{"id":22675,"date":"2023-10-03T10:49:13","date_gmt":"2023-10-03T09:49:13","guid":{"rendered":"https:\/\/mucciaccia.com\/?p=22675"},"modified":"2025-11-09T12:40:34","modified_gmt":"2025-11-09T11:40:34","slug":"ligama","status":"publish","type":"post","link":"https:\/\/mucciaccia.com\/en\/ligama\/","title":{"rendered":"Ligama"},"content":{"rendered":"

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OVERVIEW<\/a>\u00a0 \u00a0WORKS<\/a>\u00a0 \u00a0EXHIBITIONS<\/a>\u00a0 \u00a0PUBLICATIONS<\/a><\/p>\n

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Ligama was born in Caltagirone in 1986 and studied in Catania where his artistic career began.Student of the Academy of Fine Arts, he soon became Assistant to the Chair of Engraving which he left in 2015 to devote himself exclusively to painting after having obtained several awards and prizes. After years of research on printing techniques, he continued his artistic journey by investigating the pixels as elements that make up the virtual image. He painted his composition and dissolution mechanisms while in 2015 made his debut with the solo exhibition\u00a08Bit Un mondo a pixel<\/em>\u00a0in Bologna later presented in Vodnjan (Croatia). In his investigation the pixels are the atoms of a new telematic and inconsistent matter, they are the pigments of a divisionist painting, the cells that welcome the sound-color frequencies analyzed by him and converted through a cocreation process with an algorithm of artificial intelligence.<\/p>\n

His painting practice soon evolved in studio and public spaces; in 2016 he created his first public works between Catania, Palermo and Rome. He took part in the\u00a0Emergency Festival<\/em>\u00a0of Giardini Naxos, the Amt Project in Catania and created a permanent work inside Palazzo della Cultura in Catania. He also painted three altarpieces in the Church of the Crucifix in Caltagirone. The following years saw him dedicated to large-scale interventions. The first one at the Palacongressi of Agrigento, then at the Farm Cultural Park and in Trapani, where he painted on the entire surface of an imposing eco-monster seized from the mafia. In 2019 he took part in Abstracta (Palazzo Trigona Noto, Edieuropa Gallery Rome), an exhibition that brings together the most important Street Artists of the Italian panorama. Matera, Capital of European Culture Foundation, commissioned him to do public work in the city in 2019. He was also among the artists of Countless Cities, the Biennial of the Cities curated by Farm Cultural Park. In 2019 he was also invited by the Italian Cultural Institute in Moscow for the Artika Festival and the Macro (Museum of Contemporary Art Rome) for a residence in the Macro Asilo project. In 2020 he is in the Festiwall line up for the Bitume Platform in Ragusa and in 2021 called by the Capital of Culture Foundation for a public work in Parma.<\/p>\n

His best-known work is UL which manipulates the Sicilian rural landscape by transferring new information on the ruins: audio recordings reworked in colors that result in unpublished combinations dictated by the palette provided by the algorithm. The pixels become mobile and macro and the colors find balance with the territory that belongs to them, forcing travelers to stop and look at the landscape. This work is a sort of artistic meditation for Ligama who, after arriving at the essence of the virtual image, restarts from the origins of our figurative culture. Since 2019 colors coexist with classical figures that, like ruins, suddenly appear in his work. This series start with\u00a0Noblesse Oblige<\/em>\u00a0project and it develops in\u00a0Sikanie\u00a0<\/em>and it characterizes his current private and public production, in Italy and abroad.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Selected Solo Exhibitions<\/h3>\n

2019<\/p>\n

Noblesse Oblige<\/em>, Galleria Uovo alla Pop, Livorno<\/p>\n

2017<\/p>\n

Catania Infinite Jest<\/em>, Palazzo della Cultura, Catania<\/p>\n

2016<\/p>\n

16bit<\/em>, Palazzo Corvaja, Taormina<\/p>\n

2015<\/p>\n

8bit, Galleria Portanova 12, Bologna<\/p>\n

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Selected Group Exhibitions<\/h3>\n<\/div>\n<\/div>\n
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2021<\/p>\n

When urban attitudes become contemporary art<\/em>, 21 Gallery, Treviso<\/p>\n

2021<\/p>\n

Art makes you travel again<\/em>, Rosso20sette Gallery, Rome<\/p>\n

2019<\/p>\n

Abstracta. Da Balla alla Street Art<\/em>, Galleria Edieuropa, Rome<\/p>\n

2017<\/p>\n

Hall of Fame<\/em>, Palazzo Ceramico Caltagirone, Catania<\/p>\n

2016<\/p>\n

Verba Volant Arte Manet<\/em>, Palazzo Cutelli, Catania<\/p>\n

Segni Agathae<\/em>, Le Ciminiere, Catania<\/p>\n

2015<\/p>\n

Nuovi Codici<\/em>, Palazzo Stanga, Cremona<\/p>\n

Sguardi per una citt\u00e0 visibil<\/em>e, Palazzo della Cultura, Catania<\/p>\n

Welcome to Paradise<\/em>, Modica, Ragusa<\/p>\n

Camouflage Project<\/em>, Museo di Camo, Turin<\/p>\n

2014<\/p>\n

Moon<\/em>, Villa Filippina, Palermo<\/p>\n

Disegnare il Settecento<\/em>, Castel Nuovo, Naples<\/p>\n

2013 La Febbre dal 3 al 6<\/em>, Palazzo Della Cultura, Catania<\/p>\n

Noto incisa<\/em>, Palazzo Trigona, Noto, Ragusa<\/p>\n

Meet_ology<\/em>, Museo Civico Archeologico Teano, Caserta<\/p>\n

Segno Insegno<\/em>, Istituto Nazionale per la Grafica, Rome<\/p>\n

2012<\/p>\n

Percorsi Paralleli<\/em>, Museo Emilio Greco, Catania<\/p>\n

Nuovi Confini<\/em>, Le Ciminiere, Catania, Museo Montevergini, Siracusa<\/p>\n

Area 189<\/em>, Palazzo Della Cultura, Catania<\/p>\n

Singolo Plurale<\/em>, Palazzo Fragapane , Grammichele, Catania<\/p>\n

2010<\/p>\n

Et Verbum Caro Factum est<\/em>, Scuderie di Juvarra, Venaria, Turin<\/p>\n

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Prizes and fairs<\/h3>\n

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2020 Asilo, Macro, Rome<\/p>\n

2019 Smach Biennale, Dolomiti<\/p>\n

2015 Madre Terra, Castello Aragonese, Pizzo Calabro (Vv)<\/p>\n

2014 Premio Limen, Vibo Valentia<\/p>\n

2013 Young Showcase , Museo MAGMA, Caserta<\/p>\n

2011 Premio Nazionale delle Arti, Brera, Milan<\/p>\n

2010 Premio Nazionale delle Arti, Accademia Belle Arti, Naples<\/p>\n

2007 Premio Nazionale delle Arti, Le Ciminiere, Catania<\/p>\n

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Fiere<\/h3>\n

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2021 Arte in Nuvola, Nuvola di Fuksas, Rome<\/p>\n

2016 Urban Art Fair, Carreau du Temple, Paris<\/p>\n

2016 Set Up, Autostazione, Bologna<\/p>\n

2015 Art Factory, Fondazione Puglisi Cosentino, Catania<\/p>\n

2014 Art Market, Budapest<\/p>\n

2012 Art Market, Budapest<\/p>\n

2011 AgrigentoArte Segnali dal tempo, Palacongressi Agrigento<\/p>\n

2009 AgrigentoArte Segnali dal tempo, Palacongressi Agrigento<\/p>\n

2008 AgrigentoArte Segnali dal tempo, Palacongressi Agrigento<\/p>\n

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Public art<\/h3>\n

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2022<\/p>\n

Sikanie, \u0141a grand\u0119 Madre e lo Stagnone<\/em>, San Cono, Catania<\/p>\n

2021<\/p>\n

L\u2019amuri ca mi dasti ti lu tornu<\/em>, Rosolini, Siracusa<\/p>\n

Apologia, Memorie Urbane<\/em>,Terracina, Latina<\/p>\n

Diritto<\/em>, Istituto Penitenziario Bicocca, Catania<\/p>\n

Op\u00f9ntia<\/em>, Vico del Gargano, Foggia<\/p>\n

Omero \u00e8 una donna<\/em>, Trap Festiwall, Trapani<\/p>\n

MAking capodoglio<\/em>, Muru Festival, Torrenova, Messina<\/p>\n

Urban Noise<\/em>, Lentini, Catania<\/p>\n

Geometrie Bianche<\/em>, Grammichele, Catania<\/p>\n

Carni e Crepe il Santo nudo<\/em>, Prac, Ponzano Romano, Rome<\/p>\n

Santi, Cristi, rocce, trabattelli e anacronismi<\/em>, Chiesa di San Pietro, Siculiana, Agrigento<\/p>\n

Senza niente Intorno<\/em>, Capitale della Cultura, Parma<\/p>\n

I giocolieri<\/em>, Regalbuto, Enna<\/p>\n

Generazioni e germogli<\/em>, Agrigento<\/p>\n

Ecce Homo<\/em>, Bivona, Agrigento<\/p>\n

Sangu<\/em>, Palagonia, Catania<\/p>\n

Natura effimera<\/em>, San Michele Di Ganzaria, Catania<\/p>\n

Hai mai giocato con le nuvole?<\/em>, Palermo<\/p>\n

Paesaggi e redenzione<\/em>, Istituto Penitenziario per Minori Bicocca, Catania<\/p>\n

Di Umana Memoria<\/em>, Ruderi di Montevago, Agrigento<\/p>\n

Solo una rosa<\/em>, Empoli<\/p>\n

Conversion<\/em>, Misterbianco, Catania<\/p>\n

Poseidon<\/em>, The Wawe Studio, Catania<\/p>\n

Generazioni e germogli<\/em>, Agrigento, Fontanelle<\/p>\n

Ecce Homo<\/em>, Bivona, Agrigento<\/p>\n

Sangu<\/em>, Palagonia, Catania<\/p>\n

Hai mai giocato con le nuvole?<\/em>, Palermo<\/p>\n

2020<\/p>\n

Come nasce il mondo<\/em>, Agrigento<\/p>\n

Come una goccia<\/em>, Caltagirone, Catania<\/p>\n

Aci e Galatea<\/em>, Acicatena, Catania<\/p>\n

Abisso<\/em>, Ravanusa, Agrigento<\/p>\n

Consecutio Temporum<\/em>, Montevago, Agrigento<\/p>\n

Senza spine la rosa sarebbe un fiore qualunque<\/em>, Alcamo, Trapani<\/p>\n

Fiori di glicine<\/em>, Livorno<\/p>\n

Se solo fossimo ancora in tempo<\/em>, San Vito Lo Capo, Trapani<\/p>\n

Kore<\/em>, Museo del Mito, Enna<\/p>\n

Pece e gloria<\/em>, Festiwall Ragusa, Ragusa<\/p>\n

Di pietra di spirito<\/em>, Lercara, Palermo<\/p>\n

Il peso della persistenza<\/em>, Sciacca<\/p>\n

Apparizione<\/em>, Caltagirone, Catania<\/p>\n

Sorgente<\/em>, Caltagirone, Catania<\/p>\n

Dalla finestra<\/em>, Porto Empedocle, Agrigento<\/p>\n

La teoria degli abbracci<\/em>, Niscemi, Caltanissetta<\/p>\n

Punto a capo<\/em>, Corleone, Palermo<\/p>\n

In Ceterum Dantes Nihil Inde Sperantes<\/em>, Cammarata, Agrigento<\/p>\n

Dafne<\/em>, Caltagirone, Catania<\/p>\n

Aspetto sempre un lieto fine<\/em>, Palermo Zen, Palermo<\/p>\n

La cavalcata<\/em>, Cammarata, Agrigento<\/p>\n

La Biddina<\/em>, Grotte, Agrigento<\/p>\n

Liberami e proteggimi<\/em>, Calascibetta, Enna<\/p>\n

Cos\u00ec tutto \u00e8 pi\u00f9 facile<\/em>, Rome<\/p>\n

Like Penelope<\/em>, Caltagirone, Catania<\/p>\n

Le stanze degli dei<\/em>, Favara, Agrigento<\/p>\n

2019<\/p>\n

Di stucco e spray<\/em>, Palermo<\/p>\n

Liotro Identity<\/em>, Catania<\/p>\n

Quando manca l\u2019aria<\/em>, Livorno<\/p>\n

Coscienza astratta<\/em>, Caltagirone, Catania<\/p>\n

Provvidenza<\/em>, Catania<\/p>\n

Man at work<\/em>, Ragusa Festiwall, Ragusa<\/p>\n

Introverso<\/em>, Acquedolci, Messina<\/p>\n

Origine<\/em>, Rocchetta a Volturno, Isernia<\/p>\n

Cura<\/em>, Norilsk, Russia<\/p>\n

Stanza di confine<\/em>, Farm Cultural Park Favara, Agrigento<\/p>\n

P\u00e0 Maternit\u00e0<\/em>, Palermo<\/p>\n

Natura Reversibile<\/em>, Mascalucia, Catania<\/p>\n

Dialoghi impossibili<\/em>, Mirabella Imbaccari, Catania<\/p>\n

Poseidon<\/em>, Catania<\/p>\n

Panta Rhei<\/em>, Montelupo Fiorentino, Florence<\/p>\n

Breath<\/em>, Matera<\/p>\n

Turpe est in patria vivere et patria ignorare<\/em>, Linguaglossa, Catania<\/p>\n

2018<\/p>\n

I quattro elementi<\/em>, Porto Empedocle, Agrigento<\/p>\n

Voronoi Extravaganza<\/em>, Catania<\/p>\n

The Big Bang<\/em>, Giardini Naxos, Messina<\/p>\n

Osmotic Euphoria<\/em>, Aragona, Agrigento<\/p>\n

Estensioni Cromatiche traslate<\/em>, Catania<\/p>\n

Ordinedisordine<\/em>, Riesi, Caltanissetta<\/p>\n

Horizon<\/em>, Sciacca, Agrigento<\/p>\n

La conversione del bubbone<\/em>, Mazara del Vallo, Trapani<\/p>\n

Archetype<\/em>, Floridia, Siracusa<\/p>\n

Message in a Pipe<\/em>, Petrosino, Trapani<\/p>\n

Sunrise<\/em>, Grotte, Agrigento<\/p>\n

Abitare<\/em>, Farm Cultural Park Favara, Agrigento<\/p>\n

Rebirth<\/em>, Villaggio Mos\u00e8, Agrigento<\/p>\n

Discover<\/em>, Valverde, Catania<\/p>\n

2017<\/p>\n

The Beginning<\/em>, Catania<\/p>\n

United Colors Of Librino<\/em>, Catania<\/p>\n

Movimento 6<\/em>, Catania<\/p>\n

Agata<\/em>, Palazzo della Cultura, Catania<\/p>\n

2016<\/p>\n

Don\u2019t care<\/em>, Rome<\/p>\n

Clouds<\/em>, Chiesa del Crocifisso, Caltagirone, Catania<\/p>\n

Ellenica<\/em>, Taormina, Messina<\/p>\n

Per ogni pallone che vola c\u2019\u00e8 un bimbo che piange<\/em>, Palermo<\/p>\n

All you need is love<\/em>, Catania<\/p>\n<\/div>\n<\/div>\n

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Public Collections<\/h3>\n

Fidelity Investments, Boston and London
Arts Council Collection, Hayward Gallery, London
Goldman Sachs Collection, London
Kupferstichkabinett of the National Gallery of Berlin, Berlina
Royal Bank of Scotland Group Art Collection, London
San Diego Museum of Contemporary Art, San Diego, USA
The Government Art Collection, London<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ module_id=”works” _builder_version=”4.19.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”60px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”hyperlink-color-image” _builder_version=”4.19.2″ _module_preset=”default” header_2_font_size=”18px” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” header_2_font_size_tablet=”18px” header_2_font_size_phone=”18px” header_2_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n

WORKS<\/h2>\n

[\/et_pb_text][et_pb_divider color=”#c9c9c9″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”0px||||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/10\/Ligama_Alle-piante-non-importa_2021_50x70_quarzo-e-spray-su-tela.jpg” alt=”Ligama, Alle piante non importa, 2021, quartz and spray on canvas, 50×70 cm” title_text=”Ligama, Alle piante non importa, 2021, quartz and spray on canvas, 50×70 cm” url=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/10\/Ligama_Alle-piante-non-importa_2021_50x70_quarzo-e-spray-su-tela.jpg” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.27)” align=”center” _builder_version=”4.22.2″ _module_preset=”default” height=”220px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” scroll_fade_enable=”on” motion_trigger_start=”top” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.22.2″ _module_preset=”default” text_font_size=”9px” text_orientation=”center” custom_margin=”-10px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”]<\/p>\n

Ligama, Alle piante non importa<\/em>, 2021, quartz and spray on canvas, 50×70 cm<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/10\/Ligama-Falling-Hands-dittico-2019-dittico-quarzo-e-spray-su-tela-100×120-cm-cadauno.jpg” alt=”Ligama, Falling Hands, 2019, diptych, quartz and spray on canvas, 100×120 cm (each)” title_text=”Ligama, Falling Hands, 2019, diptych, quartz and spray on canvas, 100×120 cm (each)” url=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/10\/Ligama-Falling-Hands-dittico-2019-dittico-quarzo-e-spray-su-tela-100×120-cm-cadauno.jpg” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.27)” align=”center” _builder_version=”4.22.2″ _module_preset=”default” height=”220px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” scroll_fade_enable=”on” motion_trigger_start=”top” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.22.2″ _module_preset=”default” text_font_size=”9px” text_orientation=”center” custom_margin=”-10px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”]<\/p>\n

Ligama, Falling Hands<\/em>, 2019, diptych, quartz and spray on canvas, 100×120 cm (each)<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|on” module_id=”exhibitions” _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”60px||0px||false|false” disabled=”on” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”hyperlink-color-image” _builder_version=”4.19.2″ _module_preset=”default” header_2_font_size=”18px” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” header_2_font_size_tablet=”18px” header_2_font_size_phone=”18px” header_2_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n

EXHIBITIONS<\/h2>\n

[\/et_pb_text][et_pb_divider color=”#c9c9c9″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|on” _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” disabled=”on” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_3,1_3,1_3″ make_equal=”on” _builder_version=”4.19.4″ _module_preset=”default” width=”100%” custom_margin=”0px||||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.19.4″ _module_preset=”default” custom_padding=”||80px||false|false” link_option_url=”https:\/\/mucciaccia.com\/art-wonders-of-the-xx-century\/” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2018\/09\/Nicola-De-Maria-Regno-dei-fiori-1985-tecnica-mista-su-tela-100-x-80.jpg” alt=”Nicola De Maria, Regno dei fiori, 1985, tecnica mista su tela, 100 x 80″ title_text=”Nicola De Maria, Regno dei fiori, 1985, tecnica mista su tela, 100 x 80″ align=”center” _builder_version=”4.19.4″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”]<\/p>\n

ART WONDERS OF THE XX CENTURY<\/h4>\n

[\/et_pb_text][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px|0px|false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”]2018<\/p>\n

LONDON<\/h6>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.19.4″ _module_preset=”default” custom_padding=”||80px||false|false” link_option_url=”https:\/\/mucciaccia.com\/italian-passion-1956\/” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2017\/10\/Piero-Manzoni-Achrome-1958-Kaolin-on-painted-canvas-55-x-40-cm.jpg” alt=”Piero Manzoni, Achrome, 1958, Kaolin on painted canvas, 55 x 40 cm” title_text=”Piero Manzoni, Achrome, 1958, Kaolin on painted canvas, 55 x 40 cm” align=”center” _builder_version=”4.19.4″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”]<\/p>\n

ITALIAN PASSION FROM 1956<\/h4>\n

[\/et_pb_text][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px|0px|false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”]2017<\/p>\n

LONDON<\/h6>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.19.4″ _module_preset=”default” custom_padding=”||80px||false|false” link_option_url=”https:\/\/mucciaccia.com\/harmonies-and-discrepancies-paths-in-the-italian-art-between-the-twentieth-and-the-twenty-first-century\/” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2015\/06\/Dorazio-Tenax-1979-cm-165×130.jpg” alt=”Piero-Dorazio Tenax – 1979 – olio su tela – cm-165×130″ title_text=”Piero Dorazio – Tenax” align=”center” _builder_version=”4.19.4″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”]<\/p>\n

HARMONIES AND DISCREPANCIES
\nPaths in the Italian art between the twentieth and the twenty-first century<\/h4>\n

[\/et_pb_text][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px|0px|false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”]2020<\/p>\n

SINGAPORE<\/h6>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|on” _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” disabled=”on” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_3,1_3,1_3″ make_equal=”on” _builder_version=”4.19.4″ _module_preset=”default” width=”100%” custom_margin=”0px||||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.19.4″ _module_preset=”default” custom_padding=”||80px||false|false” link_option_url=”https:\/\/mucciaccia.com\/milky-way-the-luminous-galaxy-of-the-20th-century\/” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2015\/06\/piccolissima-per-CS-capri-certosa-jpg.jpg” alt=”VIA LATTEA. La Galassia Luminosa del Novecento” title_text=”via-lattea” align=”center” _builder_version=”4.19.4″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”]<\/p>\n

MILKY WAY.
\nThe Luminous Galaxy of the 20th Century<\/h4>\n

[\/et_pb_text][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px|0px|false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”]2020<\/p>\n

SINGAPORE<\/h6>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.19.4″ _module_preset=”default” custom_padding=”||80px||false|false” link_option_url=”https:\/\/mucciaccia.com\/chef-doeuvre-artist-between-xx-and-xxi-centuries\/” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2015\/06\/cm-120x-120-2015.jpg” alt=”Cristiano Pintaldi – galleriamucciaccia.com” title_text=”Cristiano Pintaldi, untitled, cm 120×120, 2015″ align=”center” _builder_version=”4.19.4″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”]<\/p>\n

CHEF D\u2019OEUVRE
\nArtist between XX and XXI centuries<\/h4>\n

[\/et_pb_text][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px|0px|false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”]2020<\/p>\n

LONDON<\/h6>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.19.4″ _module_preset=”default” custom_padding=”||80px||false|false” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|on” module_id=”publications” _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”60px||0px||false|false” disabled=”on” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”hyperlink-color-image” _builder_version=”4.19.2″ _module_preset=”default” header_2_font_size=”18px” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” header_2_font_size_tablet=”18px” header_2_font_size_phone=”18px” header_2_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n

PUBLICATIONS<\/h2>\n

[\/et_pb_text][et_pb_divider color=”#c9c9c9″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|on” _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” disabled=”on” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ make_equal=”on” _builder_version=”4.19.2″ _module_preset=”default” width=”100%” custom_margin=”0px||||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.19.2″ _module_preset=”default” custom_padding=”||80px||false|false” link_option_url=”https:\/\/mucciaccia.com\/product\/carla-accardi-exhibition-catalogue-senza-passato\/” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2017\/07\/CAccardi-EC.jpg” alt=”Carla Accardi Exhibition Catalogue” title_text=”Accardi Exhibition Catalogue” align=”center” _builder_version=”4.19.3″ _module_preset=”default” module_alignment=”center” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.19.2″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”]<\/p>\n

Carla Accardi \u2013 Senza passato<\/h4>\n

[\/et_pb_text][et_pb_text _builder_version=”4.19.2″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”1.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px|0px|false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”]Exhibition Catalogue, edited by Fabrizio D\u2019amico
\nPublished by Carlo cambi Editore
\n2017
\n[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.19.2″ _module_preset=”default” custom_padding=”||80px||false|false” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.19.2″ _module_preset=”default” custom_padding=”||80px||false|false” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.19.2″ _module_preset=”default” custom_padding=”||80px||false|false” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_divider color=”#c9c9c9″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_divider][et_pb_text module_class=”hyperlink-color-image” _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

Artists<\/a><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

OVERVIEW\u00a0 \u00a0WORKS\u00a0 \u00a0EXHIBITIONS\u00a0 \u00a0PUBLICATIONS Ligama was born in Caltagirone in 1986 and studied in Catania where his artistic career began.Student of the Academy of Fine Arts, he soon became Assistant to the Chair of Engraving which he left in 2015 to devote himself exclusively to painting after having obtained several awards and prizes. After years […]<\/p>\n","protected":false},"author":8,"featured_media":22679,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"

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Born in 1924 in Trapani, Italy; dies in 2014 in Rome, Italy.<\/p>\r\n

After\u00a0her studies at the Accademia delle Belle Arti in Florence, she moves to Rome in 1946. Together with her future husband, Antonio Sanfilippo, they found Forma 1 in 1947, with also Turcato, Attardi, Perilli, Dorazio and Guerrini. The Group considers the geometric lines\u00a0as pure form toward abstraction and formalism, rejecting any link of continuity with the Italian painting of the last twenty years. After\u00a0the group Forma 1 breaks-up in 1951, Accardi continues her abstract, but concrete, research until 1952 and from 1954 she starts painting in black and white \u2013 the Negativi<\/i>. In\u00a01961, she reintroduces colours in her compositions, obtaining also optical effects. Accardi joins the Continuit\u00e0 Group, and prepares solo exhibitions\u00a0in\u00a0New York and\u00a0London. In\u00a0the 1970s,\u00a0she works with glazes on terracotta tiles and paints repeated geometric patterns on sicofoil,\u00a0transparent plastic instead of canvas. Using large sheets, she completes a series of works that investigate the relationship with the environment: Tenda<\/i> and Tripla tenda <\/i>for Galleria Editalia of Rome and for Venice Biennale 1976, Ambiente\/Arte Section. She participates at Venice Biennale in 1948, 1964, 1976, 1978, 1993 and in 1988 she is given a personal room. In the 1980s, Accardi returns to two-dimensional with the sequences of the Parentesi<\/i> and Capricci<\/i>. She exhibits in solo and group exhibitions abroad.\u00a0In 1996, Accardi is\u00a0named Accademico di Brera in Milan and in 1997 she receives the Cavaliere di Gran Croce.<\/p>\r\n\u00a0\r\n\r\n<\/div>\r\n\u00a0\r\n

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