{"id":22795,"date":"2023-10-03T13:11:43","date_gmt":"2023-10-03T12:11:43","guid":{"rendered":"https:\/\/mucciaccia.com\/?p=22795"},"modified":"2025-11-09T12:49:07","modified_gmt":"2025-11-09T11:49:07","slug":"justin-samson","status":"publish","type":"post","link":"https:\/\/mucciaccia.com\/en\/justin-samson\/","title":{"rendered":"Justin Samson"},"content":{"rendered":"

[et_pb_section fb_built=”1″ admin_label=”Artist new head” _builder_version=”4.19.2″ _module_preset=”default” custom_margin=”0px||||false|false” custom_padding=”0px||40px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_2,1_2″ module_id=”overview” _builder_version=”4.19.1″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.19.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.22.2″ _dynamic_attributes=”content” _module_preset=”default” header_font=”|||on|||||” header_font_size=”26px” custom_margin=”0px||0px||false|false” custom_padding=”0px|20px|0px||false|false” custom_css_main_element=”display: inline-block;” global_colors_info=”{}”]@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF90aXRsZSIsInNldHRpbmdzIjp7ImJlZm9yZSI6IjxoMT4iLCJhZnRlciI6IjwvaDE+In19@[\/et_pb_text][et_pb_text _builder_version=”4.19.1″ _dynamic_attributes=”content” _module_preset=”default” module_alignment=”left” custom_margin=”0px||0px||false|false” custom_padding=”0px|4px|0px|4px|false|false” custom_css_main_element=”display: inline-block;” global_colors_info=”{}”]@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoiY3VzdG9tX21ldGFfbmF0aW9uYWxpdHkiLCJzZXR0aW5ncyI6eyJiZWZvcmUiOiIiLCJhZnRlciI6IiIsImVuYWJsZV9odG1sIjoib2ZmIn19@[\/et_pb_text][et_pb_text _builder_version=”4.19.1″ _dynamic_attributes=”content” _module_preset=”default” module_alignment=”left” custom_margin=”0px||0px||false|false” custom_padding=”0px|4px|0px|4px|false|false” custom_css_main_element=”display: inline-block;” global_colors_info=”{}”]@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoiY3VzdG9tX21ldGFfZGF0ZSIsInNldHRpbmdzIjp7ImJlZm9yZSI6IiIsImFmdGVyIjoiIiwiZW5hYmxlX2h0bWwiOiJvZmYifX0=@[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.19.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_text disabled_on=”on|on|on” _builder_version=”4.24.2″ _module_preset=”default” text_text_color=”#000000″ text_font_size=”12px” text_letter_spacing=”2px” link_text_color=”#939393″ text_orientation=”center” text_text_color_tablet=”#000000″ text_text_color_phone=”#000000″ text_text_color_last_edited=”on|desktop” text_letter_spacing_tablet=”2px” text_letter_spacing_phone=”0px” text_letter_spacing_last_edited=”on|desktop” link_font_tablet=”” link_font_phone=”” link_font_last_edited=”on|desktop” disabled=”on” global_colors_info=”{}”]<\/p>\n

OVERVIEW<\/a>\u00a0 \u00a0WORKS<\/a>\u00a0 \u00a0EXHIBITIONS<\/a>\u00a0 \u00a0PUBLICATIONS<\/a><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.19.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_2,1_2″ use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.19.2″ _module_preset=”default” width=”100%” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.19.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” text_text_color=”#999999″ text_line_height=”2.2em” custom_padding=”||40px||false|false” custom_padding_tablet=”||40px||false|false” custom_padding_phone=”||40px||false|false” custom_padding_last_edited=”on|desktop” hover_enabled=”0″ text_font_size_tablet=”” text_font_size_phone=”14px” text_font_size_last_edited=”on|phone” text_line_height_tablet=”2.2em” text_line_height_phone=”1.4em” text_line_height_last_edited=”on|phone” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n

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Justin Samson was born in 1979 in Milford (Connecticut) and lives and works in New York. In 2003 he graduated in Fine Arts at the School of Visual Arts in New York.<\/p>\n

Pop culture, the underground art of the 1980s, the punk movement, the do-it-yourself culture and the anti-system philosophy influence his works. The artist\u2019s work represents an ironic and unprejudiced vision of reality; he crushes taboos and reinvents painting thanks to new and contrasting combinations.<\/p>\n

Considering the creative act as inclusive, his work of art becomes open; as a result, his work includes random debris from our popular culture as well as other forms of widespread communication such as cinema, literature, comics, and music albums.<\/p>\n

There are several exhibitions dedicated to Justin Samson, recently hia artworks were showed at Neumann Wolfson Art in the exhibition\u00a0House of Walls<\/em>\u00a0(2019) and the solo exhibition\u00a0Anthology Being<\/em>\u00a0(2015) at Kravets | Wehby Gallery in New York. Among his group shows to note are: the duo exhibition\u00a0Aftermodernism A perspective on Contemporary Art James Busby Justin Samson<\/em>\u00a0\u00a0(2019) at Mucciaccia Contemporary in Rome and\u00a0Potpourri\u00a0<\/em>(2018) at Neumann Wolfson Art in New York. He has participated in various art fairs such as\u00a0Armory Art Fair<\/em>\u00a0in New York and\u00a0Nordic Art Fair\u00a0<\/em>in Sweden; his work is in the public collections of the Walker Art Center in Minneapolis and the Museum of Modern Art in New York.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.19.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9mZWF0dXJlZF9pbWFnZSIsInNldHRpbmdzIjp7fX0=@” align=”center” _builder_version=”4.19.2″ _dynamic_attributes=”src” _module_preset=”default” height=”280px” filter_saturate=”0%” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.22.2″ _module_preset=”default” text_text_color=”#999999″ text_line_height=”2.2em” header_3_text_color=”#919191″ custom_padding=”||40px||false|false” custom_padding_tablet=”||40px||false|false” custom_padding_phone=”||40px||false|false” custom_padding_last_edited=”on|desktop” text_font_size_tablet=”” text_font_size_phone=”14px” text_font_size_last_edited=”on|phone” text_line_height_tablet=”2.2em” text_line_height_phone=”1.4em” text_line_height_last_edited=”on|phone” border_width_bottom=”1px” border_color_bottom=”#dbdbdb” global_colors_info=”{}”]<\/p>\n

Selected Solo Exhibitions<\/h3>\n
2019<\/div>\n
<\/div>\n
Houses of Walls<\/em>, Neumann Wolfson Art, New York, USA<\/div>\n
<\/div>\n
2015<\/div>\n
<\/div>\n
Anthology Being<\/em>, Kravets|Wehby Gallery, New York, USA<\/div>\n
<\/div>\n
2014<\/div>\n
<\/div>\n
Tennis Paintings<\/em>, The Dive, Philadelphia, USA<\/div>\n
<\/div>\n
2013<\/div>\n
<\/div>\n
Cardboard Lamb<\/em>, Kravets|Wehby Gallery, New York, USA<\/div>\n
<\/div>\n
2011<\/div>\n
<\/div>\n
Multikulti<\/em>, Kravets|Wehby Gallery, New York, USA<\/div>\n
<\/div>\n
2009<\/div>\n
<\/div>\n
Inside the Cosmic Motion Picture Projector<\/em>, John Connelly Presents, New York, USA<\/div>\n
<\/div>\n
2007<\/div>\n
<\/div>\n
Science Fiction<\/em>, Hiromi Yoshii, Tokyo, Japan<\/div>\n
<\/div>\n
2005<\/div>\n
<\/div>\n
Justin Samson<\/em>, John Connelly Presents, New York, USA<\/div>\n

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Selected Group Exhibitions<\/h3>\n<\/div>\n<\/div>\n
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2019<\/div>\n
<\/div>\n
AFTERMODERNISM, A Perspective on Contemporary Art, James Busby Justin Samson<\/em>, curated by Cesare Biasini Selvaggi, Mucciaccia Contemporary, Rome, Italy<\/div>\n
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2018<\/div>\n
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Potpourri<\/em>, Neumann Wolfson Art, New York, USA NADA, Agatha\/Vi Se pa Kunst, New York, USA<\/div>\n
<\/div>\n
2017<\/div>\n
<\/div>\n
Inaugural Group Show<\/em>, Neumann Wolfson Art, New York, USA<\/div>\n
<\/div>\n
Domestic Tranquility<\/em>, 0 0 Gallery, Los Angeles, USA<\/div>\n
<\/div>\n
2016<\/div>\n
<\/div>\n
Block Party<\/em>, Kravets|Wehby Gallery, New York, USA<\/div>\n
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AftermodernisM in the Hamptons<\/em>, curated by Neumann Wolfson Art, Nicole Ripka Gallery, Watermill, USA<\/div>\n
<\/div>\n
Got it for cheap (GIFC)<\/em>, curated by Charlie Roberts, Chris Rexroad, David Risley, Copenhagen, Denmark<\/div>\n
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Happy Ending<\/em>, New York, USA<\/div>\n
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Gallery Steinsland Berliner, Stockholm, Sweden<\/div>\n
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Monk Space, Los Angeles, USA<\/div>\n
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Galerie du jour Agn\u00e8s b., Paris, France<\/div>\n
<\/div>\n
2014<\/div>\n
<\/div>\n
AftermodernisM: Works on Paper<\/em>, Nassau County Museum of Art, Long Island, USA<\/div>\n
<\/div>\n
Under the Influence<\/em>, Phillips, New York, USA<\/div>\n
<\/div>\n
Ritual Magic<\/em>, Greenpoint Terminal Gallery, Brooklyn, USA<\/div>\n
<\/div>\n
People Staring<\/em>, Kravets|Wehby Gallery, New York, USA<\/div>\n
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F K U<\/em>, Kravets|Wehby Gallery, New York, USA<\/div>\n
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Shrink It, Pink It!<\/em>, curated by Diana Buckley and Irena Jurek, Cathouse Funeral, Brooklyn, USA<\/div>\n
<\/div>\n
2013<\/div>\n
<\/div>\n
NPR BAR<\/em>, organized by Knowmoregames, Club Euphoria, Miami, USA<\/div>\n
<\/div>\n
Untitled art fair<\/em>, Kravets|Wehby Gallery, Miami, USA<\/div>\n
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KAHN ICH NOCH EIN BIER BITTE<\/em>, curated by Lindsey Dickson, Bottle Bar East, Philadelphia, USA<\/div>\n
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Auction 2013, Circle of Friends<\/em>, Contemporary Art at Friends, Phillips, New York, USA<\/div>\n
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Postcards from the edge, A benefit for Visual AIDS<\/em>, Sikkema Jenkins & Co., New York, USA<\/div>\n
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In Loving Memory: A Mike Kelley Retrospective, Magic Pictures<\/em>, Philadelphia, USA<\/div>\n
<\/div>\n
2012<\/div>\n
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Flatland, Magic Pictures<\/em>, Philadelphia, USA<\/div>\n
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Summer Show<\/em>, Kravets|Wehby Gallery, New York, USA<\/div>\n
<\/div>\n
Kinderschnott in der nacht<\/em>, nowmoregames, Brooklyn, USA<\/div>\n
<\/div>\n
Disorder<\/em>, Kravets|Wehby Gallery, New York, USA<\/div>\n
<\/div>\n
Ck1<\/em>, curated by Justin Samson, Philadelphia, USA<\/div>\n
<\/div>\n
2011<\/div>\n
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Flesh eating mold will devour you!<\/em>, Magic Pictures, Philadelphia, USA<\/div>\n
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In Between the Sheets<\/em>, curated by Irena Jurek, Workspace Harlem, New York, USA<\/div>\n
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Face Maker<\/em>, curated by Kathy Grayson, Royal\/T gallery, Los Angeles, USA<\/div>\n
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Thrown Together<\/em>, Kravets|Wehby Gallery, New York, USA<\/div>\n
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2010<\/div>\n
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Philadelphia, Out of Phase<\/em>, curated by Justin Samson, Bodega gallery, Philadelphia, USA<\/div>\n
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The Incomplete Paris<\/em>, Galerie Jean Luc + Takako Richard, Paris, France<\/div>\n
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37 Situations, Louis V.E.S.P<\/em>., Brooklyn, USA Art show, The Papermill Community of the Arts, Philadelphia, USA<\/div>\n
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Philadelphia\u2019s works from the Nettle Fizz<\/em>, curated by Lindsay Kovnat, Secret Project Robot, Brooklyn, USA<\/div>\n
<\/div>\n
Justin Samson and Haejin Yoon<\/em>, John Connelly Presents, New York, USA<\/div>\n
<\/div>\n
Justin Samson & George Terry<\/em>, Grizzly Grizzly, Philadelphia, USA<\/div>\n
<\/div>\n
2009<\/div>\n
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Too Big To Fail<\/em>, curated by Daniel Heidkamp, 395 Flatbush Ave ext. Downtown Brooklyn, NY, USA<\/div>\n
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Summer Group Show Part 2<\/em>, From Yarn to Yucca A Continuation of the Dialogue Between Abstraction and Figuration, John Connelly Presents, New York, USA<\/div>\n
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Relics from [the] Other Realms<\/em>, curated by Athena Barat, Barat foundation, Newark, USA<\/div>\n
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The Queue, PIFAS Place<\/em>, Philadelphia Institute for Advanced Studies, Philadelphia, USA<\/div>\n
<\/div>\n
2008<\/div>\n
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Dark fair, Independently represented<\/em>, Swiss Institute, New York, USA<\/div>\n
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Rooftop Sculpture Show<\/em>, Redemption Center, Brooklyn, USA<\/div>\n
<\/div>\n
A.T. Complex<\/em>, curated by Frederick Janka, John Connelly Presents, New York, USA<\/div>\n
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A New High In Getting Low (NYC)<\/em>, curated by John Connelly, John Connelly Presents, New York, USA<\/div>\n
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2007<\/div>\n
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Panic Room Works from the Dakis Joannou Collection<\/em>, Deste Foundation, Athens, Greece<\/div>\n
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A New High In Getting Low, ArtNews Projects<\/em>, curated by John Connelly, Berlin, Germany<\/div>\n
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The Incomplete<\/em>, curated by Herbert Neumann & Manon Slome, Chelsea Art Museum, New York, USA<\/div>\n
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Armory art fair<\/em>, Hiromi Yoshii, New York, USA<\/div>\n
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Armory art fair<\/em>, John Connelly Presents, New York, USA<\/div>\n
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2006<\/div>\n
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Summer\u2019s Flower, Summer Sweet<\/em>, Chashama North, Pine Plains, USA<\/div>\n
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Armory art fair<\/em>, John Connelly Presents, New York, USA<\/div>\n
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Kamp K48<\/em>, curated by Scott Hug, John Connelly Presents, New York, USA<\/div>\n
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Tempest<\/em>, curated by John Connelly, The Fireplace Project, East Hampton, USA<\/div>\n
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Welcome Home<\/em>, curated by Justin Samson and Miles Houston, Galleri Loyal, Stockholm, Sweden<\/div>\n
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Bold Crystals from Nu Keva<\/em>, Stairwell gallery, Providence, USA<\/div>\n
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Trifecta<\/em>, curated by Becky Smith, Esme Watanabe and Eric Samuels, Bellwether Gallery, New York, USA<\/div>\n
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Nordic Art Fair FEST<\/em>, Galleri Loyal, Stockholm, Sweden<\/div>\n
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Frisky Flaming Hot<\/em>, Galleri Christina Wilson, Copenhagen, Denmark<\/div>\n
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Psychic Reality<\/em>, curated by Esme Watanabe, Bellwether Gallery, New York, USA<\/div>\n
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Group Exhibition<\/em>, John Connelly Presents, New York, USA<\/div>\n
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2005<\/div>\n
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The Zine Unbound: Kults, Werewolves, and Sarcastic Hippies<\/em>, curated by Scott Hug, Yerba Buena, Los<\/div>\n
Angeles, USA<\/div>\n
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Is There Anybody Out There<\/em>, curated by Scott Hug, Hiromi Yoshii Gallery, Tokyo, Japan<\/div>\n
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With us against reality, or against us<\/em>, curated by Ida Ekblad & Anders Nordby, Galleri S.E.,\u00a0Norway<\/div>\n
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Labyrinth: the backward path<\/em>, curated by Tyler Emerson, The Newton Building, Miami, USA<\/div>\n
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The Four Color Pen Show<\/em>, Van Harrison Gallery, Chicago, USA<\/div>\n
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2004<\/div>\n
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Assume vivid astro focus IX<\/em>, de la cruz collection, Miami, USA<\/div>\n
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Nada art fair<\/em>, John Connelly Presents, Miami, USA<\/div>\n
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LISTE art fair<\/em>, Basel, Switzerland Armory art fair, John Connelly Presents, New York, USA<\/div>\n
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Divided by Lightning<\/em>, Deitch Projects, Brooklyn, USA<\/div>\n
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Mommy I\u2019m not an animal<\/em>, Capsule Gallery, New York, USA<\/div>\n
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Elk Rattle<\/em>, Kate MacGarry, London, UK<\/div>\n
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High Desert Test Sites 4<\/em>, Joshua Tree, USA<\/div>\n
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If you think you see with just your eyes you are mad<\/em>, Peres Projects, Los Angeles, USA<\/div>\n
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The Infinite Fill Group Show<\/em>, Foxy Production, New York, USA<\/div>\n
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Incantations<\/em>, Metro Pictures, New York, USA<\/div>\n
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California Earthquakes<\/em>, Daniel Reich, New York, USA<\/div>\n
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Majority Whip<\/em>, White Box, New York, USA<\/div>\n
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Cave Canem<\/em>, John Connelly Presents, New York, USA<\/div>\n
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2003<\/div>\n
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Nada art fair<\/em>, John Connelly Presents, Miami, USA<\/div>\n
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La Superette<\/em>, Deitch Projects, Participant Inc., New York, USA<\/div>\n
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Kult 48 Klubhouse<\/em>, Deitch Projects, Brooklyn, USA<\/div>\n
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Lore of The Trickster<\/em>, The Kitchen, New York, USA<\/div>\n
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Today\u2019s Man<\/em>, Hiromi Yoshii Gallery, Tokyo, Japan<\/div>\n
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Teenage Rebel: The Bedroom Show<\/em>, Galerie du jour agnes b., Paris, France<\/div>\n
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The Squared Circle<\/em>, Gallery 13, Danbury, USA<\/div>\n
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Dirt Wizards<\/em>, Brooklyn Fire Proof Inc., Brooklyn, USA<\/div>\n
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Now Playing<\/em>, D\u2019amelio Terras, New York, USA<\/div>\n
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2002<\/div>\n
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Living Room<\/em>, DUMBO arts festival, Brooklyn, USA<\/div>\n
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Lighting up<\/em>, Visual Arts Gallery, New York, USA<\/div>\n
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CWOS<\/em>, New Haven, USA<\/div>\n
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Selected public collections<\/strong><\/h3>\n
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Hubert Neumann, New York, USA<\/div>\n
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Walker Art Center, Minneapolis, USA<\/div>\n
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Neumann Family Collection, New York, USA<\/div>\n
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de la Cruz Collection, in collaboration with Assume Vivid Astro Focus, Miami, USA<\/div>\n
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Museum of Modern Art, in collaboration with Brian Belott, New York, USA<\/div>\n
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Dakis Joannou works on paper collection, in collaboration with Keegan McHargue, Athens, Greece<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Public Collections<\/h3>\n

Fidelity Investments, Boston and London
Arts Council Collection, Hayward Gallery, London
Goldman Sachs Collection, London
Kupferstichkabinett of the National Gallery of Berlin, Berlina
Royal Bank of Scotland Group Art Collection, London
San Diego Museum of Contemporary Art, San Diego, USA
The Government Art Collection, London<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ module_id=”works” _builder_version=”4.19.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”60px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”hyperlink-color-image” _builder_version=”4.19.2″ _module_preset=”default” header_2_font_size=”18px” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” header_2_font_size_tablet=”18px” header_2_font_size_phone=”18px” header_2_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n

WORKS<\/h2>\n

[\/et_pb_text][et_pb_divider color=”#c9c9c9″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”0px||||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/10\/Justin-Samson-A-Description-of-the-Scenery-of-the-Lakes-in-the-North-2018-acrilico-pastelli-a-olio-collage-su-carta-42.5×35-cm.jpeg” alt=”Justin Samson, A Description of the Scenery of the Lakes in the North, 2018, oil pastels, collage on paper, 42.5×35 cm” title_text=”Justin Samson, A Description of the Scenery of the Lakes in the North, 2018, oil pastels, collage on paper, 42.5×35 cm” url=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/10\/Justin-Samson-A-Description-of-the-Scenery-of-the-Lakes-in-the-North-2018-acrilico-pastelli-a-olio-collage-su-carta-42.5×35-cm.jpeg” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.27)” align=”center” _builder_version=”4.22.2″ _module_preset=”default” height=”220px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” scroll_fade_enable=”on” motion_trigger_start=”top” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.22.2″ _module_preset=”default” text_font_size=”9px” text_orientation=”center” custom_margin=”-10px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”]<\/p>\n

Justin Samson, A Description of the Scenery of the Lakes in the North<\/em>, 2018, oil pastels, collage on paper, 42.5×35 cm<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/10\/Justin-Samson-Gegenschein-22-2012-olio-acrilico-su-composizione-di-tele-fiberplast-135.5-x-112.5-cm.jpeg” alt=”Justin Samson, Gegenschein #22, 2012, oil, acrylic on multiple canvas, fiberplast, 135.5×112.5 cm” title_text=”Justin Samson, Gegenschein #22, 2012, oil, acrylic on multiple canvas, fiberplast, 135.5×112.5 cm” url=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/10\/Justin-Samson-Gegenschein-22-2012-olio-acrilico-su-composizione-di-tele-fiberplast-135.5-x-112.5-cm.jpeg” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.27)” align=”center” _builder_version=”4.22.2″ _module_preset=”default” height=”220px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” scroll_fade_enable=”on” motion_trigger_start=”top” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.22.2″ _module_preset=”default” text_font_size=”9px” text_orientation=”center” custom_margin=”-10px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”]<\/p>\n

Justin Samson, Gegenschein #22<\/em>, 2012, oil, acrylic on multiple canvas, fiberplast, 135.5×112.5 cm<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/10\/Justin-Samson-Time-and-Space-13-2011-tela-legno-acrilico-rollatex-pelliccia-sintetica-inserti-di-stoffa-60×183.5×46-cm.jpeg” alt=”Justin Samson, Time and Space #13, 2011, canvas, wood, acrylic paint, rollatex, fake fur, fabric trim, 60×183.5×46 cm” title_text=”Justin Samson, Time and Space #13, 2011, canvas, wood, acrylic paint, rollatex, fake fur, fabric trim, 60×183.5×46 cm” url=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/10\/Justin-Samson-Time-and-Space-13-2011-tela-legno-acrilico-rollatex-pelliccia-sintetica-inserti-di-stoffa-60×183.5×46-cm.jpeg” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.27)” align=”center” _builder_version=”4.22.2″ _module_preset=”default” height=”220px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” scroll_fade_enable=”on” motion_trigger_start=”top” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.22.2″ _module_preset=”default” text_font_size=”9px” text_orientation=”center” custom_margin=”-10px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”]<\/p>\n

Justin Samson, Time and Space #13<\/em>, 2011, canvas, wood, acrylic paint, rollatex, fake fur, fabric trim, 60×183.5×46 cm<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”0px||||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/10\/Justin-Samson-An-Essay-on-the-Picturesque-2018.jpg” alt=”Justin Samson, An Essay on the Pictoresque, Interior of Tintern Abby, 2018, oil pastels, collage on paper, 42.5×35 cm” title_text=”Justin Samson, An Essay on the Pictoresque, Interior of Tintern Abby, 2018, oil pastels, collage on paper, 42.5×35 cm” url=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/10\/Justin-Samson-An-Essay-on-the-Picturesque-2018.jpg” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.27)” align=”center” _builder_version=”4.22.2″ _module_preset=”default” height=”220px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” scroll_fade_enable=”on” motion_trigger_start=”top” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.22.2″ _module_preset=”default” text_font_size=”9px” text_orientation=”center” custom_margin=”-10px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”]<\/p>\n

Justin Samson, An Essay on the Pictoresque, Interior of Tintern Abby<\/em>, 2018, oil pastels, collage on paper, 42.5×35 cm<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|on” module_id=”exhibitions” _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”60px||0px||false|false” disabled=”on” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”hyperlink-color-image” _builder_version=”4.19.2″ _module_preset=”default” header_2_font_size=”18px” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” header_2_font_size_tablet=”18px” header_2_font_size_phone=”18px” header_2_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n

EXHIBITIONS<\/h2>\n

[\/et_pb_text][et_pb_divider color=”#c9c9c9″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|on” _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” disabled=”on” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_3,1_3,1_3″ make_equal=”on” _builder_version=”4.19.4″ _module_preset=”default” width=”100%” custom_margin=”0px||||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.19.4″ _module_preset=”default” custom_padding=”||80px||false|false” link_option_url=”https:\/\/mucciaccia.com\/art-wonders-of-the-xx-century\/” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2018\/09\/Nicola-De-Maria-Regno-dei-fiori-1985-tecnica-mista-su-tela-100-x-80.jpg” alt=”Nicola De Maria, Regno dei fiori, 1985, tecnica mista su tela, 100 x 80″ title_text=”Nicola De Maria, Regno dei fiori, 1985, tecnica mista su tela, 100 x 80″ align=”center” _builder_version=”4.19.4″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”]<\/p>\n

ART WONDERS OF THE XX CENTURY<\/h4>\n

[\/et_pb_text][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px|0px|false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”]2018<\/p>\n

LONDON<\/h6>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.19.4″ _module_preset=”default” custom_padding=”||80px||false|false” link_option_url=”https:\/\/mucciaccia.com\/italian-passion-1956\/” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2017\/10\/Piero-Manzoni-Achrome-1958-Kaolin-on-painted-canvas-55-x-40-cm.jpg” alt=”Piero Manzoni, Achrome, 1958, Kaolin on painted canvas, 55 x 40 cm” title_text=”Piero Manzoni, Achrome, 1958, Kaolin on painted canvas, 55 x 40 cm” align=”center” _builder_version=”4.19.4″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”]<\/p>\n

ITALIAN PASSION FROM 1956<\/h4>\n

[\/et_pb_text][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px|0px|false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”]2017<\/p>\n

LONDON<\/h6>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.19.4″ _module_preset=”default” custom_padding=”||80px||false|false” link_option_url=”https:\/\/mucciaccia.com\/harmonies-and-discrepancies-paths-in-the-italian-art-between-the-twentieth-and-the-twenty-first-century\/” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2015\/06\/Dorazio-Tenax-1979-cm-165×130.jpg” alt=”Piero-Dorazio Tenax – 1979 – olio su tela – cm-165×130″ title_text=”Piero Dorazio – Tenax” align=”center” _builder_version=”4.19.4″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”]<\/p>\n

HARMONIES AND DISCREPANCIES
\nPaths in the Italian art between the twentieth and the twenty-first century<\/h4>\n

[\/et_pb_text][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px|0px|false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”]2020<\/p>\n

SINGAPORE<\/h6>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|on” _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” disabled=”on” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_3,1_3,1_3″ make_equal=”on” _builder_version=”4.19.4″ _module_preset=”default” width=”100%” custom_margin=”0px||||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.19.4″ _module_preset=”default” custom_padding=”||80px||false|false” link_option_url=”https:\/\/mucciaccia.com\/milky-way-the-luminous-galaxy-of-the-20th-century\/” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2015\/06\/piccolissima-per-CS-capri-certosa-jpg.jpg” alt=”VIA LATTEA. La Galassia Luminosa del Novecento” title_text=”via-lattea” align=”center” _builder_version=”4.19.4″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”]<\/p>\n

MILKY WAY.
\nThe Luminous Galaxy of the 20th Century<\/h4>\n

[\/et_pb_text][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px|0px|false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”]2020<\/p>\n

SINGAPORE<\/h6>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.19.4″ _module_preset=”default” custom_padding=”||80px||false|false” link_option_url=”https:\/\/mucciaccia.com\/chef-doeuvre-artist-between-xx-and-xxi-centuries\/” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2015\/06\/cm-120x-120-2015.jpg” alt=”Cristiano Pintaldi – galleriamucciaccia.com” title_text=”Cristiano Pintaldi, untitled, cm 120×120, 2015″ align=”center” _builder_version=”4.19.4″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”]<\/p>\n

CHEF D\u2019OEUVRE
\nArtist between XX and XXI centuries<\/h4>\n

[\/et_pb_text][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px|0px|false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”]2020<\/p>\n

LONDON<\/h6>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.19.4″ _module_preset=”default” custom_padding=”||80px||false|false” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|on” module_id=”publications” _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”60px||0px||false|false” disabled=”on” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”hyperlink-color-image” _builder_version=”4.19.2″ _module_preset=”default” header_2_font_size=”18px” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” header_2_font_size_tablet=”18px” header_2_font_size_phone=”18px” header_2_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n

PUBLICATIONS<\/h2>\n

[\/et_pb_text][et_pb_divider color=”#c9c9c9″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|on” _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” disabled=”on” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ make_equal=”on” _builder_version=”4.19.2″ _module_preset=”default” width=”100%” custom_margin=”0px||||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.19.2″ _module_preset=”default” custom_padding=”||80px||false|false” link_option_url=”https:\/\/mucciaccia.com\/product\/carla-accardi-exhibition-catalogue-senza-passato\/” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2017\/07\/CAccardi-EC.jpg” alt=”Carla Accardi Exhibition Catalogue” title_text=”Accardi Exhibition Catalogue” align=”center” _builder_version=”4.19.3″ _module_preset=”default” module_alignment=”center” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.19.2″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”]<\/p>\n

Carla Accardi \u2013 Senza passato<\/h4>\n

[\/et_pb_text][et_pb_text _builder_version=”4.19.2″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”1.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px|0px|false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”]Exhibition Catalogue, edited by Fabrizio D\u2019amico
\nPublished by Carlo cambi Editore
\n2017
\n[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.19.2″ _module_preset=”default” custom_padding=”||80px||false|false” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.19.2″ _module_preset=”default” custom_padding=”||80px||false|false” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.19.2″ _module_preset=”default” custom_padding=”||80px||false|false” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_divider color=”#c9c9c9″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_divider][et_pb_text module_class=”hyperlink-color-image” _builder_version=”4.19.2″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

Artists Index<\/a><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

OVERVIEW\u00a0 \u00a0WORKS\u00a0 \u00a0EXHIBITIONS\u00a0 \u00a0PUBLICATIONS Justin Samson was born in 1979 in Milford (Connecticut) and lives and works in New York. In 2003 he graduated in Fine Arts at the School of Visual Arts in New York. Pop culture, the underground art of the 1980s, the punk movement, the do-it-yourself culture and the anti-system philosophy influence […]<\/p>\n","protected":false},"author":8,"featured_media":22798,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"

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Born in 1924 in Trapani, Italy; dies in 2014 in Rome, Italy.<\/p>\r\n

After\u00a0her studies at the Accademia delle Belle Arti in Florence, she moves to Rome in 1946. Together with her future husband, Antonio Sanfilippo, they found Forma 1 in 1947, with also Turcato, Attardi, Perilli, Dorazio and Guerrini. The Group considers the geometric lines\u00a0as pure form toward abstraction and formalism, rejecting any link of continuity with the Italian painting of the last twenty years. After\u00a0the group Forma 1 breaks-up in 1951, Accardi continues her abstract, but concrete, research until 1952 and from 1954 she starts painting in black and white \u2013 the Negativi<\/i>. In\u00a01961, she reintroduces colours in her compositions, obtaining also optical effects. Accardi joins the Continuit\u00e0 Group, and prepares solo exhibitions\u00a0in\u00a0New York and\u00a0London. In\u00a0the 1970s,\u00a0she works with glazes on terracotta tiles and paints repeated geometric patterns on sicofoil,\u00a0transparent plastic instead of canvas. Using large sheets, she completes a series of works that investigate the relationship with the environment: Tenda<\/i> and Tripla tenda <\/i>for Galleria Editalia of Rome and for Venice Biennale 1976, Ambiente\/Arte Section. She participates at Venice Biennale in 1948, 1964, 1976, 1978, 1993 and in 1988 she is given a personal room. In the 1980s, Accardi returns to two-dimensional with the sequences of the Parentesi<\/i> and Capricci<\/i>. She exhibits in solo and group exhibitions abroad.\u00a0In 1996, Accardi is\u00a0named Accademico di Brera in Milan and in 1997 she receives the Cavaliere di Gran Croce.<\/p>\r\n\u00a0\r\n\r\n<\/div>\r\n\u00a0\r\n

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