[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.19.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_2,1_2″ use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.19.2″ _module_preset=”default” width=”100%” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.19.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” text_text_color=”#999999″ text_line_height=”2.2em” custom_padding=”||40px||false|false” custom_padding_tablet=”||40px||false|false” custom_padding_phone=”||40px||false|false” custom_padding_last_edited=”on|desktop” hover_enabled=”0″ text_font_size_tablet=”” text_font_size_phone=”14px” text_font_size_last_edited=”on|phone” text_line_height_tablet=”2.2em” text_line_height_phone=”1.4em” text_line_height_last_edited=”on|phone” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n
Tom Sanford was born in 1975 in Bronxville (New York, USA). He holds a BA from Columbia University, and a MFA from Hunter College. He lives and works in New York.<\/p>\n
His research and reference points accumulate from a\u00a0melting pot<\/em>\u00a0of sources ranging from the Renaissance, the Dutch Golden Age, 19th-century Salon paintings, Pop Art and Pop-Surrealism all the way to graphics more commonly associated with political cartoons, advertising signage, Hollywood tabloids, and gas-station novelties.<\/p>\n He paints within the established tradition of still life and portraits, though he employs contemporary references as his subject matter. His still lifes depict \u2013 above all \u2013 beer, but also pizza boxes and hard liquor in large quantities. His portraits focus on various forms of humanity\u2013villains and victims, as well as the tragedies and triumphs of the moment.<\/p>\n The artist draws inspiration from today\u2019s world:\u00a0\u201cI am interested in history, but I work in a post-historical period. I make paintings about the time I live in. \u2013 Tom Sanford says-. The media is my muse, I paint by the light of my computer. I make paintings about the things that interest me. I wish I had time to paint more things, but art is slow and the world is fast.\u201d<\/em><\/p>\n His works are in museums and galleries all around the globe, and he had solo exhibitions in galleries such Gallery Poulsen (Copenhagen), Kravets Wehby Gallery (NYC), Galleri SE (Bergen), Gitler & ___ (NYC), Leo Koenig Inc. (NYC), Galleri Faurschou (Copenhagen), BravinLee Programs (NYC), and Gallery ZIdane (Lussemburgo) among the others, and in numerous collective exhibitions. Sanford is part of the Aftermodernism artistic movement founded by the collector Hubert Neumann. In October 2020, he exhibited at Mucciaccia Contemporary in Rome in the\u00a0Aftermodernism Chapter 2 Benjamin Edwards Tom Sanford<\/em>\u00a0show, curated by Cesare Biasini Selvaggi.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.19.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9mZWF0dXJlZF9pbWFnZSIsInNldHRpbmdzIjp7fX0=@” align=”center” _builder_version=”4.19.2″ _dynamic_attributes=”src” _module_preset=”default” height=”280px” filter_saturate=”0%” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.22.2″ _module_preset=”default” text_text_color=”#999999″ text_line_height=”2.2em” header_3_text_color=”#919191″ custom_padding=”||40px||false|false” custom_padding_tablet=”||40px||false|false” custom_padding_phone=”||40px||false|false” custom_padding_last_edited=”on|desktop” text_font_size_tablet=”” text_font_size_phone=”14px” text_font_size_last_edited=”on|phone” text_line_height_tablet=”2.2em” text_line_height_phone=”1.4em” text_line_height_last_edited=”on|phone” border_width_bottom=”1px” border_color_bottom=”#dbdbdb” global_colors_info=”{}”]<\/p>\n 2018<\/p>\n Have you seen this Man?<\/em>, Gitler &____, Harlem, New York, United States of America<\/p>\n Triad (with James Busby and Christian Schumann)<\/em>, Neumann Wolfson Art, New York, United States of America<\/p>\n 2017<\/p>\n Greetings From Harlem<\/em>, The Palm Tree Gallery, London, England<\/p>\n 2015<\/p>\n What\u2019s Good in the \u2018Hood, Gitler&____<\/em>, Harlem, New York, United States of America<\/p>\n The Rape of the Masters<\/em>, Gallerie s.e, Bergen, Norway<\/p>\n 2014<\/p>\n The Lifes of the Artists<\/em>, Gallery Poulsen, Copenhagen, Denmark<\/p>\n 2013<\/p>\n Caf\u00e9 des Artistes<\/em>, Kravets\/Wehby Gallery, New York, United States of America<\/p>\n 2012<\/p>\n 100 Little Deaths<\/em>, BravinLee Programs,\u00a0New York, United States of America<\/p>\n The Saints of the Lower East Side<\/em>, curated by Keith Schweitzer, ArtUp, FABnyc,\u00a0New York, United States of America<\/p>\n 2011<\/p>\n CLASH<\/em>, curated by Erna Hecey, Gallery Zidoun, Luxembourg<\/p>\n The Decline of Western Civilization (part 3)<\/em>, Gallery Poulsen, Copenhagen, Denmark<\/p>\n POWHIDA<\/em>, collaboration with William Powhida, Marlborough Chelsea, New York, United States of America<\/p>\n 2008<\/p>\n Mr. Hangover\u00a0Leo Koenig Inc.<\/em>, New York, United States of America<\/p>\n 2007<\/p>\n Bad Religion<\/em>,\u00a0Galleri Faurschou, Copenhagen, Denmark<\/p>\n 2006<\/p>\n I will Fukn Rob Your White Ass<\/em>,\u00a0Leo Koenig Inc., New York, United States of America<\/p>\n 2005<\/p>\n The Life and Times of TomPAC<\/em>,\u00a0Galleri Faurschou, Copenhagen, Denmark<\/p>\n 2004<\/p>\n TomPAC<\/em>, Western Projects, Los Angeles, California, United States of America<\/p>\n 2003<\/p>\n Bling<\/em>, 31 Grand, Brooklyn, New York, United States of America<\/p>\n Keepin\u2019 it Gangsta, Keepin\u2019 it Global<\/em>, Tomoya Saito Gallery, Tokyo, Japan<\/p>\n<\/div>\n<\/div>\n [\/et_pb_text][et_pb_text _builder_version=”4.24.2″ _module_preset=”default” text_text_color=”#999999″ text_line_height=”2.2em” header_3_text_color=”#919191″ custom_padding=”||40px||false|false” custom_padding_tablet=”||40px||false|false” custom_padding_phone=”||40px||false|false” custom_padding_last_edited=”on|desktop” text_font_size_tablet=”” text_font_size_phone=”14px” text_font_size_last_edited=”on|phone” text_line_height_tablet=”2.2em” text_line_height_phone=”1.4em” text_line_height_last_edited=”on|phone” border_color_bottom=”#dbdbdb” locked=”off” global_colors_info=”{}”]<\/p>\n 2020<\/p>\n Aftermoderism Chapter 2, Benjamin Edwards and Tom Sanford<\/em>, curated by Cesare Biasini Selvaggi, Mucciaccia Contemporary, Rome, Italy<\/p>\n 2017<\/p>\n Birds of America,\u00a0EXPLORATIONS OF AUDUBON: THE PAINTINGS OF LARRY RIVERS AND OTHERS<\/em>, 101\/Exhibit, Los Angeles, California, United States of America<\/p>\n 2016<\/p>\n The Election Collection<\/em>, Gallerie s.e, Bergen, Norway<\/p>\n The Oasis, Gitler&___<\/em>, Harlem, New York, Unites States of America<\/p>\n Poulsen\u2019s Fifteen<\/em>, Gallery Poulsen, Copenhagen, Denmark<\/p>\n The Four Sons<\/em>, Gitler&____, Harlem,\u00a0New York, Unites States of America<\/p>\n Sensorium<\/em>,\u00a0Kravets\/Wehby Gallery,\u00a0New York, Unites States of America<\/p>\n 2015<\/p>\n The Hunt of the Unicorn<\/em>, Gitler&_______, Harlem,\u00a0New York, Unites States of America<\/p>\n The Copenhagen Interpretation (part 2)<\/em>, Gallery Poulsen, Copenhagen, Denmark<\/p>\n The Copenhagen Interpretation<\/em>, The Lodge Gallery,\u00a0New York, Unites States of America<\/p>\n 2014<\/p>\n Natural Enemies<\/em>, curated by Elizabeth Saperstein, Pelham Art Center, New York<\/p>\n Exquisite Corpse<\/em>, curated by Amir H. Fallah, Mass Gallery, Austin, Texas<\/p>\n Django<\/em>, curated by Rene Holm, Galleri Franz Pedersen, Denmark<\/p>\n 2013<\/p>\n Seveth-Inning Stretch<\/em>, curated by Carlo McCormick & Eric Firestone, Eric Firestone Gallery, East Hampton, New York<\/p>\n Aftermodernism<\/em>, curated by Hubert Neumann, The Nassau County Museum of Art, Long Island,\u00a0New York, Unites States of America<\/p>\n Hello Nasty<\/em>, curated by Chris Bors, Cindy Rucker Gallery,\u00a0New York, Unites States of America<\/p>\n The Wild Bunch<\/em>, Gallery Poulsen, Copenhagen, Denmark<\/p>\n Die Wunderkammer<\/em>, curated by Keith Schweitzer and Jason Patrick Voegele,\u00a0The Lodge,\u00a0New York, Unites States of America<\/p>\n Weird World<\/em>, (with Don Porcello & Toru Ishii),\u00a0ISE Cultural Foundation,\u00a0New York, Unites States of America<\/p>\n How Much Do I Owe You<\/em>?, curated by Manon Slome & No Longer Empty,\u00a0New York, United States of America<\/p>\n About Face<\/em>, curated by Daniel Weinberg, ACME gallery, Los Angeles<\/p>\n Double Dirty Dozen, Frieght + Volume Gallery<\/em>,\u00a0New York, United States of America<\/p>\n It\u2019s Hard to Leave When You Can\u2019t Find the Door<\/em>, LaMontagne Gallery, Boston<\/p>\n Disorder<\/em>, Kravets\/Wehby Gallery,\u00a0New York, United States of America<\/p>\n Come and Get It!<\/em>, Herdershot Gallery, New York, United States of America<\/p>\n The Wicked Twins: Fame and Notoriety<\/em>, Paul Robeson Galleries, Rutgers University, Newark, New Jersey<\/p>\n Drawn To You<\/em>, Gallery Poulsen, Copenhagen, Denmark<\/p>\n Good Intentions<\/em>, Hezi Cohen Gallery, Tel Aviv, Israel<\/p>\n MIE: A Portrait by 35 Artists<\/em>, Curated by Nick Lawrence and Mie Iwatsuki, Frieght +Volume, New York City<\/p>\n 2011<\/p>\n From Where You Just Arrived<\/em>, organized by Ryan Schneider & Jonas Wood, Pepin Moore, Los Angeles<\/p>\n Die Like You Really Mean It<\/em>, curated by Frank Webster & Paul Brainard, Allegra LaViola Gallery,\u00a0New York, United States of America<\/p>\n MAKE Skateboards<\/em>, curated by Scott Ogden, i-20 Gallery,\u00a0New York, United States of America<\/p>\n Bitches Brew (New Art from New York 2)<\/em>, Gallery Poulsen, Copenhagen, Denmark<\/p>\n SICK!<\/em>, curated by Meghan Carleton and Max Wolf,\u00a0Misc.,\u00a0New York, United States of America<\/p>\n Pornucopia<\/em>, Allegra LaViola Gallery,\u00a0New York, United States of America<\/p>\n Battle of the Brush<\/em>, curated by Alex Glauber, Bryant Park,\u00a0New York, United States of America<\/p>\n 2010<\/p>\n Xmas Show<\/em>, Gallery Poulsen, Copenhagen, Denmark<\/p>\n Three Amigos: Tom Sanford, Eric White & Nicola Verlota<\/em>, Galleri S.E., Bergen, Norway<\/p>\n RUN AND TELL THAT!: New Work from New York<\/em>, curated by Eric Gleason and David Prince, SUart Galleries, Syracuse University,\u00a0New York, United States of America<\/p>\n The Incomplete \u2013 Paris<\/em>, curated by Hubert Neumann, GALERIE JEAN-LUC+TAKAKO RICHARD, Paris, France<\/p>\n 50 Ways to Keep Your Lover, Galleri S.E., Bergen, Norway.<\/p>\n BIG PICTURE<\/em>, Priska C. Juschka Fine Art,\u00a0New York, United States of America<\/p>\n Irascible Assholes<\/em>, Gallery Poulsen, Copenhagen, Denmark<\/p>\n Currents \u2013 Benjamin Edwards, Jessica Jackson Hutchins & Tom Sanford<\/em>, Nassau County Museum of Art, Long Island,\u00a0New York, United States of America<\/p>\n BUSHWICK SCHLACHT<\/em>, curated by Guillermo Creus<\/p>\n The Antidote<\/em>,\u00a0Claire Oliver Fine Art,\u00a0New York, United States of America<\/p>\n Never Can Say Goodbye<\/em>,\u00a0Tower Record\/No Longer Empty,\u00a0New York, United States of America<\/p>\n 2009<\/p>\n TOO BIG TO FAIL<\/em>,\u00a0NADA\/LaMontagne Gallery, 375 Flatbush, Brooklyn,\u00a0New York, United States of America<\/p>\n No Longer Empty 3<\/em>,\u00a0The Invisible Dog, Brooklyn,\u00a0New York, United States of America<\/p>\n Low Blow: And Other Species of Confusion<\/em>,\u00a0Stux Gallery, New York, United States of America<\/p>\n Summer Exhibition<\/em>, Marlborough Gallery,\u00a0New York, United States of America<\/p>\n Luxus \u2013 Ruhe \u2013 Wollust. Arbeiten auf Papier<\/em>, Galerie Michael Schultz, Berlin<\/p>\n 2008<\/p>\n In Your Face<\/em>, Buia Gallery,\u00a0New York, United States of America<\/p>\n The Main Event<\/em>, Schroeder Romero,\u00a0New York, United States of America<\/p>\n Leisure Suite<\/em>, curated by Martin Basher, Neiman Center, Columbia University,\u00a0New York, United States of America<\/p>\n Accrochage<\/em>, Galleri Faurschou, Copenhagen, Denmark<\/p>\n 2007<\/p>\n No New Tale To Tell\u2026.<\/em>,31 GRAND, Brooklyn,\u00a0New York, United States of America<\/p>\n The Incomplete<\/em>, curated by Hubert Neumann, Chelsea Art Museum,\u00a0New York, United States of America<\/p>\n Heroes\u2026Like us?<\/em>, Palazzo delle Arti, Naples, Italy<\/p>\n Dangerous Beauty<\/em>, Chelsea Art Museum,\u00a0New York, United States of America<\/p>\n 2006<\/p>\n Reflections (20 Year Anniversary)<\/em>, Galleri Faurschou, Copenhagen, Denmark 2005<\/p>\n Star-Star: Toward the Center of Attention<\/em>,\u00a0Contemporary Arts Center, Cincinnati, Ohio, United States of America<\/p>\n Self Preservation Society<\/em>, Leo Koenig Inc., New York, United States of America<\/p>\n Leaving Cockaigne<\/em>, Leo Koenig Inc.,\u00a0New York, United States of America<\/p>\n 2004<\/p>\n The Beautiful Ones<\/em>, 31 GRAND, Brooklyn,\u00a0New York, United States of America<\/p>\n Rowdy Remix<\/em>, ATM Gallery, New York, United States of America<\/p>\n Super Salon<\/em>,\u00a0Samson Projects, Boston, Massachusetts, United States of America<\/p>\n 2002<\/p>\n Derivative<\/em>, curated by Sarah Rosenbaum, Bingo Hall, Brooklyn,\u00a0New York, United States of America<\/p>\n Enough About Me<\/em>, curated by Deborah Kass,\u00a0Momenta, Brooklyn,\u00a0New York, United States of America<\/p>\n 2001<\/p>\n EyeSaw<\/em>, Ledeco Gallery, Tokyo, Japan<\/p>\n 1999<\/p>\n Size Matters<\/em>,\u00a0Gale Gates et al., Brooklyn,\u00a0New York, United States of America<\/p>\n The Road Show<\/em>, curated by Mike Wiess, dfn Gallery,\u00a0New York, United States of America<\/p>\n 1998<\/p>\n Surfing the Surface<\/em>, dfn Gallery,\u00a0New York, United States of America<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][et_pb_text disabled_on=”on|on|on” _builder_version=”4.22.2″ _module_preset=”default” text_text_color=”#999999″ text_line_height=”2.2em” header_3_text_color=”#919191″ custom_padding=”||40px||false|false” custom_padding_tablet=”||40px||false|false” custom_padding_phone=”||40px||false|false” custom_padding_last_edited=”on|desktop” text_font_size_tablet=”” text_font_size_phone=”14px” text_font_size_last_edited=”on|phone” text_line_height_tablet=”2.2em” text_line_height_phone=”1.4em” text_line_height_last_edited=”on|phone” border_width_bottom=”1px” border_color_bottom=”#dbdbdb” disabled=”on” locked=”off” global_colors_info=”{}”]<\/p>\n Fidelity Investments, Boston and London [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ module_id=”works” _builder_version=”4.19.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”60px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”hyperlink-color-image” _builder_version=”4.19.2″ _module_preset=”default” header_2_font_size=”18px” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” header_2_font_size_tablet=”18px” header_2_font_size_phone=”18px” header_2_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_divider color=”#c9c9c9″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”0px||||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/10\/Tom-Sanford-A-Bird-in-the-Hand-is-Beats-Two-in-the-Hole-2017-acrilico-su-tela-100.5-x-149.5-cm-scaled-1.jpeg” alt=”Tom Sanford, A Bird in the Hand is Beats Two in the Hole, 2017, acrylic on canvas, 100.5×149.5 cm” title_text=”Tom Sanford, A Bird in the Hand is Beats Two in the Hole, 2017, acrylic on canvas, 100.5×149.5 cm” url=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/10\/Tom-Sanford-A-Bird-in-the-Hand-is-Beats-Two-in-the-Hole-2017-acrilico-su-tela-100.5-x-149.5-cm-scaled-1.jpeg” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.27)” align=”center” _builder_version=”4.22.2″ _module_preset=”default” height=”220px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” scroll_fade_enable=”on” motion_trigger_start=”top” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.22.2″ _module_preset=”default” text_font_size=”9px” text_orientation=”center” custom_margin=”-10px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”]<\/p>\n Tom Sanford, A Bird in the Hand is Beats Two in the Hole<\/em>, 2017, acrylic on canvas, 100.5×149.5 cm<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/10\/Tom-Sanford-Uptown-Local-2018-2019-acrilico-su-tela-180-\u00d7-180-\u00d7-4-cm-scaled-1.jpeg” alt=”Tom Sanford, Uptown Local, 2018-2019, acrylic on canvas, 180\u00d7180\u00d74 cm” title_text=”Tom Sanford, Uptown Local, 2018-2019, acrylic on canvas, 180\u00d7180\u00d74 cm” url=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/10\/Tom-Sanford-Uptown-Local-2018-2019-acrilico-su-tela-180-\u00d7-180-\u00d7-4-cm-scaled-1.jpeg” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.27)” align=”center” _builder_version=”4.22.2″ _module_preset=”default” height=”220px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” scroll_fade_enable=”on” motion_trigger_start=”top” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.22.2″ _module_preset=”default” text_font_size=”9px” text_orientation=”center” custom_margin=”-10px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”]<\/p>\n Tom Sanford, Uptown Local<\/em>, 2018-2019, acrylic on canvas, 180\u00d7180\u00d74 cm<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|on” module_id=”exhibitions” _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”60px||0px||false|false” disabled=”on” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”hyperlink-color-image” _builder_version=”4.19.2″ _module_preset=”default” header_2_font_size=”18px” custom_margin=”||0px||false|false” 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custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px|0px|false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”]2018<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.19.4″ _module_preset=”default” custom_padding=”||80px||false|false” link_option_url=”https:\/\/mucciaccia.com\/italian-passion-1956\/” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2017\/10\/Piero-Manzoni-Achrome-1958-Kaolin-on-painted-canvas-55-x-40-cm.jpg” alt=”Piero Manzoni, Achrome, 1958, Kaolin on painted canvas, 55 x 40 cm” title_text=”Piero Manzoni, Achrome, 1958, Kaolin on painted canvas, 55 x 40 cm” align=”center” _builder_version=”4.19.4″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” 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_builder_version=”4.22.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” disabled=”on” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_3,1_3,1_3″ make_equal=”on” _builder_version=”4.19.4″ _module_preset=”default” width=”100%” custom_margin=”0px||||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.19.4″ _module_preset=”default” custom_padding=”||80px||false|false” link_option_url=”https:\/\/mucciaccia.com\/milky-way-the-luminous-galaxy-of-the-20th-century\/” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2015\/06\/piccolissima-per-CS-capri-certosa-jpg.jpg” alt=”VIA LATTEA. La Galassia Luminosa del Novecento” title_text=”via-lattea” align=”center” _builder_version=”4.19.4″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px|0px|false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”]2020<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.19.4″ _module_preset=”default” custom_padding=”||80px||false|false” link_option_url=”https:\/\/mucciaccia.com\/chef-doeuvre-artist-between-xx-and-xxi-centuries\/” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2015\/06\/cm-120x-120-2015.jpg” alt=”Cristiano Pintaldi – galleriamucciaccia.com” title_text=”Cristiano Pintaldi, untitled, cm 120×120, 2015″ align=”center” _builder_version=”4.19.4″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px|0px|false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”]2020<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.19.4″ _module_preset=”default” custom_padding=”||80px||false|false” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|on” module_id=”publications” _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”60px||0px||false|false” disabled=”on” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”hyperlink-color-image” _builder_version=”4.19.2″ _module_preset=”default” header_2_font_size=”18px” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” header_2_font_size_tablet=”18px” header_2_font_size_phone=”18px” header_2_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_divider color=”#c9c9c9″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|on” _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” disabled=”on” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ make_equal=”on” _builder_version=”4.19.2″ _module_preset=”default” width=”100%” custom_margin=”0px||||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.19.2″ _module_preset=”default” custom_padding=”||80px||false|false” link_option_url=”https:\/\/mucciaccia.com\/product\/carla-accardi-exhibition-catalogue-senza-passato\/” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2017\/07\/CAccardi-EC.jpg” alt=”Carla Accardi Exhibition Catalogue” title_text=”Accardi Exhibition Catalogue” align=”center” _builder_version=”4.19.3″ _module_preset=”default” module_alignment=”center” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.19.2″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.19.2″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”1.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px|0px|false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”]Exhibition Catalogue, edited by Fabrizio D\u2019amicoSelected Solo Exhibitions<\/h3>\n<\/div>\n<\/div>\n
Selected Group Exhibitions<\/h2>\n<\/div>\n<\/div>\n
Celebrity, Sixtyseven Gallery,\u00a0New York, United States of America<\/p>\nPublic Collections<\/h3>\n
Arts Council Collection, Hayward Gallery, London
Goldman Sachs Collection, London
Kupferstichkabinett of the National Gallery of Berlin, Berlina
Royal Bank of Scotland Group Art Collection, London
San Diego Museum of Contemporary Art, San Diego, USA
The Government Art Collection, London<\/p>\nWORKS<\/h2>\n
EXHIBITIONS<\/h2>\n
ART WONDERS OF THE XX CENTURY<\/h4>\n
LONDON<\/h6>\n
ITALIAN PASSION FROM 1956<\/h4>\n
LONDON<\/h6>\n
HARMONIES AND DISCREPANCIES
\nPaths in the Italian art between the twentieth and the twenty-first century<\/h4>\nSINGAPORE<\/h6>\n
MILKY WAY.
\nThe Luminous Galaxy of the 20th Century<\/h4>\nSINGAPORE<\/h6>\n
CHEF D\u2019OEUVRE
\nArtist between XX and XXI centuries<\/h4>\nLONDON<\/h6>\n
PUBLICATIONS<\/h2>\n
Carla Accardi \u2013 Senza passato<\/h4>\n
\nPublished by Carlo cambi Editore
\n2017
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