[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.19.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_2,1_2″ use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.19.2″ _module_preset=”default” width=”100%” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.19.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” text_text_color=”#999999″ text_line_height=”2.2em” custom_padding=”||40px||false|false” custom_padding_tablet=”||40px||false|false” custom_padding_phone=”||40px||false|false” custom_padding_last_edited=”on|desktop” hover_enabled=”0″ text_font_size_tablet=”” text_font_size_phone=”14px” text_font_size_last_edited=”on|phone” text_line_height_tablet=”2.2em” text_line_height_phone=”1.4em” text_line_height_last_edited=”on|phone” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n
James Busby was born in 1973 in Rock Hill (South Carolina) and lives and works in Chapin, South Carolina. In 2003 he obtained the title of Master of Fine Arts at Virginia Commonwealth University. His artistic research is centered on dexterity and attention to the constructivist legacy, in order to better investigate the reality of the work and return to the origins of painting. He assures that his works do not represent other than their own materiality.<\/p>\n
Busby\u2019s works are the result of a long and rigorous process, most of the time the work begins on a wooden support, on which plaster is spread so that the layers accumulate slowly. Once the desired thickness is reached, the artist then smooth\u2019s, a process characterized by rigorous attention to detail and which gives the work a textured effect.<\/p>\n
The works of James Busby can be considered open, due to the possibility of continuous variations according to their spatial disposition. The reflective quality of his works requires the viewer to move around until he suggests an almost infinite number of visual experiences, every time a reflection changes.<\/p>\n
Several exhibitions have been dedicated to James Bubsy, among the personal ones to remember are\u00a0Talking in Code, New Paintings and Drawings<\/em>\u00a0(2015) at the Reyonolds Gallery in Richmond and\u00a0Life Around Here<\/em>\u00a0(2016) at the Kravets | Wheby Gallery in New York. In April 2019 he participated in the duo exhibition\u00a0Aftermodernism A perspective on contemporary Art James Bubsy Justin Samson\u00a0<\/em>at the Mucciaccia Contemporary gallery. Busby is part of the\u00a0Aftermodernism<\/em>\u00a0artistic movement founded by the collector Hubert Neumann, exhibitions dedicated to him were held in London, Paris, Stockholm and Istanbul. He has participated in various art fairs in Miami, Houston, Stockholm, Istanbul and New York City, including the International Armory Show in New York, Untitled Art Fair, Scope NY and Untitled Art Fair, Miami.<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.19.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9mZWF0dXJlZF9pbWFnZSIsInNldHRpbmdzIjp7fX0=@” align=”center” _builder_version=”4.19.2″ _dynamic_attributes=”src” _module_preset=”default” height=”350px” filter_saturate=”0%” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”][et_pb_row _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.22.2″ _module_preset=”default” text_text_color=”#999999″ text_line_height=”2.2em” header_3_text_color=”#919191″ custom_padding=”||40px||false|false” custom_padding_tablet=”||40px||false|false” custom_padding_phone=”||40px||false|false” custom_padding_last_edited=”on|desktop” text_font_size_tablet=”” text_font_size_phone=”14px” text_font_size_last_edited=”on|phone” text_line_height_tablet=”2.2em” text_line_height_phone=”1.4em” text_line_height_last_edited=”on|phone” border_width_bottom=”1px” border_color_bottom=”#dbdbdb” global_colors_info=”{}”]<\/p>\n 2023 2019 New Paintings<\/em>, Neumann Wolfson Art, New York, USA<\/p>\n 2016 Ripple<\/em>, Dirimart Galeri, Istanbul, Turkey<\/p>\n 2015 Right Right, Now Now<\/em>, Kravets|Wehby Gallery, New York, USA<\/p>\n 2014 Figure 8<\/em>, James Busby, 701 Center for Contemporary Art, Columbia, USA<\/p>\n New Paintings, James Busby<\/em>, Randall Scott Projects, Washington DC, USA<\/p>\n Slow is Smooth, Smooth is Fast<\/em>, Kravets|Wehby Gallery, New York, USA<\/p>\n 2013 2012 James Busby: Wingspan, 2D & 3D New Work<\/em>,Stefan Stux Gallery, New York, USA<\/p>\n 2010 James Busby, White & Black: New Minimal Paintings<\/em>, Stefan Stux Gallery, New York, USA<\/p>\n 2009 2008 2007 2006 2005 2003 [\/et_pb_text][et_pb_text _builder_version=”4.24.2″ _module_preset=”default” text_text_color=”#999999″ text_line_height=”2.2em” header_3_text_color=”#919191″ custom_padding=”||40px||false|false” custom_padding_tablet=”||40px||false|false” custom_padding_phone=”||40px||false|false” custom_padding_last_edited=”on|desktop” text_font_size_tablet=”” text_font_size_phone=”14px” text_font_size_last_edited=”on|phone” text_line_height_tablet=”2.2em” text_line_height_phone=”1.4em” text_line_height_last_edited=”on|phone” border_color_bottom=”#dbdbdb” global_colors_info=”{}”]<\/p>\n 2019 2018 James Busby, Tom Sanford, Christian Schumann<\/em>, Neumann Wolfson Art, New York, USA<\/p>\n 2017 2016 2015 Contemporary Istanbul<\/em>, Dirimart Galeri Booth, Istanbul, Turkey<\/p>\n Art International<\/em>, Dirimart Galeri, Istanbul, Turkey<\/p>\n Art & Design Hamptons<\/em>, Randall Scott Projects, Hamptons, USA<\/p>\n 2014 Across The Board: New Works<\/em>, if ART Gallery, Columbia, USA<\/p>\n Forms of Abstraction, 1950 to Today<\/em>, curated by Susanne Van Hagen, Dickinson Gallery, London, England People Staring, Kravets|Wehby Gallery, New York, USA<\/p>\n After Space<\/em>, Loyal Gallery, Stockholm, Sweden<\/p>\n Vacation Days,\u00a0<\/em>Reynolds Gallery, Richmond, USA<\/p>\n Market Art Fair<\/em>, Loyal Gallery Booth, Stockholm, Sweden<\/p>\n AftermodernisM, Michael Bevilacqua, James Busby, Ridley Howard<\/em>, Nassau County Museum of Art, Long Island, USA<\/p>\n Texas Contemporary<\/em>, Randall Scott Projects, Houston, USA<\/p>\n Fountains of the Deep<\/em>, curated by Darren Aronofsky in conjuction with the release of his film NOAH, New York, USA<\/p>\n 2013 Looking Froward<\/em>, Randall Scott Projects, Washington DC, USA<\/p>\n Shaking the Habitual, James Busby, Michael Bevilacqua, Jeff Elrod, Kravets|Wehby Gallery, New York, USA<\/p>\n Market Art Fair<\/em>, Randall Scott Projects Booth, Miami, USA<\/p>\n Untitled Art Fair<\/em>, Kravets|Wehby Gallery Booth, Miami, USA<\/p>\n Happy Flies Kissing Beautiful Face<\/em>, curated by Lucy Li, Stefan Stux Gallery, New York, USA<\/p>\n Recent Work, James Busby, Michael Bevilacqua & Robert Kingston<\/em>, ArtMRKT, Hamptons, Randall Scott Projects Booth, Bridgehampton, USA<\/p>\n More Young Americans<\/em>, curated by Susanne Van Hagen with Marc Olivier Wahler and Miguel Macedo, L\u2019Enclos des Bernadins, H\u00f4tel de Miramion, Parigi, Francia<\/p>\n Shaking the Habitiual, Michael Bevilacqua, James Busby & Jeff Elrod<\/em>, Kravets|Wehby Gallery, New York, USA<\/p>\n Piping Down the Valleys Wild<\/em>, Stefan Stux Gallery, New York, USA<\/p>\n 2012 Summer Show<\/em>, Stux Gallery, New York, USA Abstract Art in South Carolina 1949 2012, South Carolina State Museum, Columbia, USA<\/p>\n 2011 2010 2009 2007 Carolina Collects<\/em>, curated by Todd Herman & Bryan Lang, Columbia Museum of Art, Columbia, USA<\/p>\n Group Exhibition<\/em>, 1708 Gallery, Richmond, USA<\/p>\n The Incomplete<\/em>, Chelsea Art Museum, curated by Hubert Neumann & Manon Slome, New York, USA<\/p>\n The Materiality & Metamorphosis of Graphite<\/em>, curated by Elizabeth Schlatter, University of Richmond Museum, Richmond, USA, travelling exhibition in 2007 at Bedford Gallery, Walnut Creek, California; Western Gallery, Western Washington University, Bellingham, Washington; Salina Art Center, Kansas; Baum Gallery of Fine Art, University of Central Arkansas, Conway, Arkansas. In 2008 at Memorial Art Gallery, University of Rochester, New York; Yellowstone Art Museum, Billings, Montana. In 2009 at the Palmer Museum of Art, The Pennsylvania State University, University Park, Pennsylvania<\/p>\n 2005 The Appollonian Style,\u00a0<\/em>curated by\u00a0<\/em>Joe Fyfe, Bruno Marina Gallery, Brooklyn, USA<\/p>\n Stux Summer Review<\/em>, Stefan Stux Gallery, New York, USA<\/p>\n The International Armory Show<\/em>, Stefan Stux Gallery Booth, New York, USA<\/p>\n 2003 USA<\/p>\n Lustre<\/em>, a cura di Stefan Stux, Stefan Stux Gallery, Virginia Commonwealth University MFA Exhibit, New York, USA<\/p>\n Art To Go<\/em>, 1708 Gallery, Benefit Art Auction, Richmond, USA<\/p>\n Fold here, 3 d paper<\/em>, curated by Deborah McCloud, Ellipse Art Center, Arlington, USA<\/p>\n To the Capital City, Hopkins Gallery<\/em>, VCU and Ohio State University Exchange Show, Columbus, USA<\/p>\n 2002 Small Works Invitational, 1708 Gallery, Richmond, USA<\/p>\n Holiday Group Show<\/em>, Page Bond Gallery, Richmond, USA<\/p>\n Options 2002<\/em>, curate by Victoria Reis, Millennium Arts Center, Washington Project for the Arts\/Corcoran Biennial, Washington, DC, USA<\/p>\n Rising Visions<\/em>, 1708 Gallery, Richmond, USA Nine, Orange Door Gallery, Virginia Commonwealth University, MFA Candidacy Show, Richmond, USA<\/p>\n Trans Appalachian Tractor Pull<\/em>, Hewlett Gallery, VCU and Carnegie Mellon University, Pittsburgh, USA<\/p>\n 2001 <\/p>\n Selected public collections<\/strong><\/p>\n [\/et_pb_text][et_pb_text disabled_on=”on|on|on” _builder_version=”4.22.2″ _module_preset=”default” text_text_color=”#999999″ text_line_height=”2.2em” header_3_text_color=”#919191″ custom_padding=”||40px||false|false” custom_padding_tablet=”||40px||false|false” custom_padding_phone=”||40px||false|false” custom_padding_last_edited=”on|desktop” text_font_size_tablet=”” text_font_size_phone=”14px” text_font_size_last_edited=”on|phone” text_line_height_tablet=”2.2em” text_line_height_phone=”1.4em” text_line_height_last_edited=”on|phone” border_width_bottom=”1px” border_color_bottom=”#dbdbdb” disabled=”on” global_colors_info=”{}”]<\/p>\n Fidelity Investments, Boston and London, Londra [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ module_id=”works” _builder_version=”4.19.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”60px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”hyperlink-color-image” _builder_version=”4.22.2″ _module_preset=”default” header_2_font_size=”18px” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” header_2_font_size_tablet=”18px” header_2_font_size_phone=”18px” header_2_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_divider color=”#c9c9c9″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”off|off|off” _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”0px||||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/10\/James-Busby-Simple-Song-2019-gesso-grafite-olio-e-acrilico-su-legno-59-x-35.5-cm.jpeg” alt=”James Busby, Simple Song, 2019, gesso, grafite, olio e acrilico su legno, 59×35.5 cm” title_text=”James Busby, Simple Song, 2019, gesso, grafite, olio e acrilico su legno, 59×35.5 cm” url=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/10\/James-Busby-Simple-Song-2019-gesso-grafite-olio-e-acrilico-su-legno-59-x-35.5-cm.jpeg” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.27)” align=”center” _builder_version=”4.22.2″ _module_preset=”default” height=”220px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” scroll_fade_enable=”on” motion_trigger_start=”top” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.22.2″ _module_preset=”default” text_font_size=”9px” text_orientation=”center” custom_margin=”-10px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”]<\/p>\n James Busby, Simple Song<\/em>, 2019,\u00a0chalk, graphite, oil and acrylic on wood, 59×35.5 cm<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/10\/James-Busby-Always-Alright-2019-gesso-grafite-olio-e-acrilico-su-legno-o-117-cm.png” alt=”James Busby, Always Alright, 2019, gesso, grafite, olio e acrilico su legno, \u00f8 117 cm” title_text=”James Busby, Always Alright, 2019, gesso, grafite, olio e acrilico su legno, \u00f8 117 cm” url=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/10\/James-Busby-Always-Alright-2019-gesso-grafite-olio-e-acrilico-su-legno-o-117-cm.png” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.27)” align=”center” _builder_version=”4.22.2″ _module_preset=”default” height=”220px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” scroll_fade_enable=”on” motion_trigger_start=”top” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.22.2″ _module_preset=”default” text_font_size=”9px” text_orientation=”center” custom_margin=”-10px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”]<\/p>\n James Busby, Always Alright<\/em>, 2019,\u00a0chalk, graphite, oil and acrylic on wood, \u00f8 117 cm<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/10\/James-Busby-Sweep-2018.jpg” alt=”James Busby, Sweep, 2018, gesso, grafite, olio e acrilico su MDF, 51.5×40.5 cm” title_text=”James Busby, Sweep, 2018, gesso, grafite, olio e acrilico su MDF, 51.5×40.5 cm” url=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/10\/James-Busby-Sweep-2018.jpg” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.27)” align=”center” _builder_version=”4.22.2″ _module_preset=”default” height=”220px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” scroll_fade_enable=”on” motion_trigger_start=”top” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.22.2″ _module_preset=”default” text_font_size=”9px” text_orientation=”center” custom_margin=”-10px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”]<\/p>\n James Busby, Sweep<\/em>, 2018, chalk, graphite, oil and acrylic on MDF, 51.5×40.5 cm<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”off|off|off” _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”20px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”0px||||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/10\/James-Bubsy_Ocean-Eyes-2019.jpg” alt=”James Busby, Ocean Eyes, 2019, gesso, grafite, olio, acrilico e pittura spray su pannello, 70×58.5 cm” title_text=”James Busby, Ocean Eyes, 2019, gesso, grafite, olio, acrilico e pittura spray su pannello, 70×58.5 cm” url=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/10\/James-Bubsy_Ocean-Eyes-2019.jpg” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.27)” align=”center” _builder_version=”4.22.2″ _module_preset=”default” height=”220px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” scroll_fade_enable=”on” motion_trigger_start=”top” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.22.2″ _module_preset=”default” text_font_size=”9px” text_orientation=”center” custom_margin=”-10px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”]<\/p>\n James Busby, Ocean Eyes<\/em>, 2019, chalk, graphite, oil, acrylic and spray paint on panel, 70×58.5 cm<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|on” module_id=”exhibitions” _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”60px||0px||false|false” disabled=”on” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”hyperlink-color-image” _builder_version=”4.19.4″ _module_preset=”default” header_2_font_size=”18px” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” header_2_font_size_tablet=”18px” header_2_font_size_phone=”18px” header_2_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_divider color=”#c9c9c9″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|on” _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” disabled=”on” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_3,1_3,1_3″ make_equal=”on” _builder_version=”4.19.4″ _module_preset=”default” width=”100%” custom_margin=”0px||||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.19.4″ _module_preset=”default” custom_padding=”||80px||false|false” link_option_url=”https:\/\/mucciaccia.com\/art-wonders-of-the-xx-century\/” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2018\/09\/Nicola-De-Maria-Regno-dei-fiori-1985-tecnica-mista-su-tela-100-x-80.jpg” alt=”Nicola De Maria, Regno dei fiori, 1985, tecnica mista su tela, 100 x 80″ title_text=”Nicola De Maria, Regno dei fiori, 1985, tecnica mista su tela, 100 x 80″ align=”center” _builder_version=”4.19.4″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px|0px|false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”]<\/p>\n 2018<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.19.4″ _module_preset=”default” custom_padding=”||80px||false|false” link_option_url=”https:\/\/mucciaccia.com\/italian-passion-1956\/” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2017\/10\/Piero-Manzoni-Achrome-1958-Kaolin-on-painted-canvas-55-x-40-cm.jpg” alt=”Piero Manzoni, Achrome, 1958, Kaolin on painted canvas, 55 x 40 cm” title_text=”Piero Manzoni, Achrome, 1958, Kaolin on painted canvas, 55 x 40 cm” align=”center” _builder_version=”4.19.4″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px|0px|false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”]<\/p>\n 2017<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.19.4″ _module_preset=”default” custom_padding=”||80px||false|false” link_option_url=”https:\/\/mucciaccia.com\/harmonies-and-discrepancies-paths-in-the-italian-art-between-the-twentieth-and-the-twenty-first-century\/” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2015\/06\/Dorazio-Tenax-1979-cm-165×130.jpg” alt=”Piero-Dorazio Tenax – 1979 – olio su tela – cm-165×130″ title_text=”Piero Dorazio – Tenax” align=”center” _builder_version=”4.19.4″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px|0px|false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”]<\/p>\n 2020<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|on” _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” disabled=”on” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_3,1_3,1_3″ make_equal=”on” _builder_version=”4.19.4″ _module_preset=”default” width=”100%” custom_margin=”0px||||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.19.4″ _module_preset=”default” custom_padding=”||80px||false|false” link_option_url=”https:\/\/mucciaccia.com\/milky-way-the-luminous-galaxy-of-the-20th-century\/” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2015\/06\/piccolissima-per-CS-capri-certosa-jpg.jpg” alt=”VIA LATTEA. La Galassia Luminosa del Novecento” title_text=”via-lattea” align=”center” _builder_version=”4.19.4″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px|0px|false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”]<\/p>\n 2020<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.19.4″ _module_preset=”default” custom_padding=”||80px||false|false” link_option_url=”https:\/\/mucciaccia.com\/chef-doeuvre-artist-between-xx-and-xxi-centuries\/” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2015\/06\/cm-120x-120-2015.jpg” alt=”Cristiano Pintaldi – galleriamucciaccia.com” title_text=”Cristiano Pintaldi, untitled, cm 120×120, 2015″ align=”center” _builder_version=”4.19.4″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px|0px|false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”]<\/p>\n 2020<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.19.4″ _module_preset=”default” custom_padding=”||80px||false|false” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|on” module_id=”publications” _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”60px||0px||false|false” disabled=”on” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”hyperlink-color-image” _builder_version=”4.19.2″ _module_preset=”default” header_2_font_size=”18px” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” header_2_font_size_tablet=”18px” header_2_font_size_phone=”18px” header_2_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_divider color=”#c9c9c9″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ make_equal=”on” _builder_version=”4.19.3″ _module_preset=”default” width=”100%” custom_margin=”0px||||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.19.3″ _module_preset=”default” custom_padding=”||80px||false|false” link_option_url=”https:\/\/mucciaccia.com\/product\/carla-accardi-exhibition-catalogue-senza-passato\/” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2017\/07\/CAccardi-EC.jpg” alt=”Carla Accardi Exhibition Catalogue” title_text=”Accardi Exhibition Catalogue” align=”center” _builder_version=”4.19.2″ _module_preset=”default” module_alignment=”center” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.19.2″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”2.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.19.3″ _module_preset=”default” text_font=”|300|||||||” text_line_height=”1.4em” header_4_font=”|600|||||||” header_4_text_align=”center” header_4_text_color=”#777777″ header_4_font_size=”16px” header_6_font=”|300|||||||” header_6_font_size=”12px” header_6_letter_spacing=”4px” text_orientation=”center” custom_margin=”0px||0px|0px|false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”]<\/p>\n Catalogo della mostra a cura di Fabrizio D\u2019amico<\/span> [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.19.2″ _module_preset=”default” custom_padding=”||80px||false|false” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.19.2″ _module_preset=”default” custom_padding=”||80px||false|false” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.19.2″ _module_preset=”default” custom_padding=”||80px||false|false” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_divider color=”#c9c9c9″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_divider][et_pb_text module_class=”hyperlink-color-image” _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”]<\/p>\nSelected Solo Exhibitions<\/h3>\n<\/div>\n<\/div>\n
James Busby, Suspirium<\/em>, Lowell Ryan Projects, Los Angeles, USA<\/p>\n
New Works<\/em>, Loyal Gallery, Stockholm, Sweden (forthcoming)<\/p>\n
Life Round Here<\/em>, Kravets|Wehby Gallery, New York, USA<\/p>\n
Talking in Code<\/em>, New Paintings and Drawings, Reynolds Gallery Richmond, USA<\/p>\n
Eyelid Movies, James Busby<\/em>, Randall Scott Projects, Baltimore, USA<\/p>\n
Smoke & Mirrors<\/em>, Randall Scott Projects, Washington DC, USA<\/p>\n
New Paintings<\/em>, Kravets|Wehby Gallery, New York, USA<\/p>\n
James Busby: New Work<\/em>, Reynolds Gallery, Richmond, USA<\/p>\n
Reduction: New Work<\/em>, Reynolds Gallery, Richmond, USA<\/p>\n
White, New Work<\/em>, Stefan Stux Gallery, New York, USA<\/p>\n
White Paintings<\/em>, New Gallery\/Thom Andriola, Houston, USA<\/p>\n
White Paintings<\/em>, Stefan Stux Gallery, New York, USA<\/p>\n
White Paintings<\/em>, Stefan Stux Gallery, New York, USA<\/p>\n
Starting Anew, MFA Thesis Exhibition<\/em>, Anderson Gallery, Virginia Common wealth University, Richmond, USA<\/p>\n<\/div>\n<\/div>\nSelected Group Exhibitions<\/h3>\n<\/div>\n<\/div>\n
AFTERMODERNISM, A Perspective on Contemporary Art, James Busby Justin Samson<\/em>, curated by Cesare Biasini Selvaggi, Mucciaccia Contemporary, Rome, Italy<\/p>\n
The Summer Party Benefit Auction<\/em>, The Glass House, Phillip Johnson, New Canaan, USA<\/p>\n
Inaugural Exhibition<\/em>, Neumann Wolfson Art, New York, USA<\/p>\n
What\u2019s Up<\/em>, curate by Lawerence Van Hagen, Soho Revue Gallery, London, Great Britan<\/p>\n
Untitled Art Fair, Nina Chanel Abney & James Busby<\/em>, Kravets|Wehby Gallery, Miami, USA<\/p>\n
Outsider In<\/em>, a cura di Ross Watts, Sara Nightingale Gallery, Hamptons, USA<\/p>\n
Miami Project<\/em>, Randall Scott Projects, Miami, USA<\/p>\n
701 CCA Prize Exhibition<\/em>, 701 Center for Contemporary Art, Columbia, USA Extending the Line, curated by Vardy|Kauffman, Arevalo Gallery, Miami, USA<\/p>\n
SC Biennial<\/em>, 701 Center For Contemporary Art, Columbia, USA<\/p>\n
The Incomplete Paris<\/em>, curated by Hubert Neumann, Galerie Jean Luc + Takako Richard, Paris, France<\/p>\n
Sweet Summertime<\/em>, curated by Bev Reynolds, Reynolds Gallery, Richmond, USA<\/p>\n
Scratching at the Surface: James Busby & Miki Carmi<\/em>, Stefan Stux Gallery New York, USA<\/p>\n
Scope New York<\/em>, Stefan Stux Gallery Booth, New York, USA<\/p>\n
Three Painters: James Busby, Heidi Trepanier, Darren Wardle<\/em>, Stefan Stux Gallery, New York,<\/p>\n
Night of 1,000 Drawings<\/em>, Artists Space, New York, USA<\/p>\n
Night of 1,000 Drawings<\/em>, Artists Space, New York, USA<\/p>\nCollezioni pubbliche<\/h3>\n
Arts Council Collection, Hayward Gallery, Londra
Goldman Sachs Collection, Londra
Kupferstichkabinett of the National Gallery of Berlin, Berlin
Royal Bank of Scotland Group Art Collection, Londra
San Diego Museum of Contemporary Art, San Diego, USA
The Government Art Collection, Londra<\/p>\nWORKS<\/h2>\n
MOSTRE<\/h2>\n
ART WONDERS OF THE XX CENTURY<\/h4>\n
LONDON<\/h6>\n
ITALIAN PASSION FROM 1956<\/h4>\n
LONDON<\/h6>\n
HARMONIES AND DISCREPANCIES
Paths in the Italian art between the twentieth and the twenty-first century<\/h4>\nSINGAPORE<\/h6>\n
MILKY WAY.
The Luminous Galaxy of the 20th Century<\/h4>\nSINGAPORE<\/h6>\n
CHEF D\u2019OEUVRE
Artist between XX and XXI centuries<\/h4>\nLONDON<\/h6>\n
PUBBLICAZIONI<\/h2>\n
Carla Accardi \u2013 Senza passato<\/h4>\n
Pubblicato da Carlo cambi Editore<\/span>
2017<\/span><\/p>\n
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