[et_pb_section fb_built=”1″ admin_label=”Artist new head” _builder_version=”4.19.4″ _module_preset=”default” custom_margin=”0px||||false|false” custom_padding=”0px||40px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_2,1_2″ module_id=”overview” _builder_version=”4.19.4″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text content_tablet=”<\/p>\n
a cura di Catherine Loewe<\/p>\n
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a cura di Catherine Loewe<\/p>\n
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curated by Catherine Loewe<\/p>\n
[\/et_pb_text][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” module_alignment=”left” custom_margin=”0px||0px||false|false” custom_padding=”0px|4px|0px|4px|false|false” custom_css_main_element=”display: inline-block;” global_colors_info=”{}”]<\/p>\n
ROME | GALLERIA MUCCIACCIA<\/p>\n
[\/et_pb_text][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” module_alignment=”left” custom_margin=”0px||0px||false|false” custom_padding=”0px|0px|0px|10px|false|false” custom_css_main_element=”display: inline-block;” global_colors_info=”{}”]<\/p>\n
May 24 – July 14 2018<\/p>\n
[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.19.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.24.0″ _module_preset=”default” text_text_color=”#000000″ text_font_size=”12px” link_text_color=”#939393″ text_orientation=”center” hover_enabled=”0″ text_text_color_tablet=”#000000″ text_text_color_phone=”#000000″ text_text_color_last_edited=”on|desktop” text_letter_spacing_tablet=”2px” text_letter_spacing_phone=”0px” text_letter_spacing_last_edited=”on|desktop” link_font_tablet=”” link_font_phone=”” link_font_last_edited=”on|desktop” global_colors_info=”{}” disabled_on=”on|on|on” disabled=”on” sticky_enabled=”0″]<\/p>\n
OVERVIEW<\/a>\u00a0 \u00a0INSTALLATION VIEWS<\/a> \u00a0\u00a0PUBLICATIONS<\/a><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.19.2″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”2_5,3_5″ use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.19.4″ _module_preset=”default” width=”100%” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.19.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9mZWF0dXJlZF9pbWFnZSIsInNldHRpbmdzIjp7fX0=@” show_in_lightbox=”on” align=”center” _builder_version=”4.19.4″ _dynamic_attributes=”src” _module_preset=”default” height=”340px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.19.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_text quote_border_color=”#e2e2e2″ _builder_version=”4.19.4″ _module_preset=”default” text_text_color=”#999999″ text_line_height=”2.2em” quote_font=”||on||||||” quote_text_color=”#494949″ custom_padding=”||40px||false|false” custom_padding_tablet=”40px||40px||false|false” custom_padding_phone=”||40px||false|false” custom_padding_last_edited=”on|desktop” text_font_size_tablet=”” text_font_size_phone=”14px” text_font_size_last_edited=”on|phone” text_line_height_tablet=”2.2em” text_line_height_phone=”1.6em” text_line_height_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n Galleria Mucciaccia is delighted to present an exhibition featuring the work of two highly acclaimed British artists Richard Patterson and Ged Quinn showing for the first time together in Rome. The exhibition presents an overview from across their respective oeuvres up to the present day. Patterson and Quinn were both born in 1963 in the UK and emerged during the pivotal period in late 1980\u2019s London when British art gained international recognition. This era represented a paradigm shift, characterized by the mixed-media conceptual art prevalent at the time but also by a sense of emancipation from both the conventions of postmodernist doctrine and the established hierarchies of the art world. The work of Patterson and Quinn can be seen as having its roots within this milieu – the multi-layered approach to source material and process, the inclination towards appropriation and the resurgence of the polemics of painting. In this context Patterson and Quinn can be distinguished by their resolute exploration of the power of the image and the possibilities inherent in the medium of painting.<\/p>\n Both artists studied in London, Quinn at the Slade, continuing his studies in Germany and the Richard Patterson<\/strong>\u2019s complex, multi-layered paintings sit firmly within the grand tradition of European and American art. Despite their rich pop cultural allusions culled from film, magazines, music and advertising, Patterson is engaged on a philosophical level with the interconnections of meaning, image and making. His works can be viewed as masks or screens, concealing a melancholy meditation on the contemporary condition. Patterson knowingly employs a battery of techniques, genres and media: selfportraits, ready-mades, photography, painterly streaks and smudges and virtuoso photorealist painting, which all converge in works that reveal the inherently political nature of craft and making.<\/p>\n Born in the UK in 1963, Patterson graduated from Goldsmiths College in 1986. He was included in Ged Quinn<\/strong> is celebrated for his densely layered paintings that transform art historical techniques into contemporary experience. He works in meticulous detail and executes with extraordinary technical skill. Under the artist’s hand, the pastoral landscape and the domestic still life are transformed from the familiar to the fantastic. Multiple histories, narratives and mythological emblems collide. The interplay of elements drawn from Western cultural history, mythology, philosophy and the imagination create an engagement with the viewer that challenges and plays with preconceived notions of beauty and art.<\/p>\n Ged Quinn was born in 1963 in Liverpool, UK. In the 1980s and 90s, Quinn studied at the Ruskin School of Drawing, Oxford, UK; Slade School of Fine Art, London, UK; nsta a emie, D ssel or , erman an Rijksakademie, Amsterdam, the Netherlands. Recent notable solo exhibitions include Rose, Cherry, Iron Rust, Flamingo (2017), Pearl Lam Galleries, Hong Kong, China; Ged Quinn (2014), Stephen Friedman Gallery, London, UK; Ged Quinn (2013\u201314) New Art Gallery Walsall, West Midlands, UK; and FOCUS: Ged Quinn (2012), Modern Art Museum of Fort Worth, Texas, USA. Notable group exhibitions include Synthetic Landscapes: Reviewing the ideal landscape (2017), Meadow Arts and Shrewsbury Museum and Art Gallery, Weston Park, Shifnal, UK; CLASSICICITY: Ancient art, contemporary objects (2015), Breese Little, London, UK; Cake and Lemon Eaters: Viktor Pivovarov and Ged Quinn (2014), Galerie Rudolfinum and The Gallery of Fine Arts in Ostrava, Czech Republic; Somos Libres II (2014), Pinacoteca Giovanni e Marella Agnelli, Turin, Italy; Looking at the View (2013), Tate Britain, London, UK; The Endless Rennaissance (2012), Bass Museum of Art, Miami, USA; and Beyond Reality: British Painting Today (2012), Galerie Rudolfinum, Prague, Czech Republic.<\/p>\n [\/et_pb_text][et_pb_button button_url=”https:\/\/mucciaccia.com\/richard-patterson-ged-quinn\/” button_text=”Press” _builder_version=”4.22.2″ _module_preset=”default” custom_button=”on” button_text_color=”#919191″ button_bg_color=”#FFFFFF” button_border_color=”#919191″ locked=”off” global_colors_info=”{}”][\/et_pb_button][et_pb_text disabled_on=”on|on|on” module_id=”info” _builder_version=”4.22.2″ _module_preset=”default” custom_padding=”10px||||false|false” border_width_top=”1px” border_color_top=”#cecece” disabled=”on” locked=”off” global_colors_info=”{}”]<\/p>\n Richard Patterson | Ged Quinn May 24 – July 14 2018<\/p>\n Inaugurazione gioved\u00ec 20 maggio 2021 dalle ore 16 Roma, Galleria Mucciaccia Orari di apertura [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|on” admin_label=”Header” _builder_version=”4.19.4″ background_enable_image=”off” background_size=”initial” background_repeat=”repeat” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” disabled=”on” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” use_custom_width=”on” width_unit=”off” custom_width_percent=”100%” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.19.4″ text_font=”||||||||” header_font=”|||on|||||” header_text_align=”center” header_font_size=”57px” header_line_height=”1.3em” header_2_font=”|500|||||||” header_2_text_align=”center” header_2_font_size=”30px” header_2_line_height=”1.3em” header_3_font=”|700||on|||||” header_3_text_align=”center” header_3_text_color=”rgba(0,0,0,0.35)” header_3_font_size=”12px” header_3_letter_spacing=”5px” header_3_line_height=”2em” header_6_text_align=”center” transform_translate_linked=”off” max_width=”700px” module_alignment=”center” header_font_size_tablet=”28px” header_font_size_phone=”28px” header_font_size_last_edited=”on|desktop” header_2_font_size_tablet=”26px” header_2_font_size_phone=”26px” header_2_font_size_last_edited=”on|tablet” header_3_letter_spacing_tablet=”0px” header_3_letter_spacing_phone=”0px” header_3_letter_spacing_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n <\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2021\/10\/invito-patterson-quinn-Roma-2018.jpg” alt=”Invito Mostra Quinn Patterson” title_text=”invito patterson quinn Roma 2018″ show_in_lightbox=”on” align=”center” _builder_version=”4.16″ _module_preset=”default” height=”400px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text disabled_on=”on|on|on” _builder_version=”4.16″ _module_preset=”default” text_font_size=”9px” text_orientation=”center” custom_margin=”-10px||||false|false” custom_padding=”0px||||false|false” disabled=”on” global_colors_info=”{}”]<\/p>\n Massimo Giannoni, Pianoforte libri, 2018, oil on canvas, 130 x 200 cm | 51 1\/8 x 78 3\/4 in.<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n Galleria Mucciaccia is delighted to present an exhibition featuring the work of two highly acclaimed British artists Richard Patterson and Ged Quinn showing for the first time together in Rome. The exhibition presents an overview from across their respective oeuvres up to the present day. Patterson and Quinn were both born in 1963 in the UK and emerged during the pivotal period in late 1980\u2019s London when British art gained international recognition. This era represented a paradigm shift, characterized by the mixed-media conceptual art prevalent at the time but also by a sense of emancipation from both the conventions of postmodernist doctrine and the established hierarchies of the art world. The work of Patterson and Quinn can be seen as having its roots within this milieu – the multi-layered approach to source material and process, the inclination towards appropriation and the resurgence of the polemics of painting. In this context Patterson and Quinn can be distinguished by their resolute exploration of the power of the image and the possibilities inherent in the medium of painting.<\/p>\n Both artists studied in London, Quinn at the Slade, continuing his studies in Germany and the Richard Patterson<\/strong>\u2019s complex, multi-layered paintings sit firmly within the grand tradition of European and American art. Despite their rich pop cultural allusions culled from film, magazines, music and advertising, Patterson is engaged on a philosophical level with the interconnections of meaning, image and making. His works can be viewed as masks or screens, concealing a melancholy meditation on the contemporary condition. Patterson knowingly employs a battery of techniques, genres and media: selfportraits, ready-mades, photography, painterly streaks and smudges and virtuoso photorealist painting, which all converge in works that reveal the inherently political nature of craft and making.<\/p>\n Born in the UK in 1963, Patterson graduated from Goldsmiths College in 1986. He was included in Ged Quinn<\/strong> is celebrated for his densely layered paintings that transform art historical techniques into contemporary experience. He works in meticulous detail and executes with extraordinary technical skill. Under the artist’s hand, the pastoral landscape and the domestic still life are transformed from the familiar to the fantastic. Multiple histories, narratives and mythological emblems collide. The interplay of elements drawn from Western cultural history, mythology, philosophy and the imagination create an engagement with the viewer that challenges and plays with preconceived notions of beauty and art.<\/p>\n Ged Quinn was born in 1963 in Liverpool, UK. In the 1980s and 90s, Quinn studied at the Ruskin School of Drawing, Oxford, UK; Slade School of Fine Art, London, UK; nsta a emie, D ssel or , erman an Rijksakademie, Amsterdam, the Netherlands. Recent notable solo exhibitions include Rose, Cherry, Iron Rust, Flamingo (2017), Pearl Lam Galleries, Hong Kong, China; Ged Quinn (2014), Stephen Friedman Gallery, London, UK; Ged Quinn (2013\u201314) New Art Gallery Walsall, West Midlands, UK; and FOCUS: Ged Quinn (2012), Modern Art Museum of Fort Worth, Texas, USA. Notable group exhibitions include Synthetic Landscapes: Reviewing the ideal landscape (2017), Meadow Arts and Shrewsbury Museum and Art Gallery, Weston Park, Shifnal, UK; CLASSICICITY: Ancient art, contemporary objects (2015), Breese Little, London, UK; Cake and Lemon Eaters: Viktor Pivovarov and Ged Quinn (2014), Galerie Rudolfinum and The Gallery of Fine Arts in Ostrava, Czech Republic; Somos Libres II (2014), Pinacoteca Giovanni e Marella Agnelli, Turin, Italy; Looking at the View (2013), Tate Britain, London, UK; The Endless Rennaissance (2012), Bass Museum of Art, Miami, USA; and Beyond Reality: British Painting Today (2012), Galerie Rudolfinum, Prague, Czech Republic.<\/p>\n [\/et_pb_text][et_pb_divider _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n Richard Patterson | Ged Quinn May 24 – July 14 2018<\/p>\n Inaugurazione gioved\u00ec 20 maggio 2021 dalle ore 16 Roma, Galleria Mucciaccia Orari di apertura [\/et_pb_text][et_pb_divider _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ module_id=”installation_views” _builder_version=”4.19.4″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”60px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”hyperlink-color-image” _builder_version=”4.19.4″ _module_preset=”default” header_2_font_size=”18px” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” header_2_font_size_tablet=”18px” header_2_font_size_phone=”18px” header_2_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_divider color=”#c9c9c9″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2022\/12\/installation_patterson_quinn_rm_3.jpg” alt=”Installation, Patterson – Quinn, Galleria Mucciaccia, Roma” title_text=”installation_patterson_quinn_rm_3″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.19)” align=”center” _builder_version=”4.19.3″ _module_preset=”default” height=”250px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2022\/12\/installation_patterson_quinn_rm_2.jpg” alt=”Installation, Patterson – Quinn, Galleria Mucciaccia, Roma” title_text=”installation_patterson_quinn_rm_2″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.19)” align=”center” _builder_version=”4.19.3″ _module_preset=”default” height=”250px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2022\/12\/installation_patterson_quinn_rm_1.jpg” alt=”Installation, Patterson – Quinn, Galleria Mucciaccia, Roma” title_text=”installation_patterson_quinn_rm_1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.19)” align=”center” _builder_version=”4.19.3″ _module_preset=”default” height=”250px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ module_id=”publications” _builder_version=”4.19.4″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”60px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”hyperlink-color-image” _builder_version=”4.19.4″ _module_preset=”default” header_2_font_size=”18px” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” header_2_font_size_tablet=”18px” header_2_font_size_phone=”18px” header_2_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_divider color=”#c9c9c9″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.19.4″ _module_preset=”default” link_option_url=”https:\/\/mucciaccia.com\/product\/ged-quinn-patterson\/” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2018\/05\/patterson-quinn-gmucciaccia.jpg” alt=”patterson – quinn – Galleria Mucciaccia Rome” title_text=”patterson-quinn-gmucciaccia” _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text quote_border_color=”#e2e2e2″ _builder_version=”4.19.4″ _module_preset=”default” text_text_color=”#999999″ text_line_height=”2.2em” quote_font=”||on||||||” quote_text_color=”#494949″ custom_padding=”||40px||false|false” custom_padding_tablet=”40px||40px||false|false” custom_padding_phone=”||40px||false|false” custom_padding_last_edited=”on|desktop” text_font_size_tablet=”” text_font_size_phone=”14px” text_font_size_last_edited=”on|phone” text_line_height_tablet=”2.2em” text_line_height_phone=”1.6em” text_line_height_last_edited=”on|phone” locked=”off” global_colors_info=”{}”]<\/p>\n Exhibition Catalogue, curated by Catherine Loewe, essay by David Elliott e Toby Kamps<\/span> [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][et_pb_row column_structure=”1_3,1_3,1_3″ disabled_on=”on|on|on” _builder_version=”4.16″ _module_preset=”default” disabled=”on” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2021\/10\/QUINN_-Plane-Plank-Nameless-Bridge.jpg” alt=”QUINN_ Plane, Plank, Nameless Bridge” title_text=”QUINN_ Plane, Plank, Nameless Bridge” show_in_lightbox=”on” align=”center” disabled_on=”off|off|off” _builder_version=”4.16″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text disabled_on=”on|on|on” _builder_version=”4.16″ _module_preset=”default” text_font_size=”9px” text_orientation=”center” custom_margin=”-10px||||false|false” custom_padding=”0px||||false|false” disabled=”on” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2021\/10\/QUINN_Peter-Paul-Mary.jpg” alt=”QUINN_Peter, Paul, Mary” title_text=”QUINN_Peter, Paul, Mary” show_in_lightbox=”on” align=”center” disabled_on=”off|off|off” _builder_version=”4.16″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2021\/10\/Patterson_Woman-at-her-toilet.jpg” alt=”Patterson” title_text=”Patterson” show_in_lightbox=”on” align=”center” disabled_on=”off|off|off” _builder_version=”4.16″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ disabled_on=”on|on|on” _builder_version=”4.19.3″ _module_preset=”default” disabled=”on” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/mucciaccia.com\/wp-content\/uploads\/2021\/10\/Patterson_Portrait-of-the-artist.jpg” alt=”Ian Davenport, Cobalt Blue\/ Dioxazine Purple – Green, Hue (After Bonnard), 2020″ title_text=”TOO6606 001″ show_in_lightbox=”on” align=”center” _builder_version=”4.16″ _module_preset=”default” height=”200px” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|on” admin_label=”Header” _builder_version=”4.16″ background_enable_image=”off” background_size=”initial” background_repeat=”repeat” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” disabled=”on” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ use_custom_width=”on” width_unit=”off” custom_width_percent=”100%” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font=”||||||||” header_font=”||||||||” header_2_font=”|500|||||||” header_2_font_size=”40px” header_3_font=”|700||on|||||” header_3_text_color=”rgba(0,0,0,0.35)” header_3_font_size=”12px” header_3_letter_spacing=”5px” header_3_line_height=”2em” transform_translate_linked=”off” text_orientation=”center” max_width=”700px” module_alignment=”center” scroll_scaling_enable=”on” header_2_font_size_tablet=”40px” header_2_font_size_phone=”26px” header_2_font_size_last_edited=”on|desktop” text_text_align=”center” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n Born in 1957 in Greensboro, North Carolina. Lives and works in New York.<\/span> [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|on” admin_label=”Header” module_id=”past_exhibitions” _builder_version=”4.22.2″ custom_margin=”0px||0px||false|false” custom_padding=”60px||0px||false|false” disabled=”on” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ use_custom_width=”on” width_unit=”off” custom_width_percent=”100%” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text module_class=”hyperlink-color-image” _builder_version=”4.19.4″ _module_preset=”default” header_2_font=”|||on|||||” header_2_font_size=”18px” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” header_2_font_size_tablet=”18px” header_2_font_size_phone=”18px” header_2_font_size_last_edited=”on|desktop” locked=”off” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_divider color=”#c9c9c9″ _builder_version=”4.19.4″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_divider][et_pb_blog fullwidth=”off” posts_number=”40″ include_categories=”156″ show_author=”off” show_date=”off” show_categories=”off” show_excerpt=”off” use_overlay=”on” overlay_icon_color=”RGBA(255,255,255,0)” hover_overlay_color=”rgba(0,0,0,0.32)” module_class=”et_blog_grid_equal_height” _builder_version=”4.16″ _module_preset=”default” header_level=”h3″ header_font=”|600|||||||” header_text_align=”justify” header_text_color=”#545454″ header_font_size=”14px” text_orientation=”center” max_width_tablet=”600px” max_width_phone=”600px” max_width_last_edited=”on|phone” module_alignment=”center” header_font_size_tablet=”14px” header_font_size_phone=”14px” header_font_size_last_edited=”on|phone” module_alignment_tablet=”center” module_alignment_phone=”center” 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header_text_align=”left” header_3_font=”|700||on|||||” header_3_font_size=”12px” header_3_letter_spacing=”5px” header_3_line_height=”1.8em” header_6_font=”|700||on|||||” header_6_text_color=”#474747″ header_6_font_size=”12px” header_6_line_height=”1.8em” link_font_tablet=”||||on|||rgba(0,0,0,0)|” link_font_phone=”||||on|||rgba(0,0,0,0)|” link_font_last_edited=”on|desktop” header_3_font_size_tablet=”” header_3_font_size_phone=”” header_3_font_size_last_edited=”on|desktop” locked=”off” global_colors_info=”{}”]<\/p>\n Monday – Saturday: 10am \u2013 7:30pm<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text module_class=”hyperlink-color” _builder_version=”4.19.4″ text_font=”||||||||” text_font_size=”12px” text_line_height=”2em” link_font=”||||on|||rgba(0,0,0,0)|” link_text_color=”#666666″ header_font=”||||||||” header_text_align=”left” header_3_font=”|700||on|||||” 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The exhibition presents an overview from […]<\/p>\n","protected":false},"author":8,"featured_media":14911,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[156],"tags":[],"class_list":["post-14927","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rome-past-exhibitions-archive"],"acf":[],"_links":{"self":[{"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/posts\/14927","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/comments?post=14927"}],"version-history":[{"count":0,"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/posts\/14927\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/media\/14911"}],"wp:attachment":[{"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/media?parent=14927"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/categories?post=14927"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mucciaccia.com\/en\/wp-json\/wp\/v2\/tags?post=14927"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Netherlands before moving to rural Cornwall in the UK and Patterson at Goldsmiths, subsequently
leaving London for New York and Dallas in the USA. Over three decades of artistic practice, Patterson and Quinn have refined their creative vision and technical brilliance to forge distinctive interpretations that reflect both a profound personal and cultural consciousness. Both employ a multitude of forms, idioms and genres, the disparate and contradictory elements of which might appear random, but are in fact carefully extracted and painstakingly rendered. We are visually hooked from the first moment by the sheer bravura of the work \u2013 whether epic or tiny, abstract or photorealistic, but no matter how seductive the painted surface, this is far from complacent art. Assimilating in parallel the enduring dialectic between figuration and abstraction, past and present, fact and fiction, sacred and profane, high and popular culture, this exhibition establishes a compelling dialogue between these two renowned artists.<\/p>\n
Damien Hirst\u2019s renowned Freeze, Surrey Docks, London (1988); as well as Sensation: Young British
2 Artists from the Saatchi Collection, Royal Academy of Arts, London, UK; Hamburger Bahnhof \u2013 Museum f\u00fcr Gegenwart, Berlin, Germany; Brooklyn Museum of Art, New York, USA (1997-00). Other notable exhibitions include The Rowan Collection: Contemporary British & Irish Art, Irish Museum of Modern Art, Dublin, Ireland (2002); Painting Pictures, Kunstmuseum Wolfsburg, Germany (2003); Nexus Texas, Contemporary Arts Museum Houston, Texas, USA (2007) and Attention to Detail, curated by Chuck Close, the FLAG Art Foundation, New York, USA. Patterson has had solo exhibitions at Anthony d\u2019Offay Gallery, London (1997); James Cohan Gallery, New York, USA (1999 and 2002); Dallas Museum of Art, Dallas, Texas, USA (2000), Timothy Taylor Gallery, London (2005, 2008 and 2013); and the Goss-Michael Foundation, Dallas, USA (2009).<\/p>\n
<\/strong>Curated by Catherine Loewe<\/p>\n
L’inaugurazione si svolger\u00e0 nel rispetto delle norme per il contrasto del Covid 19<\/p>\n
Largo della Fontanella di Borghese 89<\/p>\n
Da luned\u00ec a sabato ore 10.00 \u2013 19.30
Domenica chiuso<\/p>\nRichard Patterson | Ged Quinn<\/h1>\n
\u00a0a cura di Catherine Loewe<\/h2>\n
Galleria Mucciaccia Roma<\/h3>\n
<\/h6>\n
Netherlands before moving to rural Cornwall in the UK and Patterson at Goldsmiths, subsequently
leaving London for New York and Dallas in the USA. Over three decades of artistic practice, Patterson and Quinn have refined their creative vision and technical brilliance to forge distinctive interpretations that reflect both a profound personal and cultural consciousness. Both employ a multitude of forms, idioms and genres, the disparate and contradictory elements of which might appear random, but are in fact carefully extracted and painstakingly rendered. We are visually hooked from the first moment by the sheer bravura of the work \u2013 whether epic or tiny, abstract or photorealistic, but no matter how seductive the painted surface, this is far from complacent art. Assimilating in parallel the enduring dialectic between figuration and abstraction, past and present, fact and fiction, sacred and profane, high and popular culture, this exhibition establishes a compelling dialogue between these two renowned artists.<\/p>\n
Damien Hirst\u2019s renowned Freeze, Surrey Docks, London (1988); as well as Sensation: Young British
2 Artists from the Saatchi Collection, Royal Academy of Arts, London, UK; Hamburger Bahnhof \u2013 Museum f\u00fcr Gegenwart, Berlin, Germany; Brooklyn Museum of Art, New York, USA (1997-00). Other notable exhibitions include The Rowan Collection: Contemporary British & Irish Art, Irish Museum of Modern Art, Dublin, Ireland (2002); Painting Pictures, Kunstmuseum Wolfsburg, Germany (2003); Nexus Texas, Contemporary Arts Museum Houston, Texas, USA (2007) and Attention to Detail, curated by Chuck Close, the FLAG Art Foundation, New York, USA. Patterson has had solo exhibitions at Anthony d\u2019Offay Gallery, London (1997); James Cohan Gallery, New York, USA (1999 and 2002); Dallas Museum of Art, Dallas, Texas, USA (2000), Timothy Taylor Gallery, London (2005, 2008 and 2013); and the Goss-Michael Foundation, Dallas, USA (2009).<\/p>\n
<\/strong>Curated by Catherine Loewe<\/p>\n
L’inaugurazione si svolger\u00e0 nel rispetto delle norme per il contrasto del Covid 19<\/p>\n
Largo della Fontanella di Borghese 89<\/p>\n
Da luned\u00ec a sabato ore 10.00 \u2013 19.30
Domenica chiuso<\/p>\nINSTALLATION VIEWS<\/h2>\n
PUBLICATIONS<\/h2>\n
Published by Carlo Cambi Editore<\/span>
2018<\/span><\/p>\nAbout the artist<\/h2>\n
Holliday began as a student at the San Francisco Art Institute and later went on to perfect his techniques at The New York Studio School and The School of Visual Arts in New York. A Painter and performance artist connected to the Neo Abstract and Neo Expressionist Movement, Holliday reaches fame in New York during the 1970s and 1980s, is often associated with the East Village art scene and the Club 57.<\/span>
In the early years of his career as an artist, he worked closely with Andy Warhol, Keith Haring, Ann Magnuson and Kenny Scharf.<\/span>
Frank Holliday has exhibited with the Kenny Schacter and Tony Shafrazi Galleries and has solo exhibitions at Debs & Co., Tom Cugliani Gallery, The Kitchen, GAL Gallery, and Mucciaccia Gallery Singapore.<\/span>
He participates in numerous group exhibitions at prestigious New York spaces such as The Arts Club, Derek Eller, White Columns, Sandra Gering Gallery, Amy Lipton Gallery, Elizabeth Dee, Barbara Toll Fine Art, Lennon Weinberg, PS1, and the Club 57 with Keith Haring.<\/span>
His work receives critical acclaim and is the subject of reviews written by Holland Cotter and Stephen Westfall in Art in America, Gluek Grace and Ken Johnson for The New York Times, and Bill Arning for the Village Voice.<\/span>
Holliday is included in the Heiner Friedrich collection as well as numerous important private collections worldwide in the United States, Europe, Japan, Australia and Mexico.<\/span>
His works are also found in prestigious museum collections such as Moma New York; The Weatherspoon Museum at The University of North Carolina at Greensboro; The Museum Frederick Russe of Stockholm; the Miniature Museum of Amsterdam.<\/span>
He is awarded the National Endowment for the Arts in 1986, the Gottlieb Foundation Fellowship in 2010, the Pollock Krasner Foundation Fellowship in 2010 and the John Simon Guggenheim Memorial Foundation in 2015.<\/span>
His most recent exhibitions include\u00a0<\/span>Frank Holliday<\/em>, Museo Bilotti, Vila Borghese, Rome, Italy (2019) and\u00a0<\/span>Club 57: Film, Performance, and Art in the East Village, 1978\u20131983<\/em>, MoMa in New York (2017-2018).<\/span><\/p>\nPast Exhibitions<\/h2>\n
Address<\/h6>\n
ROME | Galleria Mucciaccia<\/span><\/a><\/strong><\/h6>\n
Cap 00186 \u2013 Roma
Tel. +39 06.69923801
Fax +39 06.69200634
roma@galleriamucciaccia.it<\/p>\nAddress<\/h6>\n
ROME | Galleria Mucciaccia<\/span><\/a><\/strong><\/h6>\n
Cap 00186 \u2013 Roma
Tel. +39 06.69923801
Fax +39 06.69200634
roma@mucciaccia.com<\/p>\nOpening Hours<\/h6>\n
Follow<\/h6>\n