{"id":22660,"date":"2023-10-03T09:53:55","date_gmt":"2023-10-03T08:53:55","guid":{"rendered":"https:\/\/mucciaccia.com\/?p=22660"},"modified":"2025-11-09T12:39:39","modified_gmt":"2025-11-09T11:39:39","slug":"la-ii","status":"publish","type":"post","link":"https:\/\/mucciaccia.com\/en\/la-ii\/","title":{"rendered":"LA II"},"content":{"rendered":"

[et_pb_section fb_built=”1″ admin_label=”Artist new head” _builder_version=”4.19.2″ _module_preset=”default” custom_margin=”0px||||false|false” custom_padding=”0px||40px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_2,1_2″ module_id=”overview” _builder_version=”4.19.1″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.19.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.22.2″ _dynamic_attributes=”content” _module_preset=”default” header_font=”|||on|||||” header_font_size=”26px” custom_margin=”0px||0px||false|false” custom_padding=”0px|20px|0px||false|false” custom_css_main_element=”display: inline-block;” global_colors_info=”{}”]@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF90aXRsZSIsInNldHRpbmdzIjp7ImJlZm9yZSI6IjxoMT4iLCJhZnRlciI6IjwvaDE+In19@[\/et_pb_text][et_pb_text _builder_version=”4.19.1″ _dynamic_attributes=”content” _module_preset=”default” module_alignment=”left” custom_margin=”0px||0px||false|false” custom_padding=”0px|4px|0px|4px|false|false” custom_css_main_element=”display: inline-block;” global_colors_info=”{}”]@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoiY3VzdG9tX21ldGFfbmF0aW9uYWxpdHkiLCJzZXR0aW5ncyI6eyJiZWZvcmUiOiIiLCJhZnRlciI6IiIsImVuYWJsZV9odG1sIjoib2ZmIn19@[\/et_pb_text][et_pb_text _builder_version=”4.19.1″ _dynamic_attributes=”content” _module_preset=”default” module_alignment=”left” custom_margin=”0px||0px||false|false” custom_padding=”0px|4px|0px|4px|false|false” custom_css_main_element=”display: inline-block;” global_colors_info=”{}”]@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoiY3VzdG9tX21ldGFfZGF0ZSIsInNldHRpbmdzIjp7ImJlZm9yZSI6IiIsImFmdGVyIjoiIiwiZW5hYmxlX2h0bWwiOiJvZmYifX0=@[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.19.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_text disabled_on=”on|on|on” _builder_version=”4.24.2″ _module_preset=”default” text_text_color=”#000000″ text_font_size=”12px” text_letter_spacing=”2px” link_text_color=”#939393″ text_orientation=”center” text_text_color_tablet=”#000000″ text_text_color_phone=”#000000″ text_text_color_last_edited=”on|desktop” text_letter_spacing_tablet=”2px” text_letter_spacing_phone=”0px” text_letter_spacing_last_edited=”on|desktop” link_font_tablet=”” link_font_phone=”” link_font_last_edited=”on|desktop” disabled=”on” global_colors_info=”{}”]<\/p>\n

OVERVIEW<\/a>\u00a0 \u00a0WORKS<\/a>\u00a0 \u00a0EXHIBITIONS<\/a>\u00a0 \u00a0PUBLICATIONS<\/a><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.19.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_2,1_2″ use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.19.2″ _module_preset=”default” width=”100%” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.19.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” text_text_color=”#999999″ text_line_height=”2.2em” custom_padding=”||40px||false|false” custom_padding_tablet=”||40px||false|false” custom_padding_phone=”||40px||false|false” custom_padding_last_edited=”on|desktop” hover_enabled=”0″ text_font_size_tablet=”” text_font_size_phone=”14px” text_font_size_last_edited=”on|phone” text_line_height_tablet=”2.2em” text_line_height_phone=”1.4em” text_line_height_last_edited=”on|phone” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n

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LA II born in Puerto Rico, 1967. Lives and works in New York, USA<\/p>\n

Angel Ortiz, also known as LA II, LA2 and LA ROC, (b. 1967) is a self-taught artist from the Lower East Side, the birthplace of New York street art. At the age of ten, his tag \u201cLA2,\u201d short for \u201cLittle Angel,\u201d had made its presence on the streets, and three years later, Ortiz was sought out by a young art student at the School of Visual Arts, Keith Haring.<\/p>\n

A mix of contemporary geometric, abstract symbols with influences attributed to hieroglyphics and calligraphy, Ortiz\u2019s signature style is, in fact, often a repeat of his street tag LAII \/ LA2, repeated in a dense, almost overlapping pattern referred to as \u201cHigh and Tight,\u201d which is then interwoven with geometric patterns and animated characters. Ortiz complimented Haring\u2019s \u201cempty space\u201d drawings by filling out Haring\u2019s drawings. Haring and Ortiz combined their styles to create an overall surface of intermingling lines and designs that is now recognized all around the world.<\/p>\n

By 1982, Ortiz and Haring had collaborated on dozens of works for their first show together at the Tony Shafrazi Gallery in New York City. Having dropped out of high school in 1983, Ortiz then traveled around the world working on collaborations with Keith Haring. For over six years, their projects took them around the globe to participate in numerous gallery installations, fashion shows and museum exhibitions. It is widely acknowledged that Ortiz\u2019s style and technique are known to have influenced Haring\u2019s compositions long after their creative partnership waned.\u00a0 Of his relationship with Haring, Ortiz said, \u201cMy relationship with Keith has always been about friendship first and the artistic aspect was and will always be secondary. Keith sought my guidance on how to accentuate his isolated figures and make them have a more complex environment to come to life visually. The collaborations artistically were magical and will never be duplicated\u201d.<\/p>\n

Ortiz has worked with dozens of other artists in the art market today, including Richard Hamilton, Kenny Scharf and a number of street artists from his original neighborhood in the Lower East Side, like Delta 2, Ero, and Cindy Shaoul.<\/p>\n

Select exhibitions include: Tony Shafrazi Gallery (New York City, 1982) with Keith Haring; Fun Gallery (New York City, 1983) with Keith Haring; Galerie Watari (Tokyo, 1983) with Keith Haring; Robert Fraser Gallery (London, 1983); Special Projects Paint Fiorucci (Milan, 1990) with Keith Haring; Future Primeval Queens Museum (New York, 1990) with Keith Haring; Follin Gallery (New York City, 2001); Clayton Patterson Outlaw Museum (New York City, 2002); Galleria Leonardo Galerie (Bolzano, 2005); Dorian Grey Gallery (New York City, 2011); D\u2019Stassi Art Gallery (London, 2022); and Chase Contemporary (New York City, 2023).\u00a0 Today, Ortiz\u2019s art can be found in esteemed private urban art collections and in the permanent collections of museums such as the Whitney, MOMA, the Guggenheim and the Louvre Museum, Abu Dhabi. Ortiz continues to live and work in New York City.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Selected Solo Exhibitions<\/h3>\n

2023 Flickering Light, Mucciaccia Contemporary, Rome
\n2022 Light Up My Sky, Purdy Hicks Gallery, London
\n2021 Sue Arrowsmith \u2013 Galerie andres Thalmann @ BVLGARI, Zurich
\n2020 Natura Naturans, Luca Tommasi Arte Contemporanea, Milan
\n2019 Let the wind blow through your heart, Galerie Andres Thalmann, Zurich
\n2018 We could dream this night away, Purdy Hicks Gallery, London
\n2016 Waiting for the Moon, Galerie Andres Thalmann, Zurich
\n2015 Whisper from The Shadows, Purdy Hicks Gallery, London
\n2013 Sue Arrowsmith \u2013 Studio Show , October, London
\n2011 Courtyard Gallery, The National Botanic Garden of Wales, Carmarthen, Galles
\n2009 Galerie allerArt, Bludenz, Austria
\n2004 Artist of the Day, Flowers Central, London
\nGalerie Hollenbach, Stuttgart, Germany
\n2001 Galerie Fahnemann, Berlin
\n1999 Galerie Frahm, Copenhagen
\n1997 Cold Spring, Entwistle Gallery, London
\n1994 Entwistle Gallery, London
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Selected Group Exhibitions<\/h3>\n<\/div>\n<\/div>\n
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2022\u00a0 Eye On Nature, Purdy Hicks Gallery, London
\n2021\u00a0 Artists of the gallery \u2013 Christmas Edition, Galerie Andres Thalmann, Zurich
\n2020\u00a0 Rebooting Nature, Purdy Hicks Gallery, London
\nEvery day, Terrace Gallery, London
\nTime, Suspended, The Gallery at Catherine Prevost, London
\n2018\u00a0 Nature Morte, Guildhall Art Gallery, London
\nTransference, with Mathew Weir, MOCA London, London
\nArcadian Dreams, CCASM, Jersey Channel Islands
\nWhispering Colour, Bo Lee Gallery, London
\nArtists of the Gallery \u2013 Part 1, Galerie Andres Thalmann, Zurich
\n2017\u00a0 Nature Morte, The four Domes Pavillion, National Museum of Wroc\u0142aw, Poland
\nDie Wunderkammer, Objects of Virtue, CCASM, Jersey Channel Islands
\n2016 Nature Morte, Konsthallen-Bohusl\u00e4ns Museum, Sweden
\n2015\u00a0 Summer Exhibition, Purdy Hicks Gallery, London
\nNature Morte, Contemporary Artists Reinvigorate the Still Life, Ha gamle prestgard, Stavanger, Norway
\n2014\u00a0 Natural Order, Purdy Hicks Gallery, London
\n2012\u00a0 Sweethearts \u2013 Artist Couples, Pippy Houldsworth Gallery, London
\nPlus Art Projects at The Mayor\u2019s Parlour, Bow, London
\n2011\u00a0 Drawing 2011, Drawing Room, London
\n2010\u00a0 Small is Beautiful, Flowers Central, London
\nWilliam Blake and the Naked Tea Party, Ekleksographia, ahadada
\n2009\u00a0 Small is Beautiful, Flowers East, London
\nDrawing 2009, Drawing Room, London
\nOpen Impact, Spike Island, Bristol
\n2008\u00a0 Small is Beautiful, Flowers Central, Londra
\nDrawing 2009, Drawing Room, London
\nOpen Impact, Spike Island, Bristol
\n2008\u00a0 Small is Beautiful, Flowers Central, London
\n2007\u00a0 Art Futures, Contemporary Art Society, Bloomberg Space, London
\nDrawing 2007, Drawing Room, London
\nForce Of Nature, The Gallery@Adventure Ecology HQ, London
\nSummer Exhibition 2007, Royal Academy, London
\nBritish Painting, Galerie Hollenbach, Stuttgart, Germany
\nSmall Is Beautiful, Flowers Central, London
\n2006\u00a0 Into The Light Of Things, Angel Row Gallery, Nottingham
\nSmall is Beautiful, Portraits XXIV, Flowers Central, London
\n2005\u00a0 Sue Arrowsmith, Claude Heath, Ausstellungsraum, Gallery Hollenbach, Zurich
\nDrawing Two Hundred, The Drawing Room, London
\nArt Futures, Contemporary Art Society, Bloomberg, Space, London
\nSmall is Beautiful, Flowers Central, London
\n2004\u00a0 Arbeiten Auf Papier, Galerie Hollenbach, Stuttgart, Germany
\nArt Futures, Contemporary Art Society, London
\n2003\u00a0 Art Futures, Contemporary Art Society, London
\nAbout Painting, Galerie Hollenbach, Stuttgart, Germany
\nPictures at an Exhibition, KPMG, London
\nDrawn 2B Alive, Hales Gallery, London
\n2002\u00a0 At Sea, Sainsbury Centre for Visual Arts, Norwich
\nProspects 2002 Contemporary Drawing Exhibition, Essor Gallery Project Space, London
\nMapping the Process, Essor Gallery, London
\nThe Jerwood Drawing Prize 2002, University of Gloucester, Cheltenham touring to Jerwood Space, London; mac, Birmingham; Glasgow School of Art; EICH Gallery, University of Lincolnshire and Humberside, Hull; The Promenade Gallery, The Lowry, Salford Quays, Manchester
\n2000\u00a0 Y2K Archimede Staffolini Gallery, Nicosia, Cyprus
\nIncorporate 3, Art and Business, London
\nCultural Ties, Jariwala Westzone Gallery, London
\n2001\u00a0 Sue Arrowsmith, Maria Chevska, Alexis Harding,Galerie Hollenbach, Stuttgart, Germany
\nTradition and Innovation, British Painting from The Royal Bank of Scotland Art Collection, York City Art Gallery, York, England
\nXS, Galerie Fahnemann, Berlin
\nBritish Abstract Painting 2001, Flowers East, London
\nAt Sea, Tate Liverpool, Liverpool
\nJerwood Drawing Prize 2001, University of Gloucester, Cheltenham, touring to The Alberto Vilar, Gallery at The Prince\u2019s Foundation, London, EICH Gallery, University of Lincolnshire and Humberside, Hull, England
\nCollection Selection, Middlesbrough Art Gallery, Middlesbrough, England
\n1998\u00a0 The Natwest Art Prize 1998, Lothbury Gallery, London
\n1997\u00a0 John Moores Liverpool Exhibition 20, Walker Art Gallery, Liverpool<\/p>\n<\/div>\n<\/div>\n

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Public Collections<\/h3>\n

Fidelity Investments, Boston and London
\nArts Council Collection, Hayward Gallery, London
\nGoldman Sachs Collection, London
\nKupferstichkabinett of the National Gallery of Berlin, Berlina
\nRoyal Bank of Scotland Group Art Collection, London
\nSan Diego Museum of Contemporary Art, San Diego, USA
\nThe Government Art Collection, London
\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”off|off|off” module_id=”works” _builder_version=”4.24.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”60px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”hyperlink-color-image” _builder_version=”4.19.2″ _module_preset=”default” header_2_font_size=”18px” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” header_2_font_size_tablet=”18px” header_2_font_size_phone=”18px” header_2_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n

WORKS<\/h2>\n

[\/et_pb_text][et_pb_divider color=”#c9c9c9″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|on” _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” disabled=”on” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”0px||||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/09\/Must_I_Dream_2023_s.jpg” alt=”Sue Arrowsmith, Must I Dream, 2023,inchiostro e acquarello su pannello in allumino, 103 x 80 cm” title_text=”Sue Arrowsmith, Must I Dream, 2023,inchiostro e acquarello su pannello in allumino, 103 x 80 cm” url=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/09\/Must_I_Dream_2023_s.jpg” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.27)” align=”center” _builder_version=”4.22.2″ _module_preset=”default” height=”220px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” scroll_fade_enable=”on” motion_trigger_start=”top” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.22.2″ _module_preset=”default” text_font_size=”9px” text_orientation=”center” custom_margin=”-10px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”]Sue Arrowsmith, Must I Dream<\/em>, 2023,inchiostro e acquarello su pannello in allumino, 103 x 80 cm
\n[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/09\/Sea_Glow_Nights_2023.jpg” alt=”Sue Arrowsmith, Sea Glow, 2023, inchiostro dorato e acquerello su pannello di alluminio, 150x 150 cm” title_text=”Sue Arrowsmith, Sea Glow, 2023, inchiostro dorato e acquerello su pannello di alluminio, 150x 150 cm” url=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/09\/Sea_Glow_Nights_2023.jpg” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.27)” align=”center” _builder_version=”4.22.2″ _module_preset=”default” height=”220px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” scroll_fade_enable=”on” motion_trigger_start=”top” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.22.2″ _module_preset=”default” text_font_size=”9px” text_orientation=”center” custom_margin=”-10px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”]Sue Arrowsmith, Sea Glow<\/em>, 2023, inchiostro dorato e acquerello su pannello di alluminio, 150x 150 cm
\n[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”off|off|off” _builder_version=”4.23″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/12\/Sun-Burst.jpg” alt=”Sun Burst, 2023
\nAcrylic spray paint,
\nacrylic marker on canvas
\n48 x 48 in | 121.9 x 121.9 cm” title_text=”Sun Burst” url=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/12\/Sun-Burst.jpg” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.19)” _builder_version=”4.23.1″ _module_preset=”default” height=”220px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” text_font_size=”12px” text_line_height=”1.3em” global_colors_info=”{}”]<\/p>\n

LA II
Sun Burst<\/em>, 2023
Acrylic spray paint,
acrylic marker on canvas
48 x 48 in | 121.9 x 121.9 cm
ph. Marco Nardo<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/12\/Didis-Delight.jpg” alt=”Didi\u2019s Delight, 2023 Acrylic paint and marker on canvas 30 x 48 in | 76.2 x 121.9 cm” title_text=”Didi’s Delight” url=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/12\/Didis-Delight.jpg” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.19)” _builder_version=”4.23.1″ _module_preset=”default” height=”220px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” text_font_size=”12px” text_line_height=”1.3em” global_colors_info=”{}”]<\/p>\n

LA II
Didi\u2019s Delight<\/em>, 2023
Acrylic paint and marker
on canvas
30 x 48 in | 76.2 x 121.9 cm
ph. Marco Nardo<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/12\/Blue-Wave.jpg” alt=”Sun Burst, 2023 Acrylic spray paint, acrylic marker on canvas 48 x 48 in | 121.9 x 121.9 cm” title_text=”Blue Wave” url=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/12\/Blue-Wave.jpg” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.19)” _builder_version=”4.23.1″ _module_preset=”default” height=”220px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” text_font_size=”12px” text_line_height=”1.3em” global_colors_info=”{}”]<\/p>\n

LA II
Blue Wave<\/em>, 2023
Acrylic spray paint,
acrylic marker on canvas
48 x 60 in | 121.9 x 152.4 cm
ph. Marco Nardo<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|on” module_id=”exhibitions” _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”60px||0px||false|false” disabled=”on” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”hyperlink-color-image” _builder_version=”4.19.2″ _module_preset=”default” header_2_font_size=”18px” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” header_2_font_size_tablet=”18px” header_2_font_size_phone=”18px” header_2_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n

EXHIBITIONS<\/h2>\n

[\/et_pb_text][et_pb_divider color=”#c9c9c9″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|on” _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” disabled=”on” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_3,1_3,1_3″ make_equal=”on” _builder_version=”4.19.4″ _module_preset=”default” width=”100%” custom_margin=”0px||||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.19.4″ _module_preset=”default” custom_padding=”||80px||false|false” link_option_url=”https:\/\/mucciaccia.com\/art-wonders-of-the-xx-century\/” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2018\/09\/Nicola-De-Maria-Regno-dei-fiori-1985-tecnica-mista-su-tela-100-x-80.jpg” alt=”Nicola De Maria, Regno dei fiori, 1985, tecnica mista su tela, 100 x 80″ title_text=”Nicola De Maria, Regno dei fiori, 1985, tecnica mista su tela, 100 x 80″ align=”center” _builder_version=”4.19.4″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”]<\/p>\n

ART WONDERS OF THE XX CENTURY<\/h4>\n

[\/et_pb_text][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px|0px|false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”]2018<\/p>\n

LONDON<\/h6>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.19.4″ _module_preset=”default” custom_padding=”||80px||false|false” link_option_url=”https:\/\/mucciaccia.com\/italian-passion-1956\/” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2017\/10\/Piero-Manzoni-Achrome-1958-Kaolin-on-painted-canvas-55-x-40-cm.jpg” alt=”Piero Manzoni, Achrome, 1958, Kaolin on painted canvas, 55 x 40 cm” title_text=”Piero Manzoni, Achrome, 1958, Kaolin on painted canvas, 55 x 40 cm” align=”center” _builder_version=”4.19.4″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”]<\/p>\n

ITALIAN PASSION FROM 1956<\/h4>\n

[\/et_pb_text][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px|0px|false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”]2017<\/p>\n

LONDON<\/h6>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.19.4″ _module_preset=”default” custom_padding=”||80px||false|false” link_option_url=”https:\/\/mucciaccia.com\/harmonies-and-discrepancies-paths-in-the-italian-art-between-the-twentieth-and-the-twenty-first-century\/” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2015\/06\/Dorazio-Tenax-1979-cm-165×130.jpg” alt=”Piero-Dorazio Tenax – 1979 – olio su tela – cm-165×130″ title_text=”Piero Dorazio – Tenax” align=”center” _builder_version=”4.19.4″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”]<\/p>\n

HARMONIES AND DISCREPANCIES
\nPaths in the Italian art between the twentieth and the twenty-first century<\/h4>\n

[\/et_pb_text][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px|0px|false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”]2020<\/p>\n

SINGAPORE<\/h6>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|on” _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” disabled=”on” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_3,1_3,1_3″ make_equal=”on” _builder_version=”4.19.4″ _module_preset=”default” width=”100%” custom_margin=”0px||||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.19.4″ _module_preset=”default” custom_padding=”||80px||false|false” link_option_url=”https:\/\/mucciaccia.com\/milky-way-the-luminous-galaxy-of-the-20th-century\/” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2015\/06\/piccolissima-per-CS-capri-certosa-jpg.jpg” alt=”VIA LATTEA. La Galassia Luminosa del Novecento” title_text=”via-lattea” align=”center” _builder_version=”4.19.4″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”]<\/p>\n

MILKY WAY.
\nThe Luminous Galaxy of the 20th Century<\/h4>\n

[\/et_pb_text][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px|0px|false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”]2020<\/p>\n

SINGAPORE<\/h6>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.19.4″ _module_preset=”default” custom_padding=”||80px||false|false” link_option_url=”https:\/\/mucciaccia.com\/chef-doeuvre-artist-between-xx-and-xxi-centuries\/” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2015\/06\/cm-120x-120-2015.jpg” alt=”Cristiano Pintaldi – galleriamucciaccia.com” title_text=”Cristiano Pintaldi, untitled, cm 120×120, 2015″ align=”center” _builder_version=”4.19.4″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”]<\/p>\n

CHEF D\u2019OEUVRE
\nArtist between XX and XXI centuries<\/h4>\n

[\/et_pb_text][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px|0px|false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”]2020<\/p>\n

LONDON<\/h6>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.19.4″ _module_preset=”default” custom_padding=”||80px||false|false” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|on” module_id=”publications” _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”60px||0px||false|false” disabled=”on” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”hyperlink-color-image” _builder_version=”4.19.2″ _module_preset=”default” header_2_font_size=”18px” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” header_2_font_size_tablet=”18px” header_2_font_size_phone=”18px” header_2_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n

PUBLICATIONS<\/h2>\n

[\/et_pb_text][et_pb_divider color=”#c9c9c9″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|on” _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” disabled=”on” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ make_equal=”on” _builder_version=”4.19.2″ _module_preset=”default” width=”100%” custom_margin=”0px||||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.19.2″ _module_preset=”default” custom_padding=”||80px||false|false” link_option_url=”https:\/\/mucciaccia.com\/product\/carla-accardi-exhibition-catalogue-senza-passato\/” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2017\/07\/CAccardi-EC.jpg” alt=”Carla Accardi Exhibition Catalogue” title_text=”Accardi Exhibition Catalogue” align=”center” _builder_version=”4.19.3″ _module_preset=”default” module_alignment=”center” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.19.2″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”]<\/p>\n

Carla Accardi \u2013 Senza passato<\/h4>\n

[\/et_pb_text][et_pb_text _builder_version=”4.19.2″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”1.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px|0px|false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”]Exhibition Catalogue, edited by Fabrizio D\u2019amico
\nPublished by Carlo cambi Editore
\n2017
\n[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.19.2″ _module_preset=”default” custom_padding=”||80px||false|false” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.19.2″ _module_preset=”default” custom_padding=”||80px||false|false” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.19.2″ _module_preset=”default” custom_padding=”||80px||false|false” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_divider color=”#c9c9c9″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_divider][et_pb_text module_class=”hyperlink-color-image” _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

Artists<\/a><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

OVERVIEW\u00a0 \u00a0WORKS\u00a0 \u00a0EXHIBITIONS\u00a0 \u00a0PUBLICATIONS LA II born in Puerto Rico, 1967. Lives and works in New York, USA Angel Ortiz, also known as LA II, LA2 and LA ROC, (b. 1967) is a self-taught artist from the Lower East Side, the birthplace of New York street art. At the age of ten, his tag \u201cLA2,\u201d […]<\/p>\n","protected":false},"author":8,"featured_media":22664,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"

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Born in 1924 in Trapani, Italy; dies in 2014 in Rome, Italy.<\/p>\r\n

After\u00a0her studies at the Accademia delle Belle Arti in Florence, she moves to Rome in 1946. Together with her future husband, Antonio Sanfilippo, they found Forma 1 in 1947, with also Turcato, Attardi, Perilli, Dorazio and Guerrini. The Group considers the geometric lines\u00a0as pure form toward abstraction and formalism, rejecting any link of continuity with the Italian painting of the last twenty years. After\u00a0the group Forma 1 breaks-up in 1951, Accardi continues her abstract, but concrete, research until 1952 and from 1954 she starts painting in black and white \u2013 the Negativi<\/i>. In\u00a01961, she reintroduces colours in her compositions, obtaining also optical effects. Accardi joins the Continuit\u00e0 Group, and prepares solo exhibitions\u00a0in\u00a0New York and\u00a0London. In\u00a0the 1970s,\u00a0she works with glazes on terracotta tiles and paints repeated geometric patterns on sicofoil,\u00a0transparent plastic instead of canvas. Using large sheets, she completes a series of works that investigate the relationship with the environment: Tenda<\/i> and Tripla tenda <\/i>for Galleria Editalia of Rome and for Venice Biennale 1976, Ambiente\/Arte Section. She participates at Venice Biennale in 1948, 1964, 1976, 1978, 1993 and in 1988 she is given a personal room. In the 1980s, Accardi returns to two-dimensional with the sequences of the Parentesi<\/i> and Capricci<\/i>. She exhibits in solo and group exhibitions abroad.\u00a0In 1996, Accardi is\u00a0named Accademico di Brera in Milan and in 1997 she receives the Cavaliere di Gran Croce.<\/p>\r\n\u00a0\r\n\r\n<\/div>\r\n\u00a0\r\n

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\r\n\r\n\u00a0\r\n\r\n[envira-gallery id=\"6706\"]\r\n\r\n<\/div>\r\n
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<\/div>\r\n<\/div>\r\n\u00a0\r\n\r\n\u00a0\r\n\r\n\u00a0\r\n\r\n\u00a0\r\n\r\n\u00a0\r\n\r\n\u00a0\r\n\r\n\u00a0\r\n\r\n\u00a0","_et_gb_content_width":"","footnotes":""},"categories":[282,281],"tags":[],"class_list":["post-22660","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artisti-project","category-artists-project"],"acf":[],"_links":{"self":[{"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/posts\/22660","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/comments?post=22660"}],"version-history":[{"count":0,"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/posts\/22660\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/media\/22664"}],"wp:attachment":[{"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/media?parent=22660"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/categories?post=22660"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/tags?post=22660"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}