{"id":21718,"date":"2020-12-05T17:46:35","date_gmt":"2020-12-05T16:46:35","guid":{"rendered":"https:\/\/mucciaccia.com\/?p=21718"},"modified":"2025-11-09T15:03:51","modified_gmt":"2025-11-09T14:03:51","slug":"aftermodernism-chapter-2","status":"publish","type":"post","link":"https:\/\/mucciaccia.com\/en\/aftermodernism-chapter-2\/","title":{"rendered":"AFTERMODERNISM CHAPTER 2"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;Artist new head&#8221; _builder_version=&#8221;4.19.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_padding=&#8221;0px||40px||false|false&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row column_structure=&#8221;1_2,1_2&#8243; module_id=&#8221;overview&#8221; _builder_version=&#8221;4.19.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.19.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text content_tablet=&#8221;<\/p>\n<h1><\/h1>\n<\/p>\n<p>&#8221; content_last_edited=&#8221;off|desktop&#8221; _builder_version=&#8221;4.24.2&#8243; _module_preset=&#8221;default&#8221; header_font=&#8221;|700||on|||||&#8221; header_text_color=&#8221;#5b5b5b&#8221; header_font_size=&#8221;26px&#8221; header_2_font_size=&#8221;18px&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px|20px|20px||false|false&#8221; custom_padding_tablet=&#8221;0px|20px|20px||false|false&#8221; custom_padding_phone=&#8221;0px|20px|20px||false|false&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h1>AFTERMODERNISM CHAPTER 2<\/h1>\n<h2>Benjamin Edwards | Tom Sanford<\/h2>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.22.2&#8243; _module_preset=&#8221;default&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px|4px|0px|4px|false|false&#8221; custom_css_main_element=&#8221;display: inline-block;&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>ROMA | MUCCIACCIA PROJECT<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.22.2&#8243; _module_preset=&#8221;default&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px|0px|0px|10px|false|false&#8221; custom_css_main_element=&#8221;display: inline-block;&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>24 October 2020 \u2013 31 December 2020<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.19.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text disabled_on=&#8221;on|on|on&#8221; _builder_version=&#8221;4.24.2&#8243; _module_preset=&#8221;default&#8221; text_text_color=&#8221;#000000&#8243; text_font_size=&#8221;12px&#8221; link_text_color=&#8221;#939393&#8243; text_orientation=&#8221;center&#8221; text_text_color_tablet=&#8221;#000000&#8243; text_text_color_phone=&#8221;#000000&#8243; text_text_color_last_edited=&#8221;on|desktop&#8221; text_letter_spacing_tablet=&#8221;2px&#8221; text_letter_spacing_phone=&#8221;0px&#8221; text_letter_spacing_last_edited=&#8221;on|desktop&#8221; link_font_tablet=&#8221;&#8221; link_font_phone=&#8221;&#8221; link_font_last_edited=&#8221;on|desktop&#8221; disabled=&#8221;on&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><a href=\"#overview\">OVERVIEW<\/a>\u00a0 \u00a0<a href=\"#installation_views\">INSTALLATION VIEWS<\/a> \u00a0\u00a0<a href=\"#publications\">PUBLICATIONS<\/a>\u00a0 \u00a0<a href=\"#opere_works\">WORKS<\/a><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.19.2&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row column_structure=&#8221;2_5,3_5&#8243; use_custom_gutter=&#8221;on&#8221; gutter_width=&#8221;1&#8243; _builder_version=&#8221;4.19.4&#8243; _module_preset=&#8221;default&#8221; width=&#8221;100%&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;2_5&#8243; _builder_version=&#8221;4.19.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/09\/Aftermodernism-Chapter-2-Benjamin-Edwards-Tom-Sanford-scaled-1.jpg&#8221; alt=&#8221;Aftermodernism Chapter 2 Benjamin Edwards Tom Sanford&#8221; title_text=&#8221;Aftermodernism-Chapter-2-Benjamin-Edwards-Tom-Sanford-scaled&#8221; url=&#8221;https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/09\/Aftermodernism-Chapter-2-Benjamin-Edwards-Tom-Sanford-scaled-1.jpg&#8221; align=&#8221;center&#8221; _builder_version=&#8221;4.22.2&#8243; _module_preset=&#8221;default&#8221; max_width=&#8221;280px&#8221; max_width_tablet=&#8221;280px&#8221; max_width_phone=&#8221;280px&#8221; max_width_last_edited=&#8221;on|desktop&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_image src=&#8221;@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9mZWF0dXJlZF9pbWFnZSIsInNldHRpbmdzIjp7fX0=@&#8221; show_in_lightbox=&#8221;on&#8221; align=&#8221;center&#8221; disabled_on=&#8221;on|on|on&#8221; _builder_version=&#8221;4.21.0&#8243; _dynamic_attributes=&#8221;src&#8221; _module_preset=&#8221;default&#8221; width=&#8221;80%&#8221; height=&#8221;260px&#8221; disabled=&#8221;on&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text disabled_on=&#8221;on|on|on&#8221; _builder_version=&#8221;4.19.5&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;9px&#8221; text_orientation=&#8221;center&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; disabled=&#8221;on&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Jan Fabre, <em>A spiritual space, 2022<\/em>,<br \/>deep precious coral, pigment, polymers, 76,5 x 40,5 x 13 cm<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;3_5&#8243; _builder_version=&#8221;4.19.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text quote_border_color=&#8221;#e2e2e2&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; text_text_color=&#8221;#999999&#8243; text_line_height=&#8221;2.2em&#8221; quote_font=&#8221;||on||||||&#8221; quote_text_color=&#8221;#494949&#8243; custom_padding=&#8221;||40px||false|false&#8221; custom_padding_tablet=&#8221;40px||40px||false|false&#8221; custom_padding_phone=&#8221;||40px||false|false&#8221; custom_padding_last_edited=&#8221;on|desktop&#8221; hover_enabled=&#8221;0&#8243; text_font_size_tablet=&#8221;&#8221; text_font_size_phone=&#8221;14px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; text_line_height_tablet=&#8221;2.2em&#8221; text_line_height_phone=&#8221;1.6em&#8221; text_line_height_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p style=\"text-align: justify;\">Mucciaccia Contemporary\u00a0presents the second chapter of a long lasting exhibiting project started in 2019. Through yearly duo exhibitions the wants to talk about the interational artists who, despite belonging to different generations, share a common view over the current world, which the well-known American collector\u00a0Hubert Newman\u00a0calls\u00a0Aftermodernism.<\/p>\n<p style=\"text-align: justify;\">In this second chapter, the artists\u00a0Benjamin Edwards (Iowa City, IA, USA, 1970) and\u00a0Tom Sanford\u00a0(Bronxville, NY, USA,1975) are presenting twenty artworks circa commissioned for this show. Through the artworks we have their personal view of our current society in general and specifically of the idea of city, on the heels of Hubert Newmann\u2019s thought, which, as\u00a0Cesare Biasini Selvaggi\u00a0explains: \u201cHe thinks that the best art produced nowadays is the one reflecting the cacophony, the asymmetry and the vagueness of the current society\u201d.<\/p>\n<p style=\"text-align: justify;\">On the artists regards Neumann says: \u201cI bought the first works by Tom Sanford on February 8<sup>th<\/sup>\u00a02004, while the ones by Ben Edwards on December 10<sup>th<\/sup>\u00a01999, barely five years one from the other. I got to know their works from several galleries which no longer exist. I developed a personal relationship with them both, still perduring 20 years later. We kept in touch quite consistently in the meantime. [\u2026] They are both exploring realism, but in quite different ways. They both have invented new aftermodernist spaces, and they maintained a continuous development, even if scattered and unpredictable.\u201d.<\/p>\n<p style=\"text-align: justify;\">Hubert Newmann is a youthful 90 years old collector, passion which he inherited from his father, who at the beginning of the 20<sup>th<\/sup>\u00a0century in Paris used to frequent young and at the time unknown artists such as Picasso, Dubuffet, Mir\u00f3, Giacometti, Gris, Braque, and L\u00e9ger. Indeed, Hubert starts to buy the first artworks with his father in 1950s New York City, being attracted by artists not yet understood by the wide public such as Franz Kline and Alberto Giacometti.<\/p>\n<p style=\"text-align: justify;\">Nowdays, he possesses a collection of more than 2600 works, upon which masterpieces from the most important artistic movements such as Cubism, European Abstract Art, Avant-garde Sculpture, American Abstract Expressionism, Pop Art and Graffiti, and some of the most renewed artists of the 20<sup>th<\/sup>\u00a0century, such as Picasso,\u00a0L\u00e9ger, Mir\u00f3,\u00a0Kandinsky, Kline, Giacometti, Dubuffet,\u00a0Rauschenberg,\u00a0Lichtenstein, Haring, and Basquiat, just for mentioning some of them.<\/p>\n<p style=\"text-align: justify;\">In his house-museum in New York City\u2019s Upper East Side these Masters of the 20<sup>th<\/sup>\u00a0Century are continuously on show as well as sculptures and paintings of contemporary artists such as Jeff Koons,\u00a0Ashley Bickerton, Meyer Vaisman, Haim Steinbach and John Armlede. He also possesses artworks by Haluke Akak\u00e7e, Kristin Baker, Vanessa Beecroft, Michael Bevilacqua, James Busby, Sydney Chastain-Chapman, Nigel Cooke, Devon Costello, Justin Craun, Benjamin Edwards, Jeff Elrod, Manuel Esnoz, Wendell Gladstone, Ridley Howard, Chris Johanson, Karen Kilimnik, Matthew McCaslin, JP Munro, Eric Parker, Charlie Roberts, Matthew Ronay, Justin Samson, Tom Sanford, Christian Schumann, John Simon, Aya Uekawa, Xavier Veilhan and Kelli Williams.<\/p>\n<p style=\"text-align: justify;\">Namely Hubert at the beginning of 1980s started collecting art with works by Koons, and in such works he detects for the first time the concept of \u2018open\u2019 non-modernist artwork. He sensed the changing point the artworld reached after the rising of Basquiat and Haring: the new philosophy and artistic language is characterized by a deep rupture with the modernist aesthetic.<\/p>\n<p style=\"text-align: justify;\">The curator, Cesare Biasini Selvaggi, says: \u201cThe more he deepened his philosophical, mathematical and scientific knowledge, the more he had clearly in mind that the rupture he felt is deeper and with much drastic and wide consequences than he initially supposed. And I think that in this sentence is manifest Neumann\u2019s curatorial inclination, and his proverbial intuition in choosing the contemporary artists to collect from, all characterized by the fracture with the modernist aesthetic\u201d.<\/p>\n<p style=\"text-align: justify;\">Between October 2007 and January 2008, a collective show curated by Naumann,\u00a0<em>The incomplete,<\/em>\u00a0is on show at the Chelsea Art Museum at New York City, with an exposition projects which continued in Paris in 2010 at the Jean-Luc and Takako Richard Gallery. The title \u201cThe Incomplete\u201d does not fully convince Neumann, and thus he starts using the term \u201cAftermodernism\u201d, which officially \u2018debuts\u2019 in 2013, during the first episode of a trilogy of exhibitions held at the Nassau County Museum of Art at Roslyn Harbor, NY.<\/p>\n<p style=\"text-align: justify;\">\u201cIt has always been this innate intuition of understanding in which direction the Zeitgeist \u2013 the spirit of time \u2013 blew, to inspire his acquisitions and his father\u2019s in the past.\u201d Continues Biasini Selvaggi \u201cAnd is the same on which Hubert Neumann relied in the last thirty years in choosing the contemporary artists to collect. In this case the Zeitgeist incarnated the name Aftermodernism.\u201d. The artists in this exhibition are namely giving back in their art the spirit of time.<\/p>\n<p>[\/et_pb_text][et_pb_video src=&#8221;https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/09\/America_oggi-video.mp4&#8243; _builder_version=&#8221;4.22.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_video][et_pb_text quote_border_color=&#8221;#e2e2e2&#8243; _builder_version=&#8221;4.22.2&#8243; _module_preset=&#8221;default&#8221; text_text_color=&#8221;#999999&#8243; text_line_height=&#8221;2.2em&#8221; quote_font=&#8221;||on||||||&#8221; quote_text_color=&#8221;#494949&#8243; custom_padding=&#8221;||40px||false|false&#8221; custom_padding_tablet=&#8221;40px||40px||false|false&#8221; custom_padding_phone=&#8221;||40px||false|false&#8221; custom_padding_last_edited=&#8221;on|desktop&#8221; text_font_size_tablet=&#8221;&#8221; text_font_size_phone=&#8221;14px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; text_line_height_tablet=&#8221;2.2em&#8221; text_line_height_phone=&#8221;1.6em&#8221; text_line_height_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><strong>AMERICA OGGI<\/strong><br \/>(America Today)\u00a0\u00a0<br \/>Documentary\u00a0Discover the artistic movement Aftermodernism together with the director of Mucciaccia Contemporary, Giulia Abate, and the curator Cesare Biasini Selvaggi.Artists Benjamin Edwards and Tom Sanford give their interpretation of the artworks contextualized in the period of transition that America lives today.<br \/>With Giulia Abate and Cesare Biasini Selvaggi Directed by Giuliana Gamba, edited by Roberto Mazzarelli.<\/p>\n<p>Ben Edwards\u2019 research is a continuous investigation of the dynamic relationship between progress and nature, attempting to understand their balance and laws. From this philosophy originates the shape of his imaginary cities, where the human figure has a marginal role and is only limited to a theory of portraits not easily identifiable. With his philosophy Edwards wants to express his concept of Utopia, that is \u201ca work which has validity in itself and overcomes the artist in the sense that it tascends not only the time and the physical life of the artist, but also conceptually, since it constantly reborn through every new interpretation.\u201d, as explains Biasini Selvaggi in the catalogue.<\/p>\n<\/p>\n<p>Tom Sanford\u2019s paintings instead, come from multiple influences starting from Renaissance, continuing with the 1800s, Surrealism and Pop Art, up to the advertising and the comics from nowadays. His artworks range from still lives to genre paintings: \u201cHis human figures show a huge variety of humans, with the villains and the victims, the tragedies and the triumphs of each moment. In his still lives he is more focused on the images rather than on the portrayal,\u201d as Biasini Selvaggi Explains \u201cand therefore the image prevails on the object portrayed, since it is still, and more or less identical to itself, without any feeling or abstract shape.\u201d. Sanford unites a high and a low register, using an essentially post-modern painting style, taking inspiration from the History of Art reinterpreted following nowadays taste.\u00a0<\/p>\n<\/p>\n<p>Through the works by Edwards and Sanford the exhibition is willing to promote one of the most unique and eclectic figures of the current artworld worldwide, namely Hubert Numann, continuing the Aftermodernism project in Italy. The catalogue, curated by Cesare Biasini Selvaggi and edited by Carlo Cambi Editore, is the second chapter of a series dedicated to the Aftermodernism.<\/p>\n<\/p>\n<p>Benjamin Edwards, born in 1970 in Iowa City, Iowa, and now he lives and works in Washington D.C. He exhibited in the USA, in Europe and in Asia. His works are in prestigious museum collections such as the Carnegie Museum of Art, Pittsburgh, Pa and the Museum of Modern Art, New York City, NY.<\/p>\n<\/p>\n<p>Tom Sanford, born in 1975 in Bronxville, NY. He obtained a BA at the Columbia University, and an MFA at the Hunter College. His works are in museums and galleries all around the globe, and he had solo exhibitions in galleries such\u00a0Gallery Poulsen (Copenhagen), Kravets Wehby Gallery (NYC), Galleri SE (Bergen), Gitler &amp; ___ (NYC), Leo Koenig Inc. (NYC), Galleri Faurschou (Copenhagen), BravinLee Programs (NYC), and Gallery ZIdane (Lussemburgo) among the others, and in numerous collective exhibitions.<\/p>\n<p>[\/et_pb_text][et_pb_text module_id=&#8221;info&#8221; _builder_version=&#8221;4.22.2&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;10px||||false|false&#8221; border_width_top=&#8221;1px&#8221; border_color_top=&#8221;#cecece&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Information:\u00a0<br \/>AFTERMODERNISM. A Perspective on Contemporary Art. |\u00a0Chapter 2.\u00a0Ben Edwards \u2013 Tom Sanford, curated by Cesare Biasini Selvaggi<br \/>October 24th \u2013 December 31st 2020<br \/>Piazza Borghese 1\/A, Rome, Italy<br \/>Opening times: Tuesday \u2013 Saturday, 10.30AM \u2013 7PM<br \/>Press Office: Maria Chiara Salvanelli | Email: mariachiara@salvanelli.it\u00a0<\/p>\n<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; disabled_on=&#8221;on|on|on&#8221; module_id=&#8221;installation_views&#8221; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;60px||0px||false|false&#8221; disabled=&#8221;on&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; 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_builder_version=&#8221;4.19.5&#8243; _module_preset=&#8221;default&#8221; height=&#8221;250px&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_padding=&#8221;0px||||false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/02\/installation_roma_gcollactio23_02.jpg&#8221; alt=&#8221;installation roma Mucciaccia Gallery collection 23 02&#8243; title_text=&#8221;installation roma Mucciaccia Gallery collection 23 02&#8243; show_in_lightbox=&#8221;on&#8221; use_overlay=&#8221;on&#8221; overlay_icon_color=&#8221;RGBA(255,255,255,0)&#8221; hover_overlay_color=&#8221;rgba(0,0,0,0.19)&#8221; align=&#8221;center&#8221; _builder_version=&#8221;4.19.5&#8243; _module_preset=&#8221;default&#8221; height=&#8221;250px&#8221; custom_margin=&#8221;0px||||false|false&#8221; 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_builder_version=&#8221;4.19.4&#8243; _module_preset=&#8221;default&#8221; header_2_font_size=&#8221;18px&#8221; custom_margin=&#8221;||0px||false|false&#8221; custom_padding=&#8221;||0px||false|false&#8221; header_2_font_size_tablet=&#8221;18px&#8221; header_2_font_size_phone=&#8221;18px&#8221; header_2_font_size_last_edited=&#8221;on|desktop&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2 style=\"text-align: left;\">PUBLICATIONS<\/h2>\n<p>[\/et_pb_text][et_pb_divider color=&#8221;#c9c9c9&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;||0px||false|false&#8221; custom_padding=&#8221;||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;2_5,3_5&#8243; _builder_version=&#8221;4.19.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;2_5&#8243; _builder_version=&#8221;4.19.4&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;0px|0px|0px|0px|false|false&#8221; link_option_url=&#8221;https:\/\/mucciaccia.com\/product\/jan-fabre-allegory-of-caritas-an-act-of-love\/&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/mucciaccia.com\/wp-content\/uploads\/2022\/10\/jan_fabre_catalogue-e1666294465417.jpg&#8221; alt=&#8221;Catalogue Jan Fabre Allegory of Caritas (An Act of Love)&#8221; title_text=&#8221;jan_fabre_catalogue&#8221; _builder_version=&#8221;4.19.4&#8243; _module_preset=&#8221;default&#8221; module_alignment=&#8221;center&#8221; height=&#8221;400px&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;3_5&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text quote_border_color=&#8221;#e2e2e2&#8243; _builder_version=&#8221;4.19.4&#8243; _module_preset=&#8221;default&#8221; text_text_color=&#8221;#999999&#8243; text_line_height=&#8221;2.2em&#8221; quote_font=&#8221;||on||||||&#8221; quote_text_color=&#8221;#494949&#8243; custom_padding=&#8221;||40px||false|false&#8221; custom_padding_tablet=&#8221;40px||40px||false|false&#8221; custom_padding_phone=&#8221;||40px||false|false&#8221; custom_padding_last_edited=&#8221;on|desktop&#8221; text_font_size_tablet=&#8221;&#8221; text_font_size_phone=&#8221;14px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; text_line_height_tablet=&#8221;2.2em&#8221; text_line_height_phone=&#8221;1.6em&#8221; text_line_height_last_edited=&#8221;on|phone&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Catalogue essays by<br \/>Barbara De Coninck<br \/>Sara Liuzzi<br \/>Dimitri Ozerkov<br \/>Melania Rossi<\/p>\n<p>Published by SilvanaEditoriale<br \/>September 2022<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; disabled_on=&#8221;on|on|on&#8221; admin_label=&#8221;Header&#8221; module_id=&#8221;past_exhibitions&#8221; _builder_version=&#8221;4.22.2&#8243; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;60px||0px||false|false&#8221; disabled=&#8221;on&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.16&#8243; use_custom_width=&#8221;on&#8221; width_unit=&#8221;off&#8221; custom_width_percent=&#8221;100%&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text module_class=&#8221;hyperlink-color-image&#8221; _builder_version=&#8221;4.22.1&#8243; _module_preset=&#8221;default&#8221; header_2_font=&#8221;|||on|||||&#8221; header_2_font_size=&#8221;18px&#8221; custom_margin=&#8221;||0px||false|false&#8221; custom_padding=&#8221;||0px||false|false&#8221; header_2_font_size_tablet=&#8221;18px&#8221; header_2_font_size_phone=&#8221;18px&#8221; header_2_font_size_last_edited=&#8221;on|desktop&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2 style=\"text-align: left;\">PAST EXHIBITIONS<\/h2>\n<p>[\/et_pb_text][et_pb_divider color=&#8221;#c9c9c9&#8243; _builder_version=&#8221;4.19.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;||0px||false|false&#8221; custom_padding=&#8221;||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_blog fullwidth=&#8221;off&#8221; posts_number=&#8221;40&#8243; include_categories=&#8221;277&#8243; show_author=&#8221;off&#8221; show_date=&#8221;off&#8221; show_categories=&#8221;off&#8221; show_excerpt=&#8221;off&#8221; _builder_version=&#8221;4.22.2&#8243; _module_preset=&#8221;default&#8221; header_level=&#8221;h6&#8243; header_text_align=&#8221;center&#8221; header_font_size=&#8221;11px&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_blog][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; disabled_on=&#8221;on|on|on&#8221; _builder_version=&#8221;4.19.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; disabled=&#8221;on&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row column_structure=&#8221;1_3,1_3,1_3&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/mucciaccia.com\/wp-content\/uploads\/2022\/12\/installation_jan_fabre_rm_1.jpg&#8221; alt=&#8221;Installation, Jan Fabre, Galleria Mucciaccia, Roma&#8221; title_text=&#8221;installation_jan_fabre_rm_1&#8243; show_in_lightbox=&#8221;on&#8221; use_overlay=&#8221;on&#8221; overlay_icon_color=&#8221;RGBA(255,255,255,0)&#8221; hover_overlay_color=&#8221;rgba(0,0,0,0.19)&#8221; align=&#8221;center&#8221; _builder_version=&#8221;4.19.3&#8243; _module_preset=&#8221;default&#8221; height=&#8221;250px&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_padding=&#8221;0px||||false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/mucciaccia.com\/wp-content\/uploads\/2022\/12\/installation_jan_fabre_rm_2.jpg&#8221; alt=&#8221;Installation, Jan Fabre, Galleria Mucciaccia, Roma&#8221; title_text=&#8221;installation_jan_fabre_rm_2&#8243; show_in_lightbox=&#8221;on&#8221; use_overlay=&#8221;on&#8221; overlay_icon_color=&#8221;RGBA(255,255,255,0)&#8221; hover_overlay_color=&#8221;rgba(0,0,0,0.19)&#8221; align=&#8221;center&#8221; _builder_version=&#8221;4.19.3&#8243; _module_preset=&#8221;default&#8221; height=&#8221;250px&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_padding=&#8221;0px||||false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/mucciaccia.com\/wp-content\/uploads\/2022\/12\/installation_jan_fabre_rm_3.jpg&#8221; alt=&#8221;Installation, Jan Fabre, Galleria Mucciaccia, Roma&#8221; title_text=&#8221;installation_jan_fabre_rm_3&#8243; show_in_lightbox=&#8221;on&#8221; use_overlay=&#8221;on&#8221; overlay_icon_color=&#8221;RGBA(255,255,255,0)&#8221; hover_overlay_color=&#8221;rgba(0,0,0,0.19)&#8221; align=&#8221;center&#8221; _builder_version=&#8221;4.19.3&#8243; _module_preset=&#8221;default&#8221; height=&#8221;250px&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_padding=&#8221;0px||||false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; disabled_on=&#8221;on|on|on&#8221; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_padding=&#8221;0px||||false|false&#8221; disabled=&#8221;on&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row column_structure=&#8221;1_3,1_3,1_3&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/mucciaccia.com\/wp-content\/uploads\/2021\/05\/Annie_Morris_stack_2021.jpg&#8221; alt=&#8221;Annie Morris Stack 8, Ultramarine Blue, 2021&#8243; title_text=&#8221;Annie Morris Stack 8, Ultramarine Blue, 2021&#8243; show_in_lightbox=&#8221;on&#8221; align=&#8221;center&#8221; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; height=&#8221;200px&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_padding=&#8221;0px||||false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;9px&#8221; text_orientation=&#8221;center&#8221; custom_margin=&#8221;-10px||||false|false&#8221; custom_padding=&#8221;0px||||false|false&#8221; global_colors_info=&#8221;{}&#8221;]Annie Morris <em>Stack 8<\/em>, <em>Ultramarine Blue<\/em>, 2021, Foam core, pigment, concrete, steel, plaster, sand. Overall Height with base: 224cm; Overall Height without base: 217cm[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/mucciaccia.com\/wp-content\/uploads\/2021\/05\/Batchelor_colour-chart-58_credit-Lucy-Dawkins.jpg&#8221; alt=&#8221;David Batchelor Inter-Concreto 14, 2019&#8243; title_text=&#8221;David Batchelor Inter-Concreto 14, 2019&#8243; show_in_lightbox=&#8221;on&#8221; align=&#8221;center&#8221; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; height=&#8221;200px&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_padding=&#8221;0px||||false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;9px&#8221; text_orientation=&#8221;center&#8221; custom_margin=&#8221;-10px||||false|false&#8221; custom_padding=&#8221;0px||||false|false&#8221; global_colors_info=&#8221;{}&#8221;]David Batchelor <em>Colour Chart 58 (red)<\/em>, 30.10.12, 2021, Gloss and matt paint on, Dibond, 240&#215;190 cm, 94 1\/2 x 43 3\/4 in (Credit\u00a0 Lucy Dawkins)[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/mucciaccia.com\/wp-content\/uploads\/2021\/05\/Batchelor_inter-concreto-14_credit-Angus-Mill.jpg&#8221; alt=&#8221;David Batchelor Inter-Concreto 14, 2019&#8243; title_text=&#8221;David Batchelor Inter-Concreto 14, 2019&#8243; show_in_lightbox=&#8221;on&#8221; align=&#8221;center&#8221; disabled_on=&#8221;off|off|off&#8221; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; height=&#8221;200px&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_padding=&#8221;0px||||false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;9px&#8221; text_orientation=&#8221;center&#8221; custom_margin=&#8221;-10px||||false|false&#8221; custom_padding=&#8221;0px||||false|false&#8221; global_colors_info=&#8221;{}&#8221;]David Batchelor <em>Inter-Concreto 14<\/em>, 2019, Acrylic and concrete, 99 x 21.3 x 6 cm, 39 x 8 3\/8 x 2 3\/8 in (credit Angus Mill)[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_3,1_3,1_3&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/mucciaccia.com\/wp-content\/uploads\/2021\/05\/Davenport-_Brilliant-Purple-Cobalt-Blue-After-Bonnard-2020.jpg&#8221; alt=&#8221;Ian Davenport, Cobalt Blue\/ Dioxazine Purple &#8211; Green, Hue (After Bonnard), 2020&#8243; title_text=&#8221;Ian Davenport, Cobalt Blue\/ Dioxazine Purple &#8211; Green, Hue (After Bonnard), 2020&#8243; show_in_lightbox=&#8221;on&#8221; align=&#8221;center&#8221; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; height=&#8221;200px&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_padding=&#8221;0px||||false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;9px&#8221; text_orientation=&#8221;center&#8221; custom_margin=&#8221;-10px||||false|false&#8221; custom_padding=&#8221;0px||||false|false&#8221; global_colors_info=&#8221;{}&#8221;]Ian Davenport, <em>Cobalt Blue\/ Dioxazine Purple &#8211; Green, Hue (After Bonnard)<\/em>, 2020, Acrylic on aluminium mounted on aluminium panel, 162.7 x 132.3 cm, 64 1\/8 x 52 1\/8 in[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/mucciaccia.com\/wp-content\/uploads\/2021\/05\/Davenport_push_back_2021.jpg&#8221; alt=&#8221;Ian Davenport, Push Back, 2021&#8243; title_text=&#8221;Ian Davenport, Push Back, 2021&#8243; show_in_lightbox=&#8221;on&#8221; align=&#8221;center&#8221; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; height=&#8221;200px&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_padding=&#8221;0px||||false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;9px&#8221; text_orientation=&#8221;center&#8221; custom_margin=&#8221;-10px||||false|false&#8221; custom_padding=&#8221;0px||||false|false&#8221; global_colors_info=&#8221;{}&#8221;]Ian Davenport, <em>Push Back<\/em>, 2021, Acrylic on aluminium mounted onto aluminium panel 60 x 50 cm, 23 5\/8 x 19 3\/4 in[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/mucciaccia.com\/wp-content\/uploads\/2021\/05\/Jim_Lambie_Zobop.jpg&#8221; alt=&#8221;Jim Lambie, Zobop (Colour-Chrome), 2019&#8243; title_text=&#8221;Jim Lambie, Zobop (Colour-Chrome), 2019&#8243; show_in_lightbox=&#8221;on&#8221; align=&#8221;center&#8221; disabled_on=&#8221;off|off|off&#8221; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; height=&#8221;200px&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_padding=&#8221;0px||||false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;9px&#8221; text_orientation=&#8221;center&#8221; custom_margin=&#8221;-10px||||false|false&#8221; custom_padding=&#8221;0px||||false|false&#8221; global_colors_info=&#8221;{}&#8221;]Jim Lambie, <em>Zobop (Colour-Chrome)<\/em>, 2019<br \/>\nVinili chrome e colorati \/ Coloured and chrome vinyl. Dimensioni variabili \/ Variable dimensions. Edizione \/ Edition 2 di \/ of 3 plus 1 ap.[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_3,1_3,1_3&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/mucciaccia.com\/wp-content\/uploads\/2021\/05\/Fiona_Rae-_Abstract_14.jpg&#8221; alt=&#8221;Fiona Rae, Abstract 14, 2020&#8243; title_text=&#8221;Fiona Rae, Abstract 14, 2020&#8243; show_in_lightbox=&#8221;on&#8221; align=&#8221;center&#8221; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; height=&#8221;200px&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_padding=&#8221;0px||||false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;9px&#8221; text_orientation=&#8221;center&#8221; custom_margin=&#8221;-10px||||false|false&#8221; custom_padding=&#8221;0px||||false|false&#8221; global_colors_info=&#8221;{}&#8221;]Fiona Rae, <em>Abstract 14<\/em>, 2020, Oil and acrylic on canvas, 213.4 x 175.3 cm[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/mucciaccia.com\/wp-content\/uploads\/2021\/05\/Fiona_Rae-_Abstract_15.jpg&#8221; alt=&#8221;Fiona Rae Abstract 15, 2020&#8243; title_text=&#8221;Fiona Rae Abstract 15, 2020&#8243; show_in_lightbox=&#8221;on&#8221; align=&#8221;center&#8221; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; height=&#8221;200px&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_padding=&#8221;0px||||false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;9px&#8221; text_orientation=&#8221;center&#8221; custom_margin=&#8221;-10px||||false|false&#8221; custom_padding=&#8221;0px||||false|false&#8221; global_colors_info=&#8221;{}&#8221;]Fiona Rae, <em>Abstract 15<\/em>, 2020, Oil and acrylic on canvas,\u00a0213.5 x 175 cm, 84 x 69 in[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/mucciaccia.com\/wp-content\/uploads\/2021\/05\/Goetz_Figurine-in-The-Light_2016_70x55.jpg&#8221; alt=&#8221;Lothar G\u00f6tz, Figurine &#8211; In the light, 2016&#8243; title_text=&#8221;Lothar G\u00f6tz, Figurine &#8211; In the light, 2016&#8243; show_in_lightbox=&#8221;on&#8221; align=&#8221;center&#8221; disabled_on=&#8221;off|off|off&#8221; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; height=&#8221;200px&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_padding=&#8221;0px||||false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;9px&#8221; text_orientation=&#8221;center&#8221; custom_margin=&#8221;-10px||||false|false&#8221; custom_padding=&#8221;0px||||false|false&#8221; global_colors_info=&#8221;{}&#8221;]Lothar G\u00f6tz, <em>Figurine &#8211; In the light<\/em>, 2016, Acrylic, pencil on linen, 70 x 55 x 3 cm, 27 1\/2 x 21 5\/8 x 1 1\/8 in[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_3,1_3,1_3&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/mucciaccia.com\/wp-content\/uploads\/2021\/05\/Goetz_wall.jpg&#8221; alt=&#8221;Goetz wall&#8221; title_text=&#8221;Goetz_wall&#8221; show_in_lightbox=&#8221;on&#8221; align=&#8221;center&#8221; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; height=&#8221;200px&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_padding=&#8221;0px||||false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;9px&#8221; text_orientation=&#8221;center&#8221; custom_margin=&#8221;-10px||||false|false&#8221; custom_padding=&#8221;0px||||false|false&#8221; global_colors_info=&#8221;{}&#8221;]Lothar G\u00f6tz, <em>Beyond<\/em>, 2021, 315 x 475 cm, 124 1\/8 x 187 1\/8 in[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; disabled_on=&#8221;on|on|on&#8221; admin_label=&#8221;Header&#8221; _builder_version=&#8221;4.19.4&#8243; background_enable_image=&#8221;off&#8221; background_size=&#8221;initial&#8221; background_repeat=&#8221;repeat&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_padding=&#8221;0px||||false|false&#8221; disabled=&#8221;on&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.16&#8243; use_custom_width=&#8221;on&#8221; width_unit=&#8221;off&#8221; custom_width_percent=&#8221;100%&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_2_font=&#8221;|500|||||||&#8221; header_2_font_size=&#8221;40px&#8221; header_3_font=&#8221;|700||on|||||&#8221; header_3_text_color=&#8221;rgba(0,0,0,0.35)&#8221; header_3_font_size=&#8221;12px&#8221; header_3_letter_spacing=&#8221;5px&#8221; header_3_line_height=&#8221;2em&#8221; transform_translate_linked=&#8221;off&#8221; text_orientation=&#8221;center&#8221; max_width=&#8221;700px&#8221; module_alignment=&#8221;center&#8221; scroll_scaling_enable=&#8221;on&#8221; header_2_font_size_tablet=&#8221;40px&#8221; header_2_font_size_phone=&#8221;26px&#8221; header_2_font_size_last_edited=&#8221;on|desktop&#8221; text_text_align=&#8221;center&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2>Past Exhibitions<\/h2>\n<p>[\/et_pb_text][et_pb_divider _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_blog fullwidth=&#8221;off&#8221; posts_number=&#8221;40&#8243; include_categories=&#8221;278&#8243; show_author=&#8221;off&#8221; show_date=&#8221;off&#8221; show_categories=&#8221;off&#8221; show_excerpt=&#8221;off&#8221; _builder_version=&#8221;4.22.2&#8243; _module_preset=&#8221;default&#8221; header_level=&#8221;h6&#8243; header_text_align=&#8221;center&#8221; header_font_size=&#8221;11px&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_blog][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; disabled_on=&#8221;off|off|off&#8221; module_id=&#8221;opere_works&#8221; _builder_version=&#8221;4.22.2&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;60px||0px||false|false&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text module_class=&#8221;hyperlink-color-image&#8221; _builder_version=&#8221;4.22.2&#8243; _module_preset=&#8221;default&#8221; header_2_font_size=&#8221;18px&#8221; custom_margin=&#8221;||0px||false|false&#8221; custom_padding=&#8221;||0px||false|false&#8221; header_2_font_size_tablet=&#8221;18px&#8221; header_2_font_size_phone=&#8221;18px&#8221; header_2_font_size_last_edited=&#8221;on|desktop&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2 style=\"text-align: left;\">OPERE<\/h2>\n<p>[\/et_pb_text][et_pb_divider color=&#8221;#c9c9c9&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;||0px||false|false&#8221; custom_padding=&#8221;||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; disabled_on=&#8221;off|off|off&#8221; _builder_version=&#8221;4.22.2&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/09\/Ben-Edwards-Bot-in-Love-2020-olio-su-tela-oil-on-canvas-cm-48&#215;36-inches-450&#215;600-1.jpg&#8221; alt=&#8221;Ben Edwards, Bot in Love, 2020, olio su tela, 48&#215;36 cm&#8221; title_text=&#8221;Ben Edwards, Bot in Love, 2020, olio su tela, 48&#215;36 cm&#8221; url=&#8221;https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/09\/Ben-Edwards-Bot-in-Love-2020-olio-su-tela-oil-on-canvas-cm-48&#215;36-inches-450&#215;600-1.jpg&#8221; use_overlay=&#8221;on&#8221; overlay_icon_color=&#8221;RGBA(255,255,255,0)&#8221; hover_overlay_color=&#8221;rgba(0,0,0,0.19)&#8221; align=&#8221;center&#8221; _builder_version=&#8221;4.22.2&#8243; _module_preset=&#8221;default&#8221; height=&#8221;350px&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_padding=&#8221;0px||||false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.22.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\"><span>Ben Edwards, <em>Bot in Love<\/em>, 2020, oil on canvas, 122&#215;91.5 cm<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/09\/Tom-Sanford-Uptown-local-2018-2019-acrilico-su-tela-acrylic-on-canvas-180x180cm.jpg&#8221; alt=&#8221;Tom Sanford, Uptown local, 2018-2019, acrilico su tela, 180&#215;180 cm&#8221; title_text=&#8221;Tom Sanford, Uptown local, 2018-2019, acrilico su tela, 180&#215;180 cm&#8221; url=&#8221;https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/09\/Tom-Sanford-Uptown-local-2018-2019-acrilico-su-tela-acrylic-on-canvas-180x180cm.jpg&#8221; use_overlay=&#8221;on&#8221; overlay_icon_color=&#8221;RGBA(255,255,255,0)&#8221; hover_overlay_color=&#8221;rgba(0,0,0,0.19)&#8221; align=&#8221;center&#8221; _builder_version=&#8221;4.22.2&#8243; _module_preset=&#8221;default&#8221; height=&#8221;350px&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_padding=&#8221;0px||||false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.22.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\"><span>Tom Sanford, <em>Uptown local<\/em>, 2018-2019, acrylic on canvas, 180x180cm<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; disabled_on=&#8221;off|off|off&#8221; _builder_version=&#8221;4.22.2&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/09\/Ben-Edwards-Dominance-2018-2019-olio-su-tela-oil-on-canvas-122.4-x-91.4-cm-48-x-36-inches-575&#215;768-1.jpg&#8221; alt=&#8221;Ben Edwards, Dominance, 2018-2019, olio su tela, 122.4&#215;91.4 cm&#8221; title_text=&#8221;Ben Edwards, Dominance, 2018-2019, olio su tela, 122.4&#215;91.4 cm&#8221; url=&#8221;https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/09\/Ben-Edwards-Dominance-2018-2019-olio-su-tela-oil-on-canvas-122.4-x-91.4-cm-48-x-36-inches-575&#215;768-1.jpg&#8221; use_overlay=&#8221;on&#8221; overlay_icon_color=&#8221;RGBA(255,255,255,0)&#8221; hover_overlay_color=&#8221;rgba(0,0,0,0.19)&#8221; align=&#8221;center&#8221; _builder_version=&#8221;4.22.2&#8243; _module_preset=&#8221;default&#8221; height=&#8221;350px&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_padding=&#8221;0px||||false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.22.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\"><span>Ben Edwards, <em>Dominance<\/em>, 2018-2019, oil on canvas, 122.4&#215;91 cm<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/09\/Ben-Edwards-Your-Bliss-Is-Calling-2017-oil-and-inkjet-on-canvas-olio-e-getto-di-inchiostro-su-tela-63.5x101_800x511.jpg&#8221; alt=&#8221;Ben Edwards, Your Bliss Is Calling, 2017, olio e stampa a getto di inchiostro su tela, 63.5&#215;101 cm&#8221; title_text=&#8221;Ben Edwards, Your Bliss Is Calling, 2017, olio e stampa a getto di inchiostro su tela, 63.5&#215;101 cm&#8221; url=&#8221;https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/09\/Ben-Edwards-Your-Bliss-Is-Calling-2017-oil-and-inkjet-on-canvas-olio-e-getto-di-inchiostro-su-tela-63.5x101_800x511.jpg&#8221; use_overlay=&#8221;on&#8221; overlay_icon_color=&#8221;RGBA(255,255,255,0)&#8221; hover_overlay_color=&#8221;rgba(0,0,0,0.19)&#8221; align=&#8221;center&#8221; _builder_version=&#8221;4.22.2&#8243; _module_preset=&#8221;default&#8221; height=&#8221;350px&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_padding=&#8221;0px||||false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.22.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\">Ben Edwards, <em>Your Bliss Is Calling<\/em>, 2017, oil and inkjet print on canvas, 63.5&#215;101 cm<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; disabled_on=&#8221;off|off|off&#8221; _builder_version=&#8221;4.22.2&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/09\/Tom-Sanford-Chess-Board-Cheeseburger-Still-Life-2020-acrilico-su-tela-acrylic-on-canvas-79.3-x-96.5-cm-jpg.jpg&#8221; alt=&#8221;Tom Sanford , Chess Board &#038; Cheeseburger Still Life, 2020, acrilico su tela, 79.3&#215;96.5 cm&#8221; title_text=&#8221;Tom Sanford , Chess Board &#038; Cheeseburger Still Life, 2020, acrilico su tela, 79.3&#215;96.5 cm&#8221; url=&#8221;https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/09\/Tom-Sanford-Chess-Board-Cheeseburger-Still-Life-2020-acrilico-su-tela-acrylic-on-canvas-79.3-x-96.5-cm-jpg.jpg&#8221; use_overlay=&#8221;on&#8221; overlay_icon_color=&#8221;RGBA(255,255,255,0)&#8221; hover_overlay_color=&#8221;rgba(0,0,0,0.19)&#8221; align=&#8221;center&#8221; _builder_version=&#8221;4.22.2&#8243; _module_preset=&#8221;default&#8221; height=&#8221;350px&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_padding=&#8221;0px||||false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.22.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\"><span>Tom Sanford , <em>Chess Board &amp; Cheeseburger Still Life<\/em>, 2020, acrylic on canvas, 79.3&#215;96.5 cm<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/09\/Tom-Sanford-Black-Friday-2008-2009-olio-su-carta-montata-su-legno-oil-paper-mounted-on-panel-191.8-x-244.4-cm.jpg&#8221; alt=&#8221;Tom Sanford, Black Friday, 2008-2009, olio su carta montata su legno, 191.8&#215;244.4 cm&#8221; title_text=&#8221;Tom Sanford, Black Friday, 2008-2009, olio su carta montata su legno, 191.8&#215;244.4 cm&#8221; url=&#8221;https:\/\/mucciaccia.com\/wp-content\/uploads\/2023\/09\/Tom-Sanford-Black-Friday-2008-2009-olio-su-carta-montata-su-legno-oil-paper-mounted-on-panel-191.8-x-244.4-cm.jpg&#8221; use_overlay=&#8221;on&#8221; overlay_icon_color=&#8221;RGBA(255,255,255,0)&#8221; hover_overlay_color=&#8221;rgba(0,0,0,0.19)&#8221; align=&#8221;center&#8221; _builder_version=&#8221;4.22.2&#8243; _module_preset=&#8221;default&#8221; height=&#8221;350px&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_padding=&#8221;0px||||false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.22.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\"><span>Tom Sanford, <em>Black Friday<\/em>, 2008-2009, oil on paper mounted on wood, 191.8&#215;244.4 cm<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;Footer&#8221; _builder_version=&#8221;4.16&#8243; background_size=&#8221;initial&#8221; background_repeat=&#8221;repeat-y&#8221; custom_padding=&#8221;0px|||||&#8221; saved_tabs=&#8221;all&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row column_structure=&#8221;1_4,1_4,1_4,1_4&#8243; use_custom_gutter=&#8221;on&#8221; _builder_version=&#8221;4.19.4&#8243; border_width_top=&#8221;1px&#8221; border_color_top=&#8221;#c9c9c9&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text content_last_edited=&#8221;off|desktop&#8221; module_class=&#8221;hyperlink-color&#8221; _builder_version=&#8221;4.22.2&#8243; text_font=&#8221;||||||||&#8221; text_font_size=&#8221;12px&#8221; text_line_height=&#8221;2em&#8221; link_font=&#8221;||||on|||rgba(0,0,0,0)|&#8221; link_text_color=&#8221;#666666&#8243; header_font=&#8221;||||||||&#8221; header_text_align=&#8221;left&#8221; header_3_font=&#8221;|700||on|||||&#8221; header_3_font_size=&#8221;12px&#8221; header_3_letter_spacing=&#8221;5px&#8221; header_3_line_height=&#8221;1.8em&#8221; header_6_font=&#8221;|700||on|||||&#8221; header_6_text_color=&#8221;#474747&#8243; header_6_font_size=&#8221;12px&#8221; header_6_line_height=&#8221;1.8em&#8221; link_font_tablet=&#8221;&#8221; link_font_phone=&#8221;&#8221; link_font_last_edited=&#8221;on|desktop&#8221; header_3_font_size_tablet=&#8221;&#8221; header_3_font_size_phone=&#8221;&#8221; header_3_font_size_last_edited=&#8221;on|desktop&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221; content__hover_enabled=&#8221;off|desktop&#8221; content__hover=&#8221;<\/p>\n<h6>Address<\/h6>\n<h6><strong><a title=%22ROME | Galleria Mucciaccia%22 href=%22https:\/\/mucciaccia.com\/mucciaccia-gallery-rome\/%22><span>ROME | Galleria Mucciaccia<\/span><\/a><\/strong><\/h6>\n<p>Largo della Fontanella Borghese, 89<br \/>Cap 00186 \u2013 Roma<br \/>Tel. +39 06.69923801<br \/>Fax +39 06.69200634<br \/>roma@galleriamucciaccia.it<\/p>\n<p>&#8220;]<\/p>\n<h6>Indirizzo<\/h6>\n<h6><strong><a title=\"ROME | Galleria Mucciaccia\" href=\"https:\/\/mucciaccia.com\/it\/mucciaccia-gallery-roma\/\"><span>ROMA | MUCCIACCIA PROJECT<\/span><\/a><\/strong><\/h6>\n<p>Via Laurina, 31<br \/>00187 \u2013 Roma<br \/>Tel. +39 06.79783647<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; 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locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h6>Orari<\/h6>\n<p>Luned\u00ec &#8211; Venerd\u00ec: 10:30 am \u2013 7:30pm<br \/>Sabato: 11:00 am \u2013 7:00pm<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text module_class=&#8221;hyperlink-color&#8221; _builder_version=&#8221;4.19.4&#8243; text_font=&#8221;||||||||&#8221; text_font_size=&#8221;12px&#8221; text_line_height=&#8221;2em&#8221; link_font=&#8221;||||on|||rgba(0,0,0,0)|&#8221; link_text_color=&#8221;#666666&#8243; header_font=&#8221;||||||||&#8221; header_text_align=&#8221;left&#8221; header_3_font=&#8221;|700||on|||||&#8221; header_3_font_size=&#8221;12px&#8221; header_3_letter_spacing=&#8221;5px&#8221; header_3_line_height=&#8221;1.8em&#8221; header_6_font=&#8221;|700||on|||||&#8221; header_6_text_color=&#8221;#474747&#8243; header_6_font_size=&#8221;12px&#8221; header_6_line_height=&#8221;1.8em&#8221; link_font_tablet=&#8221;||||on|||rgba(0,0,0,0)|&#8221; link_font_phone=&#8221;||||on|||rgba(0,0,0,0)|&#8221; link_font_last_edited=&#8221;on|desktop&#8221; header_3_font_size_tablet=&#8221;&#8221; header_3_font_size_phone=&#8221;&#8221; header_3_font_size_last_edited=&#8221;on|desktop&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h6>Follow<\/h6>\n<p>[\/et_pb_text][et_pb_social_media_follow _builder_version=&#8221;4.22.2&#8243; custom_margin=&#8221;-20px|||-10px&#8221; custom_margin_tablet=&#8221;&#8221; custom_margin_phone=&#8221;-20px||&#8221; custom_margin_last_edited=&#8221;on|desktop&#8221; filter_invert=&#8221;100%&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221; icon_color__hover=&#8221;#e02b20&#8243;][et_pb_social_media_follow_network social_network=&#8221;facebook&#8221; url=&#8221;https:\/\/www.facebook.com\/mucciacciacontemporary\/&#8221; _builder_version=&#8221;4.22.2&#8243; global_colors_info=&#8221;{}&#8221; follow_button=&#8221;off&#8221; url_new_window=&#8221;on&#8221;]facebook[\/et_pb_social_media_follow_network][et_pb_social_media_follow_network social_network=&#8221;instagram&#8221; url=&#8221;https:\/\/www.instagram.com\/mucciacciacontemporary\/&#8221; _builder_version=&#8221;4.22.2&#8243; global_colors_info=&#8221;{}&#8221; follow_button=&#8221;off&#8221; url_new_window=&#8221;on&#8221;]instagram[\/et_pb_social_media_follow_network][\/et_pb_social_media_follow][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>AFTERMODERNISM CHAPTER 2 Benjamin Edwards | Tom SanfordROMA | MUCCIACCIA PROJECT24 October 2020 \u2013 31 December 2020OVERVIEW\u00a0 \u00a0INSTALLATION VIEWS \u00a0\u00a0PUBLICATIONS\u00a0 \u00a0WORKSJan Fabre, A spiritual space, 2022,deep precious coral, pigment, polymers, 76,5 x 40,5 x 13 cmMucciaccia Contemporary\u00a0presents the second chapter of a long lasting exhibiting project started in 2019. Through yearly duo exhibitions the wants [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":21722,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[277],"tags":[],"class_list":["post-21718","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rome-past-exhibitions"],"acf":[],"_links":{"self":[{"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/posts\/21718","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/comments?post=21718"}],"version-history":[{"count":0,"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/posts\/21718\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/media\/21722"}],"wp:attachment":[{"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/media?parent=21718"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/categories?post=21718"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/tags?post=21718"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}