{"id":22713,"date":"2023-10-03T11:22:53","date_gmt":"2023-10-03T10:22:53","guid":{"rendered":"https:\/\/mucciaccia.com\/?p=22713"},"modified":"2025-11-09T12:22:26","modified_gmt":"2025-11-09T11:22:26","slug":"automoai","status":"publish","type":"post","link":"https:\/\/mucciaccia.com\/en\/automoai\/","title":{"rendered":"AUTOMOAI"},"content":{"rendered":"

[et_pb_section fb_built=”1″ admin_label=”Artist new head” _builder_version=”4.19.2″ _module_preset=”default” custom_margin=”0px||||false|false” custom_padding=”0px||40px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_2,1_2″ module_id=”overview” _builder_version=”4.19.1″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.19.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.22.2″ _dynamic_attributes=”content” _module_preset=”default” header_font=”|||on|||||” header_font_size=”26px” custom_margin=”0px||0px||false|false” custom_padding=”0px|20px|0px||false|false” custom_css_main_element=”display: inline-block;” global_colors_info=”{}”]@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF90aXRsZSIsInNldHRpbmdzIjp7ImJlZm9yZSI6IjxoMT4iLCJhZnRlciI6IjwvaDE+In19@[\/et_pb_text][et_pb_text _builder_version=”4.19.1″ _dynamic_attributes=”content” _module_preset=”default” module_alignment=”left” custom_margin=”0px||0px||false|false” custom_padding=”0px|4px|0px|4px|false|false” custom_css_main_element=”display: inline-block;” global_colors_info=”{}”]@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoiY3VzdG9tX21ldGFfbmF0aW9uYWxpdHkiLCJzZXR0aW5ncyI6eyJiZWZvcmUiOiIiLCJhZnRlciI6IiIsImVuYWJsZV9odG1sIjoib2ZmIn19@[\/et_pb_text][et_pb_text _builder_version=”4.19.1″ _dynamic_attributes=”content” _module_preset=”default” module_alignment=”left” custom_margin=”0px||0px||false|false” custom_padding=”0px|4px|0px|4px|false|false” custom_css_main_element=”display: inline-block;” global_colors_info=”{}”]@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoiY3VzdG9tX21ldGFfZGF0ZSIsInNldHRpbmdzIjp7ImJlZm9yZSI6IiIsImFmdGVyIjoiIiwiZW5hYmxlX2h0bWwiOiJvZmYifX0=@[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.19.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_text disabled_on=”on|on|on” _builder_version=”4.24.2″ _module_preset=”default” text_text_color=”#000000″ text_font_size=”12px” text_letter_spacing=”2px” link_text_color=”#939393″ text_orientation=”center” text_text_color_tablet=”#000000″ text_text_color_phone=”#000000″ text_text_color_last_edited=”on|desktop” text_letter_spacing_tablet=”2px” text_letter_spacing_phone=”0px” text_letter_spacing_last_edited=”on|desktop” link_font_tablet=”” link_font_phone=”” link_font_last_edited=”on|desktop” disabled=”on” global_colors_info=”{}”]<\/p>\n

OVERVIEW<\/a>\u00a0 \u00a0WORKS<\/a>\u00a0 \u00a0EXHIBITIONS<\/a>\u00a0 \u00a0PUBLICATIONS<\/a><\/p>\n

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In 2015, the artist began creating works in monochrome, has been using a lot of color since 2018, and is known for a distinct style in which a highly anonymous \u201cpresence\u201d seems to be standing on the canvas. The artist\u2019s style, which is extremely objective but also appears to be a very personal scene, presents us with views and sceneries that can be found through the removal of elements, such as the relationship between people and the relationship between the painting and the viewer.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Selected Solo Exhibitions<\/h3>\n

2024 AUTOMOAI | Forgetful in a Square Cage, Mucciaccia Gallery Project, Rome, Italy
2024 Soul as a butterfly, or the soul of a butterfly, SORTone, Fukuoka, Japan
2023 Turquoise from Bolivia, PARCO MUSEUM TOKYO, Tokyo, Japan
2022 How to talk about love in a wrong world, Nagoya Sakae Mitsukoshi Art Gallery, Nagoya, Japan
2022 I CAN FORGET YOU AND LIVE, everyday mooonday, Seoul, South Korea
2022 I wanna meet once again if like that dream, SAI, Tokyo, Japan
2022 I kept my distance by forgetting your name, TAV, Tokyo, Japan
2021 Big Ass Beyond Mountains, Gallery Ascend, Hong Kong
2021 How to talk about love in a wrong world, Isetan The Space, Tokyo, Japan
2020 Buoy, CALM & PUNK GALLERY, Tokyo, Japan
2020 Anonymous, B-GALLERY, Tokyo, Japan
2020 Sleepy Sweet, L’illustre Galerie LE MONDE, Tokyo, Japan
2019 ANGEL, PARCO GALLERY X, Tokyo, Japan
2019 Anonymous, Fuji Daimaru, Kyoto, Japan
2019 Permanent Boredom, TAV GALLERY, Tokyo, Japan
2018 unknown window, OPPA-LA, Kanagawa, Japan
2018 FAITHLESS, VOYAGE KIDS, Osaka, Japan
2018 THIS CAN\u2019T BE LOVE, ANAGRA, Tokyo, Japan
2018 Endless Beginning, OVER THE BORDER, Tokyo, Japan<\/p>\n

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Selected Group Exhibitions<\/h3>\n<\/div>\n<\/div>\n
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2021 Three Different Minds, with Nick Atkins, Aki Yamamoto and AUTOMOAI, Mucciaccia Gallery, London
2021 dog, ghost, two-person exhibition with Nick Atkins and AUTOMOAI, CALM & PUNK GALLERY, Tokyo, Japan
2021 6 Paintings From 6 Artists, Parcel, Tokyo, Japan
2021 NICE TO MEET YOU, everyday mooonday, Seoul, South Korea
2021 PERSONAL LIFE, two-person exhibition with Andy Rementer and AUTOMOAI, everyday mooonday, Seoul, South Korea
2020 Let\u2019s get naked, TOKYO CULTUART by BEAMS, Tokyo, Japan
2020 Our S.W. exhibition, CASE B, Tokyo, Japan
2019 Tacking City Nihonbashi, Chiso, Tokyo, Japan
2018 SAKE TO ART, 101 x Tambourin Gallery exhibition, 101, Tambourin Gallery, Tokyo, Japan<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][et_pb_text disabled_on=”off|off|off” _builder_version=”4.24.2″ _module_preset=”default” text_text_color=”#999999″ text_line_height=”2.2em” header_3_text_color=”#919191″ custom_padding=”||40px||false|false” custom_padding_tablet=”||40px||false|false” custom_padding_phone=”||40px||false|false” custom_padding_last_edited=”on|desktop” text_font_size_tablet=”” text_font_size_phone=”14px” text_font_size_last_edited=”on|phone” text_line_height_tablet=”2.2em” text_line_height_phone=”1.4em” text_line_height_last_edited=”on|phone” border_width_bottom=”1px” border_color_bottom=”#dbdbdb” locked=”off” global_colors_info=”{}”]<\/p>\n

Public Collections<\/h3>\n

2023 Turquoise from Bolivia, PARCO MUSEUM TOKYO, Tokyo, Japan
2020 SEIKO 5 SPORT<\/p>\n

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Publications<\/h3>\n

2023 \u201cTurquoise from Bolivia\u201d (Funshosha)
2022 \u201dReminiscence\u201d (Funshosha)
2020 “Endless Beginning\u201d New cover (Funshosha)
2020 \u201cCeramics Dogs\u201d (innen books)
2019 \u201cANGEL\u201d (PARCO)
2018 \u201cEndless Beginning\u201d (Funshosha)<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ module_id=”works” _builder_version=”4.19.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”60px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”hyperlink-color-image” _builder_version=”4.19.2″ _module_preset=”default” header_2_font_size=”18px” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” header_2_font_size_tablet=”18px” header_2_font_size_phone=”18px” header_2_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n

WORKS<\/h2>\n

[\/et_pb_text][et_pb_divider color=”#c9c9c9″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”0px||||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/10\/Auto-Moai_Woman-in-images_olio-su-tela_80.3-x-65.2cm_2022.jpg” alt=”AUTOMOAI, Woman in image, 2022, oil on canvas, 80.3×62.5 cm” title_text=”AUTOMOAI, Woman in image, 2022, oil on canvas, 80.3×62.5 cm” url=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/10\/Auto-Moai_Woman-in-images_olio-su-tela_80.3-x-65.2cm_2022.jpg” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.27)” align=”center” _builder_version=”4.27.0″ _module_preset=”default” height=”220px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” scroll_fade_enable=”on” motion_trigger_start=”top” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” text_font_size=”9px” text_orientation=”center” custom_margin=”-10px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”]<\/p>\n

AUTOMOAI, Woman in image<\/em>, 2022, oil on canvas, 80.3×62.5 cm<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|on” module_id=”exhibitions” _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”60px||0px||false|false” disabled=”on” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”hyperlink-color-image” _builder_version=”4.19.2″ _module_preset=”default” header_2_font_size=”18px” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” header_2_font_size_tablet=”18px” header_2_font_size_phone=”18px” header_2_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n

EXHIBITIONS<\/h2>\n

[\/et_pb_text][et_pb_divider color=”#c9c9c9″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|on” _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” disabled=”on” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_3,1_3,1_3″ make_equal=”on” _builder_version=”4.19.4″ _module_preset=”default” width=”100%” custom_margin=”0px||||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.19.4″ _module_preset=”default” custom_padding=”||80px||false|false” link_option_url=”https:\/\/mucciaccia.com\/art-wonders-of-the-xx-century\/” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2018\/09\/Nicola-De-Maria-Regno-dei-fiori-1985-tecnica-mista-su-tela-100-x-80.jpg” alt=”Nicola De Maria, Regno dei fiori, 1985, tecnica mista su tela, 100 x 80″ title_text=”Nicola De Maria, Regno dei fiori, 1985, tecnica mista su tela, 100 x 80″ align=”center” _builder_version=”4.19.4″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”]<\/p>\n

ART WONDERS OF THE XX CENTURY<\/h4>\n

[\/et_pb_text][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px|0px|false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”]2018<\/p>\n

LONDON<\/h6>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.19.4″ _module_preset=”default” custom_padding=”||80px||false|false” link_option_url=”https:\/\/mucciaccia.com\/italian-passion-1956\/” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2017\/10\/Piero-Manzoni-Achrome-1958-Kaolin-on-painted-canvas-55-x-40-cm.jpg” alt=”Piero Manzoni, Achrome, 1958, Kaolin on painted canvas, 55 x 40 cm” title_text=”Piero Manzoni, Achrome, 1958, Kaolin on painted canvas, 55 x 40 cm” align=”center” _builder_version=”4.19.4″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”]<\/p>\n

ITALIAN PASSION FROM 1956<\/h4>\n

[\/et_pb_text][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px|0px|false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”]2017<\/p>\n

LONDON<\/h6>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.19.4″ _module_preset=”default” custom_padding=”||80px||false|false” link_option_url=”https:\/\/mucciaccia.com\/harmonies-and-discrepancies-paths-in-the-italian-art-between-the-twentieth-and-the-twenty-first-century\/” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2015\/06\/Dorazio-Tenax-1979-cm-165×130.jpg” alt=”Piero-Dorazio Tenax – 1979 – olio su tela – cm-165×130″ title_text=”Piero Dorazio – Tenax” align=”center” _builder_version=”4.19.4″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”]<\/p>\n

HARMONIES AND DISCREPANCIES
\nPaths in the Italian art between the twentieth and the twenty-first century<\/h4>\n

[\/et_pb_text][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px|0px|false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”]2020<\/p>\n

SINGAPORE<\/h6>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|on” _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” disabled=”on” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_3,1_3,1_3″ make_equal=”on” _builder_version=”4.19.4″ _module_preset=”default” width=”100%” custom_margin=”0px||||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.19.4″ _module_preset=”default” custom_padding=”||80px||false|false” link_option_url=”https:\/\/mucciaccia.com\/milky-way-the-luminous-galaxy-of-the-20th-century\/” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2015\/06\/piccolissima-per-CS-capri-certosa-jpg.jpg” alt=”VIA LATTEA. La Galassia Luminosa del Novecento” title_text=”via-lattea” align=”center” _builder_version=”4.19.4″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”]<\/p>\n

MILKY WAY.
\nThe Luminous Galaxy of the 20th Century<\/h4>\n

[\/et_pb_text][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px|0px|false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”]2020<\/p>\n

SINGAPORE<\/h6>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.19.4″ _module_preset=”default” custom_padding=”||80px||false|false” link_option_url=”https:\/\/mucciaccia.com\/chef-doeuvre-artist-between-xx-and-xxi-centuries\/” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2015\/06\/cm-120x-120-2015.jpg” alt=”Cristiano Pintaldi – galleriamucciaccia.com” title_text=”Cristiano Pintaldi, untitled, cm 120×120, 2015″ align=”center” _builder_version=”4.19.4″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”]<\/p>\n

CHEF D\u2019OEUVRE
\nArtist between XX and XXI centuries<\/h4>\n

[\/et_pb_text][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px|0px|false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”]2020<\/p>\n

LONDON<\/h6>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.19.4″ _module_preset=”default” custom_padding=”||80px||false|false” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|on” module_id=”publications” _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”60px||0px||false|false” disabled=”on” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”hyperlink-color-image” _builder_version=”4.19.2″ _module_preset=”default” header_2_font_size=”18px” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” header_2_font_size_tablet=”18px” header_2_font_size_phone=”18px” header_2_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n

PUBLICATIONS<\/h2>\n

[\/et_pb_text][et_pb_divider color=”#c9c9c9″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|on” _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” disabled=”on” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ make_equal=”on” _builder_version=”4.19.2″ _module_preset=”default” width=”100%” custom_margin=”0px||||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.19.2″ _module_preset=”default” custom_padding=”||80px||false|false” link_option_url=”https:\/\/mucciaccia.com\/product\/carla-accardi-exhibition-catalogue-senza-passato\/” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2017\/07\/CAccardi-EC.jpg” alt=”Carla Accardi Exhibition Catalogue” title_text=”Accardi Exhibition Catalogue” align=”center” _builder_version=”4.19.3″ _module_preset=”default” module_alignment=”center” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.19.2″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”]<\/p>\n

Carla Accardi \u2013 Senza passato<\/h4>\n

[\/et_pb_text][et_pb_text _builder_version=”4.19.2″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”1.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px|0px|false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”]Exhibition Catalogue, edited by Fabrizio D\u2019amico
\nPublished by Carlo cambi Editore
\n2017
\n[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.19.2″ _module_preset=”default” custom_padding=”||80px||false|false” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.19.2″ _module_preset=”default” custom_padding=”||80px||false|false” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.19.2″ _module_preset=”default” custom_padding=”||80px||false|false” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_divider color=”#c9c9c9″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_divider][et_pb_text module_class=”hyperlink-color-image” _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

Index<\/a><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

OVERVIEW\u00a0 \u00a0WORKS\u00a0 \u00a0EXHIBITIONS\u00a0 \u00a0PUBLICATIONS In 2015, the artist began creating works in monochrome, has been using a lot of color since 2018, and is known for a distinct style in which a highly anonymous \u201cpresence\u201d seems to be standing on the canvas. The artist\u2019s style, which is extremely objective but also appears to be a […]<\/p>\n","protected":false},"author":8,"featured_media":22716,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"

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Born in 1924 in Trapani, Italy; dies in 2014 in Rome, Italy.<\/p>\r\n

After\u00a0her studies at the Accademia delle Belle Arti in Florence, she moves to Rome in 1946. Together with her future husband, Antonio Sanfilippo, they found Forma 1 in 1947, with also Turcato, Attardi, Perilli, Dorazio and Guerrini. The Group considers the geometric lines\u00a0as pure form toward abstraction and formalism, rejecting any link of continuity with the Italian painting of the last twenty years. After\u00a0the group Forma 1 breaks-up in 1951, Accardi continues her abstract, but concrete, research until 1952 and from 1954 she starts painting in black and white \u2013 the Negativi<\/i>. In\u00a01961, she reintroduces colours in her compositions, obtaining also optical effects. Accardi joins the Continuit\u00e0 Group, and prepares solo exhibitions\u00a0in\u00a0New York and\u00a0London. In\u00a0the 1970s,\u00a0she works with glazes on terracotta tiles and paints repeated geometric patterns on sicofoil,\u00a0transparent plastic instead of canvas. Using large sheets, she completes a series of works that investigate the relationship with the environment: Tenda<\/i> and Tripla tenda <\/i>for Galleria Editalia of Rome and for Venice Biennale 1976, Ambiente\/Arte Section. She participates at Venice Biennale in 1948, 1964, 1976, 1978, 1993 and in 1988 she is given a personal room. In the 1980s, Accardi returns to two-dimensional with the sequences of the Parentesi<\/i> and Capricci<\/i>. She exhibits in solo and group exhibitions abroad.\u00a0In 1996, Accardi is\u00a0named Accademico di Brera in Milan and in 1997 she receives the Cavaliere di Gran Croce.<\/p>\r\n\u00a0\r\n\r\n<\/div>\r\n\u00a0\r\n

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