotografico con sagome di persone a grandezza naturale da cui \u00e8 stata poi tratta una fotografia.<\/p>\n

Ad accogliere il visitatore in Galleria \u00e8 proprio un\u2019opera nella quale campeggia una grande foto dei Beatles, lo schermo pieghevole LOVE (2010-15), un collage scultoreo che evoca con forza il pop e il glamour del dopoguerra.<\/p>\n

In diverse opere di Blake ricorre la parola LOVE, spesso composta su legno con materiali di recupero. Sono assemblaggi che sembrano evocare al famoso brano dei Beatles “All you Need is Love\u201d e che, in qualche modo, si inseriscono nel solco di un\u2019altra serie di opere, ugualmente in mostra, quella dei Generals (2012), sculture che rappresentano dei soldati formati con palle da bowling al posto delle teste, spalle squadrate e corpi fatti grossolanamente di legno, con medaglie costituite da monete, tappi di bottiglia o distintivi. Nell\u2019utilizzare materiali di recupero, ovvero decisamente non \u201cda ufficiali\u201d, Blake ci comunica quell\u2019umorismo leggermente irriverente che caratterizza la sua intera produzione artistica, un umorismo molto inglese, che nasce nel solco della tradizione di Edward Lear e Lewis Carroll, ed \u00e8 tipico dei nonsense.<\/p>\n

Da associazioni di idee simili nascono i suoi collage, nei quali utilizza le immagini di Elvis Presley, Brigitte Bardot, Kim Novak e tanti altri personaggi. Tra questi ben quattro sono dedicati a Marilyn Monroe, di cui uno, molto intenso, \u00e8 intitolato con il vero nome dell\u2019attrice seguito dalle date di nascita e morte: Norma Jean Baker 1926 – 1962 (1988), ed \u00e8 composto da una serie di fotografie in bianco e nero con le quali ripercorre per fotogrammi il corso della sua vita, pieno di sorrisi per la macchina fotografica, e li contrappone all\u2019ultima, tragica, su fondo nero, che la ritrae ormai cadavere e coperta da un lenzuolo, mentre viene portata via su una barella d’ambulanza.<\/p>\n

Una vasta serie di collage esposti in mostra sono i Joseph Cornell’s Holiday. Si tratta di piccole e poetiche opere su carta, realizzate a pi\u00f9 riprese tra il 2017 e il 2019, nelle quali egli guarda alla storia umana e artistica di Joseph Cornell, il famoso collagista americano che non ha mai lasciato gli Stati Uniti, pur essendo affascinato dalla cultura europea.<\/p>\n

In queste opere Blake immagina di fare amicizia con lui e di viaggiare insieme attraverso l’Europa; lo fa andare in barca a Copenaghen, pescare in Scozia, visitare un mercatino delle pulci a Parigi e rendere omaggio a Las Meninas di Velasquez al Prado di Madrid.\u00a0 In diverse opere \u00e8 alla Farley Farm, la casa inglese degli artisti Roland Penrose e Lee Miller, che negli anni Cinquanta e Sessanta era una sorta di Mecca per amici artisti, tra cui Picasso, Man Ray, Henry Moore, Eileen Agar, Jean Dubuffet, Dorothea Tanning e Max Ernst. In questo modo offre all\u2019artista americano\u00a0 avventure boh\u00e9mien da lui mai vissute nella realt\u00e0\u00a0 e, ad esempio, gli fornisce occasione di riunirsi, anche se solo con la fantasia, con Marcel Duchamp, spesso anche nelle vesti del suo alter ego femminile, Rrose Selavy.<\/p>\n

Concludono il percorso espositivo la selezione dei lavori pi\u00f9 recenti, tra cui quelle sui Clown e sui Wrestler, soggetti molto popolari nella societ\u00e0 operaia inglese – con i quali l\u2019artista ci ricorda le proprie radici e la sua identificazione con le persone che vivono e lavorano ai margini \u2013 e gli acquerelli su carta Studies for \u2018Party\u2019 (2018), che raffigurano volti di bambini dietro una pioggia di coriandoli.\u00a0 Essi sono sorridenti, anche se a tratti malinconici, giovani e ingenui. L\u2019anziano artista \u00e8 attratto dalla loro giovinezza e ingenuit\u00e0 e si identifica con loro.\u00a0 Confida Blake al curatore Jonathan Watkins: “Forse questi dipinti parlano dell’invecchiamento e forse un po’ della mia infanzia”.<\/p>\n

La mostra sar\u00e0 accompagna da un catalogo (Silvana editoriale) che contiene le riproduzioni di tutte le opere in mostra e un saggio introduttivo di Jonathan Watkins.<\/p>\n

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Informazioni:
<\/strong>Mostra: Gallery Collection
Sede: Galleria Mucciaccia, Largo della Fontanella Borghese 89, Roma
Apertura al pubblico: 4 settembre \u2013 14 ottobre 2023<\/p>\n

Orari: luned\u00ec\u2013 sabato, 10.00 \u2013 19.30; domenica chiuso
Ingresso gratuito. T. +39 06 69923801 | roma@galleriamucciaccia.it| www.mucciaccia.com<\/p>\n

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INSTALLATION VIEWS<\/h2>\n

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WORKS<\/h2>\n

[\/et_pb_text][et_pb_divider color=”#c9c9c9″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”off|off|off” _builder_version=”4.23″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/10\/Peter-Blake-I-Love-you-2015.jpg” alt=”1- Priest Guns for the Elderly, 2023 Acrylic on canvas 150 x 150 cm” title_text=”Peter Blake, I Love you, 2015″ url=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/10\/Peter-Blake-I-Love-you-2015.jpg” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.19)” _builder_version=”4.23″ _module_preset=”default” height=”220px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.23″ _module_preset=”default” text_font_size=”12px” text_line_height=”1.3em” global_colors_info=”{}”]<\/p>\n

Peter Blake
I Love you<\/em>, 2015
mixed media on board
123.2 x 123.2 x 8.9 cm<\/p>\n

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Peter Blake
Joseph Cornell\u2019sHoliday \u2013 Italy, Rome. \u2018Street Market\u2019<\/em>, 2018
Collage on paper
88.5 x 87 cm<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/10\/Peter-Blake-Crowd-2014.jpg” alt=”Peter Blake Crowd, 2014 Cigar boxes, wood and found objects 51.5 x 75.5 x 64 cm” title_text=”Peter Blake Crowd, 2014 Cigar boxes, wood and found objects 51.5 x 75.5 x 64 cm” url=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/10\/Peter-Blake-Crowd-2014.jpg” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.19)” _builder_version=”4.23″ _module_preset=”default” height=”220px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.23″ _module_preset=”default” text_font_size=”12px” text_line_height=”1.3em” global_colors_info=”{}”]<\/p>\n

Peter Blake
Crowd<\/em>, 2014
Cigar boxes, wood and found objects
51.5 x 75.5 x 64 cm<\/p>\n

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PUBLICATIONS<\/h2>\n

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Published by SilvanaEditoriale<\/p>\n

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PUBLICATIONS<\/h2>\n

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Catalogue essays by
Barbara De Coninck
Sara Liuzzi
Dimitri Ozerkov
Melania Rossi<\/p>\n

Published by SilvanaEditoriale
September 2022<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|on” admin_label=”Header” module_id=”past_exhibitions” _builder_version=”4.22.2″ custom_margin=”0px||0px||false|false” custom_padding=”60px||0px||false|false” disabled=”on” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ use_custom_width=”on” width_unit=”off” custom_width_percent=”100%” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text module_class=”hyperlink-color-image” _builder_version=”4.19.5″ _module_preset=”default” header_2_font=”|||on|||||” header_2_font_size=”18px” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” header_2_font_size_tablet=”18px” header_2_font_size_phone=”18px” header_2_font_size_last_edited=”on|desktop” locked=”off” global_colors_info=”{}”]<\/p>\n

Mostre precedenti<\/h2>\n

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ALLEGORY OF CARITAS
(An Act of Love)
Jan Fabre<\/h1>\n

Curated by Melania Rossi
6 october – 15 december 2022<\/p>\n

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Jan Fabre, A spiritual space, 2022<\/em>, deep precious coral, pigment, polymers, 76,5 x 40,5 x 13 cm<\/p>\n

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La Galleria Mucciaccia presenta \u201cAllegory of Caritas (An Act of Love)\u201d, una mostra composta da nuove sculture in corallo rosso e inediti disegni di sangue di Jan Fabre, dal 6 ottobre al 15 dicembre 2022.<\/p>\n

Il progetto espositivo, a cura di Melania Rossi, vede la partecipazione anche della sede londinese della galleria, che dal 13 ottobre presenta una selezione di lavori appartenenti alla stessa serie.<\/p>\n

Il corpus di sculture in corallo rosso del Mediterraneo, concrezioni rosso fuoco che sembrano emerse direttamente dagli abissi della mente dell\u2019artista, \u00e8 un incontro poetico tra materia naturale e visionariet\u00e0 artistica.<\/p>\n

In mostra, teschi da vanitas, cuori anatomici, croci e oggetti liturgici ma anche lo Yin-Yang e il nodo d\u2019amore celtico, simboli legati alla solidariet\u00e0 e oggetti che ricordano credenze popolari o vicende personali dell\u2019artista.<\/p>\n

L\u2019aspetto di carne viva unisce le sculture ai disegni realizzati dall\u2019artista fiammingo con il suo stesso sangue, in cui l\u2019artista racconta gli albori dell\u2019esistenza umana attraverso le ecografie del figlio Django.<\/p>\n

La dolcezza di un sentimento intimo e personale diventa invito ad una riflessione sulla vulnerabilit\u00e0 e le necessit\u00e0 umane.<\/p>\n

Un antico legame unisce il sangue al corallo, di cui Ovidio nelle \u201cMetamorfosi\u201d racconta la nascita mitica dal sangue di Medusa. Anche nella forma del ramo corallino \u00e8 facile rintracciare una somiglianza con il reticolo dei vasi sanguigni.<\/p>\n

Nelle opere di Fabre, la lunga tradizione simbolica del corallo si unisce al concetto di \u201ccaritas\u201d, dal latino carus: diletto, amato. Un concetto presente in tutte le culture, religioni e filosofie da est a ovest del mondo.<\/p>\n

L\u2019arte \u00e8 il mezzo privilegiato per raffigurare la vita, la sua origine e il suo mistero, gli opposti e le armonie. In questa allegoria di Fabre, le tante storie e leggende del corallium rubrum si intrecciano nello spazio sconfinato dell\u2019immaginazione dell\u2019artista, dando vita ad opere vibranti che, come la materia naturale di cui sono fatte, appartengono al tempo eterno dell\u2019arte e della bellezza.<\/p>\n

L\u2019aspetto di carne viva unisce le sculture di corallo ai disegni di sangue, da cui emerge la dolcezza di un sentimento intimo e personale. L\u2019artista racconta gli albori dell\u2019esistenza attraverso le ecografie del figlio nascituro, invitando ad una riflessione sulle vulnerabilit\u00e0 e le necessit\u00e0 umane.<\/p>\n

L\u2019esperienza privata si fa universale nelle opere del maestro Fabre, che ci inducono a osservare le cose del mondo come aggregazioni di significati che risuonano tra loro, di storie che si tramandano e si fondono nel corso del tempo.<\/p>\n

La tensione presente nei suoi lavori e lo stupore che suscitano sono sempre infusi di una spiritualit\u00e0 che armonizza i contrasti.<\/p>\n

Come dice l\u2019artista: \u201cL\u2019arte \u00e8 come l\u2019amore, porta sempre ad una riconciliazione\u201d.<\/p>\n

La mostra \u00e8 corredata da catalogo edito da Silvana Editoriale con testi di Melania Rossi, Dimitri Ozerkov, Barbara De Coninck e Sara Liuzzi.<\/p>\n

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Ufficio Stampa mostra
<\/strong>Maria Bonmassar | +39 335 490311 | ufficiostampa@mariabonmassar.com<\/p>\n

INFORMAZIONI:
<\/strong>Mostra:\u00a0 ALLEGORY OF CARITAS (An Act of Love) Jan Fabre
Sede: Galleria Mucciaccia, Largo della Fontanella Borghese 89, Roma
Apertura al pubblico: 6 ottobre \u2013 15 dicembre 2022
Orari: luned\u00ec\u2013 sabato, 10.00 \u2013 19.30; domenica chiuso
Ingresso gratuito. T. +39 06 69923801 | roma@galleriamucciaccia.it| www.mucciaccia.com<\/p>\n

[\/et_pb_text][et_pb_divider _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|on” _builder_version=”4.19.4″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” disabled=”on” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2022\/12\/installation_jan_fabre_rm_1.jpg” alt=”Installation, Jan Fabre, Galleria Mucciaccia, Roma” title_text=”installation_jan_fabre_rm_1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.19)” align=”center” _builder_version=”4.19.3″ _module_preset=”default” height=”250px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2022\/12\/installation_jan_fabre_rm_2.jpg” alt=”Installation, Jan Fabre, Galleria Mucciaccia, Roma” title_text=”installation_jan_fabre_rm_2″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.19)” align=”center” _builder_version=”4.19.3″ _module_preset=”default” height=”250px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2022\/12\/installation_jan_fabre_rm_3.jpg” alt=”Installation, Jan Fabre, Galleria Mucciaccia, Roma” title_text=”installation_jan_fabre_rm_3″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.19)” align=”center” _builder_version=”4.19.3″ _module_preset=”default” height=”250px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|on” _builder_version=”4.16″ _module_preset=”default” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” disabled=”on” global_colors_info=”{}”][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2021\/05\/Annie_Morris_stack_2021.jpg” alt=”Annie Morris Stack 8, Ultramarine Blue, 2021″ title_text=”Annie Morris Stack 8, Ultramarine Blue, 2021″ show_in_lightbox=”on” align=”center” _builder_version=”4.16″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font_size=”9px” text_orientation=”center” custom_margin=”-10px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”]Annie Morris Stack 8<\/em>, Ultramarine Blue<\/em>, 2021, Foam core, pigment, concrete, steel, plaster, sand. Overall Height with base: 224cm; Overall Height without base: 217cm[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2021\/05\/Batchelor_colour-chart-58_credit-Lucy-Dawkins.jpg” alt=”David Batchelor Inter-Concreto 14, 2019″ title_text=”David Batchelor Inter-Concreto 14, 2019″ show_in_lightbox=”on” align=”center” _builder_version=”4.16″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font_size=”9px” text_orientation=”center” custom_margin=”-10px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”]David Batchelor Colour Chart 58 (red)<\/em>, 30.10.12, 2021, Gloss and matt paint on, Dibond, 240×190 cm, 94 1\/2 x 43 3\/4 in (Credit\u00a0 Lucy Dawkins)[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2021\/05\/Batchelor_inter-concreto-14_credit-Angus-Mill.jpg” alt=”David Batchelor Inter-Concreto 14, 2019″ title_text=”David Batchelor Inter-Concreto 14, 2019″ show_in_lightbox=”on” align=”center” disabled_on=”off|off|off” _builder_version=”4.16″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font_size=”9px” text_orientation=”center” custom_margin=”-10px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”]David Batchelor Inter-Concreto 14<\/em>, 2019, Acrylic and concrete, 99 x 21.3 x 6 cm, 39 x 8 3\/8 x 2 3\/8 in (credit Angus Mill)[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2021\/05\/Davenport-_Brilliant-Purple-Cobalt-Blue-After-Bonnard-2020.jpg” alt=”Ian Davenport, Cobalt Blue\/ Dioxazine Purple – Green, Hue (After Bonnard), 2020″ title_text=”Ian Davenport, Cobalt Blue\/ Dioxazine Purple – Green, Hue (After Bonnard), 2020″ show_in_lightbox=”on” align=”center” _builder_version=”4.16″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font_size=”9px” text_orientation=”center” custom_margin=”-10px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”]Ian Davenport, Cobalt Blue\/ Dioxazine Purple – Green, Hue (After Bonnard)<\/em>, 2020, Acrylic on aluminium mounted on aluminium panel, 162.7 x 132.3 cm, 64 1\/8 x 52 1\/8 in[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2021\/05\/Davenport_push_back_2021.jpg” alt=”Ian Davenport, Push Back, 2021″ title_text=”Ian Davenport, Push Back, 2021″ show_in_lightbox=”on” align=”center” _builder_version=”4.16″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font_size=”9px” text_orientation=”center” custom_margin=”-10px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”]Ian Davenport, Push Back<\/em>, 2021, Acrylic on aluminium mounted onto aluminium panel 60 x 50 cm, 23 5\/8 x 19 3\/4 in[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2021\/05\/Jim_Lambie_Zobop.jpg” alt=”Jim Lambie, Zobop (Colour-Chrome), 2019″ title_text=”Jim Lambie, Zobop (Colour-Chrome), 2019″ show_in_lightbox=”on” align=”center” disabled_on=”off|off|off” _builder_version=”4.16″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font_size=”9px” text_orientation=”center” custom_margin=”-10px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”]Jim Lambie, Zobop (Colour-Chrome)<\/em>, 2019
\nVinili chrome e colorati \/ Coloured and chrome vinyl. Dimensioni variabili \/ Variable dimensions. Edizione \/ Edition 2 di \/ of 3 plus 1 ap.[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2021\/05\/Fiona_Rae-_Abstract_14.jpg” alt=”Fiona Rae, Abstract 14, 2020″ title_text=”Fiona Rae, Abstract 14, 2020″ show_in_lightbox=”on” align=”center” _builder_version=”4.16″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font_size=”9px” text_orientation=”center” custom_margin=”-10px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”]Fiona Rae, Abstract 14<\/em>, 2020, Oil and acrylic on canvas, 213.4 x 175.3 cm[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2021\/05\/Fiona_Rae-_Abstract_15.jpg” alt=”Fiona Rae Abstract 15, 2020″ title_text=”Fiona Rae Abstract 15, 2020″ show_in_lightbox=”on” align=”center” _builder_version=”4.16″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font_size=”9px” text_orientation=”center” custom_margin=”-10px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”]Fiona Rae, Abstract 15<\/em>, 2020, Oil and acrylic on canvas,\u00a0213.5 x 175 cm, 84 x 69 in[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2021\/05\/Goetz_Figurine-in-The-Light_2016_70x55.jpg” alt=”Lothar G\u00f6tz, Figurine – In the light, 2016″ title_text=”Lothar G\u00f6tz, Figurine – In the light, 2016″ show_in_lightbox=”on” align=”center” disabled_on=”off|off|off” _builder_version=”4.16″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font_size=”9px” text_orientation=”center” custom_margin=”-10px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”]Lothar G\u00f6tz, Figurine – In the light<\/em>, 2016, Acrylic, pencil on linen, 70 x 55 x 3 cm, 27 1\/2 x 21 5\/8 x 1 1\/8 in[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2021\/05\/Goetz_wall.jpg” alt=”Goetz wall” title_text=”Goetz_wall” show_in_lightbox=”on” align=”center” _builder_version=”4.16″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font_size=”9px” text_orientation=”center” custom_margin=”-10px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”]Lothar G\u00f6tz, Beyond<\/em>, 2021, 315 x 475 cm, 124 1\/8 x 187 1\/8 in[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|on” admin_label=”Header” _builder_version=”4.16″ background_enable_image=”off” background_size=”initial” background_repeat=”repeat” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” disabled=”on” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ use_custom_width=”on” width_unit=”off” custom_width_percent=”100%” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font=”||||||||” header_font=”||||||||” header_2_font=”|500|||||||” header_2_font_size=”40px” header_3_font=”|700||on|||||” header_3_text_color=”rgba(0,0,0,0.35)” header_3_font_size=”12px” header_3_letter_spacing=”5px” header_3_line_height=”2em” transform_translate_linked=”off” text_orientation=”center” max_width=”700px” module_alignment=”center” scroll_scaling_enable=”on” header_2_font_size_tablet=”40px” header_2_font_size_phone=”26px” header_2_font_size_last_edited=”on|desktop” text_text_align=”center” global_colors_info=”{}”]<\/p>\n

About the artist<\/h2>\n

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Born in 1957 in Greensboro, North Carolina. Lives and works in New York.
\nHolliday began as a student at the San Francisco Art Institute and later went on to perfect his techniques at The New York Studio School and The School of Visual Arts in New York. A Painter and performance artist connected to the Neo Abstract and Neo Expressionist Movement, Holliday reaches fame in New York during the 1970s and 1980s, is often associated with the East Village art scene and the Club 57.
\nIn the early years of his career as an artist, he worked closely with Andy Warhol, Keith Haring, Ann Magnuson and Kenny Scharf.
\nFrank Holliday has exhibited with the Kenny Schacter and Tony Shafrazi Galleries and has solo exhibitions at Debs & Co., Tom Cugliani Gallery, The Kitchen, GAL Gallery, and Mucciaccia Gallery Singapore.
\nHe participates in numerous group exhibitions at prestigious New York spaces such as The Arts Club, Derek Eller, White Columns, Sandra Gering Gallery, Amy Lipton Gallery, Elizabeth Dee, Barbara Toll Fine Art, Lennon Weinberg, PS1, and the Club 57 with Keith Haring.
\nHis work receives critical acclaim and is the subject of reviews written by Holland Cotter and Stephen Westfall in Art in America, Gluek Grace and Ken Johnson for The New York Times, and Bill Arning for the Village Voice.
\nHolliday is included in the Heiner Friedrich collection as well as numerous important private collections worldwide in the United States, Europe, Japan, Australia and Mexico.
\nHis works are also found in prestigious museum collections such as Moma New York; The Weatherspoon Museum at The University of North Carolina at Greensboro; The Museum Frederick Russe of Stockholm; the Miniature Museum of Amsterdam.
\nHe is awarded the National Endowment for the Arts in 1986, the Gottlieb Foundation Fellowship in 2010, the Pollock Krasner Foundation Fellowship in 2010 and the John Simon Guggenheim Memorial Foundation in 2015.
\nHis most recent exhibitions include\u00a0Frank Holliday<\/em>, Museo Bilotti, Vila Borghese, Rome, Italy (2019) and\u00a0Club 57: Film, Performance, and Art in the East Village, 1978\u20131983<\/em>, MoMa in New York (2017-2018).<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|on” admin_label=”Header” _builder_version=”4.16″ background_enable_image=”off” background_size=”initial” background_repeat=”repeat” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” disabled=”on” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” use_custom_width=”on” width_unit=”off” custom_width_percent=”100%” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font=”||||||||” header_font=”||||||||” header_2_font=”|500|||||||” header_2_font_size=”40px” header_3_font=”|700||on|||||” header_3_text_color=”rgba(0,0,0,0.35)” header_3_font_size=”12px” header_3_letter_spacing=”5px” header_3_line_height=”2em” transform_translate_linked=”off” text_orientation=”center” max_width=”700px” max_width_tablet=”70%” max_width_last_edited=”off|phone” module_alignment=”center” scroll_scaling_enable=”on” header_2_font_size_tablet=”40px” header_2_font_size_phone=”26px” header_2_font_size_last_edited=”on|desktop” header_3_font_size_phone=”10px” header_3_font_size_last_edited=”off|desktop” module_alignment_last_edited=”off|desktop” text_text_align=”center” global_colors_info=”{}”]<\/p>\n

Viewing Room<\/h2>\n

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